Review by New York Times Review
HELEN OYEYEMI'S eerie third novel features a young woman who has a strange eating disorder and lives with her twin brother and widowed father in a haunted house across the street from a cemetery full of unmarked graves. On the surface, this setup might appear best suited to the young adult fiction market, but Oyeyemi (who was born in Nigeria and educated in England) knows that ghost stories aren't just for kids. And "White Is for Witching" turns out to be a delightfully unconventional coming-of-age story. Miranda - or Miri, as she's called - suffers from pica, a disorder that compels her to eat foreign objects. "She crammed chalk into her mouth," her brother explains. "She hid the packaging at the bottom of her bag and threw it away when we got to school. But then there'd be cramps that twisted her body, pushed her off her seat and lay her on the floor, helplessly pedaling her legs." The novel was published in Britain as "Pie-kah" (the pronunciation of Miri's affliction), a less sensational title that grounds the narrative in the girl's sad psychic state rather than in its supernatural elements. After his wife, who works as a photojournalist, is killed on assignment in Haiti, Miri's father takes sole control of the family's ancestral home in the southeastern coastal town of Dover, which the couple have converted into a bed-and-breakfast. But the house - which has its own spirited personality - has other ideas. It frightens off the hired help and even insists on narrating some of the story. ("One evening she pattered around inside me . . . and she dragged all my windows open, putting her glass down to struggle with the suffer latches. I cried and cried for an hour or so.") Another spectral presence, known as Goodlady, may be a figment of Miri's active imagination. Everything changes when a new housekeeper, a Yoruba woman named Sade who has "tribal marks" scarred on her face and practices juju in the kitchen, isn't scared off. In fact, she stays even when Miri goes away to college and her brother takes up an internship in South Africa. At Cambridge, Miri befriends an African adoptee named Ore, and at that point the novel begins to lose focus. For a while, Ore's story takes center stage. Subplots abound (including attacks against Kosovan refugees and violent happenings at an Immigration Removal Center), but they rarely advance the main plot or refer back to Miri's life in any meaningful way. Throughout, however, the theme of displacement, both cultural and personal, recurs. Miri's illness - the "pie-kah" of the British title - provides a clue as to how the apparently disparate story elements relate. Could it be that England, as a body, is systematically rejecting its foreign population? Perhaps a statement is being made about English xenophobia. What's more likely is that Oyeyemi's story is suffering ever so slightly under the weight of a political agenda. As in Toni Morrison's "Beloved" or Chris Abani's "Song for Night," the supernatural elements of "White Is for Witching" serve to remind the characters - and Oyeyemi's readers - of horrifying historical circumstances. Although she may rely on some too familiar narrative ploys, Oyeyemi clearly appreciates that some crimes (like slavery or genocide or, in this case, institutional racism) are so heinous that the conventions of realist fiction seem woefully inadequate to describe them. She makes us glad to suspend disbelief. Andrew Ervin's first book, "Extraordinary Renditions: 3 Novellas," will be published next year.
Copyright (c) The New York Times Company [October 27, 2009]
Review by Booklist Review
Oyeyemi's third mystical novel weaves a tale of four generations of women and the house in Dover, England, they've inhabited a vengeful, Gothic edifice that has always rejected strangers. The latest occupants are twins Miranda and Eliot, who were 16 when their mother, Lily, died and when their father, Luc, converted the house into a B&B. Miranda's grief is far far bigger than her. She develops pica, an eating disorder, eschewing her father's cooking and binging on hidden caches of chalk and plastic. After Miranda is discharged from a clinic, Eliot grapples with his brotherly responsibilities, telling Lily's ghost, She won't forget or recover, she is inconsolable. Lily's mentally ill mother and grandmother still inhabit the house each understanding that we absolutely cannot have anyone else. Oyeyemi's style is as engimatic as her plot, with juxtaposition of past and present and abrupt changes in narrator, from third to first person, Eliot to Miranda, Lily to her mother. In all, a challenging read laced with thought-provoking story lines that end, like Miranda's fate, mysteriously.--Donovan, Deborah Copyright 2009 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
Oyeyemi delivers her third passionate and unusual book, a neo-gothic tale revolving around Miranda and Eliot Silver, fraternal twins of Haitian descent raised in a British house haunted by generations of afflicted, displaced family members, including their mother. Miranda suffers from pica, an affliction that causes her to eat nonedible items, which is passed down to her via the specters from her childhood that now punctuate her nightmares. As the novel progresses, the increasingly violent nature of this bizarre, insatiable hunger reveals itself to be the ironclad grip of the dead over the living or of mother over daughter. The book is structured around multiple voices-including that of the house itself-that bleed into one another. Appealing from page one, the story, like the house, becomes extremely foreboding, as the house is "storing its collapse" and "can only be as good as" those who inhabit it. The house's protective, selfish voice carries a child's vision of loss: in the absence of a mother, feelings of anger, betrayal and bodily desire replace the sensation of connection. Unconventional, intoxicating and deeply disquieting. (June) (c) Copyright PWxyz, LLC. All rights reserved
(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review
After Lily Silver is killed on assignment in Haiti, her family is left in her childhood home in Dover, England. While her widower, Luc, throws himself into the running of his bed-and-breakfast, their son, Eliot, stays away from home as much as he can, and their daughter, Miranda, begins to lose herself in her eating disorder. After Miranda returns from a psychiatric clinic, the Silver House begins to haunt her with visions of her mother, grandmother, and great-grandmother, keeping her close while driving away foreign guests. The house also drives away Miranda's African friend from Cambridge, and Miranda herself disappears into the secret passages of the house. VERDICT Oyeyemi's third novel (after The Opposite House) is eerie and compelling, employing a nonlinear style that features wisps of family history and various unreliable narrators breaking into the text that suit a gothic, ghostly story. Readers who like paranormal tales and family secrets, told in an experimental style, will enjoy this novel.--Amy Ford, St. Mary's Cty. Lib., Lexington Park, MD (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
