Table of Contents Title Page Copyright Page Dedication Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 Chapter 6 Chapter 7 Chapter 8 Chapter 9 Chapter 10 Chapter 11 Chapter 12 Chapter 13 Chapter 14 Chapter 15 Chapter 16 Chapter 17 Chapter 18 Chapter 19 Chapter 20 Chapter 21 Chapter 22 Chapter 23 Chapter 24 Chapter 25 Chapter 26 Chapter 27 Chapter 28 Chapter 29 Chapter 30 Chapter 31 Chapter 32 Chapter 33 Epilogue Acknowledgements ABOUT THE AUTHOR ALSO BY HARLAN COBEN Play Dead Miracle Cure Deal Breaker Drop Shot Fade Away Back Spin One False Move The Final Detail Darkest Fear Tell No One Gone for Good No Second Chance Just One Look The Innocent Promise Me The Woods Hold Tight Long Lost Caught DUTTON Published by Penguin Group (USA) Inc. 375 Hudson Street, New York, New York 10014, U.S.A. Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario M4P 2Y3, Canada (a division of Pearson Penguin Canada Inc.); Penguin Books Ltd, 80 Strand, London WC2R 0RL, England; Penguin Ireland, 25 St Stephen's Green, Dublin 2, Ireland (a division of Penguin Books Ltd); Penguin Group (Australia), 250 Camberwell Road, Camberwell, Victoria 3124, Australia (a division of Pearson Australia Group Pty Ltd); Penguin Books India Pvt Ltd, 11 Community Centre, Panchsheel Park, New Delhi-110 017, India; Penguin Group (NZ), 67 Apollo Drive, Rosedale, North Shore 0632, New Zealand (a division of Pearson New Zealand Ltd); Penguin Books (South Africa) (Pty) Ltd, 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England Published by Dutton, a member of Penguin Group (USA) Inc. First printing, March 2011 Copyright © 2011 by Harlan Coben All rights reserved REGISTERED TRADEMARK--MARCA REGISTRADA LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA has been applied for ISBN: 9781101476161 Set in Sabon PUBLISHER'S NOTE This book is a work of fiction. Names, characters, places, and incidents either are the product of the author's imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental. Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise), without the prior written permission of both the copyright owner and the above publisher of this book. The scanning, uploading, and distribution of this book via the Internet or via any other means without the permission of the publisher is illegal and punishable by law. Please purchase only authorized electronic editions, and do not participate in or encourage electronic piracy of copyrighted materials. Your support of the author's rights is appreciated. For Anne, because the best is yet to come 1 T he ugliest truth, a friend once told Myron, is still better than the prettiest of lies. Myron thought about that now as he looked down at his father in the hospital bed. He flashed back sixteen years, to the last time he had lied to his father, the lie that caused so much heartbreak and devastation, a lie that started a tragic ripple that, finally, disastrously, would end here. His father's eyes remained closed, his breathing raspy and uneven. Tubes seemed to snake out from everywhere. Myron stared down at his father's forearm. He remembered as a child visiting his dad in that Newark warehouse, the way his father sat at his oversized desk, his sleeves rolled up. The forearm had been powerful enough back then to strain the fabric, making the cuff work tourniquet-like against the muscle. Now the muscle looked spongy, deflated by age. The barrel chest that had made Myron feel so safe was still there, but it had grown brittle, as though a hand pressing down could snap the rib cage like dried twigs. His father's unshaven face had gray splotches instead of his customary five o'clock shadow, the skin around his chin loose, sagging down like a cloak one size too big. Myron's mother--Al Bolitar's wife for the past forty-three years--sat next to the bed. Her hand, shaking with Parkinson's, held his. She too looked shockingly frail. In her youth, his mother had been an early feminist, burning her bra with Gloria Steinem, wearing T-shirts that read stuff like "A Woman's Place Is in the House . . . and Senate." Now, here they both were, Ellen and Al Bolitar ("We're El-Al," Mom always joked, "like the Israeli airline") ravaged by age, hanging on, luckier by far than the vast majority of aging lovers--and yet this was what luck looked like in the end. God has some sense of humor. "So," Mom said to Myron in a low voice. "We agree?" Myron did not reply. The prettiest of lies versus the ugliest truth. Myron should have learned his lesson back then, sixteen years ago, with that last lie to this great man he loved like no other. But, no, it wasn't so simple. The ugliest truth could be devastating. It could rock a world. Or even kill. So as his father's eyes fluttered open, as this man Myron treasured like no other looked up at his oldest son with pleading, almost childlike confusion, Myron looked at his mother and slowly nodded. Then he bit back the tears and prepared to tell his father one final lie. 2 SIX DAYS EARLIER P lease, Myron, I need your help." This was, for Myron, a bit of a fantasy: a shapely, gorgeous damsel in distress sauntering into his office like something out of an old Bogey film--except, well, the saunter was more of a waddle and the shapeliness was coming from the fact that the gorgeous damsel was eight months pregnant, and really, sorry, that kind of killed the whole fantasy effect. Her name was Suzze T, short for Trevantino, a retired tennis star. She had been the sexy bad girl of the tour, better known for her provocative outfits, piercings, and tattoos than for her actual game. Still Suzze won a major and made a ton in endorsements, most notably as the spokeswoman (Myron loved that euphemism) for La-La-Latte, a chain of topless coffee bars, where college boys loved to snicker for "extra milk." Good times. Myron spread his arms. "I'm here for you, Suzze, twenty-four/ seven--you know that." They were in his Park Avenue office, home of MB Reps, the M standing for Myron, the B for Bolitar, and the Reps because they represented athletes, actors, and writers. Literal-Monikers-R-Us. "Just tell me what I can do." Suzze began to pace. "I'm not sure where to begin." Myron was about to speak when she held up her hand. "And if you dare say, 'Start at the beginning,' I will rip off one of your testicles." "Just one?" "You're engaged now. I'm thinking of your poor fiancée." The pace turned more into a stomp, picking up speed and intensity so that a small part of Myron feared that she might go into labor right here in his recently refurbished office. "Uh, the carpet," Myron said. "It's new." She frowned, paced some more, started biting her exuberantly polished fingernails. "Suzze?" She stopped. Their eyes met. "Tell me," he said. "You remember when we first met?" Myron nodded. He was just a few months out of law school and starting up his fledgling firm. Back then, at the inception, MB Reps had been known as MB SportsReps. That was because initially Myron represented only athletes. When he started representing actors and writers and others in the field of the arts and celebrity, he dropped the Sports from the name, ergo, MB Reps. Again with the literal. "Of course," he said. "I was a mess, wasn't I?" "You were a great tennis talent." "And a mess. Don't sugarcoat it." Myron put his palms toward the ceiling. "You were eighteen." "Seventeen." "Seventeen, whatever." Quick memory flash of Suzze in the sun: blond hair in a ponytail, a wicked grin on her face, her forehand whipping the ball as though it had offended her. "You'd just turned pro. Adolescent boys hung your poster in their bedrooms. You were supposed to beat legends right away. Your parents redefined pushy. It's a miracle you stayed upright." "Good point." "So what's wrong?" Suzze glanced down at her belly as though it had just appeared. "I'm pregnant." "Uh, yeah, I can see that." "Life is good, you know?" Her voice was soft now, wistful. "After all the years, when I was a mess . . . I found Lex. His music has never been better. The tennis academy is doing great. And, well, it's just all so good now." Myron waited. Her eyes stayed on her belly, cradling it as though it were its contents, which, Myron surmised, it kind of was. To keep the conversation going, Myron asked, "Do you like being pregnant?" "The actual physical act of carrying a child?" "Yes." She shrugged. "It's not like I'm glowing or any of that. I mean, I'm so ready to deliver. It's interesting though. Some women love being pregnant." "And you don't?" "It feels like someone parked a bulldozer on my bladder. I think the reason women like being pregnant is because it makes them feel special. Like they're minor celebrities. Most women go through life without the attention, but when they're pregnant, people make a fuss. This may sound uncharitable, but pregnant women like the applause. Do you know what I mean?" "I think so." "I've already had my share of applause, I guess." She moved toward the window and looked out for a moment. Then she turned back toward him. "By the way, did you notice how huge my boobs are?" Myron said, "Um," and decided to say no more. "Come to think of it, I wonder whether you should contact La-La-Latte for a new photo shoot." "Strategically angled shots?" "Exactly. Might be a great new campaign in these puppies." She cupped them in case Myron wasn't sure what puppies she was referencing. "What do you think?" "I think," Myron said, "that you're stalling." Her eyes were wet now. "I'm so damned happy." "Yeah, well, I can see where that would be a problem." She smiled at that. "I put the demons to rest. I've even reconciled with my mother. Lex and I couldn't be more ready to have the baby. I want those demons to stay away." Myron sat up. "You're not using again?" "God, no. Not that kind of demon. Lex and I are done with that." Lex Ryder, Suzze's husband, was one half of the legendary band/ duo known as HorsePower--the much lesser half, to be frank, to the supernaturally charismatic front man, Gabriel Wire. Lex was a fine if troubled musician, but he would always be John Oates to Gabriel's Daryl Hall, Andrew Ridgeley to Gabriel's George Michael, the rest of the Pussycat Dolls next to Nicole Scherz-i-something. "What kind of demons then?" Suzze reached into her purse. She plucked out something that from across the desk looked as though it might be a photograph. She stared at it for a moment and then passed it to Myron. He took a quick glance and again tried to wait her out. Finally, just to say something, he went with the obvious: "This is your baby's sonogram." "Yep. Twenty-eight weeks old." More silence. Again Myron broke it. "Is there something wrong with the baby?" "Nothing. He's perfect." "He?" Suzze T smiled now. "Going to have my own little man." "That's pretty cool." "Yeah. Oh, one of the reasons I'm here: Lex and I have been talking about it. We both want you to be the godfather." "Me?" "Yep." Myron said nothing. "Well?" Now it was Myron who had wet eyes. "I'd be honored." "Are you crying?" Myron said nothing. "You're such a girl," she said. "What's wrong, Suzze?" "Maybe nothing." Then: "I think someone is out to destroy me." Myron kept his eyes on the sonogram. "How?" And then she showed him. She showed him two words that would echo dully in his heart for a very long time. 3 A n hour later, Windsor Horne Lockwood III--known to those who fear him (and that was pretty much everyone) as Win--swaggered into Myron's office. Win had a great swagger, like he should be wearing a black top hat and tails and twirling a walking stick. Instead he sported a pink-and-green Lilly Pulitzer tie, a blue blazer with some kind of crest on it, and khakis with a crease sharp enough to draw blood. He had loafers, no socks, and basically looked as though he'd just gone yachting on the SS Old Money . "Suzze T just stopped by," Myron said. Win nodded, jaw jutted. "I saw her on the way out." "Did she look upset?" "Didn't notice," Win said, taking a seat. Then: "Her breasts were engorged." Win. "She has a problem," Myron said. Win leaned back, crossed his legs with his customary coiled ease. "Explain." Myron spun his computer monitor so Win could see. An hour ago, Suzze T had done something similar. He thought about those two small words. Harmless enough on their own, but life is about context. And in this context, those two words chilled the room. Win squinted at the screen and reached into his inside breast pocket. He plucked out a pair of reading glasses. He'd gotten them about a month ago, and though Myron would have said it was impossible, they made Win look even more haughty and stuck-up. They also depressed the hell out of him. Win and he weren't old--not by a long shot--but to use Win's golf analogy when he had first unveiled the glasses: "We are officially on the back nine of life." "Is this a Facebook page?" Win asked. "Yes. Suzze said she uses it to promote her tennis academy." Win leaned a little closer. "Is that her sonogram?" "Yes." "And how does a sonogram promote her tennis academy?" "That's what I asked. She said you need the personal touch. People don't just want to read self-promotion." Win frowned. "So she posts a sonogram of a fetus?" He glanced up. "Does that make sense to you?" In truth, it did not. And once again--with Win wearing reading glasses and the two of them whining about the new world of social networks--Myron felt old. "Check out the picture comments," Myron said. Win gave him the flat eyes. "People comment on a sonogram?" "Just read them." Win did. Myron waited. He had pretty much memorized the page. There were, he knew, twenty-six comments in all, mostly various good wishes. Suzze's mother, the aging poster child for Evil Stage (Tennis) Mom, for example, had written: "I'm going to be a grandma, everyone! Yay!" Someone named Amy said, "Aww cute!!!" A jocular "Takes after his old man! ;)" came from a session drummer who used to work with HorsePower. A guy named Kelvin wrote, "Congrats!!" Tami asked, "When's the baby due, sweetie?" Win stopped three from the bottom. "Funny guy." "Which one?" "Some turdlike humanoid named Erik typed"--Win cleared his throat, leaned closer to the screen--" 'Your baby looks like a sea horse!' " and then Erik the Riot put the letters "LOL." "He's not her problem." Win was not placated. "Old Erik still might be worth a visit." "Just keep going." "Fine." Win's facial expressions rarely changed. He had trained himself in both business and combat to show nothing. But a few seconds later, Myron saw something darken in his old friend's eyes. Win looked up. Myron nodded. Because now Myron knew that Win had found the two words. They were there, at the bottom of the page. The two words were in a comment made by "Abeona S," a name that meant nothing to him. The profile picture was some sort of symbol, maybe Chinese lettering. And there, all in caps, no punctuation, were the two simple yet wrenching words: "NOT HIS" Silence. Then Win said, "Yowza." "Indeed." Win took off his glasses. "Need I ask the obvious question?" "That being?" "Is it true?" "Suzze swears that it's Lex's." "Do we believe her?" "We do," Myron said. "Does it matter?" "Not on a moral basis, no. My theory? This is the work of some neutered crank." Myron nodded. "The great thing about the Internet: It gives everyone a voice. The bad thing about the Internet: It gives everyone a voice." "The great bastion for the cowardly and anonymous," Win agreed. "Suzze should probably delete it before Lex sees it." "Too late. That's part of the problem. Lex has sort of run off." "I see," Win said. "So she wants us to find him?" "And bring him home, yes." "Shouldn't be too difficult to find a famous rock star," Win said. "And the other part of the problem?" "She wants to know who wrote this." "The true identity of Mr. Neutered Crank?" "Suzze thinks it's something bigger. That someone is truly out to get her." Win shook his head. "It's a neutered crank." "Come on. Typing 'Not his'? That's pretty sick." "A sick neutered crank. Do you ever read the nonsense on this Internet? Go to any news story anywhere and look at the racist, homophobic, paranoid 'comments.' " He made quote marks with his fingers. "It will make you howl at the moon." "I know, but I promised I'd look into it." Win sighed, put the glasses back on, leaned toward the screen. "The person who posted it is one Abeona S. Is it safe to assume that's a pseudonym?" "Yep. Abeona is the name of a Roman goddess. No idea what the S stands for." "And what about the profile photograph? What's this symbol?" "I don't know." "You asked Suzze?" "Yep. She said she had no idea. It looks almost like Chinese lettering." "Perhaps we can find someone to translate it." Win sat back and re-steepled the fingers. "Did you notice the time the comment was posted?" Myron nodded. "Three seventeen A.M." "Awfully late." "That's what I was thinking," Myron said. "This could just be the social-networking equivalent of drunk texting." "An ex with issues," Win said. "Is there any other kind?" "And if I recall Suzze's rambunctious youth, there could be--conservatively speaking--several candidates." "But none that she imagines doing something like this." Win continued to stare at the screen. "So what's our first step?" "Really?" "Pardon?" Myron moved around his renovated office. Gone were the posters of Broadway plays and Batman memorabilia. They'd been taken down during the paint job, and Myron wasn't really sure if he wanted to put them back up. Gone too were all his old trophies and awards from his playing days--his NCAA championship rings, his Parade All-American certificates, his College Player of the Year award--with one exception. Right before his first professional game as a Boston Celtic, as his dream was finally coming true, Myron had seriously injured his knee. Sports Illustrated put him on the cover with the tagline, IS HE DONE? and while they don't answer the question, it ended up being a big fat YUP! Why he kept the framed cover up he wasn't quite sure. If asked, he said that it was a warning to any "superstar" entering his office how quickly it can all go away, but Myron somehow suspected it went deeper than that. "That's not your usual modus operandi," Myron said. "Oh, do tell." "This is usually the part where you tell me that I'm an agent, not a private eye, and that you don't see any purpose in doing this because there is no financial benefit to the firm." Win said nothing. "Then you usually complain that I have a hero complex and always need to rescue someone in order to feel complete. And lastly--or I should say, most recently--you tell me how my interfering has actually done more harm than good, that I've ended up hurting and even killing maybe more than I've saved." Win yawned. "Is there a point?" "I thought it was pretty obvious but here it is: Why suddenly are you willing--enthusiastic even--about taking on this particular rescue mission when in the past--" "In the past," Win interrupted, "I always helped out, didn't I?" "For the most part, yes." Win looked up, tapped his chin with his index finger. "How to explain this?" He stopped, thought, nodded. "We have a tendency to believe good things will last forever. It is in our nature. The Beatles, for example. Oh, they'll be around forever. The Sopranos --that show will always be on the air. Philip Roth's Zuckerman series. Springsteen concerts. Good things are rare. They are to be cherished because they always leave us too soon." Win rose, started for the door. Before he left the room, he looked back. "Doing this stuff with you," Win said, "is one of those good things." 4 I t did not take much to track down Lex Ryder. Esperanza Diaz, Myron's business partner at MB Reps, called him at eleven P.M. and said, "Lex just used his credit card at Three Downing." Myron was staying, as he often did, at Win's co-op in the legendary Dakota building, overlooking Central Park West on the corner of Seventy-second Street. Win had a spare bedroom or three. The Dakota dates back to 1884 and it looks it. The fortresslike structure was beautiful and dark and somehow wonderfully depressing. It's a hodgepodge of gables, balconies, finials, pediments, balustrades, half domes, cast iron, archways, ornate railing, stepped dormers--a bizarre blend that was somehow seamless, hauntingly perfect rather than overwhelming. "What's that?" Myron asked. "You don't know Three Downing?" Esperanza asked. "Should I?" "It's probably the hippest bar in the city right now. Diddy, supermodels, the fashionista, that crowd. It's in Chelsea." "Oh." "It's a little disappointing," Esperanza said. "What?" "That a playah of your magnitude doesn't know all the trendy spots." "When Diddy and I go clubbing, we take the white Hummer stretch and use underground entrances. The names blur." "Or being engaged is cramping your style," Esperanza said. "So do you want to head over there and pick him up?" "I'm in my pajamas." "Yep, a playah. Do the pajamas have feetsies?" Myron checked his watch again. He could be downtown before midnight. "I'm on my way." "Is Win there?" Esperanza asked. "No, he's still out." "So you're going down alone?" "You're worried about a tasty morsel like me in a nightclub on my own?" "I'm worried you won't get in. I'll meet you there. Half hour. Seventeenth Street entrance. Dress to impress." Esperanza hung up. This surprised Myron. Since becoming a mother, Esperanza, former all-night, bisexual party girl, never went out late anymore. She had always taken her job seriously--she now owned 49 percent of MB Reps and with Myron's strange travels of late had really carried the load. But after a decade-plus of leading a night lifestyle so hedonistic it would have made Caligula envious, Esperanza had stopped cold, gotten married to the uber-straight Tom, and had a son named Hector. She went from Lindsay Lohan to Carol Brady in four-point-five seconds. Myron looked in his closet and wondered what to wear to a trendy nightspot. Esperanza had said dress to impress, so he went with his tried and true--jeans-blue-blazer-expensive-loafer look--Mr. Casual Chic--mostly because that was all he owned that fit the bill. There was really little in his closet between jeansblazer and all-out suit, unless you wanted to look like the sales guy at an electronics store. He grabbed a cab on Central Park West. The cliché of Manhattan taxi drivers is that they are all foreign and barely speak English. The cliché may be true, but it had been at least five years since Myron had actually spoken to one. Despite recent laws, every single cabdriver in New York City wore a mobile-phone Bluetooth in his ear, twenty-four/seven, quietly talking in his native tongue to whoever was on the other end. Manners aside, Myron always wondered whom they had in their lives that wanted to talk to them all day. In this sense, one could argue that these were very lucky men. Myron figured that he'd see a long line, a velvet rope, something, but as they approached the Seventeenth Street address, there was no sign of any nightclub. Finally he realized that the "Three" stood for the third floor and that "Downing" was the name of the quasi-high-rise in front of him. Someone went to the MB Reps School of Literal Business Naming. The elevator arrived on the third floor. As soon as the doors slid open, Myron could feel the music's deep bass in his chest. The long queue of desperate wanna-enters started immediately. Purportedly, people went to clubs like this to have a good time, but the truth was, most stood on a line and ended up with a sharp reminder that they still weren't cool enough to sit at the popular kids' lunch table. VIPs walked right past them with nary a glance and somehow that made them want to go in more. There was a velvet rope, of course, signaling their lower status, and it was guarded by three steroid-stuffed bouncers with shaved heads and practiced scowls. Myron approached with his best Win-like swagger. "Hey, fellas." The bouncers ignored him. The biggest of the three wore a black suit with no shirt. None. Suit jacket, no shirt. His chest was nicely waxed, displaying impressive metrosexual cleavage. He was currently dealing with a group of four maybe-twenty-one-year-old girls. They all wore ridiculously high heels--heels were definitely in this year--so that they teetered more than strutted. Their dresses were skimpy enough for a citation, but really, that was nothing new. The bouncer was examining them cattle-call style. The girls posed and smiled. Myron half expected them to open their mouths so he could examine their teeth. "You three are okay," Cleavage told them. "But your friend here is too chunky." The chunky girl, who was maybe a size eight, started to cry. Her three waiflike friends gathered in a circle and debated if they should go in without her. The chunky girl ran off in sobs. The friends shrugged and entered. The three bouncers smirked. Myron said, "Classy." The smirks turned his way. Cleavage met Myron's eyes, offering up a challenge. Myron met his gaze and did not look away. Cleavage looked Myron up and down and clearly found him wanting. "Nice outfit," Cleavage said. "You on your way to fight a parking ticket in traffic court?" His two compadres, both sporting tourniquet-tight Ed Hardy T-shirts, liked that one. "Right," Myron said, pointing at the cleavage. "I should have left my shirt at home." The bouncer on Cleavage's left made a surprised O with his mouth. Cleavage stuck out his thumb, umpire-style. "End of the line, pal. Or better yet, just head out." "I'm here to see Lex Ryder." "Who says he's here?" "I say." "And you are?" "Myron Bolitar." Excerpted from Live Wire by Harlan Coben All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
