Midnight rising John Brown and the raid that sparked the Civil War

Tony Horwitz, 1958-2019

Book - 2011

In this book the author tells the tale of the daring insurrection that put America on the path to bloody war. Plotted in secret, launched in the dark, John Brown's raid on Harpers Ferry was a pivotal moment in U.S. history. But few Americans know the true story of the men and women who launched a desperate strike at the slaveholding South. Now, this work portrays Brown's uprising revealing a country on the brink of explosive conflict. Brown, the descendant of New England Puritans, saw slavery as a sin against America's founding principles. Unlike most abolitionists, he was willing to take up arms, and in 1859 he prepared for battle at a hideout in Maryland, joined by his teenage daughter, three of his sons, and a guerrilla ba...nd that included former slaves and a spy. On October 17, the raiders seized Harpers Ferry, stunning the nation and prompting a counterattack led by Robert E. Lee. After Brown's capture, his defiant eloquence galvanized the North and appalled the South, which considered Brown a terrorist. The raid also helped elect Abraham Lincoln, who later began to fulfill Brown's dream with the Emancipation Proclamation, a measure he called "a John Brown raid, on a gigantic scale." This book travels antebellum America to deliver both a historical drama and a telling portrait of a nation divided, a time that still resonates in ours.

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Subjects
Published
New York : Henry Holt and Co 2011.
Language
English
Main Author
Tony Horwitz, 1958-2019 (-)
Edition
First edition
Physical Description
xii, 365 pages : illustrations, maps, portraits ; 25 cm
Audience
1200L
Bibliography
Includes bibliographical references and index.
ISBN
9780805091533
  • Prologue: October 16, 1859
  • pt. 1. The road to Harpers Ferry
  • School of adversity
  • I consecrate my life
  • A warlike spirit
  • First blood
  • Secret service
  • This spark of fire
  • pt. 2. Into Africa
  • My invisibles
  • Into the breach
  • I am nearly disposed of now
  • pt. 3. They will Brown us all
  • His despised poor
  • A full fountain of bedlam
  • So let it be done
  • Dissevering the ties that bind us
  • Epilogue: Immortal raiders.
Review by New York Times Review

EARLY one morning in the mid-1990s a squad of Civil War re-enactors wandered into Tony Horwitz's front yard in rural Virginia. He grabbed some mugs of coffee and went out to meet them. They were ordinary guys - a salesman, a forklift operator, a waiter - who were so devoted to reliving the war that one reenactor had learned how to bloat himself to look like one of the corpses that litter Mathew Brady's famous battlefield photos. Horwitz had found his muse. In two marvelous books, "Confederates in the Attic" and "A Voyage Long and Strange," he followed her, meandering through the places where past and present bleed into each other. There were some disturbing moments along the way. But much of what Horwitz encountered - the multiple myths of Tara, the re-enactors' Civil Wargasm that sprawled across the South, the history festival jammed in next to a Florida Wal-Mart - he saw as a softhearted search for meaning, a way for salesmen and waiters and the Pulitzer Prize-winning journalist who trailed after them to tie themselves to the epic moments of the American experience, and to take what comfort they could from the connection. With "Midnight Rising: John Brown and the Raid That Sparked the Civil War," Horwitz moves in a very different direction. Gone are the quirky travelogues, the blending of past and present, the self-bloating soldiers and ersatz commanders. In their place Horwitz has given us a hard-driving narrative of one of America's most troubling historical figures: the fearsome John Brown, whose blood-soaked raid on the federal armory at Harpers Ferry, Va., in October 1859 - a "misguided, wild and apparently insane" act, in the abolitionist William Lloyd Garrison's words - helped to push the nation into the most devastating war it would ever endure. In Horwitz's telling, Brown was set on the road to Harpers Ferry from birth. His parents were fervent Calvinists who raised their children to see life as a constant struggle against sin. Much of the battle was personal: Brown's earliest memory, from age 5, was of being whipped by his mother for having stolen a handful of brass pins. But it was political as well. The Browns believed that the devout had to bear witness against the sins of the nation. And there was no greater sin, they said, than the institution of slavery. So Brown's father turned the family home in northeast Ohio into a stop on the Underground Railroad. And he turned his son into an ardent abolitionist. Horwitz moves nimbly through Brown's deepening involvement in the movement in the 1830s and '40s, setting his devotion alongside the growing national conflict over slavery's place in a country ostensibly dedicated to equality. Abolitionism was then dominated by pacifists like Garrison, who insisted that the evil could be destroyed by moral suasion. Brown didn't agree. In 1837 he gathered together his wife and three teenage boys - the eldest of 20 children he would father - and asked who among them "were willing to make common cause with him in doing all in our power to 'break the jaws of the wicked and pluck the spoil out of his teeth.'" From then on, one of his sons said, "there was a Brown family conspiracy to break the power of slavery." They got their first chance in 1856, when Brown and his boys joined the anti-slavery forces trying to prevent Kansas from entering the Union as a slave state. Brown's vigorous defense of the free-state town of Osawatomie made him famous in the North, infamous in the South. But Horwitz lingers on a different action. On the night of May 24, 1856, Brown and four of his sons raided a tiny proslavery settlement on the banks of Pottawatomie Creek, not far from the Missouri border. There they killed and butchered five men, all of them violently opposed to abolitionism though not themselves slaveholders, slicing off their arms and splitting open their skulls with the broadswords Brown had brought with him for the occasion. "God is my judge," he told another son upon their return. "We were justified under the circumstances." Not long after that, Brown began to plot the Harpers Ferry raid. His plan was to strike with 25 to 50 specially trained men, supply horses to between 80 and 100 slaves, swoop down on the armory and seize as many guns as possible and then escape into the surrounding Blue Ridge Mountains, from which they'd stage hitand-run attacks meant to trigger a huge slave rebellion. It was a ludicrous idea, made all the worse by Brown's mangled preparations. When he put it into operation in the autumn of 1859 with only 18 men in tow, the results were catastrophic. Horwitz describes the disaster in riveting detail. Brown and his men took the armory easily enough but got no farther. For 32 hours they were trapped inside while enraged townsmen laid siege to the place, picking off the insurgents one by one. A contingent of Marines finally put an end to it by battering down the armory's doors, bayoneting two of the raiders and beating Brown senseless before taking him into custody. AT first even Brown's fellow abolitionists thought it a mad affair. But when Virginia rushed him to trial - charged not only with conspiracy and murder but treason as well - Northern opinion switched, and then intensified when Brown bravely embraced the death sentence handed him. He went to the gallows hailed as a martyr, his execution marked by an extraordinary outpouring of grief. "Living, he made life beautiful," Louisa May Alcott wrote on the day he died, "Dying, made death divine." Horwitz wonders whether that may have been his intention all along, not to trigger a slave insurrection but to be defeated -and thus sacrifice himself to the cause. If so, he sacrificed 23 other people too, 16 of them killed in the raid, one dead of disease while awaiting trial, another six hanged for their involvement. Among the dead were two of his sons. Horwitz ends "Midnight Rising" with Langston Hughes's 1931 poem celebrating the raid. "Harpers Ferry / Is alive with ghosts today," it reads, "Immortal raiders / Come again to town." Horwitz does his best to keep the ghosts at bay, taking care to avoid tying Brown directly to today's fevered politics. The link is tricky, to be sure. No matter what anyone may argue, no current issue can claim the moral purity of the abolitionist crusade. Still, it's impossible to read this fine book without thinking about the modernday Browns, soldiers of a vengeful God, seeking righteousness in a fierce burst of violence, justice in the shedding of blood. Maybe Horwitz decided that he didn't need to make the comparison explicit. As he knows so well, the past and the present have a way of fusing together on their own. And this time the connection isn't comforting at all. 'There was a Brown family conspiracy,' one of John Browns sons said, 'to break the power of slavery.' John Brown in Boston in 1859, before the raid on Harpers Ferry. Kevin Boyle teaches history at Ohio State University. He is the author of "Arc of Justice: A Saga of Race, Civil Rights and Murder in the Jazz Age."

Copyright (c) The New York Times Company [October 30, 2011]
Review by Booklist Review

A portrait of John Brown and a blow-by-blow account of his 1859 attack on the federal arsenal at Harpers Ferry, Virginia, Horwitz's work rapidly generates narrative momentum. Horwitz also stresses Brown's Northern financial supporters and, more pertinently, his recruits for an insurrection whose bizarre planning, which included the idea of issuing medieval pikes to slaves, augured near-certain failure. Frederick Douglass warned Brown of such failure in a secret meeting, but Douglass' companion at the conclave, escaped slave Shields Green, joined Brown. So did his sons, daughters, sons-in-law, and assorted free blacks and white abolitionists, eliciting Horwitz's explorations of their individual situations and reasons for loyalty to Brown. It is as a fierce-eyed image of wrath and retribution that Brown appears to novelists, painters, and lyricists, but the historical Brown whom Horwitz reconstructs was more complicated. A financially feckless but domineering father, Brown always silenced murmurs within his band. A riveting re-creation of Brown and his famous, or infamous, raid.--Taylor, Gilbert Copyright 2010 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

In this engrossing history of John Brown's 1859 slave-liberation raid on the Harper's Ferry, Va., arsenal, bestselling author Horwitz (Confederates in the Attic) concentrates on action set against deftly sketched historical background and compelling characters rendered without overdone psychologizing. His vivid biographical portrait of Brown gives us an American original: a failed businessman and harsh Calvinist with a soft spot for the oppressed and a murderous animus against oppressors (even if sometimes, as at Pottawatomie Creek in Kansas, his victims were unarmed). Brown's raiders-a motley crew of his sons and various idealists, adventurers, freedmen, and fugitive slaves-come alive as a romantic, appealing bunch; their agonizing deaths give Horwitz's excellent narrative of the raid and shootout a deep pathos. The author's shrewd interpretation of Brown (similar to that of other scholars) makes him America's great propagandist of his deed; after the raid ended in fiasco, he used his eloquent trial statements to transform himself in the public eye from madman and desperado to martyr and prophet-and a symbol who hardened both Northern and Southern militancy. But Horwitz smartly gives priority to the deeds themselves in this dramatic saga of an American white man who acted, rather than just talked, as if ending slavery mattered. 35 illus.; 2 maps. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Dismissed in too many histories as an "insane fanatic," to quote one well-received recent book, John Brown rises here in his full complexity-but this is no conjuring act. Horwitz faithfully renders Brown's life through the use of original sources and his own considerable narrative gifts. Gripping, disturbing, and heartbreaking, it can no more be put down than should John Brown. (LJ 9/15/11) (c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by School Library Journal Review

When I was a manuscripts librarian working with American historical diaries and letters, I felt that I could hear the voices of the diarists and letter writers calling back and forth to one another across time. But in too many published history books it isn't easy to hear those real voices. Pulitzer Prize-winning journalist and historian Horwitz's book is a gift. It's not just a riveting narrative about violent abolitionist John Brown and his 1859 raid on Harpers Ferry, VA-a threshold moment that may have led North and South quicker to Civil War-it's a time machine by which we hear Brown himself. That's because Horwitz's approach is not one of "I, the writer" but of "he, the subject." We encounter Brown the radical, the promulgator of murder, but also the boy mourning his pet squirrel, the husband, the father of 20, the failed businessman, the friend of the intellectual elite. When YA readers gets glassy-eyed from an assigned history book (we've all been there), here's the solution: they should poke around the library and find another book that enchants on the required topic. For the years leading up to the Civil War, they can witness Midnight Rising and be enthralled. After 16 years as a manuscripts curator and librarian, Margaret Heilbrun joined Library Journal in 2005, where she is now a book review senior editor, overseeing subject areas across the humanities and social sciences-plus sports and gardening. (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

A crisply written but not entirely original retelling of John Brown's raid on Harpers Ferry.Pulitzer Prizewinning journalist and historian Horwitz returns to the Civil War era (A Voyage Long and Strange: Rediscovering the New World, 2008, etc.) and John Brown's infamous raid on the federal armory at Harpers Ferry in what is now West Virginia. The author depicts a morally upright abolitionist deeply committed to his cause but also well known for his "fixedness," a rigid stubbornness that could be a source of strength but was equally a source of weakness. Brown rose to notoriety on the basis of his violent abolitionist crusades in Bloody Kansas, but he had larger plans in mind; he imagined his raid would set in motion slave uprisings that would allow him to command a righteous army of liberation. Grand dreams gave way to grim reality soon after he set his scheme in motion in October 1859 with a small but loyal band of white and black followers. Soon Brown's men were overrun, and those who were not killed or who did not manage to escape faced the gallows. Among this group was Brown himself, whose hanging represented just retribution in the minds of many detractors, especially whites in the South, but served as equally apt martyrdom in the eyes of his supporters. Though the author's archival sleuthing pays off with a rich narrative, the book is one of many on the subject to appear in recent years, most notably David S. Reynolds'John Brown, Abolitionist(2005). Horwitz is a fine writer, but the narrative lacks deep historical analysis.Lucid and compelling but hardly groundbreaking.]] Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Midnight Rising PART ONE The Road to Harpers Ferry He was a stone, A stone eroded to a cutting edge By obstinacy, failure and cold prayers. STEPHEN VINCENT BENT , "John Brown's Body" CHAPTER 1 School of Adversity       J ohn Brown was born with the nineteenth century and didn't launch his attack on Virginia until he was nearly sixty. But almost from birth, he was marked in ways that would set him on the road to rebellion at Harpers Ferry. Brown was named for his grandfather, a Connecticut farmer and Revolutionary War officer who marched off to fight the British in 1776. Captain John Brown died of dysentery a few weeks later, in a New York barn, leaving behind a pregnant widow and ten children. One of them was five-year-old Owen, who later wrote: "for want of help we lost our Crops and then our Cattle and so became poor." Owen was forced "to live abroad" with neighbors and nearby relations, and went to work young, farming in summer and making shoes in winter. As a teenager he found religion and met a minister's daughter, Ruth Mills, pious and frugal like himself. Soon after their marriage, Ruth gave birth to "a very thrifty forward Child," a son who died before turning two. The Browns moved to a clapboard saltbox in the stony hills of Torrington, Connecticut, and had another son. "In 1800, May 9th John was born," Owen wrote, "nothing very uncommon." A portrait of Owen Brown in later years depicts a thin-lipped, hawk-beaked man with penetrating eyes: an antique version of his famous son. Owen also bestowed on John his austere Calvinism, a faith ever vigilant against sin and undue attachment to the things of this world. In his lateseventies, after rising from childhood penury to become a prosperous landowner and respected civic leader known as Squire Brown, Owen wrote a brief autobiography for his family. It began: "my life has been of but little worth mostly fild up with vanity."     JOHN BROWN ALSO WROTE a short autobiography, in his case for a young admirer. Two years before the uprising at Harpers Ferry, while seeking money and guns for his campaign, he dined at the home of George Luther Stearns, a wealthy Massachusetts industrialist. Stearns's twelve-year-old son, Henry, was inspired by Brown's antislavery fervor and donated his pocket money (thirty cents) to the cause. In return--and after some prodding from Stearns senior--Brown wrote Henry a long letter describing his own youth in the early 1800s. The letter was didactic in tone, doubtless intended to impress Henry's wealthy father as much as the boy himself. But it was nonetheless a tellingaccount, delivered in the direct, emphatic, and grammatically irregular voice that distinguished so much of Brown's speech and writing. "I cannot tell you of anything in the first Four years of John's life worth mentioning," Brown wrote, narrating his story in the third person, "save that at that early age he was tempted by Three large Brass Pins belonging to a girl who lived in the family & stole them. In this he was detected by his Mother; & after having a full day to think of the wrong; received from her a thorough whipping." If Brown's earliest memory was of sin and chastisement, his next was of dislocation. When he was five, his family moved by oxcart to northeast Ohio. This territory, Connecticut's "Western Reserve," was pioneered by New Englanders seeking to extend their godly settlement. "I came with the determination," Brown's father wrote, "to build up and be a help in the seport of religion and civil order." He and his neighbors formed communities centered on Congregational churches and village greens, much like the world they left behind. Young John's experience of Ohio was very different. When he was a boy, he wrote, the Western Reserve seemed a wondrously untamed place, "a wilderness filled with wild beasts, & Indians." He rambled in the woods, wore buckskins, learned to live rough (a skill that would serve him well in later years), and dressed the hides of deer, raccoons, and wolves. Those first few years in Ohio were the happiest and freest of his life. "But about this period he was placed in the School of adversity," Brown wrote of himself, "the beginning of a severe but much needed course of dicipline." First, an Indian boy gave him a yellow marble, which he treasured but lost. Then he nursed and tamed a bobtail squirrel and grew to dote on his pet. "This too he lost," and "for a year or two John was in mourning." At the age of eight, he suffered a much greater trauma: the death of his mother in childbirth. This loss "was complete & permanent," Brown wrote. Though his father quickly remarried "a very estimable woman," John "never adopted her in feeling; but continued to pine after his own Mother for years." The early loss of his mother made him shy and awkward around women. It also magnified the influence of his formidable father, who would marry a third time in his sixties and sire sixteen children. From an early age, John hewed closely to his father's example of hard work and strict piety. He was prone to fibbing and "excessively fond of the hardest & roughest kind of plays," such as wrestling and snowball fights, but gave no sign of rebelliousness. A tall, strong boy, he was educated at a log school and went to work young, "ambitious to perform the full labour of a man." At twelve, he drove his father's cattle a hundred miles, on his own, and soon took up Owen's trade of leather tanning. He also became "a firm believer in the divine authenticity of the Bible," and briefly studied for the ministry. John "never attempted to dance," he wrote, never learned any card games, and "grew to a dislike of vain & frivolous conversation & persons." John followed Owen in family matters, too. At twenty, "led by his own inclination & prompted also by his Father," Brown wrote, "he married a remarkably plain; but industrious & economical girl; of excellent character; earnest piety; & good practical common sense." Dianthe Lusk was nineteen, the daughter of Brown's housekeeper. A son was born a year after their marriage--the first of a brood that would grow, like Owen's, to almost biblical proportions. Brown also raised animals, displaying a particular skill and tenderness with sheep. "As soon as circumstances would enable him he began to be a practical Shepherd," Brown wrote, "it being a calling for which in early life he had a kind of enthusiastic longing." But here, too, loss haunted him. One of the first creatures he tended, apart from his pet squirrel, was "a little Ewe Lamb which did finely till it was about Two Thirds grown; & then sickened and died. This brought another protracted mourning season." Brown ended his brief autobiography with his entrance into manhood. At twenty-one, he was already a tannery owner, a family man, and, as some of his peers saw it, a bit of a prig. He quickly fell out with Dianthe's brother, who was only able to visit on Sundays. Brown disapproved of this. His church reserved the Sabbath for religious observance; even "worldly" conversation, visiting friends, and making cheese on Sunday were violations of Christian duty. (The church also excommunicated a deacon who "did open his house for the reception of a puppet show.") Brown required his tannery workers to attend church and a daily familyworship. One apprentice later described his employer as sociable, so long as "the conversation did not turn on anything profane or vulgar." Scripture, the apprentice added, was "at his tongues end from one end to the other." While demanding of others, Brown was hardest on himself. In his autobiographical letter, he wrote of young John's "haughty obstinate temper" and inability to endure reproach. He "habitually expected to succeed in his undertakings" and felt sure his plans were "right in themselves." This drive and confidence impressed elders he esteemed, which in turn fed his vanity. "He came forward to manhood quite full of self-conceit." Brown wrote that his younger brother often called him "a King against whom there is no rising up." These traits--arrogance, self-certitude, a domineering manner--would bedevil Brown as he navigated the turbulent economy of the early nineteenth century. But they would also enable his late-life reincarnation as Captain John Brown, a revolutionary who took up arms in the cause of freedom, as his namesake had done two generations before him.     IN 1800, THE YEAR of Brown's birth in the thin-soiled hills of Connecticut, the United States was just entering its adolescence. The Constitution turned thirteen that year. For the first time, a president took up residence in the newly built White House, and Congress convened on Capitol Hill. The young nation barely extended beyond the Appalachians; its largest city, New York, had sixty thousand people, equal to present-day Bismarck, North Dakota. In many respects, daily existence at the time of Brown's birth was closer to life in medieval Europe than modern-day America. Most people worked on farms and used wooden plows. Land travel moved at horse or foot speed on roads so awful that the carriage bringing First Lady Abigail Adams to Washington got lost in the woods near Baltimore. Crossing the ocean was a weeks-long ordeal. News wasn't new by the time it arrived. In this preindustrial society of five million people, almost 900,000 were enslaved, and not only in the South. Though northern states hadtaken steps toward ending the institution, most of these measures provided for only gradual emancipation. Brown's home state had almost a thousand slaves at the time of his birth, and New York twenty times that number. Slavery was also safeguarded by the Constitution, albeit in convoluted language. The Revolution had raised an awkward question: how to square human bondage with the self-evident truth that all men are created equal and endowed with certain inalienable rights? The Framers answered this, in part, by employing a semantic dodge. They produced a forty-four-hundred-word document that did not once use the term "slave" or "slavery," even though the subject arose right at the start. Article I of the Constitution mandated that each state's delegation to the House of Representatives would be based on the number of free people added to "three fifths of all other Persons"--meaning slaves. In other words, every fifty slaves would be counted as thirty people, even though these "other Persons" couldn't vote and would magnify the representation of white men who owned them. The Constitution also protected, for twenty years, the "importation of such Persons as any of the States now existing shall think proper." "Such Persons," of course, were African slaves. Furthermore, any "Person held to Service or Labour" who escaped to a free state--that is, any slave who ran away--had to be "delivered up" to his or her master. These measures reflected the horse-trading needed to forge a nation from fractious states. Another deal, struck in 1790, led to the nation's capital being located on the Potomac River, between the slave states of Virginia and Maryland. In all, slaveholders had deftly entrenched their "species of property," as one South Carolina delegate euphemistically put it. Even so, as the turn of the century approached, there were signs that slavery might wane. The exhaustion of the Chesapeake region's soil by tobacco weakened the economic basis for slavery in Maryland and Virginia, home to half of all southern slaves. A growing number of owners in these states were freeing their slaves, driven in part by evangelical fervor and the Revolution's emphasis on personal liberty. Other slave owners, such as Thomas Jefferson, acknowledged the "moral and political depravity" of the institution and expressed hope for its gradual end. But all this would change markedly in the early decades of the nineteenth century, as John Brown came of age. The cotton gin, the steamboat, and the rapid growth of textile mills made it possible and hugely profitable to grow and ship millions of bales of what had previously been a minor crop. Andrew Jackson, himself a cotton planter, championed the policy of Indian "removal," dislodging southern tribes and opening vast tracts of new land for cultivation. This expansion, in turn, created a vibrant market for the Chesapeake's surplus slaves, who were sold by the thousands to gang-labor plantations in the Deep South. Southerners also dominated government, largely because the three-fifths clause padded the representation of slave states in Congress and the electoral college, throughout the antebellum period. Southerners won thirteen of the first sixteen presidential contests, ruled the Supreme Court for all but eight years before the Civil War, and held similar sway over leadership posts in Congress. But this clout--economic as well as political--depended on continual expansion. The South needed new lands to plant and new states to boost representation, to keep pace with the industrializing and more populous North. This inevitably sowed conflict as the nation spread west. With the settling of each new territory a contentious question arose: would it be slave or free? The first serious strife flared in 1819, when Missouri sought statehood. Missouri had been settled mainly by Southerners; its admission to the Union would carry slavery well north and west of its existing boundaries and upset the numerical balance between slave and free states. After lengthy debate, Congress finessed the crisis by admitting Maine along with Missouri and by drawing a line across the continent, forbidding any further slavery north of the 36 30' parallel. This deal--the Missouri Compromise of 1820--formed the basis for a three-decade dtente over slavery's spread. But Thomas Jefferson, then in his late seventies, immediately sensed the danger inherent in the agreement. In demarcating a border between slave and free, the compromise underscored the country's fault line and fixed the nation into two camps. "This momentous question, like a fire bell in the night, awakened and filled me with terror," Jefferson wrote ofthe debate over Missouri and slavery. "I considered it at once as the knell of the Union. It is hushed indeed for the moment, but this is a reprieve only, not a final sentence."     IN HIS AUTOBIOGRAPHICAL LETTER to young Henry Stearns, John Brown said he felt the first stirrings of his "Eternal war with Slavery" at age twelve, when he saw a slave boy beaten with iron shovels. "This brought John to reflect on the wretched, hopeless condition, of Fatherless & Motherless slave children," he wrote. Brown, who was also motherless and subject to childhood beatings, may have identified with the slave boy. But his burning hatred of racial oppression had another source. Like so much else in his life, it reflected the influence of his father. In most respects, Owen Brown's religious faith harked back to his Puritan forebears, who believed they had a covenant with God to make America a moral beacon to the world. In the eighteenth century, Calvinist ministers began speaking of slavery as a threat to this special relationship--a breach of divine law that would bring down God's wrath upon the land. Owen was strongly affected by this preaching, and like many other New England emigrants, he carried his antislavery convictions to the Western Reserve. He also displayed an unusual tolerance toward the native inhabitants of Ohio. "Some Persons seamed disposed to quarel with the Indians but I never was," he wrote. Nor did he proselytize, or damn natives as heathens, as Puritans of old would have done. Instead, he traded meal for fish and game; he also built a log shelter to protect local Indians from an enemy tribe. Young John "used to hang about" Indians as much as he could--the beginnings of a lifelong sympathy for natives that stood in stark contrast to the prevailing hostility of white Americans. As Owen Brown established himself in Ohio, he and his neighbors helped fugitive slaves, making the town of Hudson a well-traveled stop on the Underground Railroad. John followed suit, aiding runaways who came to the log cabin he shared with a brother while he was still a bachelor. He continued to aid fugitive slaves after his marriage, but he had a great deal else to occupy him. During the first four years of their union, Brown and his wife hadthree sons. Like his father before him, Brown pioneered new territory, taking his wife and toddlers to a sparsely settled section of northwestern Pennsylvania. He cleared land, built a tannery, raised stock, and, like Owen, became a civic leader, founding a school and church and serving as the area's first postmaster. "An inspired paternal ruler" was how one of his neighbors described him, "controlling and providing for the circle of which he was the head." This circle quickly grew to include three more children. Brown, raised by disciplinarians, became one himself, hewing to the Calvinist belief in the depravity of human nature. His firstborn, John junior, was required to keep a ledger listing his sins and detailing the punishment due each: "unfaithfulness at work" earned three lashes; "disobeying mother" brought eight. The second born, Jason, had a vivid dream about petting a baby raccoon that was "as kind as a kitten," and described the encounter as if it had really happened. He was three or four at the time, and his father thrashed him for telling a "wicked lie." Five-year-old Ruth muddied her shoes while gathering pussy willows and then fibbed about how she'd gotten wet. Her father "switched me with the willow that had caused my sin," she recalled. Corporal punishment was common at the time, but Brown dispensed the rod with especial vigor. He was determined to root out sin, not only in his offspring but also in himself and others. When he was a young man, this compulsion to punish wrongs was primarily manifest in small acts of moral policing. Brown apprehended two men he encountered on the road who were stealing apples, and smashed a neighbor's whiskey jug after taking a few sips and deciding the liquor had dangerous powers. Despite his severity, Brown was beloved by his children, who also recalled his many acts of tenderness. He sang hymns to them at bedtime, recited maxims from Aesop and Benjamin Franklin ("Diligence is the mother of good luck"), cared for his "little folks" when they were ill, and was gentle with animals: he warmed frozen lambs in the family washtub. Brown nursed his wife as well. Dianthe came from a family with a history of mental illness, and not long after her marriage she began to exhibit signs of what relatives called "strangeness." She also faltered physically, suffering from "a difficulty about her heart," Brown wrote. Though the nature of her affliction isn't clear, it probably wasn't helped by bearing six children in nine years, one of whom, a son, died atthe age of four. A year after his death, Dianthe went into labor a seventh time; the child, another boy, was stillborn and had to be extracted "with instruments," Brown wrote. After three days of "great bodily pain & distress," Dianthe also died, at the age of thirty-one. Brown buried her beside their unnamed son, beneath a tombstone bearing Dianthe's final words: "Farewell Earth."     THIS LOSS, WHICH ECHOED his mother's death in childbirth, appears to have sent Brown into shock. "I have been growing numb for a good while," he wrote a business partner. He also complained of vague physical symptoms. "Getting more & more unfit for any thing." Brown and his five children--the youngest was not yet two--briefly moved in with another family. Upon returning to his own home, he hired a housekeeper, whose sixteen-year-old sister, Mary Day, often came along to help. Several months later, Brown proposed to Mary by letter. They married in July 1833, less than a year after Dianthe's death. A tall, sturdy teenager of modest education, Mary was half her husband's age and only four years older than his eldest child. She would bear him thirteen more children and endure great economic hardship. Brown was a tireless worker and skilled at diverse trades: tanning, surveying, farming, cattle breeding, sheepherding. He won prizes for his fine wool, published articles about livestock ("Remedy for Bots or Grubs, in the heads of Sheep"), and filled a pocket diary with practical tips, such as rules for measuring hay in a barn and a farm lady's advice on making butter. ("In summer add plenty of cold water to the milk before churning. The slower the churning the better.") But Brown's diligence and work ethic were repeatedly undone by his inability to manage money. This was a leitmotif of his earliest surviving letters, mostly to a partner in his tanning and cattle business. "I am running low for cash again," Brown wrote Seth Thompson in 1828. "I was unable to raise any cash towards the bank debt," he wrote in 1832. Then, later that year: "Unable to send you money as I intended." And in 1834, again: "I have been uterly unable to raise any money for you as yet." In these and many other letters, Brown expressed regret for his financialstraits--and blamed them on forces beyond his control: the weather, ill health, the monetary policies of President Andrew Jackson. Brown may also have been distracted by his budding concern for affairs other than business. It was in the early 1830s that he first wrote of his determination to help slaves. He also showed signs of a truculent and nonconformist spirit. Brown joined the Freemasons but quickly fell out with the secret society amid accusations that Masons had murdered one of their critics in New York. Far from being cowed by the controversy, Brown openly proclaimed his opposition to the group and circulated the published statement of a Mason who claimed that he'd been selected to cut the throat of a "brother" who revealed the order's secrets. "I have aroused such a feeling towards me," Brown wrote his father in 1830, "as leads me for the present to avoid going about the streets at evening & alone." Brown knew his father would approve of his defiance, if not of the other measure he took. Owen was a committed pacifist; his son, a warrior at heart, acquired his first gun. Copyright 2011 by Tony Horwitz All rights reserved. Excerpted from Midnight Rising: John Brown and the Raid That Sparked the Civil Wa by Tony Horwitz All rights reserved by the original copyright owners. 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