What the robin knows How birds reveal the secrets of the natural world

Jon Young, 1960-

Book - 2012

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Subjects
Published
Boston : Houghton Mifflin Harcourt 2012.
Language
English
Main Author
Jon Young, 1960- (-)
Other Authors
Dan Gardoqui (-)
Physical Description
xxviii, 241 pages : illustrations ; 22 cm
Bibliography
Includes bibliographical references and index.
ISBN
9780547451251
  • Dedication
  • Acknowledgments
  • Introduction: What the Robin Knows
  • 1. A Cacophony of Harmony
  • 2. In the Beginning Is the Song
  • 3. More Cacophony of Harmony
  • 4. The Sit Spot
  • 5. An Alarm for Every Occasion
  • 6. They're All in This Together
  • 7. A Shape for Every Occasion
  • 8. From Collision to Connection
  • Appendix A. Learning Bird Language
  • Appendix B. Audio
  • Notes
  • References
  • Index
Review by Choice Review

Observing birds can reveal a great deal about their surroundings. Because their survival depends on their reactions, birds' behavior is finely tuned to specific conditions. Young is an experienced tracker and naturalist who was mentored by noted tracker Tom Brown Jr. The author draws on both Native American and African Bushman tradition to achieve his goal of thinking "about birds and their habitats as anthropologists consider humans and their cultures." This book goes well beyond simply identifying bird songs, but focuses on understanding the contexts of additional vocalizations, including companion and alarm calls, territorial aggression, and adolescent begging. These, in conjunction with birds' behavior, can assist with interpreting what is occurring in the natural environment. Young calls this "deep bird language." Understanding specific alarm calls and associated actions, for example, can reveal what predator might be nearby. Young discusses techniques for learning how to interpret bird language, including developing a "sit spot" in which one practices focused observation. He concentrates on examples of common species such as robins and juncos to make his points. Numerous diagrams illustrate birds' responses to different situations. Associated audio clips are freely available on a companion website. Summing Up: Recommended. All readership levels. C. E. Buckley Illinois State University

Copyright American Library Association, used with permission.
Review by Booklist Review

*Starred Review* In a groundbreaking work, Young, an experienced bird tracker and naturalist, shows nature lovers a new way to decipher the language of birds. Drawing from both cultural traditions and current scientific research, the author teaches the reader to be quiet, listen, and discover what is actually transpiring. By engaging all of our senses, we can begin to read the ecological stories around us. Young encourages readers to pick a spot to sit every day and learn that, for instance, robins are very good teachers: their expressive repertoire of behaviors and vocalizations provides a primer from which the bird observer can learn, and later expand to other bird species. In clear, evocative language, Young teaches how to walk so as to create as little disturbance as possible, different ways of using the eyes to focus on birds and other animals, and how the movement patterns of birds reveal what they are reacting to. This absolutely fascinating book is a unique look at the natural world.--Bent, Nancy Copyright 2010 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

In this naturalist guidebook, Young, a naturalist and teacher, has two objectives: first, by studying "deep bird language," we can find out "what's really going on in the world of birds"; second, we can figure out how to "access that world through our awareness of deep bird language so that we can see more wildlife." His third, less direct goal is sharing his "conviction that understanding the birds really does help us to understand ourselves." The premise is simple: find a "sit spot" (a place where you can unobtrusively be part of the world you are observing) and go there frequently-daily, if possible. Sit quietly and stay long enough to let the birds readjust to their "baseline" vocalizing. Recognizing the baseline allows you to notice outlying noises and begin to posit theories about them, although, as Young frequently reminds readers, he is working with largely hypothetical concepts. The book comes with a handy collection of audio files to help listeners identify various songs and alarms of common birds. Though primarily geared toward birders and naturalists rather than lay readers, this passionate instruction manual offers enjoyable anecdotes. Agent: Bonnie Solow. (May) (c) Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Naturalist Young's (coauthor, Animal Tracking Basics) distinctive, well-documented book describes how birds' reactions to predators including humans can help tell careful observers what is going on, even if they do not immediately see the cause of the birds' alarm. For example, an experienced animal tracker can predict whether a cat or a person is approaching well before either can be seen, just by the way birds behave. Young describes in detail the subculture of people who develop these animal-tracking skills. This method of wildlife watching has its own language, with terms such as bird plow, sentinel, popcorn, hook, etc., that indicate various "alarm shapes." Much of this craft is derived from Native Americans and other indigenous cultures worldwide. The accompanying CD has 75 tracks with alarm and other calls of 24 bird and five mammal species. VERDICT More subtle than bird watching, the techniques that make up animal tracking may seem contrived until readers see that Young's citations reference scientific research. Recommended for readers interested in taking bird watching to another level.-Henry Armistead, formerly with Free Lib. of Philadelphia (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

Naturalist Young (co-author: Coyote's Guide to Connecting with Nature, 2008) explains how to understand the language of birds. Trained in anthropology at Rutgers, the author's passion for bird-watching began in the salt marshes of southern New Jersey where he was raised, but he attributes his real learning to a series of mentors who trained him in Native American traditions. Young believes that native and scientific knowledge about nature are complementary, and that animal communication is "never just the robins communicating with other robins"--they transmit information to other species, which follow their calls. In his wilderness-training classes, Young teaches students how to listen and understand these communications. However, he notes, it's a skill that can be practiced by anyone in the backyard or a local park, by choosing a "sit spot" and quietly observing what is happening in the same area every day. Young stresses the need to sit quietly, allowing the birds to accept our presence; after first flying away in alarm, they will return to their territory. "If we learn to read the birdswe can read the world at large," he writes. "The types of birds seen or heard, their numbers and behaviors and vocalizations, will reveal the locations of running water or still water, dead trees, ripe fruit, a carcass, predators, fish runs, insect hatches, and so much more." This information, shared by all the birds and animals living in a habitat, was crucial to the survival of hunter-gatherer societies. A trained tracker can learn to recognize how the variations in birdcalls and their behavior when alarmed can identify different predators such as hawks, crows and cats. A sophisticated guide for amateur bird watchers and a door-opener for newbies.]] Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

INTRODUCTION: WHAT THE ROBIN KNOWS ONE EARLY SPRING DAY when I was a teenager and already keenly interested in birds, I was scouting the vast salt marshes of southern New Jersey, and I saw a ruff. A ruff! This wading bird (considered a sandpiper) wasn't supposed to be on the North American continent at all, but there it was, fresh in from Europe or perhaps even Asia. That was an exciting moment, and so was my teenage discovery of the scissor-tailed flycatcher and the snowy owl, both way out of their respective ranges, and the very rare golden-winged warbler. I went to the trouble of identifying those unexpected birds because I identified every bird I saw and heard. If I couldn't do so on the first encounter, I went back the next day, and the next. If I heard a sound from a bird I hadn't heard before, I grabbed my binoculars and went searching until I found the source--or left defeated, but determined to find it at the next opportunity. In May, when the warblers migrated across New Jersey over the course of just three or four peak days, I was out there aggressively trying to sort them out--fifteen or so species at my hangout, as well as the forty others that breed in New Jersey. At Rutgers, where I studied anthropology and natural history, I was probably the first one to sign up for the annual one-day bird count that began in the Brigantine National Wildlife Refuge--a major point along the Atlantic Flyway in southern New Jersey--and concluded at Helyar Woods near the campus. Success for our van full of varied birders began that day before dawn with a singing Chuck-will's-widow and concluded after nightfall with an eastern screech-owl. That very long day's scouring yielded ninety-six species. While that may not be so impressive to some really good birders, it was my best day up to that point. I was eighteen years old.    I've had a lot of great birding moments in North America, the Hawaiian Islands, Europe, and Africa, and I've drawn solid lessons from them, but this fact remains: the American robin in my yard has much more to teach me as I sit quietly beneath a tree first thing each morning (with my binoculars on my lap only rarely these days). For one thing, this bird is so handy. For another, it's one of the most expressive of all birds, vocally and in its body language. Was the robin driven into the tree by something in the thicket, or was it drawn up by curiosity (which is to say, mild alarm)? If I know this bird, I know the answer. I know when there's a cat in the vicinity. I know when there's a dog, not a cat, in the vicinity. Of course, the robin also advises me about what seems to be its greatest fear: the deadly accipiters winging furtively through the neighborhood. Likewise for the song sparrows, even though they're virtually invisible to most folks walking around the neighborhood ( song sparrows, not house sparrows). These elusive little brown shadows that bustle on the brown earth at the sides of the yard-- shreep shreep shreep --then hop to the top of the bush (almost always the top), flip their wings, flip their tails, peer down intently-- shreep shreep shreep . They also know all about the cat and the dog and the sharp-shinned hawk. For learning bird language, song sparrows are great allies.    Is a junco hanging around this morning? When feeding, this small gray bird favors the shadowy patches of open ground that match its coloration perfectly. If I haven't really engaged my wide-angle "owl" vision (pretty much the opposite of narrow-angle binocular vision), if I'm not calm and quiet enough to detect subtle movements and hear subtle sounds, this modest creature will always get the best of me and remain undetected. I may unwittingly step on its saucer-size, carefully woven nest of rootlets, moss, pine needles, and grass. So it stands to reason that juncos are masters of subtlety: any songbird that feeds on the ground and often nests on the ground, with danger therefore a constant companion, had better be wary. Sometimes I think the deer have the juncos in their front pockets. When one of these little birds finally bursts off the ground and flies away, flashing its dark gray and white tail pattern, the deer's huge ears--veritable radar dishes--swivel instantly in that direction. For them, the tiny twittering alarm must be like a screaming siren.    Robins? Sparrows? Juncos? Boring! I've heard this lament from the occasional first-day student, but I've never heard it from a third-day student. It just doesn't happen, because the complaint is so wrong, and it doesn't take anyone long to understand why. When we really see and hear and begin to understand these and other birds, the revelations are fun, enthralling, even vital.    My name for the study of birds' behavior and accompanying vocalizations is "deep bird language," and I believe--and will attempt to demonstrate in these pages--that it's the key to understanding both the backyard and the forest. Here's a little demonstration of how it works. (I'd put this in the "fun" category.) I was meeting some people at a new mentoring center in California. A board member was showing me around the facility, about which everyone was justifiably proud. In the main part of the building, a converted suburban house, the two of us were in a backroom that had a sliding glass door opening onto a backyard and swimming pool. Through this door, I spied a small brown bird on the ground right outside, helping itself to something trapped in a spider web. As I edged closer, I realized that these were baby spiders in their own web, and the bird was plucking them up, one by one, with its long curved bill, as effective for this job as a pair of tweezers. When I got too close to the glass door, the bird, a wrentit, hopped off and went to ground at the base of an overgrown hedge only a few feet away. If it raised an alarm call at that moment, I could not hear it through the glass door, with some ambient sound coming from another room and my host speaking continuously as he pointed to photographs and told me stories of this place. I enjoyed the stories and was quite engaged, even if my attention seemed elsewhere.    Perched in a nearby tree was a robin, singing away. I couldn't hear the song, but seeing its head flip this way and that--its mouth open, its throat moving, its body relaxed--I knew the bird was singing (listen to audio file 1, for example). I turned back to the wrentit, and just as I did, it flew up five feet, something over waist height. Now it was almost in my face, a few feet away. I could barely hear the chut! alarm, but I could see the pumping tail. (The alarm call is in audio file 3.) This was the same bird that had retreated from me a few moments earlier, so I concluded that something else had startled it even more. Out of the corner of my eye, I saw that the robin had quit singing and was rigid except for its tail, which was now also pumping in alarm. Let's see ... two alarmed birds in a suburban yard, one of them a ground dweller who has jumped up five feet--not ten, not fifty, but five. When I tell this story to a lay audience and ask for guesses about the cause of the alarm, everybody knows the answer.    On the scene, however, when I turned to my new friend and said, "Hey, there's a cat coming," he didn't know what to make of my prediction. He hadn't seen what I'd seen. Frankly, he was in a completely different frame of mind at the moment.    "What?"    "A cat's coming. Look!" I pointed down to the ground outside the glass door, where the cat would surely slink past shortly. When it did a few seconds later, my friend's jaw dropped, but only because he hadn't been following the story outside. Any thoughts about my psychic powers were erased by my real-world explanation of what had happened between the wrentit, the robin, and the cat. Backyard Learning There's nothing random about birds' awareness and behavior. They have too much at stake--life and death. Nor does random luck determine who among us has really close encounters with them and the other animals. As cosseted humans who have lost much of our sensory keenness, we are at a great disadvantage, but we can do much better. The birds' language can be loaded with meaning for us as well, if only we pay close enough attention. We have ears; we can tune in, too. If we understand the birds, we can meet just about any animal we want. Without this understanding, many well-meaning seekers find the fox only when she's running away or leaping across the midnight road in the glare of the headlights. I'd much rather find her lying on a mossy bed in dappled sunlight in the early morning, lazily licking her paws, grooming herself, and gazing over the landscape with soft eyes, ears angling this way and that as she picks up and listens to the nuances carried by the wind. This fox is tuned in to the tapestry of bird song on all sides. The animals know the importance of this language, and they listen to it. This is how they learn about us, and the birds' alarms give them so much advance warning of our approach that they can choose the manner and timing of their own retiring departure. Only rarely do they actually have to run away.    We are often (usually, to be honest) a jarring, unaware presence in the world beyond the front door. Even when we're "bird watching," looking for different species--in many cases for particular species--there can be a sense in which we're hunting. If we hear the call of a black-throated green warbler and want to have a look at it, we more or less ignore the other birds, so intent are we on locating that beautiful warbler. The robin may rebuke our sudden incursion, the chipmunk may chip at us, the squirrel may race up the tree and wave its tail, but we're only peripherally aware of these messages, if at all. (The robin's agitation call is in audio file 2; examples of chipmunk alarm calls are in audio file 66 [terrestrial alarm] and number 68 [alarm near hole].)    If we're in bird language mode, however, we're moving with a whole different frame of mind and venturing into another realm of awareness and intention and curiosity. We're holding multiple questions in mind simultaneously. We're not focused on a single species. We're monitoring several species consciously and perhaps quite a few others unconsciously. We don't have "hunting" intentions. We have diffuse awareness, curiosity, perceptions, and questions. We're always aware of the ripples that we are creating as we go. What is the robin's first alarm call? What is the junco's? Ground predator or aerial predator? Are these alarms for me, for that orange and white cat who's been hanging around the past couple of days, or for something else? Or maybe we have the opposite circumstance. At this time of morning on a calm, sunny spring day, there should be much more vocalizing and activity over in that diverse edge habitat. Two days ago, those trees and hedges were buzzing with multiple species. Why not now? How "big" is the silence in that area? Does it extend from ground to canopy, or are the grosbeaks up in the treetops as vocal as ever? Although we can see in only one direction at a time, when we're in bird language mode, we're hearing information from all directions all the time. The experience is multidimensional and involves many different senses. We're walking carefully, slowly, stopping and looking (but not sneaking, which fools no one out there), adopting a relaxed body posture that reflects a relaxed, receptive brain, not a hunting brain.    One of the first pleasant tasks for anyone interested in the methodology of bird language is to select a private place among the birds to visit as often as possible. It may be in the forest, the suburban or urban park, or the backyard. Regardless, it will be the main venue for figuring out what's going on, for connecting the dots, for gathering the stories of the birds and their context. So I call it simply the "sit spot," but it could be called the "medicine area," in reference to the depth of connection and understanding one can absorb and gain. In this book, it merits a chapter of its own. In your sit spot, it's not as important to know every bird by its scientific name as it is to know that that robin over there is an individual like you and me. Let's call him Bill, the male who owns this territory. Consorting with him this year is Sally. What happened to Betty, who had that very distinctive brown mark on one side? She was with Bill for the past two seasons. She's gone now; that's all we know. How long will this new mate last? What about Bill himself? That remains to be seen. (The names may be silly. The point is not. You, too, can attain such knowledge in your sit spot, should you so desire.)    Thus my two main subjects in this book: What's really going on in the world of the birds? How we can access that world through our awareness of deep bird language so that we can also see more wildlife?    Am I a "bird whisperer"? No, but I listen to their whispers--and their songs and companion calls and alarm calls--very closely. I watch their behavior very closely. If you're a student of bird language, this degree of observation becomes almost automatic. You develop new resources with and for your brain. This approach only makes sense, because, after all, which is older, our language or their language? The sectors of our brain that can understand their language are deeper than the sectors that manage our own. Add up all the accumulated experience and knowledge and input from these ancient yet newly discovered instincts, and you end up with "gut feelings" of uncanny accuracy. That venerable saying "A little bird told me" takes on a whole new meaning. You may just feel in your gut that a certain alarm call is due to a raccoon coming through--nothing else, definitely a raccoon. You don't know why you have this hunch, but you do, so you go out and check, and there goes that masked bandit. Such feats of the "adaptive unconscious" are the subject of Malcolm Gladwell's bestseller Blink: The Power of Thinking Without Thinking. They are manifest in many fields. A basic knowledge of bird language will produce many fascinating examples. Excerpted from What the Robin Knows: How Birds Reveal the Secrets of the Natural World by Jon Young All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.