Swim back to me

Ann Packer, 1959-

Book - 2011

Packer's sterling collection of stories is framed by two novellas: "Walk for Mankind" about teenager Richard Appleby and his bittersweet relationship with Sasha Horowitz, a rebellious, risk-taking 14-year-old, who has a clandestine affair with a drug dealer; and, "Things Said or Done" set three decades later, when Sasha, now 51 and divorced, has become Richard's caretaker.

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Subjects
Published
New York : Alfred A. Knopf 2011.
Language
English
Main Author
Ann Packer, 1959- (-)
Edition
1st ed
Item Description
"This is a Borzoi book"--T.p. verso.
Physical Description
225 p. ; 22 cm
ISBN
9781400044047
  • Walk for mankind
  • Molten
  • Jump
  • Dwell time
  • Her firstborn
  • Things said or done.
Review by New York Times Review

In the stories of Ann Packer, individuals struggle against personal devastation. OH, California, you aren't as young as you used to be. Your years of bad decisions and fast living have finally caught up with you. Not to mention the sting of the past decade's tumultuous relationships: that nasty breakup with Gray Davis; the fling with the former bodybuilder; and now an 11th-hour reconciliation with an ex, both of you silver at the temples and ready to be done with the drama. You've seen your share of crises and ruin, but it's time to pick up the pieces. Ann Packer's "Swim Back to Me" is a collection of California stories, both in setting and in terms of the above sentiment. Almost all take place in the San Francisco Bay Area, where characters smack in the middle of middle age are struggling against devastation: the broken promise of a second marriage, the resurfacing of old family wounds, the death of a nearly grown child. When it comes to heartbreak, "everyone has something." The trick is moving on. In these stories, grief is a chronic condition, not a hardship to overcome, but to be endured. Fans of Packer's novels - "Songs Without Words" and the quietly powerful, bestselling "Dive From Clausen's Pier" (she is also the author of a previous story collection) - know she has never shied from the head-on confrontation of loss. She captures suburban life with an archivist's eye for detail; in one story here, a thumbtack is pushed through a stepmother's face in a wedding snapshot on a resentful child's bulletin board. But the stories in "Swim Back to Me" are far from predictable tales of American domesticity. Every plot is a potential time bomb, skillfully paced and ticking with tension and suspense: a sketchy co-worker offers a young woman a midnight ride home, a teenager experiments with drugs, a late-for-dinner husband fails to answer his cellphone. Yet there comes a point in each story when it dawns on the reader that nothing worse will happen to any of these people than what has already befallen them. The danger they face now is in learning to live with their scars. And the dangers are formidable. In "Molten," a mother breaks down after the death of her teenage son, immersing herself in his CD collection while her family disintegrates around her. "Her body had become a scale, a device for measuring grief." By the story's end, it isn't about whether she will do the right thing, but if she will do something, anything, to short-circuit her looping despair. "Dwell Time" draws a parallel between marriage and modern warfare. Laura's second husband jokes that "she had the divorce equivalent of P.T.S.D. and needed cognitive restructuring." Dwell Time is the name of the coffee shop where Laura and her husband had their first date; it's also the military term for the time soldiers etween deployments - or are supposed to get. The intimate, tender story "Her First-born" is about an expectant father haunted by the ghost of his wife's child from a former marriage, who died in infancy. He struggles to understand her closed chapter, to glimpse "inside the chamber where she keeps all of that." Packer paints these lives with full and compassionate brush strokes. And yet she has taken a risk: her book is one of those unruly chimeras, a novella and stories, opening with a hundred-page coming-of-age tale, "Walk for Mankind." Such a collection can be difficult to balance - a powerful novella puts a strain on the accompanying stories to match its themes, while a lesser one can drag down an otherwise strong arrangement. Unfortunately, "Walk for Mankind" falls into the second category. For all the careful detail worked into the life of its 13-year-old protagonist, Richard Appleby, Packer doesn't chart the universe of a teenage boy with the same accuracy and vividness she brings to her adult characters. The narrative voice of another figure, 50-year-old Richard, is so faint, and infrequent it reads like interference on the radio. In one of his rare interludes, he reflects on his dead father, musing that "he wouldn't be able to make any kind of sense of me as a middle-aged man." Frustratingly, we can't, either, at the expense of our emotional investment. To further complicate matters, the novella and the book's final story, "Things Said or Done," are linked. Here we revisit Richard's young love interest, Sasha Horowitz, as well as her parents, 35 years later and through a much different lens. Ultimately, the number of pages devoted to the Horowitz family (more than half the book) makes the collection feel lopsided, as if made from the fragments of two separate works. In the end, Packer's greatest strength lies in her refusal to offer easy answers. For her damaged characters, there are no right or wrong choices when it comes to facing the road ahead. It's simply about finding ways to put one foot in front of the other. The beat, as they say, goes on. One story charts a mother's grief for her son. Another draws parallels between marriage and warfare. Lydia Peelle is the author of the story collection "Reasons for and Advantages of Breathing."

Copyright (c) The New York Times Company [May 22, 2011]
Review by Booklist Review

For readers of short fiction, these three short stories and three novellas will be delightful. Packer, author of the novel The Dive from Clausen's Pier (2002), proves as adept with shorter forms as she is with novels. As expected from a winner of the Alex Award, the young characters that appear in this collection, though few, are well rounded and memorable. But even more memorable are the adults: the Yale graduate who can't hold a job and is descending the teaching ladder, the apprehensive husband whose pregnant wife lost her first child to SIDS, and the second-time-around wife whose life is disrupted when her new husband disappears. Many of these people live in California, and readers will be almost blinded by the white sunlight and will feel the verdant shade of the forest in Packer's powerfully described settings. These resonant, memorable stories evoke difficulties in family life and will appeal to those who enjoy such disparate writers as Lee Smith, A. S. Byatt, and ZZ Packer. Delicious!--Loughran, Ellen Copyright 2010 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Six narrators perform this collection of short stories with compassionate, sensitive readings. The standout is Kirsten Potter, whose wry, ironic tone perfectly fits her narration as a woman recalling her quirky family history as she plays peacemaker to her estranged parents at her brother's wedding. Kathe Mazur also does well in evoking the anxiety of a woman whose new husband does not come home, and her anger and confusion on discovering that he has a habit of simply "disappearing" for days without telling anyone. But all the narrators do exemplary jobs in conveying the rich layers in these nuanced slice-of-life tales. A Knopf hardcover. (Apr.) (c) Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

This new collection from Packer (The Dive from Clausen's Pier) is framed by two stunning first-person narratives that introduce readers to two academic families briefly converging in and around Stanford in the 1970s. In each case, the narrator comes from the second generation. The opening story, "Walk for Mankind," captures the viewpoint of the teenage son of an established Stanford history professor, while the closing piece, "Things Said and Done," gives voice to the adventurous daughter of a visiting instructor taking a step down from Yale for a one-year appointment in Palo Alto. In each instance, Packer pulls the strings in such a way that the itinerant father, doomed by his difficult personality to a life perpetually lived off the tenure track, becomes the focal point. Unfortunately, or perhaps inevitably, the other four stories in the volume, though well crafted and engaging, have the feel of problems solved rather than lives fully lived. VERDICT Whereas some great short story writers stumble with the sprawl of a novel, Packer, who occasionally works on a smaller scale, appears to be a novelist at heart. Still, these California stories are expansive and open-ended. It's hard to let them go. [See Prepub Alert, LJ 11/1/10.]-Sue Russell, Bryn Mawr, PA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

A novella and five stories limn with acuity and empathy the intricate negotiations and painful losses of family life.To Richard, the 13-year-old narrator of "Walk for Mankind," his new friend Sasha's parents, Dan and Joanie Horowitz, seem happier and much more fun than his morose father and his well-intentioned, much-resentedmother, who left her husband and son to move out to Oakland because she "needed to do something useful with my life." But Sasha's escapades with sex and drugs over the course of the 1972-3 school year reveal fissures in the Horowitzes' cheerfully bohemian faade even before Dan loses his job at Stanfordand before the collection's final story, "Things Said or Done," revisits Sasha decades later. There, on the eve of her brother's wedding, she copes with impossible Dan, the novella's charming scapegrace now revealed as a terminal narcissist, and quietly seethes over the disengagement of Joanie, who long ago checked out of the drama. Families are fragile in these gently unsparing stories; the death of a child drives both "Molten," a scarifying snapshot of raw grief, and "Her Firstborn," the tender story of a young father-to-be haunted by the knowledge that his wife's previous marriage was destroyed by the crib death of her 5-month-old son. It's characteristic of Packer's subtle artistry that "Her Firstborn" climaxes with a sentence whose emotional force derives from the insertion of a comma. Her prose is deceptively simple, her insights always complex. "Dwell Time," another portrait of a second marriage, shows a woman realizing that her new husband has not shed all his demons with his divorce and deciding that she will try to live with them. Acknowledging the hurt and sorrow our loved ones bring us, the author never forgets to trace the joys of intimacy as well.Touching, tender and trueshort fiction nearly as rich and satisfying as Packer's two fine novels (Songs Without Words, 2007, etc.).]] Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Walk for Mankind • September 1972. It was the first week of eighth grade, and I sat alone near the back of the school bus: a short, scrawny honor-roll boy with small hands and big ears. The route home meandered through Los Altos Hills, with its large houses sitting in the shadows of old oak trees and dense groves of eucalyptus. Finally we came down out of the hills and arrived in Stanford, where the last twenty or so of us lived, in houses built close together on land the University leased to its faculty. A couple of stops before mine, a clump of kids rose and moved up the aisle, and that's when I saw her, a new girl sitting up near the front. To my surprise, she shouldered her backpack at my stop. I waited until she was off the bus and then made my way up the aisle, keeping my eyes away from Bruce Cavanaugh and Tony Halpern, who'd been my friends back in elementary school. Down on the bright sidewalk, she was headed in the direction I had to go, and I followed after her, walking slowly so I wouldn't overtake her. She was small-boned like me, with thick red hair spilling halfway down her back and covering part of her backpack, which was decorated with at least a dozen McGovern buttons, rather than the usual one or two. There was even a Nixon button with a giant red X drawn over his ugly face. She stopped suddenly and turned, and I got my first glimpse of her face: pale and peppered with freckles. "Who are you?" she said. "Sorry." I was afraid she thought I was following her when I was just heading home. She came forward and offered me her hand. "Hi, Sorry--I'm Sasha. Or maybe I should say 'I'm New.' We can call each other Sorry and New, and then when we get to know each other better we can switch to something else. Shy and Weird, maybe." I had never met anyone who talked like this, and it took me a moment to respond. "My name's Richard." She rolled her eyes. "I know that. I didn't mean who are you what's your name--I meant who are you who are you. Your name is Richard Appleby and you live around the corner from me, in the house with all the ice plant." Now I got it: she was part of the family renting the Levines' house. Teddy Levine was spending the year at the American Academy in Rome, and the Levine kids were going to go to some Italian school and come back fluent and probably strange. The Jacksons had spent a year in London, and afterward Helen Jackson had been such an oddball her parents had taken her out of public school. The girl's hand was still out, and though I'd never shaken hands with another kid before, I held mine out for her, and she pumped it up and down. She had blue-gray eyes with very light lashes, and a long, pointy noise. "Sasha Horowitz," she said. "Happy to know you. I was waiting for you to come over, but it's just as well we met like this--if you'd come over I'd've probably been a freak. Plus my parents would've co-opted the whole thing. Do your parents do that? Co-opt everything? When I was really little my dad would always try to play with me and my friends--he'd give us rides on his back like a horse, and he'd kind of buck sometimes, and one time a friend of mine fell off and broke her wrist. Her parents were really overprotective--she was never allowed to come over again." Still looking at me, Sasha shrugged off her backpack and ran her fingers through her heavy, carrot-colored hair. She gathered it into a thick ponytail and secured it with a rubber band from her wrist. She said, "There, that's better. So do you love San Francisco? We had a picnic in Golden Gate Park on Saturday, and we saw a guy on an acid trip--my little brother thought he was in a play. The only thing is, I'm expecting to be miserable about missing winter." "Are you from somewhere cold?" I said. "Did you have snow?" "New Haven. And God, yes--we had mountains of it. It was a huge pain in the ass. Do you want to come over? You should, because my mother'll ask me to tell her about school otherwise and I really don't feel like talking to her." She stood there looking at me, waiting for me to answer, and I thought of my mother, in her shabby apartment across the bay in Oakland, where she had lived alone for the last seven months, an exile of her own making. I looked at my watch. In two and a half hours my father would bike home from his office on campus, and after he'd had a drink we would sit down to a dinner that Gladys, our new housekeeper, had left us in the oven. Telling him about school was my job, just as asking about it was his. "Sure," I said. "I'll come over. For a little while." Within two weeks I had eaten dinner at Sasha's house three times, had gone with her and her father to buy tiki lamps for the backyard, had driven to San Francisco with all four Horowitzes to have Sunday morning dim sum. On election night, the five of us squeezed onto the living room couch and yelled at the television set together. In December I ate my first ever potato latkes at their house, and on New Year's weekend my father allowed me to skip a visit to my mother in favor of an expedition with the Horowitzes to Big Sur. But I'm getting ahead of myself. That first day, once I was home again and my father and I were in the kitchen just before dinner, I found out what had brought Sasha's family to Stanford. According to my father, her father had been denied tenure by the English Department at Yale and had accepted a one-year renewable appointment at Stanford--which, my father said, was "quite interesting." "Usually you'd stay on for a year or two, try to publish some work, get your CV in order, then go on the job market for a tenure track position somewhere else." He paused and drew his lips into his mouth, as he often did in thoughtful moments. He was a straight-backed man with neat gray hair and hazel eyes: handsome enough. But when he did this thing with his mouth his chin took over, and he looked like a ventriloquist's dummy. He let his lips go. "Maybe there was some bad blood. There often is in a case like this." I said, "Maybe he just wanted to leave." I had met him--Dan--on my way out, and he'd seemed far too friendly for whatever my father might have in mind. "Richard Appleby!" he'd said. "Excellent to meet you! Tell me, are the natives amicable? May we count on you for guidance? You must tell us what the customs are. The customs of the country. You'll help us, won't you? Correct our clothing, teach us the vernacular?" And all the while Sasha stood there rolling her eyes but unable to keep from smiling. "I could ask Hugh Canfield," my father said. Hugh Canfield was my father's closest--really, his only--friend outside the History Department. They'd been at Princeton together. Hugh was chair of the English Department and therefore someone who'd have information about Dan. "You don't have to ask," I said. "I don't care." "No, of course not," my father said. "Though it's curious. To have been at Yale, he must be very promising." He was far more than promising to me. He was promise fulfilled, one of those people who makes the most ordinary occasion brilliant. Build a blanket fort in the living room, which Peter, Sasha's little brother, loved to do? With Dan's help we built Peter a blanket civilization, with a theater and a civic center and a mausoleum for Peter's stuffed hippopotamus, whom we named Hippocritz, the Czar-King of Egypt-Arabia. He was tall and skinny, Dan, with Sasha's frizzy red hair and a great beak of a nose. He played endless games of Risk with us, literally yelling when he lost hold of a continent; and he was fond of showing up at our school at dismissal time with the car packed full of quilts and announcing that he was taking us to the beach to watch the sunset. Joanie, Sasha's mother, possessed quieter charms, but she had a knack for making things special, too: on Halloween night, a little too old for trick-or-treating ourselves, we shepherded Peter around the neighborhood wearing caps she'd made for us, with badges that said "Official Halloween Escort--Will Say Yes to Candy." At home, she did quick charcoal sketches of anyone who happened to be nearby, and when she thought they were good she wrote a caption on them and taped them to the kitchen walls. There were a lot of Sasha and Peter, of course, but within a few months there were a couple of me, too, one in which I was holding a deck of cards in my hand, labeled "The Schemer," and another, in which I was looking off to the side, that said "Richard waiting." "He looks like a retard in that one," Sasha said. "Take it down." But Joanie didn't, and though I didn't say so to Sasha, I was glad. Sasha. She had a little of each parent in her, Dan's gaiety, Joanie's warmth, plus something essential and not altogether pleasant that was entirely hers, like a back note of pepper in a rich chocolate dessert. It was a quality that made her--that gave her permission to--insist on what she wanted. We played Truth or Dare a lot, and her dares invariably had me taking risks that just happened to have as their end points some small reward for her: a stolen candy bar, the details of an overheard--an eavesdropped-upon--conversation. "Someone has a sweetheart," Gladys said, but it wasn't that. For one thing, we hardly spoke at school, Sasha having found a niche among some other Stanford kids while I stuck with two guys I'd met during seventh grade, Malcolm and Bob, precisely because they weren't Stanford kids and hadn't known me when my mother was around. Occasionally Sasha would track down the three of us at lunchtime and plop down next to me with her brown bag (which contained, unvaryingly, an egg salad sandwich on pumpernickel, a handful of dried apricots, and a small can of pineapple juice). More often, we'd join up once we'd gotten off the school bus, or one of us would appear at the other's front door at about four o'clock and say, with heavy irony, "Do you want to play?" "I've always had boys as friends," she said. "What's the big deal?" I hadn't had a girl as a friend since kindergarten, and for me it was strange and exciting. But I wanted to seem as blasé as she was. "Yeah," I said. "People are so idiotic." Gladys may have given me knowing smiles when Sasha came over, but my father hardly noticed I had a new friend. Right after my mother left, he reduced his time at the University, spending Saturdays in his study at home rather than going to campus. He was hard at work on a book about the New Deal, though, and by the time the Horowitzes arrived he was back to his old habits, and he clung to them through that fall and winter, working, working. Sunday was his only day of rest, and we always did something together: went to a concert or played a board game or even tried to navigate our way through some complicated baking project, in service to his ferocious sweet tooth. He was fifty that year, the age I am now, but he wore fifty in the old way, with lace-up leather dress shoes and starched shirts. Sometimes when I'm out for a run, or just kicking a soccer ball with my kids, I think my father, if he were still alive, would not recognize me. He would see that I was his son, he would see that I was Richard--but he wouldn't be able to make any kind of sense of me as a middle-aged man. Excerpted from Swim Back to Me by Ann Packer All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.