The art of hearing heartbeats A novel

Jan-Philipp Sendker

Book - 2012

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Subjects
Genres
Mystery fiction
Published
New York : Other Press [2012].
Language
English
German
Main Author
Jan-Philipp Sendker (-)
Other Authors
Kevin Wiliarty (-)
Physical Description
325 p. ; 21 cm
ISBN
9781590514634
Contents unavailable.
Review by Booklist Review

Already a huge hit in Europe, Sendker's debut is a lush tale of romance and family set in mid-twentieth-century Burma. Four years after her father mysteriously disappeared, Julia Win traces him to the small town of Kalaw after finding a love letter among his possessions addressed to a woman named Mi Mi. In Kalaw, an old man named U Ba approaches her, promising to tell her the story of her father's life before he came to New York and met her mother. As a child, Tin Win was abandoned by his mother, who was told by an astrologer the boy was cursed. At 10, Tin Win gradually goes blind. He's taken in by a kindly neighbor, who finds him a home at a local monastery. It is there that he meets Mi Mi, whose crippled legs make her as much of an outsider as Tin Win. Their natural camaraderie quickly turns into love, but their happiness is brief. A beautiful tale bound to enchant readers on this side of the Atlantic.--Huntley, Kristine Copyright 2010 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

This tearful, circuitous German bestseller traces the lost romance between a blind young monk and a poor crippled girl in pre-WWII Burma. Sendker employs an elaborate secondhand flashback device to send Julia, an American lawyer, to Burma on a hunch that she might find clues to the whereabouts of her Burmese father, Tin Win, a prominent New York celebrity lawyer who was blind as a child and vanished four years ago, apparently of his own volition. Julia, born to Win and his American wife in 1968, is a New Yorker used to metropolitan conveniences. She arrives in the village of Kalaw by virtue of a beautiful 1955 love letter from her father to a woman named Mi Mi and immediately bristles at the pace and privation of village life. A stranger named U Ba soon helps Julia unravel the mystery of her father, from his astrologically inauspicious birth and abandonment by a superstitious mother to his ensuing blindness and delivery to Buddhist monks who teach him to use his other senses keenly. When Tin Win meets Mi Mi, a kind, crippled creature, she acts as his eyes as he carries her upon his back. Their love remains unbroken through 50 years of incredible vicissitudes. An epic narrative that requires enormous sentimental indulgence and a large box of tissues. (Jan.) (c) Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Four years before the start of the novel, Julia Win's father, Tin Win, vanished. After receiving a copy of an old love letter written by him to a woman named Mi Mi, Julia travels to a remote village in Burma to find him. While at a teahouse in Burma, Julia meets U Ba, who claims to know what happened to her father. But the Tin Win of whom U Ba speaks is nothing like the father Julia remembers. She doubts at first that the story is true. But the more she listens and the more time she spends in Burma, the more she believes. Julia is moved by the tragic love story involving Tin Win, a blind boy in rural Burma, and Mi Mi, whose misshapen feet made it impossible for her to walk. VERDICT The heart of this sentimental novel is the romance between the teenagers Tin Win and Mi Mi in pre-World War II Burma. Recommended for readers who enjoy sweetly tragic romances.-Pamela Mann, St. Mary's Coll. of Maryland (c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

December in Kalaw is a cold month. The sky is blue and cloudless. The sun wanders from one side of the horizon to the other, but no longer climbs high enough to generate any real warmth. The air is clear and fresh, and only the most sensitive people can still detect any trace of the heavy, sweet scent of the tropical rainy season, when the clouds hang low over the village and the valley, and the water falls unchecked from the skies as if to slake a parched world's thirst. The rainy season is hot and steamy. The market reeks of rotting meat, while heavy black flies settle on the entrails and skulls of sheep and cattle. The earth itself seems to perspire. Worms and insects crawl out of its pores. Innocent rills turn to rushing torrents that devour careless piglets, lambs, or children, only to disgorge them, lifeless, in the valley below.    But December promises the people of Kalaw a respite from all of this.  December promises cold nights and mercifully cool days. December, thought Mya Mya, is a hypocrite.    She was sitting on a wooden stool in front of her house looking out over the fields and the valley to the hilltops in the distance. The air was so clear that she felt she was looking through a spyglass to the ends of the earth. She did not trust the weather. Although she could not remember ever in her life having seen a cloud in a December sky, she would not rule out the possibility of a sudden downpour. Or of a typhoon even if not a single one in living memory had found its way from the Bay of Bengal into the mountains around Kalaw. It was not impossible. As long as there were typhoons anywhere, one might well devastate Mya Mya's native soil. Or the earth might quake. Even, or perhaps especially, on a day like today, when nothing foreshadowed catastrophe. Complacency was treacherous, confidence a luxury that Mya Mya could not afford. That much she knew at the bottom of her heart. For her there would be neither peace nor rest. Not in this world. Not in her life. Excerpted from The Art of Hearing Heartbeats by Jan-Philipp Sendker All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.