Why are faggots so afraid of faggots? Flaming challenges to masculinity, objectification, and the desire to conform

Book - 2012

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306.7662/Why
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Location Call Number   Status
2nd Floor 306.7662/Why Checked In
Subjects
Published
Oakland, Calif. : A K Press [2012]
Language
English
Other Authors
Mattilda Bernstein Sycamore (-)
Physical Description
212 pages ; 23 cm
ISBN
9781849350884
  • Introduction: Why are Faggots so Afraid of Faggots?
  • Fierce Net: Imagining a Faggotty Web
  • Going From Zero to Sexy on High-Caloric Overdrive
  • Trans/Nationally Femme: Notes on Neoliberal Economic Regimes, Security States, and My Life as a Brown Immigrant Fag
  • Levity and Gravity
  • Death by Masculinity
  • Without a Face
  • Fucking with Fucking Online: Advocating for Indiscriminate Promiscuity
  • Difficult Conversations
  • Penis is Important for That
  • Glass Blowing
  • Appearances and All That
  • Girls
  • Straightening the Shawl
  • The Unlikely Barebacker
  • Rehab for the Unrepentant
  • I'll Tell You What I Want, What I Really Want: Homolove and Accountability
  • IT GETS BETTER?
  • The Soul of Our Work
  • Dirt Story
  • Generations
  • Prisons and Closets
  • A Rock and a Bird
  • Slow Boil Aids and the Remnants of Time
  • Excelsior
  • My Fear, The Forces Beneath
  • Cell Block 6
  • Rich Man's War, Poor (Gay) Man's Fight
  • Not Till the Earth Falls into the Sun
  • Dancing with White Boys
  • Something Resembling Power
  • Acknowledgements
  • Contributors
  • About the Editor
Review by Publisher's Weekly Review

A distinctive collection of essays by gay and transgender activists, performance artists, and scholars embraces the subversive aspects of queer identity and rails against its "sanitized, straight-friendly version." Some essays are personal observations of lives on the margins, such as Ezra RedEagle Whitman's attempts to reconcile his homosexuality with Native American conceptions of manliness, or Booh Edouardo's experiences as an autistic transgender man interacting with mainstream gay peers. Others focus more on general trends in gay culture, such as Michael J. Faris and ML Sugie's discussion of racial preferences and prejudices on hookup sites, or George Ayala and Patrick Hebert's examination of the role of the arts in building community among HIV positive men. Some stories are disheartening, like Matthew Blanchard's reflections on his hospitalization and disfigurement after many years of drug-fueled indiscriminate, unsafe sex. Others are much more hopeful, like Kristen Stoeckeler's observations on drag queen and king performers and their playful yet serious blurring of the lines between male and female. Just as the battle for LGBTQ civil rights continues, these essays-alternately moving and sprightly, contemplative and outraged-display the power of presenting an alternative to the mainstream: a world of greater tolerance, acceptance, support, and creativity. (Feb.) (c) Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved