The Unwanteds

Lisa McMann

Book - 2011

In a society that purges thirteen-year-olds who are creative, identical twins Aaron and Alex are separated, one to attend University while the other, supposedly Eliminated, finds himself in a wondrous place where youths hone their abilities and learn magic.

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Subjects
Published
New York : Aladdin 2011.
Language
English
Main Author
Lisa McMann (-)
Edition
1st Aladdin hardcover ed
Physical Description
390 p.
ISBN
9781442407688
9781442407695
Contents unavailable.
Review by Booklist Review

In her first novel for middle-grade readers, McMann (author of the Wake trilogy) explores the fate of a nation that values strength over creativity. Each year, the isolated, militaristic nation of Quill celebrates the Purge, in which 13-year-olds are divided into three categories: Wanteds, who train to serve in the Quillitary; Necessaries, who form the service class, which keeps the infrastructure running; and Unwanteds. Too artistic to be useful, Unwanteds are sent to perish in the Great Lake of Boiling Oil. Fortunately, Unwanteds are actually rescued by the mage Mr. Today, who has created Artime, a secret and safe world on the border of Quill. Here, Unwanteds can develop their artistic talents and become magical warriors. Quill, which brings to mind present-day North Korea, never rises above a land of caricatured evil, but McMann has fleshed out an interesting world in Artime, and the idea of previously doomed children discovering that they really are valuable will have immediate appeal for preteens. Fantasy readers will find enjoyment here.--Dean, Kara Copyright 2010 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

In her foray into middle-grade fiction, McMann (Cryer's Cross) delivers a fun mix of magic and science with a retro SF novel whose setting echoes classic artificial dystopias of the 1960s like Logan's Run and Make Room! Make Room! In the city of Quill, all signs of creativity are shunned, and any children who so much as sing or draw are declared "Unwanted" when they turn 13 and sent off to be killed. When Alex is culled from his family and sent to die, he is surprised to discover that the Unwanteds are actually taken to a hidden city called Artime, where they are not only trained in the traditional arts, but also in the magic that these arts unlock. McMann juggles a handful of point-of-view characters nicely (focusing largely on Alex), showing their fear and wonder as they learn more about their world. The subplots-including young romance and murderous conspiracies-are skillfully interwoven, and if some of Quill's harshness borders on caricature (the city makes Sparta seem decadent), it serves the story well. Ages 8-12. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review

Gr 5-8-In the land of Quill, those who are "Wanted" blindly accept conformity and edicts that forbid creative activities. Other Quillans are consigned to be "Necessaries," individuals relegated to a lifetime of manual labor. The artistic, imaginative "Unwanteds" are slated for elimination during the annual purge of 13-year-olds, including Alex, whose twin brother Aaron is elevated to Wanted status during the same event. The Unwanteds are shackled and delivered to the Death Farm. Although their fate initially appears exceedingly grim, an amazing transformation occurs after the Quillan officials depart. The Death Farm is magically converted into a fantastical land called Artime, complete with hybrid talking animals, animated objects, and a benevolent mage. In this exotic land, the Unwanteds discover that creative talents are highly valued and nurtured to become a source of special powers. The only problem is that Artime will be destroyed if its existence is discovered, and there are those who can't resist attempting contact with Quill. Slow-paced initially, the action accelerates as the story unfolds. Alex and his Unwanted friends are sympathetic characters and the fanciful creatures of Artime add whimsy. Simon Jones's masterful narration of Lisa McMann's novel (Aladdin, 2011) enhances the visualization of the tale, and his variety of distinctive British voices brings alive the personality of each character. For libraries needing additional light dystopian fantasies for the middle grades.-Rebecca James, Currey Ingram Academy, Brentwood, TN (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Horn Book Review

Creativity is a death sentence in Quill, but unbeknownst to Quill's leaders, the locked execution area is actually Artimi, a magical world that nurtures purged citizens' talents. All the secrecy is catastrophically undone by Unwanted Alex, who desperately misses his Wanted twin. Quill is a caricatured dystopia, but Artimi sparkles with magic, action, and newly liberated teenage creativity. (c) Copyright 2012. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

The Hunger Games meets Harry Potter in this middle-grade departure from McMann's string of paranormal mysteries with romance for young adults.On the day of Purge in totalitarian Quill, which is run by the High Priest Justine, 13-year-olds learn if they are deemed Wanted to attend the university, Necessary to tend the land or Unwanted and purged by execution. Without a good-bye from his Wanted identical brother Aaron, Alex Stowe and the other Unwanteds travel to the Death Farm. Instead of death, they meet the lush and magical world of Artim, kept secret from Justine by mage Marcus Today. In a third-person narration characterized by even pacing and whimsical inventions, Alex and his peers learn that their creativity threatened Justine's power. Surrounded by talking blackboards, transporting tubes and such fantastical creatures as an octagator (with the head of an alligator and body of an octopus) for instructors, the teens hone their drawing, music and acting skills while also wielding paintbrushes for invisibility spells and iambic pentameter to stun attackers during Magical Warrior Training, in preparation for battle against the Quillitary. As the youths explore fear, responsibility and free thinking, their spells may be used sooner than they think when Alex's twin bond is tested and rivals vie for Aaron's new position in Justine's government.Blending elements from two popular genres, this is sure to be a double hit. (Dystopian fantasy. 10-14)]] Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

The Purge There was a hint of wind coming over the top of the stone walls and through the barbed-wire sky on the day Alexander Stowe was to be Purged. Alex waited in the dusty Commons of Quill and felt the light breeze cooling the sweat on his upper lip. His twin brother, Aaron, stood beside him; their parents, behind. And all around, the entire community of Quill watched and waited, the bland looks of sleeping fish on their faces. Mr. Stowe pressed his finger hard into Alex's back. A final poke in the kidneys, a last good-bye, Alex thought. Or a warning not to run. Alex glanced at Aaron, whose face showed the tiniest emotion. Scared, was it? Or sad? Alex didn't know. The High Priest Justine, her long white hair undisturbed despite the breeze, rose to her full height and observed the silent crowd. She began without introduction or ado, for a Purge was neither exciting nor boring; it just was, as many things just were in Quill. There were nearly fifty thirteen-year-olds this year. The people of Quill waited to hear which of these teenagers had been marked as Wanted or Necessary, and, by process of elimination, which of them remained to be Purged. Alex scanned the group and their families around the giant half circle of the amphitheater. He knew some of them, not all. Alex's mind wandered as the High Priest Justine announced first the names of the Wanteds, and he startled only slightly as the high priest spoke Aaron's name. Aaron, who'd had nothing to worry about, sighed anyway in relief when he was among the fifteen names called. The Necessaries were next. Thirteen names were read. Alexander Stowe was not one of those, either. Even though Alex knew that he was Unwanted, and had known ever since his parents had told him over breakfast when he was ten, the knowledge and three years of preparation weren't enough to stop the sweat that pricked his armpits now. It was down to a mere formality unless there was a surprise, which there sometimes was, but it didn't matter. Everyone stood motionless until the final twenty names were called. Among the Unwanted, Alexander Stowe. Alex didn't move, though his heart fell like a cement block into his gut. He stared straight ahead as he'd seen the other Unwanteds do in past years. His lip quivered for a moment, but he fought to still it. When the governors came over to him, he put his arms out for them to shackle with rusty iron bands. He made his eyes icy cool before he glanced over his shoulder at his parents, who remained unemotional. His father nodded slightly, and finally took his finger out of Alex's back after the shackles were secure. That was a minor relief, but what did it matter now? Aaron sniffed once quietly, catching Alex's attention in the silent amphitheater. The identical boys held a glance for a moment. Something, like a jolt of energy, passed between them. And then it was gone. "Good-bye," Aaron whispered. Alex swallowed hard, held the stare a second more as the governors tugged at him to follow, and then broke the connection and went with the governors to the waiting bus that would take him to his death. © 2011 Lisa Mcmann Excerpted from The Unwanteds by Lisa McMann All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.