Fuzzy nation

John Scalzi, 1969-

Book - 2011

Jack Holloway, prospecting on Zara XXIII for ZaraCorp, finds an immensely valuable stream of sunstone. But when he forwards footage of the planet's catlike, native "fuzzies" to a biologist friend --who believes the "fuzzies" are sentient--hired company thugs, murder, and arson soon follow to protect ZaraCorp's mining interests.

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SCIENCE FICTION/Scalzi, John
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Subjects
Published
New York : Tor 2011.
Language
English
Main Author
John Scalzi, 1969- (-)
Edition
1st ed
Item Description
"A Tom Doherty Associates book."
Physical Description
301 p. ; 25 cm
ISBN
9780765328540
Contents unavailable.
Review by Publisher's Weekly Review

In this gripping estate-authorized reboot of H. Beam Piper's Hugo-nominated 1962 classic Little Fuzzy, Scalzi (Old Man's War) changes the hero from a grandfatherly miner to a handsome hunk and updates the plot with new events while retaining the prescient focus on ecological concerns. Disbarred lawyer Jack Holloway, prospecting on Zara XXIII for ZaraCorp, finds an immensely valuable stream of sunstone. But this find pales beside the cuteness of a catlike native biped who shows up at Holloway's house the same day. Holloway forwards footage of the "fuzzies" to a biologist friend, who believes they are sentient-but if they are, Zara XXIII and its sunstone must be abandoned. Enter hired company thugs, murder, and arson. A perfectly executed plot clicks its way to a stunning courtroom showdown in a cathartic finish that will thrill Fuzzy fans old and new. (May) (c) Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

As an independent contractor working for ZaraCorp's mining enterprises on the planet Zarathustra, loner Jack Holloway accidentally collapses a rock shelf and discovers an immensely valuable vein of sunstones that place him in a unique position with regard to his bosses. Unfortunately, Holloway also discovers the presence of a heretofore unknown mammalian species, a terminally cute furry biped that almost meets the criteria of sentience and could bring all resource mining to a crashing halt. The author of Old Man's War pays homage to H. Beam Piper's classic 1962 Little Fuzzy in a tale of one man's reluctant battle to save a species. VERDICT Scalzi readers as well as Piper fans should enjoy this modern throwback to sf's early years. (c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

An acclaimed modern sci-fi writer adds depth and unexpected poignancy to a "reboot" of H. Beam Piper's classic 1962 novel Little Fuzzy.In a future, when corporations strip-mine entire planets if the Colonial Authority doesn't stop them first, disbarred-lawyer-turned-prospector Jack Holloway discovers an unbelievably rich seam of sunstones on Zara XXIII, exquisite jewels found only on that planet. His claim on the seam puts serious stress on his already shaky relationship with ZaraCorp, the company that runs Zara XXIII. And that's before Holloway discovers a race of native creatures whose potential sapience could nullify ZaraCorp's right to the planet. In his original novel, Piper tackled issues that would go on to be the plot of many a Star Trek episode, including the meaning of sentience and the brutal fallout of colonialism. Scalzi (Agent to the Stars, 2010, etc.) adds more emotional capital to the debate by replacing Piper's stock characters with richly rendered, real-seeming people (and aliens). Piper's Jack Holloway is a crotchety prospector with a heart of gold; Scalzi's Holloway is a brilliant, ruthless jerk who makes the occasional moral choice as a way of scoring points against the universe. Scalzi also updates and expands upon the cynicism of the original to be more familiar to a contemporary audience: Piper's corporation attempts to hide its frequent environmental depredations from notice; Scalzi's actively papers it over with a public "eco-friendly" campaign. In an author's note, Scalzi claims that he does not intend to "supplant or improve upon" the Piper novel. However, he may have done just that. In a genre flooded with bloated epics, it's a real pleasure to read a story like this, as compactly and directly told as a punch to the stomach.A totally unnecessary endeavor, but an enjoyable and powerful one nonetheless.]] Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Chapter One   Jack Holloway set the skimmer to HOVER, swiveled his seat around, and looked at Carl. He shook his head sadly. "I can't believe we have to go through this again," Holloway said. "It's not that I don't value you as part of this team, Carl. I do. Really, I do. But I can't help but think that in some way, I'm just not getting through to you. We've gone over this how many times now? A dozen? Two? And yet every time we come out here, it's like you forget everything you've been taught. It's really very discouraging. Tell me you get what I'm saying to you." Carl stared up at Holloway and barked. He was a dog. "Fine," Holloway said. "Then maybe  this  time it will stick." He reached down into a storage bin and hoisted a mound of putty in one hand. "This is acoustical blasting putty. What do we do with it?" Carl cocked his head. "Come on, Carl," Holloway said. "This is the first thing I taught you. We put it on the side of the cliff at strategic points," Holloway said. "Just like I already did earlier today. You remember. You were there." He pointed in the direction of Carl's Cliff, a massive outcropping of rock, two hundred meters high, with geological striations peeking out of the vegetation covering most of the rock face. Carl followed Holloway's finger with his eyes, more interested in the finger than in the cliff his master had named for him. Holloway set down the putty and picked up another, smaller object. "And this is the remote-controlled blasting cap," he said. "Which we attach to the acoustical blasting putty, so we don't have to be near the acoustical blasting putty when we set it off. Because that's  boom . How do we feel about  boom,  Carl?" Carl got a concerned look on his doggy face.  Boom  was a word he knew. Carl was not fond of  boom . "Right," Holloway said. He set down the blasting cap, making sure it was nowhere near the blasting putty, and that the cap receiver was inactive. He picked up a third object. "And this is the remote detonator," Holloway said. "You remember  this,  right, Carl?" Carl barked. "What's that, Carl?" Holloway said. " You  want to set off the acoustical blasting putty?" Carl barked again. "I don't know," Holloway said, doubtfully. "Technically it is a violation of Zarathustra Corporation safe labor practices to allow a nonsentient species member to set off high explosives." Carl came up to Holloway and licked his face with a whine that said  please please oh please . "Oh, all right," Holloway said, fending off the dog. "But this is the  last  time. At least until you grasp  all  the fundamentals of the job. No more slacking off and leaving all the hard work to me. I'm paid to supervise. Are we clear?" Carl barked once more and then backed off, tail wagging. He knew what was coming next. Holloway glanced down at the detonator's image panel and checked, for the third time since he placed the charges earlier in the day, that the detonator was keyed specifically to the blasting caps placed into the charges. He pressed the panel to answer YES to each of the automated safety questions and waited while the detonator confirmed by geolocation that it was, in fact, safely outside the blast radius of any charges. This could be overridden, but it took some hacking, and anyway, Holloway preferred not to blow himself up whenever possible. And Carl was not so fond of  boom . CHARGES SET AND READY, read the detonator panel. PRESS PANEL TO DETONATE. "Okay," Holloway said, and set the detonator on the skimmer floor between him and Carl. Carl looked up expectantly. "Wait for it," Holloway said, and swiveled around in his chair to face the cliff. He could hear Carl's tail thumping excitedly against a crate. "Wait for it , "  Holloway said again, and tried to spy the places on the cliff he had drilled into earlier in the day, using the skimmer as a platform while he inserted and secured the charges into the drill holes. Carl gave a little whine. "Fire!" Holloway said, and heard the dog scramble forward. The cliff puffed out in four spots, spewing rock and dirt and hurling vegetation for meters. The cliff face darkened as the birds (which is to say, the local flying animal equivalent to birds) that had been nesting in the cliff face's vegetation took to the air, alarmed by the noise and sudden eruptions. A few seconds later, four closely spaced  cracks  snapped the air in the skimmer's open cockpit, the sound of the explosions finally reaching Holloway and Carl--loud, but without the Carl-worrying  boom . Holloway glanced over to his right, where his information panel lay, sonic imaging program up and running. The sonic probes he'd placed on and around the cliff were spewing their raw feed into the program, which was collating and combining the data, turning it into a three-dimensional representation of the internal structure of the cliff. "All right," he said, and swiveled around to look at Carl, who still had his paw on the detonator, tongue lolling out of his mouth. "Good boy!" Holloway said, and dug into the storage bin to pull out a zararaptor bone, still heavy with meat. He unwrapped it from its storage film and tossed it at Carl, who fell on it happily. That was the deal: Press the detonator, get a bone. It had taken Holloway more than a few tries to get Carl to press the detonator accurately, but it had been worth the effort. Carl had to come on the surveying trips anyway. Might as well have him be useful, or at least entertaining. Now, it really  was  a violation of Zarathustra Corporation safe labor practices to let a dog blow things up. But Holloway and Carl worked alone, hundreds of kilometers from ZaraCorp's local headquarters on-planet and 178 light-years from its corporate headquarters on Earth. He wasn't technically a ZaraCorp employee anyway; he was a contractor, just like every other prospector/surveyor here on Zara XXIII. It was cheaper that way. Holloway reached down and rubbed Carl's head affectionately. Carl, engrossed in the raptor bone, paid him not the slightest bit of mind. An urgent beep came from Holloway's infopanel. He picked it up to see that the data feeds were suddenly spiking through their bandwidth. A low rumble thrummed its way into the skimmer cockpit, getting louder the longer it lasted. Carl looked up from his bone and whined. This noise was perilously close to  boom . Holloway glanced up and saw a column of dust rising violently from the cliff wall, obscuring everything behind it. "Oh, crap," he said to himself. He had a very bad, sinking feeling about this. After a few minutes, the dust began to clear a bit, and his very bad, sinking feeling got worse. Through the indistinct haze, Holloway could see that a portion of the cliff wall had collapsed, the borders of the collapse roughly contiguous with where he had placed his explosive charges. Stark geological striations glared out from where vegetation had been before. Birds swooped into the area, looking for their nests, the remains of which were a couple hundred meters below them, the wreckage muddying and rerouting the river at the foot of the cliff. "Oh, crap," Holloway said again, and reached for his binoculars. ZaraCorp would be awfully pissed he'd just caused a cliff collapse. ZaraCorp had been working hard over the last few years to reverse the long-standing public image the company had as a rampant despoiler of nature--earned, to be sure, by actually despoiling nature on a number of planets it had operations on. The public was no longer buying the argument that uninhabited planets had higher ecological tolerances than inhabited ones, or that these ecosystems would quickly restore natural equilibriums once ZaraCorp had moved on. As far as they were concerned, strip-mining was strip-mining, regardless of whether you were doing it in the mountains of Pennsylvania or the hills of Zara XXIII. Confronted with overwhelming public opposition to his company's ecological practices (or lack thereof), Wheaton Aubrey VI, Chairman and CEO of Zarathustra Corporation, said "fine" and ordered ZaraCorp and all its subsidiaries to exercise practices consistent with ecological guidelines suggested by the Colonial Environmental Protection Agency. It was all the same to Aubrey. He was no friend to the various ecologies of the planets his company was on, but ZaraCorp's Exploration & Exploitation charter with the Colonial Administration specified that the company would receive tax credits when conforming to CEPA guidelines, so long as the incurred business costs were above a meager cost-of-development baseline formulated decades before anyone cared about the ecological despoilage of worlds they would never actually set foot on. ZaraCorp's ostentatious new regime of ecological best practices, in other words, helped drive the company's tax indebtedness to something close to zero, a neat trick for an organization whose size and income were a nontrivial fraction of that of the Colonial Administration itself. But it also meant that events that tarnished ZaraCorp's new eco-friendly PR campaign were looked at rather harshly. For example, collapsing an entire cliff wall. The whole point of using acoustic charges was to minimize the invasiveness of geologic exploration. Holloway didn't intend to make half the cliff fall away, but given ZaraCorp's reputation, the company would have a hard time getting anyone to believe that. Holloway had played fast and loose with regulations before and had mostly gotten away with it, but this was just the sort of thing that  would,  in fact, get Holloway booted off the planet. Unless. "Come on, come  on, " Holloway said, still peering through his binoculars. He was waiting for the haze to settle enough to make out details. The communication circuit on Holloway's infopanel fired up, showing the ID of Chad Bourne, Holloway's ZaraCorp contractor rep. Holloway swore and slapped the AUDIO ONLY option. "Hi, Chad," he said, and put the binoculars back to his eyes. "Jack, the geeks in the data room tell me there's something really screwy with your feeds," Bourne said. "They say everything was coming in clear and then it was like someone turned the feeds up to eleven." Chad Bourne's voice came in crystal clear and enveloping, thanks to the skimmer's one true indulgence: a spectacular sound system. Holloway had it installed when he realized he'd be spending almost all his working life in the skimmer. It was a wonder in many ways, but it didn't make Bourne sound any less adenoidal. "Huh," Holloway said. "They say it's the sort of thing you see when there's an earthquake. Or a maybe a rock slide," Bourne said. "Now that you mention it, I think I felt an earthquake," Holloway said. "Really," Bourne said. "Yes," Holloway said. "Just before it happened, Carl was acting all strange. They say animals are always the first to know about these things." "So the fact that the data geeks just told me there was absolutely no seismic event of any magnitude in your part of the continent doesn't bother you any," Bourne said. "Who are you going to believe," Holloway said. "I'm here. They're there." "They're here with roughly twenty-five million credits' worth of equipment," Bourne said. "You've got an infopanel and a history of bad surveying practices." " Alleged  bad surveying practices," Holloway said. "Jack, you let your dog blow shit up," Bourne said. "I do not," Holloway said. The dust at the cliff wall had finally begun to clear. "That's just a rumor." "We have an eyewitness," Bourne said. "She's unreliable," Holloway said. "She's a trusted employee," Bourne said. "Unlike some people I could name." "She had a personal agenda," Holloway said. "Trust me." "Well, that's just the thing, isn't it, Jack?" Bourne said. "You have to earn that trust. And right now, you've got not so much of it with me. But I'll tell you what. I have a surveying satellite that's coming up over the horizon in about six minutes. When it gets there, I'm going to have it look at that cliff wall you probably just blew up. If it looks like it's supposed to, then the next time you get into Aubreytown, I'll buy you a steak at Ruby's and apologize. But if it looks like I know it's going to look like, I'm going to revoke your contract and send some security agents to bring you in. And not the ones you go drinking with, Jack. The ones who  don't  like you. I know, I'll send Joe DeLise. He'll be delighted to see you." "Good luck getting him off his barstool," Holloway said. "For you, I think he'd do it," Bourne said. "What do you think about that?" Holloway didn't respond. He'd stopped listening several seconds earlier, because in his binoculars was a thin stratum of rock, sandwiched between two much larger striations. The stratum he was focused on was dark as coal. And sparkled. "Yes,"  Holloway said. "Yes, what?" Bourne said. "Jack, are you even listening to what I'm telling you?" "Sorry, Chad, you're breaking up," Holloway said. "Interference. Sunspots." "Jesus, Jack, you're not even  trying  anymore," Bourne said. "Enjoy your next five minutes. I've already called up your contract on my infopanel. As soon as I get that satellite image, I'm pressing the delete button." Bourne broke contact. Holloway looked over at Carl and picked up the detonator panel. "Crate," he said to the dog. Carl barked, picked up his bone, and headed for his crate, which would immobilize him in case of a skimmer crash. Holloway dropped the detonator into the storage bin, secured his infopanel, and strapped himself into his chair. "Come on, Carl," he said, and goosed the skimmer forward. "We've got five minutes to keep ourselves from getting kicked off the planet."   Copyright (c) 2011 by John Scalzi Excerpted from Fuzzy Nation by John Scalzi All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.