Review by New York Times Review
"I WILL not cut for stone," runs the text of the Hippocratic oath, "even for patients in whom the disease is manifest; I will leave this operation to be performed by practitioners, specialists in this art." Those words provide an epigraph partway through Abraham Verghese's first novel, "Cutting for Stone," and also explain the surname of its narrator, Marion Stone, along with his twin brother, Shiva, and their father, the almost entirely absent surgeon Thomas Stone. Absent in body only: in spirit, Thomas's disappearance after their birth haunts and drives this book. Yet until the reader comes across the oath, well into the novel, the title may seem pleasing to the ear but puzzling to the mind: it tries to do too many jobs at once. It neither suggests the book's action - as, say, "Digging to America" does - nor evokes its mood, as "Bleak House" does. Still, Verghese strives for the empathy of Anne Tyler and the scope of Dickens. If he doesn't quite manage either, he is to be admired for his ambition. Verghese is a physician and an already accomplished author. His two nonfiction books, "My Own Country," about AIDS in rural Tennessee, and "The Tennis Partner," a moving and honest memoir of a difficult, intimate friendship, are justly celebrated. His commitment to both his professions is admirable : currently a professor at the Stanford University School of Medicine, he also holds an M.F.A. from the Iowa Writers' Workshop. But why mention qualifications? What do qualifications matter where fine writing is concerned? Not at all, is the correct answer, and yet qualifications like Verghese's are tribute, at the very least, to his stalwart effort. This effort is both the making and the unmaking of "Cutting for Stone." The plot of this big, dense book is fairly straightforward. Marion and Shiva Stone are born one dramatic afternoon in 1954 in Addis Ababa, the same day their mother - a nun, Sister Mary Joseph Praise dies of complications from her hidden pregnancy. The boys are conjoined at the skull, yet separated at birth; they are raised by Dr. Kalpana Hemlatha, a forceful woman known as Hema, and Dr. Abhi Ghosh, both immigrants from Madras and both doctors at the hospital where the boys' natural parents also worked. Missing Hospital, it's called: "Missing was really Mission Hospital, a word that on the Ethiopian tongue came out with a hiss so it sounded like 'Missing.' " They grow up amid the political turmoil of Ethiopia (its actual chronology altered slightly by Verghese to suit his fictional purposes), and in 1979 Marion flees, first to Nairobi and finally to New York, where he qualifies as a surgeon. Shiva, too, goes into medicine, specializing in treating vaginal fistula, for which work he is acclaimed in this very newspaper, a sure sign of his renown. Almost supernaturally close as children, the brothers become more and more distant as the novel progresses; they are dramatically reunited at its end - through the mysterious agency of the long-vanished Thomas Stone. AS novelist, Verghese looks to models like Salman Rushdie and John Irving: the novel is capacious, not to say baggy, in the way those writers' novels can be, and it is tinged, albeit lightly, with a sense of magic, though one senses that Verghese in his soul is too much a realist ever to be quite convinced of his own attempts in this department. (The brothers' being joined - but only briefly - at the head is an example of this slightly half-hearted effort.) Much more forceful are his vivid descriptions of surgery, vivid enough that those with weaker stomachs may find them disturbing. One would, I suppose, be ill advised to use this novel as a textbook for liver transplantation or bowel surgery, but it might almost be possible. The trouble is that for all the author's passion, this kind of writing periodically stops the book in its tracks: "Hema smiled, as if to say, Very little escapes me, my dear man. And then she was thinking of . . . rugaeform folds, of the median raphe that separated one bollock from the other, of the dartos muscle, the cells of Sertoli." Hema's mind, as the author then says, is racing: but the reader's goes into a stall. The novel is crippled, too, by the use of back story. There is a feeling of Greek drama about the narrative: a lot of the real action happens offstage. We finally learn, toward the end of the novel, what made Thomas Stone the man he is, with all his strengths and deficits, yet by then the tale seems curiously belated and less than fully integrated into the novel. The same is true for the later events in the life of Genet, Marion's childhood sweetheart, the daughter of his nanny, who joins a band of Eritrean guerrillas but reappears fleetingly in Marion's life to devastating effect. Verghese's weakness is the weakness of a writer with too much heart: it's clear he loves his characters and he just wants to cram in every last fact about them, somehow. Great novels are not built merely on the agglomeration of detail. This is a first novel that reveals the author's willingness to show the souls, as well as the bodies, of his characters. In Verghese's second profession, a great surgeon is called an editor. Here's hoping that in the future the author finds stronger medicine in that line. The twins' father is absent in body only. In spirit, his disappearance haunts and drives Verghese's narrative. Erica Wagner is the literary editor of The Times of London and the author, most recently, of the novel "Seizure."
Copyright (c) The New York Times Company [October 27, 2009]
Review by Publisher's Weekly Review
Lauded for his sensitive memoir (My Own Country) about his time as a doctor in eastern Tennessee at the onset of the AIDS epidemic in the '80s, Verghese turns his formidable talents to fiction, mining his own life and experiences in a magnificent, sweeping novel that moves from India to Ethiopia to an inner-city hospital in New York City over decades and generations. Sister Mary Joseph Praise, a devout young nun, leaves the south Indian state of Kerala in 1947 for a missionary post in Yemen. During the arduous sea voyage, she saves the life of an English doctor bound for Ethiopia, Thomas Stone, who becomes a key player in her destiny when they meet up again at Missing Hospital in Addis Ababa. Seven years later, Sister Praise dies birthing twin boys: Shiva and Marion, the latter narrating his own and his brother's long, dramatic, biblical story set against the backdrop of political turmoil in Ethiopia, the life of the hospital compound in which they grow up and the love story of their adopted parents, both doctors at Missing. The boys become doctors as well and Verghese's weaving of the practice of medicine into the narrative is fascinating even as the story bobs and weaves with the power and coincidences of the best 19th-century novel. (Feb.) (c) Copyright PWxyz, LLC. All rights reserved
(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review
Focusing on the world of medicine, this epic first novel by well-known doctor/author Verghese (My Own Country) follows a man on a mythic quest to find his father. It begins with the dramatic birth of twins slightly joined at the skull, their father serving as surgeon and their mother dying on the table. The horrorstruck father vanishes, and the now separated boys are raised by two Indian doctors living on the grounds of a mission hospital in early 1950s Ethiopia. The boys both gravitate toward medical practice, with Marion the more studious one and Shiva a moody genius and loner. Also living on the hospital grounds is Genet, daughter of one of the maids, who grows up to be a beautiful and mysterious young woman and a source of ruinous competition between the brothers. After Marion is forced to flee the country for political reasons, he begins his medical residency at a poor hospital in New York City, and the past catches up with him. The medical background is fascinating as the author delves into fairly technical areas of human anatomy and surgical procedure. This novel succeeds on many levels and is recommended for all collections. [See Prepub Alert, LJ 10/1/08.]-Jim Coan, SUNY Coll. at Oneonta (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
There's a mystery, a coming-of-age, abundant melodrama and even more abundant medical lore in this idiosyncratic first novel from a doctor best known for the memoir My Own Country (1994). The nun is struggling to give birth in the hospital. The surgeon (is he also the father?) dithers. The late-arriving OB-GYN takes charge, losing the mother but saving her babies, identical twins. We are in Addis Ababa, Ethiopia, in 1954. The Indian nun, Sister Mary Joseph Praise, was a trained nurse who had met the British surgeon Thomas Stone on a sea voyage ministering to passengers dying of typhus. She then served as his assistant for seven years. The emotionally repressed Stone never declared his love for her; had they really done the deed? After the delivery, Stone rejects the babies and leaves Ethiopia. This is good news for Hema (Dr. Hemalatha, the Indian gynecologist), who becomes their surrogate mother and names them Shiva and Marion. When Shiva stops breathing, Dr. Ghosh (another Indian) diagnoses his apnea; again, a medical emergency throws two characters together. Ghosh and Hema marry and make a happy family of four. Marion eventually emerges as narrator. "Where but in medicine," he asks, "might our conjoined, matricidal, patrifugal, twisted fate be explained?" The question is key, revealing Verghese's intent: a family saga in the context of medicine. The ambition is laudable, but too often accounts of operationsa bowel obstruction here, a vasectomy thereoverwhelm the narrative. Characterization suffers. The boys' Ethiopian identity goes unexplored. Shiva is an enigma, though it's no surprise he'll have a medical career, like his brother, though far less orthodox. They become estranged over a girl, and eventually Marion leaves for America and an internship in the Bronx (the final, most suspenseful section). Once again a medical emergency defines the characters, though they are not large enough to fill the positively operatic roles Verghese has ordained for them. A bold but flawed debut novel. Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
