Review by Booklist Review
In this illustrated biography, Tonatiuh introduces Diego Rivera and shows how the Mexican artist drew on the history of his people for his murals, which combined ancient Mexican art with modern styles. Then Tonatiuh asks a crucial question: What would Rivera paint if he were alive today? Would he paint the bustle of city life. Would he paint the way we play. Working in his own blend of styles, working motifs borrowed from ancient Mexican art into contemporary images, the pictures show kids on busy city streets with laptops and cell phones, scooters and rollerblades, shopping at the mall. A long author's note fills in more about Tonatiuh's inspiration and his technique, drawing first by hand and then creating digital collages. With only one reproduction of Rivera's work, this title won't give young people much sense of Rivera's style, but kids will want to talk about the great painter, and young artists will find inspiration for their own creations.--Rochman, Haze. Copyright 2010 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
Suggestive of stained glass windows, Tonatiuh's mixed-media collages combine ancient Mexican art motifs with blocky, stylized figures, to pay tribute to this versatile artist. Rivera paired classical and modern techniques with traditional Mexican aesthetics to create socially and politically relevant murals. Tonatiuh invites readers to speculate about what Rivera might paint if he were alive today-"would he paint students at their desks... just as he painted factory workers in the production line?"-while creating vignettes whose symmetries draw further connections between past and present. Tonatiuh's biography celebrates Rivera, but focuses on the inspiration driving artistic expression in his time and in our own. Ages 5-9. (May) (c) Copyright PWxyz, LLC. All rights reserved.
(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review
K-Gr 3-Tonatiuh relates key moments in the famous muralist's life and ponders what would capture his interest if he were alive today. The stylized brown figures are shown in profile with open mouths, exaggerated features, and heads that seem hinged to the bodies. With only one page mentioning the subject's childhood (in which the young artist is wearing a hat and suit as he draws near his toys), the text concentrates instead on how Rivera internalized traditional and modern styles while studying art in Europe, absorbed the aesthetics of ancient Mexican civilizations after returning home, and then applied his training to local politics and culture. In scenes both thoughtful and humorous, Tonatiuh contrasts interpretations of Rivera's work with renderings of imagined work today. A contemporary mall scene faces the flower vendor with calla lilies. Dynamic, brightly lit luchadores (professional wrestlers) are paired with a scene of Aztec warriors and conquistadores. Back matter includes a glossary of words/concepts in sequence, an author's note, selected sites for viewing the murals, and a list of specific works that inspired the cartoonlike art. Students looking closely will note that some of Rivera's historical paintings include brown figures, in profile, mouths open. The original murals can be found along with biographical details in Mike Venezia's Diego Rivera (Children's Press, 1995) and in Guadalupe Rivera Marin's highly personal My Papa Diego and Me/Mi papa Diego y yo (Children's Book Press, 2009). An inspired approach that combines child appeal, cultural anthropology, and art history.-Wendy Lukehart, Washington DC Public Library (c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Horn Book Review
The first half of the book provides background on Rivera's life and the inspiration behind his work. Readers are then asked to imagine how he might paint subjects from life today: "Maybe Diego would paint shops at the mall... / as he painted street vendors selling flores." The accompanying illustrations ably mimic Rivera's style. A creative, discussion-provoking approach to art appreciation. Bib., glos. (c) Copyright 2011. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
A simple picture-book biography of Diego Rivera concentrates on his artistic career and encourages children to imagine themselves painting their own world.Tonatiuh moves quickly through Rivera's childhood and early career, concentrating on the artist's murals and their inspirations. Clear language contextualizes the artist: In Spain, "he learned the classical way to paint, which means the finished paintings looked very realistic, almost like photographs," but then in France, "he met young artists who were painting in new and exciting ways." Without belaboring the point, the author honors Rivera's politics as well as his love of his homeland. (Notably and appropriately absent is any mention of Rivera's problematic personal life.) Like his subject, Tonatiuh celebrates his ethnic heritage with brown-skinned, muscular, stylized figures. His shapes have an elemental look to them; heads are virtually round, and lines are clean and straight. Digital coloring adds both texture and whimsy. Concluding, he suggests that if Rivera "were alive today," he might "paint students at their desks... / ... just as he painted factory workers in the production line." By establishing a link between modern readers and Rivera and challenging them to "make our own murals," the author makes art both aspiration and action.Both solid introduction and exhortation, this book will thrill budding artists. (glossary, author's note, bibliography, lists of museums and paintings) (Picture book/biography. 5-9)]] Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
