Fall of giants

Ken Follett

Book - 2010

Follows the fates of five interrelated families--American, German, Russian, English, and Welsh--as they move through the dramas of the First World War, the Russian Revolution, and the struggle for women's suffrage.

Saved in:

1st Floor Show me where

FICTION/Follett, Ken
1 / 2 copies available
Location Call Number   Status
1st Floor FICTION/Follett, Ken Checked In
1st Floor FICTION/Follett, Ken Due Dec 19, 2023
Epic fiction
New York : Dutton c2010.
Main Author
Ken Follett (-)
Item Description
Includes map on endpapers.
Physical Description
xiv, 985 p. : map ; 25 cm
Contents unavailable.
Review by New York Times Review

THE British novelist Ken Follett's two-part medieval epic, "The Pillars of the Earth" (now a TV miniseries) and "World Without End," teemed with oppressed peasants, bloodthirsty warlords and lusty wassailers. His new novel, "Fall of Giants," is the first volume of a projected trilogy in which the 20th century has replaced the Middle Ages as a stage for life's grandeurs and miseries, but the book's narrative, structure is the same: multiple plot strands woven through a vast tapestry of times past. In this huge panorama, empires rise and fall, wars break out and characters of varying social backgrounds live mostly happy or mostly unhappy lives - mostly happy, more often than not, because Follett is an optimist, and firmly on the side of the good guys. He prefers to save history's horrors for the villains, who are frequently humiliated in satisfying ways. The giants of the title, the crowned heads of Europe, are solidly ensconced in their palaces when the story begins in 1911 but all gone (except King George V of Britain) when it ends, in 1924. In between, various upheavals remake the world, affording plenty of scope for action, and Follett takes full advantage of this opportunity. Apart from the destinies of the monarchs, we follow the intertwined fates of five families, rich and poor, in Wales, England, Germany, Russia and America: a Welsh coal miner and his suffragist sister; an arrogant English earl who is their nemesis; two orphaned Russian brothers, one a scoundrel, one a working-class hero; a pair of star-crossed lovers, she sister of the British earl, he son of a Prussian nobleman, divided by war; an ambitious young diplomat from Buffalo, whose path crosses those of the Russian scoundrel, the English earl, the earl's sister, her German lover and President Woodrow Wilson; and so on. Six pages at the front of the book are devoted to the cast of characters, a list that runs the gamut from "King George V" to "Theo, thug," via "Winston Churchill, M.P.," "Gini, a bar girl" and "Field Marshal Paul von Hindenburg." Czar Nicholas II is one of the few big celebs who never actually show up, but his cousin Kaiser Wilhelm makes a couple of cameo appearances, complete with tetchy temper and withered left arm. Churchill has a brief role as an acerbic guest at a country home, where the king and queen are also guests on another occasion. We stop in at Wilson's White House and sail with the idealistic president to Europe in 1919 in his vain attempt to sell peace to the world through his League of Nations. Lloyd George and Lenin step onstage once or twice, the former a roguish ladies' man, the latter a humorless megalomaniac -accurate depictions, to go by historical accounts. Indeed, in an afterword, Follett says he never attributes inaccurate or unconfirmed characteristics to his real-life characters, or puts them where they could never be. This may be true; unfortunately, he also fails to flesh them out. We get just enough to render them more than mere caricatures but something less than real people. Neither they nor the novel's lesser characters come across as much more than convenient vessels of exposition to carry the story forward. But carry it forward they do, unflaggingly. The novel opens in the underworld of the Welsh mining country in 1911, with an account of young Billy Williams's first day down the mine, following in the footsteps of his forebears. Follett ably evokes the everyday minutiae of an impoverished village: "All the miners had a tin 'snap.' If they took food underground wrapped in a rag, the mice would eat it before the midmorning break. Mam said: 'When you bring me home your wages, you can have a slice of boiled bacon in your snap.'" Meanwhile, up top - Upstairs, as it were, to the miners' Downstairs - the local toffs, the Fitzherberts, are hosting a banquet at their stately country home, which was built on the labors of the miners below. Their fare, unsurprisingly, is somewhat more lavish: "The menu began with hors d'oeuvres Russes, . . . little blinis with caviar and cream, tri¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿ ¿¿ ¿¿¿ ¿¿ ¿¿¿ ¿¿¿ ¿¿¿ ¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿ ¿¿¿ ¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿ ¿ ¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿ ¿ ¿¿¿¿¿ ¿¿¿¿ ¿¿ ¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿ ¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿ ¿¿¿¿ ¿¿¿ ¿¿¿¿¿ ¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿ ¿¿ ¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿ ¿¿¿¿ ¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿ ¿¿ ¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿ ¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿ ¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿ ¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿ ¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿ ¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿ ¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿ ¿¿¿¿ ¿¿¿ ¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿ ¿¿¿¿¿ ¿¿ ¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿ ¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿ ¿¿ ¿¿¿¿ ¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿ ¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿ ¿¿¿¿ ¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿ ¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿ ¿¿¿ ¿ ¿¿¿ ¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿ ¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿ ¿ ¿¿¿¿ ¿¿¿ ¿¿¿¿ ¿¿¿¿¿ ¿¿¿ ¿¿ ¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿ ¿¿ ¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿ ¿¿¿ ¿¿¿¿ ¿ ¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿ ¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿ ¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿ ¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿ ¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿ ¿ ¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿ ¿ ¿ ¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿ ¿ ¿¿¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿ ¿¿¿ ¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿¿ ¿ ¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿ ¿¿¿¿ ¿¿¿ ¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿ ¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿ ¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿ ¿¿¿ ¿ ¿¿¿ ¿¿¿¿ ¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿ ¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿ ¿ ¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿ ¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿ ¿ ¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿ ¿ ¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿ ¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿ ¿¿ ¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿¿ ¿¿¿ ¿¿ ¿¿¿¿ ¿¿ ¿ ¿¿¿¿¿ ¿¿ ¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿ ¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿ngles of toast and smoked fish, crackers with soused herring, all washed down with the Perrier-Jouët 1892 Champagne." YOUNG Billy's sister, Ethel, is a housekeeper in the Fitzherberts' mansion, in thrall to the magnetism of the earl until that man, out of social necessity and misplaced amour-propre, refuses to acknowledge paternity of the son he has with her. Ethel quits her job, accepts a discreet settlement from the earl and moves to London with the child. Subsequently, she and Billy and other characters oppressed by the class system seek liberation in the heady atmosphere of the progressive politics of the day. This is the book's main theme: the superiority of broad-mindedness and liberal thinking over unthinking adherence to the old ways, especially those exemplified by the decadent aristocracy. As themes go, it's not a bad one. It lacks subtlety, but it provides dramatic conflict and an easy story line to follow, and it's a shortcut to engaging the modern reader's sympathy. It also gives the author free rein to broadcast his own indignation through his characters, sometimes to vivifying effect: "He was narrow-minded, outdated and deaf to reason," one character thinks of his father, "and he persisted in these faults with a kind of gleeful obstinacy that Walter found repellent. The consequence of his foolishness, and the foolishness of his generation in all European countries, was the slaughter of the Somme. Walter could not forgive that." The passage refers to the German ruling class (Walter being the token liberal in a nest of hidebound Junkers), but Follett is equally damning of the shortcomings of his own countrymen, especially when it comes to the one-sided version of history taught to British schoolchildren: "When they learned about British justice," he writes, "there was no mention of flogging in Australia, starvation in Ireland or massacre in India. They learned that Catholics burned Protestants at the stake, and it came as a shock if they ever found out that Protestants did the same to Catholics whenever they got the chance." Follett is of the old school of didactic novelists, combining a boisterous tale with an uplifting lesson in history and civics. He understands that his average reader's knowledge of both is probably rusty, to say the least; accordingly, he meticulously reconstructs an era and leads us through the follies and occasional heroics of its protagonists real and imaginary. His word-dioramas include most of the major battles of World War I - Tannenberg, the Marne, the Somme - and events elsewhere, including (in flashback) the failed 1905 uprising against the czar that led 12 years later to the Russian Revolution, the strongest of the novel's set pieces. Follett romps around revolutionary St. Petersburg as if it were his own private sandbox. The Russian brothers Lev and Grigori, downtrodden metalworkers, follow their divergent destinies through an ingenious series of missteps, lucky breaks and the intervention of history (and Follett). Meanwhile, Lenin prepares to return to Russia from his Swiss exile - smuggled, in Churchill's words, "like a plague bacillus" across Germany in a sealed railroad car - with the connivance of the German authorities, who want nothing more than to see the Reds take over and Russia knocked out of the war. This is high-octane storytelling, all the more powerful because the story it tells is, mostly, true. Follett's command of the vast forces he unleashes is as impressive as the battle strategies of his generals, and in many cases more so. But amid all the bustle a few infelicities sneak past the authorial or editorial radar. For instance, we learn that a particularly nasty czarist policeman "had a small head and a mean face," only to be told again a few hundred pages later (plus ça change) that "he had a small head and a mean face." Hello! you want to call out. Is there an editor in the house? Equally annoying is Follett's reliance on potboiler shorthand to convey mood: "Her eyes flashed with fury"; "General Galliéni's eyes glittered ¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿ ¿¿¿ ¿¿¿ ¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿ ¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿ ¿¿¿ ¿ ¿ ¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿ ¿ ¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿ ¿¿ ¿ ¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿ ¿¿¿¿ ¿¿¿ ¿¿ ¿¿¿¿¿ ¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿ ¿¿ ¿¿¿¿ ¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿ ¿ ¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿ ¿ ¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿ ¿ ¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿ ¿ ¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿ ¿¿¿¿ ¿¿¿¿ ¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿ ¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿ ¿¿ ¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿ ¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿ ¿¿¿ ¿¿¿¿¿¿ ¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿ ¿¿¿¿ ¿ ¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿ ¿ ¿¿¿¿¿ ¿¿¿¿ ¿¿¿ ¿ ¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿ ¿¿ ¿¿ ¿¿¿¿ ¿¿¿¿¿ ¿ ¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿ ¿¿¿ ¿ ¿¿¿¿¿ ¿¿¿¿ ¿¿¿ ¿ ¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿ ¿¿ ¿¿¿¿ ¿¿¿¿ ¿¿ ¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿ ¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿ ¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿ ¿¿ ¿¿ ¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿ ¿ ¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿ ¿¿ ¿ ¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿ ¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿ ¿¿ ¿¿¿¿ ¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿ ¿¿¿¿ ¿¿¿ ¿¿¿¿¿ ¿ ¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿ ¿¿¿ ¿¿¿ ¿¿¿ ¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿ ¿¿¿¿ ¿¿¿ ¿¿ ¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿ ¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿ ¿¿ ¿¿¿¿ ¿¿¿ ¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿¿¿ ¿¿ ¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿ ¿¿ ¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿ ¿¿ ¿ ¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿ ¿¿ ¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿ ¿¿ ¿ ¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿¿

Copyright (c) The New York Times Company [October 3, 2010]
Review by Booklist Review

After a sequence of spy thrillers, Follett burst onto the historical fiction scene in 1989 with the megahit The Pillars of the Earth, set in twelfth-century England, and nearly two decades later (having written many other novels in the meantime), he followed with a sequel, World without End. His new book inaugurates what is to be a trio of historical novels (called the Century Trilogy), and it duplicates in structure the two novels mentioned above: showcasing the lives of five families from all walks of life and involved in various ways with the issues of the day from the outbreak of WWI to the early 1920s and reflecting these issues over a broad geographical range, the families here being from Britain, the U.S., Russia, and Germany. The social range of this big, sweeping, completely enveloping novel is announced in the very first line: On the day King George V was crowned at Westminster Abbey in London, Billy Williams went down the pit in Aberowen, Wales. Actual historical figures populate the narrative along with fictional characters, all of whom experience in different ways war, revolution, and the fight for women's rights.--Hooper, Brad Copyright 2010 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

This first in a century-spanning trilogy from bestseller Follett (Eye of the Needle) makes effective and economical use of its lead characters, despite its scope and bulk. From a huge cast, eight figures emerge to play multiple roles that illustrate and often illuminate the major events, trends, and issues of the years leading up to and immediately beyond WWI: American diplomat Gus Dewar; Earl Fitzherbert, a wealthy Englishman; Fitz's sister, Lady Maud; German military attache Walter von Ulrich; Russian brothers Grigori and Lev Peshkov; Welsh collier Billy Williams and his sister, Ethel, whom Fitz hires as a housemaid. Ingenious plotting allows Follett to explore such salient developments of the era as coal mine safety in Wales, women's suffrage, the diplomatic blundering that led to war, the horrors of trench warfare, and the triumph of the Bolsheviks. While this tome doesn't achieve the emotional depth of the best historicals, it is a remarkable and wonderfully readable synthesis of fact and fiction. 1,000,000 first printing; author tour. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Moving from the medieval world of the best-selling The Pillars of the Earth and World Without End, Follett's new historical novel is the first volume of a projected trilogy that follows five families-Welsh, English, German, Russian, and American-through the turbulent 20th century. Covering the period 1911-23, the narrative moves from family to family, country to country, as the Great War impends, happens, and closes. In the first pages, a Welsh boy enters the coal mines; he has just turned 13 that day. He can expect a short and dirty life, but it doesn't turn out that way. The book closes in confrontation: the ninth-richest man in Britain, Earl Fitzherbert, is forced by his own sense of manners to shake the hand of a bastard son he has never acknowledged. Fitz seduced the boy's mother when she was his housemaid. Now she's a Labour MP in the postwar coalition government. Fitz is the past. She's the future. The Great War has changed everything, even for the winners. Verdict Though lengthy, Fall of Giants never seems too long or confusing. Great fun, this is sure to be one of the best sellers of the fall season. The global broadcast of a TV miniseries based on The Pillars of the Earth starring Ian McShane and Donald Sutherland is sure to garner even more attention. [See Prepub Alert, LJ 4/1/10.]-David Keymer, Modesto, CA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

A massive, cat-squashing, multigenerational and multifamilial saga, the first volume of what Follett (World Without End, 2007, etc.) promises as a trilogy devoted to the awful 20th century.The giants in question, metaphorically, are the great and noble families of old Europe, a generally useless lot with a few notable exceptions. One such worthy, Lord Fitzherbert (try not to think of Bridget Jones here), is a sun around which lesser planets circle, a decent fellow who had been an admiral, British ambassador to the tsar's court at St. Petersburg, and a government minister. His son, Earl Fitzherbert, is less notable, if fabulously wealthy: He "had done nothing to earn his huge income,"and the presence of the awful Liberals in Parliament, Winston Churchill among them, keeps him from coming into his own as the great foreign secretary he wishes he could be. Into the Fitzherbertian orbit fall the Williamses, Welsh colliers of sweet voice and radical disposition; if Follett's sprawling story has a center, it is in Billy, who is but 13 as the saga opens and has a great deal of growing up to do. In the outlying reaches of the galaxy is Grigori Peshkov, plotter of the Bolshevik victory and slayer of tsarist officers in a scene straight out of Doctor Zhivago, a confidant of Trotsky's, who figures in the later pages ("Trotsky took the bad news calmly. Lenin would have thrown a fit"). He's just one of history's greats to bow into Follett's pages: Churchill figures into the story, as does Woodrow Wilson. But so, too, does a full six-page dramatis personae, so that there's never a dull or unpeopled moment. Throughout it all, Follett keeps a dependable narrative chugging along; if the writing is never exalted, it is never less than workmanlike, though one wonders about anachronisms here and there. (Did Woodrow Wilson, college president and master diplomat, really say "Heck"?)With an announced million-copy initial printing and a national author tour, this is sure to be one of the season's inevitable and unavoidable blockbustersand not undeservedly.]] Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Table of Contents Title Page Copyright Page Dedication CHAPTER ONE - June 22, 1911 PART ONE - THE DARKENING SKY CHAPTER TWO - January 1914 CHAPTER THREE - February 1914 CHAPTER FOUR - March 1914 CHAPTER FIVE - April 1914 CHAPTER SIX - June 1914 CHAPTER SEVEN - Early July 1914 CHAPTER EIGHT - Mid-July 1914 CHAPTER NINE - Late July 1914 CHAPTER TEN - August 1--3, 1914 CHAPTER ELEVEN - August 4, 1914 PART TWO - THE WAR of GIANTS CHAPTER TWELVE - Early to Late August 1914 CHAPTER THIRTEEN - September to December 1914 CHAPTER FOURTEEN - February 1915 CHAPTER FIFTEEN - June to September 1915 CHAPTER SIXTEEN - June 1916 CHAPTER SEVENTEEN - July 1, 1916 CHAPTER EIGHTEEN - Late July 1916 CHAPTER NINETEEN - July to October 1916 CHAPTER TWENTY - November to December 1916 CHAPTER TWENTY-ONE - December 1916 CHAPTER TWENTY-TWO - January and February 1917 CHAPTER TWENTY-THREE - March 1917 CHAPTER TWENTY-FOUR - April 1917 CHAPTER TWENTY-FIVE - May and June 1917 CHAPTER TWENTY-SIX - Mid-June 1917 CHAPTER TWENTY-SEVEN - June to September 1917 CHAPTER TWENTY-EIGHT - October and November 1917 CHAPTER TWENTY-NINE - March 1918 CHAPTER THIRTY - Late March and April 1918 CHAPTER THIRTY-ONE - May to September 1918 CHAPTER THIRTY-TWO - October 1918 CHAPTER THIRTY-THREE - November 11, 1918 PART THREE - THE WORLD MADE NEW CHAPTER THIRTY-FOUR - November to December 1918 CHAPTER THIRTY-FIVE - December 1918 to February 1919 CHAPTER THIRTY-SIX - March to April 1919 CHAPTER THIRTY-SEVEN - May and June 1919 CHAPTER THIRTY-EIGHT - August to October 1919 CHAPTER THIRTY-NINE - January 1920 CHAPTER FORTY - February to December 1920 CHAPTER FORTY-ONE - November 11--12, 1923 CHAPTER FORTY-TWO - December 1923 to January 1924 Historical Characters Acknowledgements Excerpt from: The Edge of Eternity About the Author PRAISE FOR THE NOVELS OF KEN FOLLETT Fall of Giants "Follett at his finest . . . [a] sweeping epic that will thrill his fans for hours on end." --The Huffington Post "Follett once again creates a world at once familiar and fantastic. . . . A guiltless pleasure, the book is impossible to put down. . . . Empires fall. Heroes rise. Love conquers. After going through a war with these characters, you're left hoping that Follett gets moving with the next giant installment." -- Time Out New York "Grand in scope, scale, and story." --The Associated Press "Suspenseful, tightly constructed, sharply characterized, plot-driven." -- The Seattle Times World Without End "[A] well-researched, beautifully detailed portrait of the late Middle Ages. . . . Follett's no-frills prose does its job, getting smoothly through more than a thousand pages of outlaws, war, death, sex, and politics to end with an edifice that is as well constructed and solid as Merthin's bridge. A." -- The Washington Post "Makes for giddy chutes-and-ladders reading. . . a breathless entertainment." -- Los Angeles Times "Juicy historical fiction." -- USA Today continued . . . "An epic tale in which you will willingly lose yourself for quite a spell." -- The Denver Post "This wonderful sequel should leave you ... with a 'deep contentment. . . like twilight on a summer evening.' " -- Entertainment Weekly "So if historical fiction is your meat, here's a rare treat. A feast of conflicts and struggles among religious authority, royal governance, the powerful unions (or guilds) of the day, and the peasantry. . . . With World Without End , Follett proves his Pillars may be a rarity, but it wasn't a fluke." -- New York Post "A work that stands as something of a triumph of industry and professionalism." -- The Guardian (UK) "The four well-drawn central characters will captivate readers as they prove to be heroic, depraved, resourceful, or mean. Fans of Follett's previous medieval epic will be well rewarded." -- The Union (CA) "A lively entertainment for fans of The Once and Future King , The Lord of the Rings , and other multilayered epics." -- Kirkus Reviews (starred review) "Populated with an immense cast of truly remarkable characters. . . this is not a book to be devoured in one sitting, tempting though that might be, but one to savor for its drama, depth, and richness." -- Library Journal "Readers will be captivated." -- Publishers Weekly The Pillars of the Earth "Enormous and brilliant ... crammed with characters unbelievably alive across the great gulf of centuries. . . touches all human emotion--love and hate, loyalty and treachery, hope and despair. See for yourself. This is truly a novel to get lost in." -- Cosmopolitan "Wonderful ... will fascinate you, surround you." -- Chicago Sun-Times "A towering tale ... a ripping read.... There's murder, arson, treachery, torture, love, and lust." -- New York Daily News "Ken Follett takes a giant step." -- San Francisco Chronicle "With this book, Follett risks all and comes out a clear winner ... a historical novel of gripping readability, authentic atmosphere, and memorable characterization. Beginning with a mystery that casts its shadow, the narrative is a seesaw of tension, suspense, impeccable pacing ... action, intrigue, violence, passion, greed, bravery, dedication, revenge, and love. A novel that entertains, instructs, and satisfies on a grand scale." -- Publishers Weekly "An extraordinary epic buttressed by suspense ... a mystifying puzzle involving the execution of an innocent man ... the erection of a magnificent cathedral ... romance, rivalry, and spectacle. A monumental masterpiece ... a towering triumph from a major talent." -- Booklist Also by Ken Follett The Modigliani Scandal Paper Money Eye of the Needle Triple The Key to Rebecca The Man from St. Petersburg On Wings of Eagles Lie Down with Lions The Pillars of the Earth Night over Water A Dangerous Fortune A Place Called Freedom The Third Twin The Hammer of Eden Code to Zero Jackdaws Hornet Flight Whiteout World Without End NEW AMERICAN LIBRARY Published by New American Library, a division of Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, USA Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario M4P 2Y3, Canada (a division of Pearson Penguin Canada Inc.) Penguin Books Ltd., 80 Strand, London WC2R 0RL, England Penguin Ireland, 25 St. Stephen's Green, Dublin 2, Ireland (a division of Penguin Books Ltd.) Penguin Group (Australia), 250 Camberwell Road, Camberwell, Victoria 3124, Australia (a division of Pearson Australia Group Pty. Ltd.) Penguin Books India Pvt. Ltd., 11 Community Centre, Panchsheel Park, New Delhi - 110 017, India Penguin Group (NZ), 67 Apollo Drive, Rosedale, Auckland 0632, New Zealand (a division of Pearson New Zealand Ltd.) Penguin Books (South Africa) (Pty.) Ltd., 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa Penguin Books Ltd., Registered Offices: 80 Strand, London WC2R 0RL, England Published by New American Library, a division of Penguin Group (USA) Inc. Previously published in a Dutton edition. First New American Library, September 2011 Copyright © Ken Follett, 2010 All rights reserved REGISTERED TRADEMARK--MARCA REGISTRADA ISBN: 9781101543559 p. cm.--(Century ; bk. 1) ISBN: 9781101543559 1. Domestic fiction. 1. Title. PR6056.O45F35 2010 823'.914--dc22 2010009279 Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise), without the prior written permission of both the copyright owner and the above publisher of this book. PUBLISHER'S NOTE This is a work of fiction. Names, characters, places, and incidents either are the product of the author's imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental. The publisher does not have any control over and does not assume any responsibility for author or third-party Web sites or their content. The scanning, uploading, and distribution of this book via the Internet or via any other means without the permission of the publisher is illegal and punishable by law. Please purchase only authorized electronic editions, and do not participate in or encourage electronic piracy of copyrighted materials. Your support of the author's rights is appreciated. To the memory of my parents, Martin and Veenie Follett Cast of Characters American DEWAR FAMILY Senator Cameron Dewar Ursula Dewar, his wife Gus Dewar, their son VYALOV FAMILY Josef Vyalov, businessman Lena Vyalov, his wife Olga Vyalov, their daughter OTHERS Rosa Hellman, journalist Chuck Dixon, school friend of Gus's Marga, nightclub singer Nick Forman, thief Ilya, thug Theo, thug Norman Niall, crooked accountant Brian Hall, union leader REAL HISTORICAL CHARACTERS Woodrow Wilson, twenty-eighth president William Jennings Bryan, secretary of state Josephus Daniels, secretary of the navy English and Scottish FITZHERBERT FAMILY Earl Fitzherbert, called Fitz Princess Elizaveta, called Bea, his wife Lady Maud Fitzherbert, his sister Lady Hermia, called Aunt Herm, their poor aunt Duchess of Sussex, their rich aunt Gelert, Pyrenean mountain dog Grout, Fitz's butler Sanderson, Maud's maid OTHERS Mildred Perkins, Ethel Williams's lodger Bernie Leckwith, secretary of the Aldgate branch of the Independent Labour Party Bing Westhampton, Fitz's friend Marquis of Lowther, "Lowthie," rejected suitor of Maud Albert Solman, Fitz's man of business Dr. Greenward, volunteer at the baby clinic Lord "Johnny" Remarc, junior War Office minister Colonel Hervey, aide to Sir John French Lieutenant Murray, aide to Fitz Mannie Litov, factory owner Jock Reid, treasurer of the Aldgate Independent Labour Party Jayne McCulley, soldier's wife REAL HISTORICAL CHARACTERS King George V Queen Mary Mansfield Smith-Cumming, called "C," head of the Foreign Section of the Secret Service Bureau (later MI6) Sir Edward Grey, M.P., foreign secretary Sir William Tyrrell, private secretary to Grey Frances Stevenson, mistress of Lloyd George Winston Churchill, M.P. H. H. Asquith, M.P., prime minister Sir John French, commander of the British Expeditionary Force French Gini, a bar girl Colonel Dupuys, aide to General Galliéni General Lourceau, aide to General Joffre REAL HISTORICAL CHARACTERS General Joffre, commander in chief of French forces General Galliéni, commander of the Paris garrison German and Austrian VON ULRICH FAMILY Otto von Ulrich, diplomat Susanne von Ulrich, his wife Walter von Ulrich, their son, military attaché at the German embassy in London Greta von Ulrich, their daughter Graf (Count) Robert von Ulrich, Walter's second cousin, military attaché at the Austrian embassy in London OTHERS Gottfried von Kessel, cultural attaché at the German embassy in London Monika von der Helbard, Greta's best friend REAL HISTORICAL CHARACTERS Prince Karl Lichnowsky, German ambassador to London Field Marshal Paul von Hindenburg General of Infantry Erich Ludendorff Theobald von Bethmann-Hollweg, German chancellor Arthur Zimmermann, German foreign minister Russian PESHKOV FAMILY Grigori Peshkov, metalworker Lev Peshkov, horse wrangler PUTILOV MACHINE WORKS Konstantin, lathe operator, chairman of the Bolshevik discussion group Isaak, captain of the football team Varya, female laborer, Konstantin's mother Serge Kanin, supervisor of the casting section Count Maklakov, director OTHERS Mikhail Pinsky, police officer Ilya Kozlov, his sidekick Nina, maid to Princess Bea Prince Andrei, Bea's brother Katerina, a peasant girl new to the city Mishka, bar owner Trofim, gangster Fyodor, corrupt cop Spirya, passenger on the Angel Gabriel Yakov, passenger on the Angel Gabriel Anton, clerk at the Russian embassy in London, also a spy for Germany David, Jewish soldier Sergeant Gavrik Lieutenant Tomchak REAL HISTORICAL CHARACTERS Vladimir Ilyich Lenin, leader of the Bolshevik Party Leon Trotsky Welsh WILLIAMS FAMILY David Williams, union organizer Cara Williams, his wife Ethel Williams, their daughter Billy Williams, their son Gramper, Cara's father GRIFFITHS FAMILY Len Griffiths, atheist and Marxist Mrs. Griffiths Tommy Griffiths, their son, Billy Williams's best friend PONTI FAMILY Mrs. Minnie Ponti Giuseppe "Joey" Ponti, her son Giovanni "Johnny" Ponti, his younger brother MINERS David Crampton, "Dai Crybaby" Harry "Suet" Hewitt John Jones the Shop Dai Chops, the butcher's son Pat Pope, Main Level onsetter Micky Pope, Pat's son Dai Ponies, horse wrangler Bert Morgan MINE MANAGEMENT Perceval Jones, chairman of Celtic Minerals Maldwyn Morgan, colliery manager Rhys Price, colliery manager's deputy Arthur "Spotty" Llewellyn, colliery clerk STAFF AT TŶ GWYN Peel, butler Mrs. Jevons, housekeeper Morrison, footman OTHERS Dai Muck, sanitary worker Mrs. Dai Ponies Mrs. Roley Hughes Mrs. Hywel Jones Private George Barrow, B Company Private Robin Mortimer, cashiered officer, B Company Private Owen Bevin, B Company Sergeant Elijah "Prophet" Jones, B Company Second Lieutenant James Carlton-Smith, B Company Captain Gwyn Evans, A Company Second Lieutenant Roland Morgan, A Company REAL HISTORICAL CHARACTERS David Lloyd George, Liberal member of Parliament PROLOGUE INITIATION CHAPTER ONE June 22, 1911 O n the day King George V was crowned at Westminster Abbey in London, Billy Williams went down the pit in Aberowen, South Wales. The twenty-second of June, 1911, was Billy's thirteenth birthday. He was woken by his father. Da's technique for waking people was more effective than it was kind. He patted Billy's cheek, in a regular rhythm, firmly and insistently. Billy was in a deep sleep, and for a second he tried to ignore it, but the patting went on relentlessly. Momentarily he felt angry; but then he remembered that he had to get up, he even wanted to get up, and he opened his eyes and sat upright with a jerk. "Four o'clock," Da said; then he left the room, his boots banging on the wooden staircase as he went down. Today Billy would begin his working life by becoming an apprentice collier, as most of the men in town had done at his age. He wished he felt more like a miner. But he was determined not to make a fool of himself. David Crampton had cried on his first day down the pit, and they still called him Dai Crybaby, even though he was twenty-five and the star of the town's rugby team. It was the day after midsummer, and a bright early light came through the small window. Billy looked at his grandfather, lying beside him. Gramper's eyes were open. He was always awake, whenever Billy got up; he said old people did not sleep much. Billy got out of bed. He was wearing only his underdrawers. In cold weather he wore his shirt to bed, but Britain was enjoying a hot summer, and the nights were mild. He pulled the pot from under the bed and took off the lid. There was no change in the size of his penis, which he called his peter. It was still the childish stub it had always been. He had hoped it might have started to grow on the night before his birthday, or perhaps that he might see just one black hair sprouting somewhere near it, but he was disappointed. His best friend, Tommy Griffiths, who had been born on the same day, was different: he had a cracked voice and a dark fuzz on his upper lip, and his peter was like a man's. It was humiliating. As Billy was using the pot, he looked out of the window. All he could see was the slag heap, a slate-gray mountain of tailings, waste from the coal mine, mostly shale and sandstone. This was how the world appeared on the second day of Creation, Billy thought, before God said: "Let the earth bring forth grass." A gentle breeze wafted fine black dust off the slag onto the rows of houses. Inside the room there was even less to look at. This was the back bedroom, a narrow space just big enough for the single bed, a chest of drawers, and Gramper's old trunk. On the wall was an embroidered sampler that read: BELIEVE ON THE LORD JESUS CHRIST AND THOU SHALT BE SAVED There was no mirror. One door led to the top of the stairs, the other to the front bedroom, which could be accessed only through this one. It was larger and had space for two beds. Da and Mam slept there, and Billy's sisters had, too, years ago. The eldest, Ethel, had now left home, and the other three had died, one from measles, one from whooping cough, and one from diphtheria. There had been an older brother, too, who had shared Billy's bed before Gramper came. Wesley had been his name, and he had been killed underground by a runaway dram, one of the wheeled tubs that carried coal. Billy pulled on his shirt. It was the one he had worn to school yesterday. Today was Thursday, and he changed his shirt only on Sunday. However, he did have a new pair of trousers, his first long ones, made of the thick water-repellent cotton called moleskin. They were the symbol of entry into the world of men, and he pulled them on proudly, enjoying the heavy masculine feel of the fabric. He put on a thick leather belt and the boots he had inherited from Wesley; then he went downstairs. Most of the ground floor was taken up by the living room, fifteen feet square, with a table in the middle and a fireplace to one side, and a homemade rug on the stone floor. Da was sitting at the table reading an old copy of the Daily Mail, a pair of spectacles perched on the bridge of his long, sharp nose . Mam was making tea. She put down the steaming kettle, kissed Billy's forehead, and said: "How's my little man on his birthday?" Billy did not reply. The "little" was wounding, because he was little, and the "man" was just as hurtful because he was not a man. He went into the scullery at the back of the house. He dipped a tin bowl into the water barrel, washed his face and hands, and poured the water away in the shallow stone sink. The scullery had a copper with a fire grate underneath, but it was used only on bath night, which was Saturday. They had been promised running water soon, and some of the miners' houses already had it. It seemed a miracle to Billy that people could get a cup of cold clear water just by turning the tap, and not have to carry a bucket to the standpipe out in the street. But indoor water had not yet come to Wellington Row, where the Williamses lived. He returned to the living room and sat at the table. Mam put a big cup of milky tea in front of him, already sugared. She cut two thick slices off a loaf of homemade bread and got a slab of dripping from the pantry under the stairs. Billy put his hands together, closed his eyes, and said: "Thank you, Lord, for this food. Amen." Then he drank some tea and spread dripping on his bread. Da's pale blue eyes looked over the top of the paper. "Put salt on your bread," he said. "You'll sweat underground." Billy's father was a miners' agent, employed by the South Wales Miners' Federation, which was the strongest trade union in Britain, as he said whenever he got the chance. He was known as Dai Union. A lot of men were called Dai, pronounced "die," short for David, or Dafydd in Welsh. Billy had learned in school that David was popular in Wales because it was the name of the country's patron saint, like Patrick in Ireland. All the Dais were distinguished one from another not by their surnames--almost everyone in town was Jones, Williams, Evans, or Morgan--but by a nickname. Real names were rarely used when there was a humorous alternative. Billy was William Williams, so they called him Billy Twice. Women were sometimes given their husband's nickname, so that Mam was Mrs. Dai Union. Gramper came down while Billy was eating his second slice. Despite the warm weather he wore a jacket and waistcoat. When he had washed his hands he sat opposite Billy. "Don't look so nervous," he said. "I went down the pit when I was ten. And my father was carried to the pit on his father's back at the age of five, and worked from six in the morning until seven in the evening. He never saw daylight from October to March." "I'm not nervous," Billy said. This was untrue. He was scared stiff. However, Gramper was kindly, and he did not press the point. Billy liked Gramper. Mam treated Billy like a baby, and Da was stern and sarcastic, but Gramper was tolerant and talked to Billy as to an adult. "Listen to this," said Da. He would never buy the Mail, a right-wing rag, but he sometimes brought home someone else's copy and read the paper aloud in a scornful voice, mocking the stupidity and dishonesty of the ruling class. "'Lady Diana Manners has been criticized for wearing the same dress to two different balls. The younger daughter of the Duke of Rutland won "best lady's costume" at the Savoy Ball for her off-the-shoulder boned bodice with full hooped skirt, receiving a prize of two hundred and fifty guineas.'" He lowered the paper and said: "That's at least five years' wages for you, Billy boy." He resumed: "'But she drew the frowns of the cognoscenti by wearing the same dress to Lord Winterton and F. E. Smith's party at Claridge's Hotel. One can have too much of a good thing, people said.'" He looked up from the paper. "You'd better change that frock, Mam," he said. "You don't want to draw the frowns of the cognoscenti." Mam was not amused. She was wearing an old brown wool dress with patched elbows and stains under the armpits. "If I had two hundred and fifty guineas, I'd look better than Lady Diana Muck," she said, not without bitterness. "It's true," Gramper said. "Cara was always the pretty one--just like her mother." Mam's name was Cara. Gramper turned to Billy. "Your grandmother was Italian. Her name was Maria Ferrone." Billy knew this, but Gramper liked to retell familiar stories. "That's where your mother gets her glossy black hair and lovely dark eyes--and your sister. Your gran was the most beautiful girl in Cardiff--and I got her!" Suddenly he looked sad. "Those were the days," he said quietly. Da frowned with disapproval--such talk suggested the lusts of the flesh--but Mam was cheered by her father's compliments, and she smiled as she put his breakfast in front of him. "Oh, aye," she said. "Me and my sisters were considered beauties. We'd show those dukes what a pretty girl is, if we had the money for silk and lace." Billy was surprised. He had never thought of his mother as beautiful or otherwise, though when she dressed for the chapel social on Saturday evening she did look striking, especially in a hat. He supposed she might once have been a pretty girl, but it was hard to imagine. "Mind you," said Gramper, "your gran's family were clever, too. My brother-in-law was a miner, but he got out of the industry and opened a café in Tenby. Now there's a life for you--sea breezes, and nothing to do all day but make coffee and count your money." Da read another item. "'As part of the preparations for the coronation, Buckingham Palace has produced a book of instructions two hundred and twelve pages long.'" He looked over the paper. "Mention that down the pit today, Billy. The men will be relieved to know that nothing has been left to chance." Billy was not very interested in royalty. What he liked was the adventure stories the Mail often printed about tough rugby-playing public-school men catching sneaky German spies. According to the paper, such spies infested every town in Britain, although there did not seem to be any in Aberowen, disappointingly. Billy stood up. "Going down the street," he announced. He left the house by the front door. "Going down the street" was a family euphemism: it meant going to the toilets, which stood halfway down Wellington Row. A low brick hut with a corrugated iron roof was built over a deep hole in the earth. The hut was divided into two compartments, one for men and one for women. Each compartment had a double seat, so that people went to the toilet two by two. No one knew why the builders had chosen this arrangement, but everyone made the best of it. Men looked straight ahead and said nothing, but--as Billy could often hear--women chatted companionably. The smell was suffocating, even when you experienced it every day of your life. Billy always tried to breathe as little as possible while he was inside, and came out gasping for air. The hole was shoveled out periodically by a man called Dai Muck. When Billy returned to the house he was delighted to see his sister Ethel sitting at the table. "Happy birthday, Billy!" she cried. "I had to come and give you a kiss before you go down the pit." Ethel was eighteen, and Billy had no trouble seeing her as beautiful. Her mahogany-colored hair was irrepressibly curly, and her dark eyes twinkled with mischief. Perhaps Mam had looked like this once. Ethel wore the plain black dress and white cotton cap of a housemaid, an outfit that flattered her. Billy worshipped Ethel. As well as pretty, she was funny and clever and brave, sometimes even standing up to Da. She told Billy things no one else would explain, such as the monthly episode women called the curse, and what was the crime of public indecency that had caused the Anglican vicar to leave town in such a hurry. She had been top of the class all the way through school, and her essay "My Town or Village" had taken first prize in a contest run by the South Wales Echo. She had won a copy of Cassell's Atlas of the World. She kissed Billy's cheek. "I told Mrs. Jevons the housekeeper that we were running out of boot polish and I'd better get some more from the town." Ethel lived and worked at Tŷ Gwyn, the vast home of Earl Fitzherbert, a mile away up the mountain. She handed Billy something wrapped in a clean rag. "I stole a piece of cake for you." "Oh, thanks, Eth!" said Billy. He loved cake. Mam said: "Shall I put it in your snap?" "Aye, please." Mam got a tin box from the cupboard and put the cake inside. She cut two more slabs of bread, spread them with dripping, sprinkled salt, and put them in the tin. All the miners had a "snap tin." If they took food underground wrapped in a rag, the mice would eat it before the midmorning break. Mam said: "When you bring me home your wages, you can have a slice of boiled bacon in your snap." Billy's earnings would not be much, at first, but all the same they would make a difference to the family. He wondered how much Mam would allow him for pocket money and whether he would ever be able to save enough for a bicycle, which he wanted more than anything else in the world. Ethel sat at the table. Da said to her: "How are things at the big house?" "Nice and quiet," she said. "The earl and princess are in London for the coronation." She looked at the clock on the mantelpiece. "They'll be getting up soon--they need to be at the abbey early. She won't like it--she's not used to early hours--but she can't be late for the king." The earl's wife, Bea, was a Russian princess, and very grand. Da said: "They'll want to get seats near the front, so they can see the show." "Oh, no, you can't sit anywhere you like," Ethel said. "They've had six thousand mahogany chairs made special, with the names of the guests on the back in gold writing." Gramper said: "Well, there's a waste! What will they do with them after?" "I don't know. Perhaps everyone will take them home as souvenirs." Da said dryly: "Tell them to send a spare one to us. There's only five of us here, and already your mam's got to stand." When Da was being facetious there might be real anger underneath. Ethel leaped to her feet. "Oh, sorry, Mam. I didn't think." "Stay where you are. I'm too busy to sit down," said Mam. The clock struck five. Da said: "Best get there early, Billy boy. Start as you mean to go on." Billy got to his feet reluctantly and picked up his snap. Ethel kissed him again, and Gramper shook his hand. Da gave him two six-inch nails, rusty and a bit bent. "Put those in your trousers pocket." "What for?" said Billy. "You'll see," Da said with a smile. Mam handed Billy a quart bottle with a screw top, full of cold tea with milk and sugar. She said: "Now, Billy, remember that Jesus is always with you, even down the pit." "Aye, Mam." He could see a tear in her eye, and he turned away quickly, because it made him feel weepy, too. He took his cap from the peg. "Bye, then," he said, as if he was only going to school; and he stepped out of the front door. The summer had been hot and sunny so far, but today was overcast, and it even looked as if it might rain. Tommy was leaning against the wall of the house, waiting. "Aye, aye, Billy," he said. "Aye, aye, Tommy." They walked down the street side by side. Aberowen had once been a small market town, serving hill farmers round about, Billy had learned in school. From the top of Wellington Row you could see the old commercial center, with the open pens of the cattle market, the wool exchange building, and the Anglican church, all on one side of the Owen River, which was little more than a stream. Now a railway line cut through the town like a wound, terminating at the pithead. The miners' houses had spread up the slopes of the valley, hundreds of gray stone homes with roofs of darker gray Welsh slate. They were built in long serpentine rows that followed the contours of the mountainsides, the rows crossed by shorter streets that plunged headlong to the valley bottom. "Who do you think you'll be working with?" said Tommy. Billy shrugged. New boys were assigned to one of the colliery manager's deputies. "No way to know." "I hope they put me in the stables." Tommy liked horses. About fifty ponies lived in the mine. They pulled the drams that the colliers filled, drawing them along railway tracks. "What sort of work do you want to do?" Billy hoped he would not be given a task too heavy for his childish physique, but he was not willing to admit that. "Greasing drams," he said. "Why?" "It seems easy." They passed the school where yesterday they had been pupils. It was a Victorian building with pointed windows like a church. It had been built by the Fitzherbert family, as the headmaster never tired of reminding the pupils. The earl still appointed the teachers and decided the curriculum. On the walls were paintings of heroic military victories, and the greatness of Britain was a constant theme. In the Scripture lesson with which every day began, strict Anglican doctrines were taught, even though nearly all the children were from Nonconformist families. There was a school management committee, of which Da was a member, but it had no power except to advise. Da said the earl treated the school as his personal property. In their final year Billy and Tommy had been taught the principles of mining, while the girls learned to sew and cook. Billy had been surprised to discover that the ground beneath him consisted of layers of different kinds of earth, like a stack of sandwiches. A coal seam--a phrase he had heard all his life without really understanding it--was one such layer. He had also been told that coal was made of dead leaves and other vegetable matter, accumulated over thousands of years and compressed by the weight of earth above it. Tommy, whose father was an atheist, said this proved the Bible was not true; but Billy's da said that was only one interpretation. The school was empty at this hour, its playground deserted. Billy felt proud that he had left school behind, although part of him wished he could go back there instead of down the pit. As they approached the pithead, the streets began to fill with miners, each with his snap tin and bottle of tea. They all dressed the same, in old suits that they would take off once they reached their workplace. Some mines were cold but Aberowen was a hot pit, and the men worked in underwear and boots, or in the coarse linen shorts they called bannickers. Everyone wore a padded cap, all the time, because tunnel roofs were low and it was easy to bang your head. Over the houses Billy could see the winding gear, a tower topped by two great wheels rotating in opposite directions, drawing the cables that raised and lowered the cage. Similar pithead structures loomed over most towns in the South Wales valleys, the way church spires dominated farming villages. Other buildings were scattered around the pithead as if dropped by accident: the lamp room, the colliery office, the smithy, the stores. Railway lines snaked between the buildings. On the waste ground were broken drams, old cracked timbers, feed sacks, and piles of rusty disused machinery, all covered with a layer of coal dust. Da always said there would be fewer accidents if miners kept things tidy. Billy and Tommy went to the colliery office. In the front room was Arthur "Spotty" Llewellyn, a clerk not much older than they were. His white shirt had a dirty collar and cuffs. They were expected--their fathers had previously arranged for them to start work today. Spotty wrote their names in a ledger, then took them into the colliery manager's office. "Young Tommy Griffiths and young Billy Williams, Mr. Morgan," he said. Maldwyn Morgan was a tall man in a black suit. There was no coal dust on his cuffs. His pink cheeks were free of stubble, which meant he must shave every day. His engineering diploma hung in a frame on the wall, and his bowler hat--the other badge of his status--was displayed on the coat stand by the door. To Billy's surprise, he was not alone. Next to him stood an even more formidable figure: Perceval Jones, chairman of Celtic Minerals, the company that owned and operated the Aberowen coal mine and several others. A small, aggressive man, he was called Napoleon by the miners. He wore morning dress, a black tailcoat and striped gray trousers, and he had not taken off his tall black top hat. Jones looked at the boys with distaste. "Griffiths," he said. "Your father's a revolutionary socialist." "Yes, Mr. Jones," said Tommy. "And an atheist." "Yes, Mr. Jones." He turned his gaze on Billy. "And your father's an official of the South Wales Miners' Federation." "Yes, Mr. Jones." "I don't like socialists. Atheists are doomed to eternal damnation. And trade unionists are the worst of the lot." He glared at them, but he had not asked a question, so Billy said nothing. "I don't want troublemakers," Jones went on. "In the Rhondda Valley they've been on strike for forty-three weeks because of people like your fathers stirring them up." Billy knew that the strike in the Rhondda had not been caused by troublemakers, but by the owners of the Ely Pit at Penygraig, who had locked out their miners. But he kept his mouth shut. "Are you troublemakers?" Jones pointed a bony finger at Billy, making Billy shake. "Did your father tell you to stand up for your rights when you're working for me?" Billy tried to think, though it was difficult when Jones looked so threatening. Da had not said much this morning, but last night he had given some advice. "Please, sir, he told me: 'Don't cheek the bosses. That's my job.'" Behind him, Spotty Llewellyn sniggered. Perceval Jones was not amused. "Insolent savage," he said. "But if I turn you away, I'll have the whole of this valley on strike." Billy had not thought of that. Was he so important? No--but the miners might strike for the principle that the children of their officials must not suffer. He had been at work less than five minutes, and already the union was protecting him. "Get them out of here," said Jones. Morgan nodded. "Take them outside, Llewellyn," he said to Spotty. "Rhys Price can look after them." Billy groaned inwardly. Rhys Price was one of the more unpopular deputy managers. He had set his cap at Ethel, a year ago, and she had turned him down flat. She had done the same to half the single men in Aberowen, but Price had taken it hard. Spotty jerked his head. "Out," he said, and he followed them. "Wait outside for Mr. Price." Billy and Tommy left the building and leaned on the wall by the door. "I'd like to punch Napoleon's fat belly," said Tommy. "Talk about a capitalist bastard." "Yeah," said Billy, though he had had no such thought. Rhys Price showed up a minute later. Like all the deputies, he wore a low round-crowned hat called a billycock, more expensive than a miner's cap but cheaper than a bowler. In the pockets of his waistcoat he had a notebook and a pencil, and he carried a yardstick. Price had dark stubble on his cheeks and a gap in his front teeth. Billy knew him to be clever but sly. "Good morning, Mr. Price," Billy said. Price looked suspicious. "What business have you got saying good morning to me, Billy Twice?" "Mr. Morgan said we are to go down the pit with you." "Did he, now?" Price had a way of darting looks to the left and right, and sometimes behind, as if he expected trouble from an unknown quarter. "We'll see about that." He looked up at the winding wheel, as if seeking an explanation there. "I haven't got time to deal with boys." He went into the office. "I hope he gets someone else to take us down," Billy said. "He hates my family because my sister wouldn't walk out with him." "Your sister thinks she's too good for the men of Aberowen," said Tommy, obviously repeating something he had heard. "She is too good for them," Billy said stoutly. Price came out. "All right, this way," he said, and headed off at a rapid walk. The boys followed him into the lamp room. The lamp man handed Billy a shiny brass safety lamp, and he hooked it onto his belt as the men did. He had learned about miners' lamps in school. Among the dangers of coal mining was methane, the inflammable gas that seeped out of coal seams. The men called it firedamp, and it was the cause of all underground explosions. Welsh pits were notoriously gassy. The lamp was ingeniously designed so that its flame would not ignite firedamp. In fact the flame would change its shape, becoming longer, thereby giving a warning--for firedamp had no smell. If the lamp went out, the miner could not relight it himself. Carrying matches was forbidden underground, and the lamp was locked to discourage the breaking of the rule. An extinguished lamp had to be taken to a lighting station, usually at the pit bottom near the shaft. This might be a walk of a mile or more, but it was worth it to avoid the risk of an underground explosion. In school the boys had been told that the safety lamp was one of the ways in which mine owners showed their care and concern for their employees--"as if," Da said, "there was no benefit to the bosses in preventing explosions and stoppage of work and damage to tunnels." After picking up their lamps, the men stood in line for the cage. Cleverly placed alongside the queue was a notice board. Handwritten or crudely printed signs advertised cricket practice, a darts match, a lost penknife, a recital by the Aberowen Male Voice Choir, and a lecture on Karl Marx's theory of historical materialism at the Free Library. But deputies did not have to wait, and Price pushed his way to the front, with the boys tagging along. Like most pits, Aberowen had two shafts, with fans placed to force air down one and up the other. The owners often gave the shafts whimsical names, and here they were Pyramus and Thisbe. This one, Pyramus, was the up shaft, and Billy could feel the draft of warm air coming from the pit. Last year Billy and Tommy had decided they wanted to look down the shaft. On Easter Monday, when the men were not working, they had dodged the watchman and sneaked across the waste ground to the pithead, then climbed the guard fence. The shaft mouth was not completely enclosed by the cage housing, and they had lain on their bellies and looked over the rim. They had stared with dreadful fascination into that terrible hole, and Billy had felt his stomach turn. The blackness seemed infinite. He experienced a thrill that was half joy because he did not have to go down, half terror because one day he would. He had thrown a stone in, and they had listened as it bounced against the wooden cage-conductor and the brick lining of the shaft. It seemed a horrifically long time before they heard the faint, distant splash as it hit the pool of water at the bottom. Now, a year later, he was about to follow the course of that stone. He told himself not to be a coward. He had to behave like a man, even if he did not feel like one. The worst thing of all would be to disgrace himself. He was more afraid of that than of dying. He could see the sliding grille that closed off the shaft. Beyond it was empty space, for the cage was on its way up. On the far side of the shaft he could see the winding engine that turned the great wheels high above. Jets of steam escaped from the mechanism. The cables slapped their guides with a whiplash sound. There was an odor of hot oil. With a clash of iron, the empty cage appeared behind the gate. The banksman, in charge of the cage at the top end, slid the gate back. Rhys Price stepped into the empty cage and the two boys followed. Thirteen miners got in behind them--the cage held sixteen in total. The banksman slammed the gate shut. There was a pause. Billy felt vulnerable. The floor beneath his feet was solid, but he might without much difficulty have squeezed through the widely spaced bars of the sides. The cage was suspended from a steel rope, but even that was not completely safe: everyone knew that the winding cable at Tirpentwys had snapped one day in 1902, and the cage had plummeted to the pit bottom, killing eight men. He nodded to the miner beside him. It was Harry "Suet" Hewitt, a pudding-faced boy only three years older, though a foot taller. Billy remembered Harry in school: he had been stuck in Standard Three with the ten-year-olds, failing the exam every year, until he was old enough to start work. A bell rang, signifying that the onsetter at the pit bottom had closed his gate. The banksman pulled a lever and a different bell rang. The steam engine hissed; then there was another bang. The cage fell into empty space. Billy knew that it went into free fall, then braked in time for a soft landing; but no theoretical foreknowledge could have prepared him for the sensation of dropping unhindered into the bowels of the earth. His feet left the floor. He screamed in terror. He could not help himself. All the men laughed. They knew it was his first time and had been waiting for his reaction, he realized. Too late, he saw that they were all holding the bars of the cage to prevent themselves floating up. But the knowledge did nothing to calm his fear. He managed to stop screaming only by clamping his teeth together. At last the brake engaged. The speed of the fall slowed, and Billy's feet touched the floor. He grabbed a bar and tried to stop shaking. After a minute the fear was replaced by a sense of injury so strong that tears threatened. He looked into the laughing face of Suet and shouted over the noise: "Shut your great gob, Hewitt, you shitbrain." Suet's face changed in an instant and he looked furious, but the other men laughed all the more. Billy would have to say sorry to Jesus for swearing, but he felt a bit less of a fool. He looked at Tommy, who was white-faced. Had Tommy screamed? Billy was afraid to ask in case the answer might be no. The cage stopped, the gate was thrown back, and Billy and Tommy walked shakily out into the mine. It was gloomy. The miners' lamps gave less light than the paraffin lights on the walls at home. The pit was as dark as a night with no moon. Perhaps they did not need to see well to hew coal, Billy thought. He splashed through a puddle, and looking down he saw water and mud everywhere, gleaming with the faint reflections of lamp flames. There was a strange taste in his mouth: the air was thick with coal dust. Was it possible that men breathed this all day? That must be why miners coughed and spat constantly. Four men were waiting to enter the cage and go up to the surface. Each carried a leather case, and Billy realized they were the firemen. Every morning, before the miners started, the firemen tested for gas. If the concentration of methane was unacceptably high, they would order the men not to work until the ventilation fans cleared the gas. In the immediate neighborhood Billy could see a row of stalls for ponies and an open door leading to a brightly lit room with a desk, presumably an office for deputies. The men dispersed, walking away along four tunnels that radiated from the pit bottom. Tunnels were called headings, and they led to the districts where the coal was won. Price took them to a shed and undid a padlock. The place was a tool store. He selected two shovels, gave them to the boys, and locked up again. They went to the stables. A man wearing only shorts and boots was shoveling soiled straw out of a stall, pitching it into a coal dram. Sweat ran down his muscular back. Price said to him: "Do you want a boy to help you?" The man turned around, and Billy recognized Dai Ponies, an elder of the Bethesda Chapel. Dai gave no sign of recognizing Billy. "I don't want the little one," he said. "Right," said Price. "The other is Tommy Griffiths. He's yours." Tommy looked pleased. He had got his wish. Even though he would only be mucking out stalls, he was working in the stables. Price said: "Come on, Billy Twice," and he walked into one of the headings. Billy shouldered his shovel and followed. He felt more anxious now that Tommy was no longer with him. He wished he had been set to mucking out stalls alongside his friend. "What will I be doing, Mr. Price?" he said. "You can guess, can't you?" said Price. "Why do you think I gave you a fucking shovel?" Billy was shocked by the casual use of the forbidden word. He could not guess what he would be doing, but he asked no more questions. The tunnel was round, its roof reinforced by curved steel supports. A two-inch pipe ran along its crown, presumably carrying water. Every night the headings were sprinkled in an attempt to reduce the dust. It was not merely a danger to men's lungs--if that were all, Celtic Minerals probably would not have cared--but it constituted a fire hazard. However, the sprinkler system was inadequate. Da had argued that a pipe of six inches' diameter was needed, but Perceval Jones had refused to spend the money. After about a quarter of a mile they turned into a cross tunnel that sloped upward. This was an older, smaller passage, with timber props rather than steel rings. Price had to duck his head where the roof sagged. At intervals of about thirty yards they passed the entrances to workplaces where the miners were already hewing the coal. Billy heard a rumbling sound, and Price said: "Into the manhole." "What?" Billy looked at the ground. A manhole was a feature of town pavements, and he could see nothing on the floor but the railway tracks that carried the drams. He looked up to see a pony trotting toward him, coming fast down the slope, drawing a train of drams. "In the manhole!" Price shouted. Still Billy did not understand what was required of him, but he could see that the tunnel was hardly wider than the drams, and he would be crushed. Then Price seemed to step into the wall and disappear. Billy dropped his shovel, turned, and ran back the way he had come. He tried to get ahead of the pony, but it was moving surprisingly fast. Then he saw a niche cut into the wall, the full height of the tunnel, and he realized that he had seen such niches, without remarking them, every twenty-five yards or so. This must be what Price meant by a manhole. He threw himself in, and the train rumbled past. When it had gone he stepped out, breathing hard. Price pretended to be angry, but he was smiling. "You'll have to be more alert than that," he said. "Otherwise you'll get killed down here--like your brother." Most men enjoyed exposing and mocking the ignorance of boys, Billy found. He was determined to be different when he grew up. He picked up his shovel. It was undamaged. "Lucky for you," Price commented. "If the dram had broken it, you would have had to pay for a new one." They went on and soon entered an exhausted district where the workplaces were deserted. There was less water underfoot, and the ground was covered with a thick layer of coal dust. They took several turnings and Billy lost his sense of direction. They came to a place where the tunnel was blocked by a dirty old dram. "This area has to be cleaned up," Price said. It was the first time he had bothered to explain anything, and Billy had a feeling he was lying. "Your job is to shovel the muck into the dram." Billy looked around. The dust was a foot thick to the limit of the light cast by his lamp, and he guessed it went a lot farther. He could shovel for a week without making much impression. And what was the point? The district was worked out. But he asked no questions. This was probably some kind of test. "I'll come back in a bit and see how you're getting on," Price said, and he retraced his steps, leaving Billy alone. Billy had not expected this. He had assumed he would be working with older men and learning from them. But he could only do what he was told. He unhooked the lamp from his belt and looked around for somewhere to put it. There was nothing he could use as a shelf. He put the lamp on the floor, but it was almost useless there. Then he remembered the nails Da had given him. So this was what they were for. He took one from his pocket. Using the blade of his shovel, he hammered it into a timber prop, then hung up his lamp. That was better. The dram was chest high to a man but shoulder height to Billy, and when he started work he found that half the dust slipped off his shovel before he could get it over the lip. He developed an action that turned the blade to prevent this happening. In a few minutes he was bathed in sweat, and he realized what the second nail was for. He hammered it into another timber and hung up his shirt and trousers. After a while he felt that someone was watching him. Out of the corner of his eye he saw a dim figure standing as still as a statue. "Oh, God!" he shrieked, and he turned around to face it. It was Price. "I forgot to check your lamp," he said. He took Billy's lamp off the nail and did something to it. "Not so good," he said. "I'll leave you mine." He hung up the other lamp and disappeared. He was a creepy character, but at least he seemed to have Billy's safety in mind. Billy resumed work. Before long his arms and legs began to ache. He was used to shoveling, he told himself: Da kept a pig in the waste ground behind the house, and it was Billy's job to muck out the sty once a week. But that took about a quarter of an hour. Could he possibly keep this up all day? Under the dust was a floor of rock and clay. After a while he had cleared an area four feet square, the width of the tunnel. The muck hardly covered the bottom of the dram, but he felt exhausted. He tried to pull the dram forward so that he would not have to walk so far with his shovelful, but its wheels seemed to have locked with disuse. He had no watch, and it was difficult to know how much time had passed. He began to work more slowly, conserving his strength. Then his light went out. The flame flickered first, and he looked anxiously at the lamp hanging on the nail, but he knew that the flame would lengthen if there was firedamp. This was not what he was seeing, so he felt reassured. Then the flame went out altogether. He had never known darkness like this. He saw nothing, not even patches of gray, not even different shades of black. He lifted his shovel to face level and held it an inch from his nose, but he could not see it. This was what it must be like to be blind. He stood still. What was he to do? He was supposed to take the lamp to the lighting station, but he could not have found his way back through the tunnels even if he had been able to see. In this blackness he might blunder about for hours. He had no idea how many miles the disused workings extended, and he did not want the men to have to send a search party for him. He would just have to wait for Price. The deputy had said he would come back "in a bit." That could mean a few minutes, or an hour or more. And Billy suspected it would be later rather than sooner. Price had surely intended this. A safety lamp could not blow out, and anyway there was little wind here. Price had taken Billy's lamp and substituted one that was low on oil. He felt a surge of self-pity, and tears came to his eyes. What had he done to deserve this? Then he pulled himself together. It was another test, like the cage. He would show them he was tough enough. He should carry on working, even in the dark, he decided. Moving for the first time since the light went out, he put his shovel to the ground and ran it forward, trying to pick up dust. When he lifted it he thought, by its weight, that there was a load on the blade. He turned and walked two paces, then hefted it, trying to throw the muck into the dram, but he misjudged the height. The shovel clanged against the side of the dram and felt suddenly lighter as its load fell to the ground. He would adjust. He tried again, lifting the shovel higher. When he had unloaded the blade he let it fall, and felt the wooden shaft bang against the lip of the dram. That was better. As the work took him farther from the dram he continued to miss occasionally, until he began to count his paces aloud. He got into a rhythm, and although his muscles hurt he was able to carry on. As the work became automatic, his mind was free to wander, which was not so good. He wondered how far the tunnel extended ahead of him and how long it had been disused. He thought of the earth above his head, extending for half a mile, and the weight being held up by these old timber props. He recalled his brother, Wesley, and the other men who had died in this mine. But their spirits were not here, of course. Wesley was with Jesus. The others might be, too. If not they were in a different place. He began to feel frightened and decided it was a mistake to think about spirits. He was hungry. Was it time for his snap? He had no idea, but he thought he might as well eat it. He made his way to the place where he had hung his clothes, fumbled on the ground below, and found his flask and tin. He sat with his back against the wall and took a long drink of cold, sweet tea. As he was eating his bread-and-dripping, he heard a faint noise. He hoped it might be the creaking of Rhys Price's boots, but that was wishful thinking. He knew that squeak: it was rats. He was not afraid. There were plenty of rats in the ditches that ran along every street in Aberowen. But they seemed bolder in the dark, and a moment later one ran over his bare legs. Transferring his food to his left hand, he picked up his shovel and lashed out. It did not even scare them, and he felt the tiny claws on his skin again. This time one tried to run up his arm. Obviously they could smell the food. The squeaking increased, and he wondered how many there were. He stood up and crammed the last of his bread into his mouth. He drank some more tea, then ate his cake. It was delicious, full of dried fruit and almonds; but a rat ran up his leg, and he was forced to gobble the cake. They seemed to know the food was gone, for the squeaking gradually died down and then stopped altogether. Eating gave Billy renewed energy for a while, and he went back to work, but he had a burning ache in his back. He kept going more slowly, stopping for frequent rests. To cheer himself up, he told himself it might be later than he thought. Perhaps it was noon already. Someone would come to fetch him at the end of the shift. The lamp man checked the numbers, so they always knew if a man had not come back up. But Price had taken Billy's lamp and substituted a different one. Could he be planning to leave Billy down here overnight? It would never work. Da would raise the roof. The bosses were afraid of Da--Perceval Jones had more or less admitted it. Sooner or later, someone was sure to look for Billy. But when he got hungry again he felt sure many hours must have passed. He started to get scared, and this time he could not shake it off. It was the darkness that unnerved him. He could have borne the waiting if he had been able to see. In the complete blackness he felt he was losing his mind. He had no sense of direction, and every time he walked back from the dram he wondered if he was about to crash into the tunnel side. Earlier he had worried about crying like a child. Now he had to stop himself screaming. Then he recalled what Mam had said to him: "Jesus is always with you, even down the pit." At the time he had thought she was just telling him to behave well. But she had been wiser than that. Of course Jesus was with him. Jesus was everywhere. The darkness did not matter, nor the passage of time. Billy had someone taking care of him. To remind him of that, he sang a hymn. He disliked his voice, which was still a treble, but there was no one to hear him, so he sang as loud as he could. When he had sung all the verses, and the scary feeling began to return, he imagined Jesus standing just the other side of the dram, watching, with a look of grave compassion on his bearded face. Billy sang another hymn. He shoveled and paced to the time of the music. Most of the hymns went with a swing. Every now and then he suffered again the fear that he might have been forgotten, the shift might have ended and he might be alone down there; then he would just remember the robed figure standing with him in the dark. He knew plenty of hymns. He had been going to the Bethesda Chapel three times every Sunday since he was old enough to sit quietly. Hymn books were expensive, and not all the congregation could read, so everyone learned the words. When he had sung twelve hymns, he reckoned an hour had passed. Surely it must be the end of the shift? But he sang another twelve. After that it was hard to keep track. He sang his favorites twice. He worked slower and slower. He was singing "Up from the Grave He Arose" at the top of his voice when he saw a light. The work had become so automatic that he did not stop, but picked up another shovelful and carried it to the dram, still singing, while the light grew stronger. When the hymn came to an end he leaned on his shovel. Rhys Price stood watching him, lamp at his belt, with a strange look on his shadowed face. Billy would not let himself feel relief. He was not going to show Price how he felt. He put on his shirt and trousers, then took the unlit lamp from the nail and hung it on his belt. Price said: "What happened to your lamp?" "You know what happened," Billy said, and his voice sounded strangely grown-up. Price turned away and walked back along the tunnel. Billy hesitated. He looked the opposite way. Just the other side of the dram he glimpsed a bearded face and a pale robe, but the figure disappeared like a thought. "Thank you," Billy said to the empty tunnel. As he followed Price, his legs ached so badly that he felt he might fall down, but he hardly cared if he did. He could see again, and the shift was over. Soon he would be home and he could lie down. They reached the pit bottom and got into the cage with a crowd of black-faced miners. Tommy Griffiths was not among them, but Suet Hewitt was. As they waited for the signal from above, Billy noticed they were looking at him with sly grins. Hewitt said: "How did you get on, then, on your first day, Billy Twice?" "Fine, thank you," Billy said. Hewitt's expression was malicious: no doubt he was remembering that Billy had called him shitbrain. He said: "No problems?" Billy hesitated. Obviously they knew something. He wanted them to know that he had not succumbed to fear. "My lamp went out," he said, and he just about managed to keep his voice steady. He looked at Price, but decided it would be more manly not to accuse him. "It was a bit difficult shoveling in the dark all day," he finished. That was too understated--they might think his ordeal had been nothing much--but it was better than admitting to fear. An older man spoke. It was John Jones the Shop, so called because his wife ran a little general store in their parlor. "All day?" he said. Billy said: "Aye." John Jones looked at Price and said: "You bastard, it's only supposed to be for an hour." Billy's suspicion was confirmed. They all knew what had happened, and it sounded as if they did something similar to all new boys. But Price had made it worse than usual. Suet Hewitt was grinning. "Weren't you scared, Billy boy, on your own in the dark?" He thought about his answer. They were all looking at him, waiting to hear what he would say. Their sly smiles had gone, and they seemed a bit ashamed. He decided to tell the truth. "I was scared, yes, but I wasn't on my own." Hewitt was baffled. "Not on your own?" "No, of course not," Billy said. "Jesus was with me." Hewitt laughed loudly, but no one else did. His guffaw resounded in the silence and stopped suddenly. The hush lasted several seconds. Then there was a clang of metal and a jerk, and the cage lifted. Harry turned away. After that, they called him Billy-with-Jesus. PART ONE THE DARKENING SKY CHAPTER TWO January 1914 E arl Fitzherbert, age twenty-eight, known to his family and friends as Fitz, was the ninth-richest man in Britain. He had done nothing to earn his huge income. He had simply inherited thousands of acres of land in Wales and Yorkshire. The farms made little money, but there was coal beneath them, and by licensing mineral rights Fitz's grandfather had become enormously wealthy. Clearly God intended the Fitzherberts to rule over their fellow men, and to live in appropriate style; but Fitz felt he had not done much to justify God's faith in him. His father, the previous earl, had been different. A naval officer, he had been made admiral after the bombardment of Alexandria in 1882, had become the British ambassador to St. Petersburg, and finally had been a minister in the government of Lord Salisbury. The Conservatives lost the general election of 1906, and Fitz's father died a few weeks later--his end hastened, Fitz felt sure, by seeing irresponsible Liberals such as David Lloyd George and Winston Churchill take over His Majesty's government. Fitz had taken his seat in the House of Lords, the upper chamber of the British Parliament, as a Conservative peer. He spoke good French and he could get by in Russian, and he would have liked one day to be his country's foreign secretary. Regrettably, the Liberals had continued to win elections, so he had had no chance yet of becoming a government minister. His military career had been equally undistinguished. He had attended the army's officer training academy at Sandhurst, and had spent three years with the Welsh Rifles, ending as a captain. On marriage he had given up full-time soldiering, but had become honorary colonel of the South Wales Territorials. Unfortunately an honorary colonel never won medals. However, he did have something to be proud of, he thought as the train steamed up through the South Wales valleys. In two weeks' time, the king was coming to stay at Fitz's country house. King George V and Fitz's father had been shipmates in their youth. Recently the king had expressed a wish to know what the younger men were thinking, and Fitz had organized a discreet house party for His Majesty to meet some of them. Now Fitz and his wife, Bea, were on their way to the house to get everything ready. Fitz cherished traditions. Nothing known to mankind was superior to the comfortable order of monarchy, aristocracy, merchant, and peasant. But now, looking out of the train window, he saw a threat to the British way of life greater than any the country had faced for a hundred years. Covering the once-green hillsides, like a gray-black leaf blight on a rhododendron bush, were the terraced houses of the coal miners. In those grimy hovels there was talk of republicanism, atheism, and revolt. It was only a century or so since the French nobility had been driven in carts to the guillotine, and the same would happen here if some of those muscular black-faced miners had their way. Fitz would gladly have given up his earnings from coal, he told himself, if Britain could go back to a simpler era. The royal family was a strong bulwark against insurrection. But Fitz felt nervous about the visit, as well as proud. So much could go wrong. With royalty, an oversight might be seen as a sign of carelessness, and therefore disrespectful. Every detail of the weekend would be reported, by the visitors' servants, to other servants and thence to those servants' employers, so that every woman in London society would quickly know if the king were given a hard pillow, a bad potato, or the wrong brand of champagne. Fitz's Rolls-Royce Silver Ghost was waiting at Aberowen railway station. With Bea at his side he was driven a mile to Tŷ Gwyn, his country house. A light but persistent drizzle was falling, as it so often did in Wales. "Tŷ Gwyn" was Welsh for White House, but the name had become ironic. Like everything else in this part of the world, the building was covered with a layer of coal dust, and its once-white stone blocks were now a dark gray color that smeared the skirts of ladies who carelessly brushed against its walls. Nevertheless it was a magnificent building, and it filled Fitz with pride as the car purred up the drive. The largest private house in Wales, Tŷ Gwyn had two hundred rooms. Once when he was a boy he and his sister, Maud, had counted the windows and found 523. It had been built by his grandfather, and there was a pleasing order to the three-story design. The ground-floor windows were tall, letting plenty of light into the grand reception rooms. Upstairs were dozens of guest rooms, and in the attic countless small servants' bedrooms, revealed by long rows of dormer windows in the steep roofs. The fifty acres of gardens were Fitz's joy. He supervised the gardeners personally, making decisions about planting and pruning and potting. "A house fit for a king to visit," he said as the car stopped at the grand portico. Bea did not reply. Traveling made her bad-tempered. Getting out of the car, Fitz was greeted by Gelert, his Pyrenean mountain dog--a bear-sized creature that licked his hand, then raced joyously around the courtyard in celebration. In his dressing room Fitz took off his traveling clothes and changed into a suit of soft brown tweed. Then he went through the communicating door into Bea's rooms. The Russian maid, Nina, was unpinning the elaborate hat Bea had worn for the journey. Fitz caught sight of Bea's face in the dressing-table mirror, and his heart skipped a beat. He was taken back four years, to the St. Petersburg ballroom where he had first seen that impossibly pretty face framed by blond curls that could not quite be tamed. Then as now she had worn a sulky look that he found strangely alluring. In a heartbeat he had decided that she of all women was the one he wanted to marry. Nina was middle-aged and her hand was unsteady--Bea often made her servants nervous. As Fitz watched, a pin pricked Bea's scalp, and she cried out. Nina went pale. "I'm terribly sorry, Your Highness," she said in Russian. Bea snatched up a hatpin from the dressing table. "See how you like it!" she cried, and jabbed the maid's arm. Nina burst into tears and ran from the room. "Let me help you," Fitz said to his wife in a soothing tone. She was not to be mollified. "I'll do it myself." Fitz went to the window. A dozen or so gardeners were at work trimming bushes, edging lawns, and raking gravel. Several shrubs were in flower: pink viburnum, yellow winter jasmine, witch hazel, and scented winter honeysuckle. Beyond the garden was the soft green curve of the mountainside. He had to be patient with Bea, and remind himself that she was a foreigner, isolated in a strange country, away from her family and all that was familiar. It had been easy in the early months of their marriage, when he was still intoxicated by how she looked and smelled and the touch of her soft skin. Now it took an effort. "Why don't you rest?" he said. "I'll see Peel and Mrs. Jevons and find out how their plans are progressing." Peel was the butler and Mrs. Jevons the housekeeper. It was Bea's job to organize the staff, but Fitz was nervous enough about the king's visit to welcome an excuse to get involved. "I'll report back to you later, when you're refreshed." He took out his cigar case. "Don't smoke in here," she said. He took that for assent and went to the door. Pausing on his way out, he said: "Look, you won't behave like that in front of the king and queen, will you? Striking the servants, I mean." "I didn't strike her. I stuck a pin in her as a lesson." Russians did that sort of thing. When Fitz's father had complained about the laziness of the servants at the British embassy in St. Petersburg, his Russian friends had told him he did not beat them enough. Fitz said to Bea: "It would embarrass the monarch to have to witness such a thing. As I've told you before, it's not done in England." "When I was a girl, I was made to watch three peasants being hanged," she said. "My mother didn't like it, but my grandfather insisted. He said: 'This is to teach you to punish your servants. If you do not slap them or flog them for small offenses of carelessness and laziness, they will eventually commit larger sins and end up on the scaffold.' He taught me that indulgence to the lower classes is cruel, in the long run." Fitz began to lose patience. Bea looked back to a childhood of limitless wealth and self-indulgence, surrounded by troops of obedient servants and thousands of happy peasants. If her ruthless, capable grandfather had still been alive, that life might have continued; but the family fortune had been frittered away by Bea's father, a drunk, and her weak brother, Andrei, who was always selling the timber without replanting the woods. "Times have changed," Fitz said. "I'm asking you--I'm ordering you--not to embarrass me in front of my king. I hope I have left no room for doubt in your mind." He went out and closed the door. He walked along the wide corridor, feeling irritated and a bit sad. When they were first married, such spats had left him bewildered and regretful; now he was becoming inured to them. Were all marriages like that? He did not know. A tall footman polishing a doorknob straightened up and stood with his back to the wall and his eyes cast down, as Tŷ Gwyn servants were trained to do when the earl went by. In some great houses the staff had to face the wall, but Fitz thought that was too feudal. Fitz recognized this man, having seen him play cricket in a match between Tŷ Gwyn staff and Aberowen miners. He was a good left-handed batsman. "Morrison," said Fitz, remembering his name. "Tell Peel and Mrs. Jevons to come to the library." "Very good, my lord." Fitz walked down the grand staircase. He had married Bea because he had been enchanted by her, but he had had a rational motive, too. He dreamed of founding a great Anglo-Russian dynasty that would rule vast tracts of the earth, much as the Habsburg dynasty had ruled parts of Europe for centuries. But for that he needed an heir. Bea's mood meant she would not welcome him to her bed tonight. He could insist, but that was never very satisfactory. It was a couple of weeks since the last time. He did not wish for a wife who was vulgarly eager about that sort of thing but, on the other hand, two weeks was a long time. His sister, Maud, was still single at twenty-three. Besides, any child of hers would probably be brought up a rabid socialist who would fritter away the family fortune printing revolutionary tracts. He had been married three years, and he was beginning to worry. Bea had been pregnant just once, last year, but she had suffered a miscarriage at three months. It had happened just after a quarrel. Fitz had canceled a planned trip to St. Petersburg, and Bea had become terribly emotional, crying that she wanted to go home. Fitz had put his foot down--a man could not let his wife dictate to him, after all--but then, when she miscarried, he felt guiltily convinced it was his fault. If only she could get pregnant again he would make absolutely sure nothing was allowed to upset her until the baby was born. Putting that worry to the back of his mind, he went into the library and sat down at the leather-inlaid desk to make a list. A minute or two later, Peel came in with a housemaid. The butler was the younger son of a farmer, and there was an outdoor look about his freckled face and salt-and-pepper hair, but he had been a servant at Tŷ Gwyn all his working life. "Mrs. Jevons have been took poorly, my lord," he said. Fitz had long ago given up trying to correct the grammar of Welsh servants. "Stomach," Peel added lugubriously. "Spare me the details." Fitz looked at the housemaid, a pretty girl of about twenty. Her face was vaguely familiar. "Who's this?" The girl spoke for herself. "Ethel Williams, my lord. I'm Mrs. Jevons's assistant." She had the lilting accent of the South Wales valleys. "Well, Williams, you look too young to do a housekeeper's job." "If your lordship pleases, Mrs. Jevons said you would probably bring down the housekeeper from Mayfair, but she hopes I might give satisfaction in the meantime." Was there a twinkle in her eye when she talked of giving satisfaction? Although she spoke with appropriate deference, she had a cheeky look. "Very well," said Fitz. Williams had a thick notebook in one hand and two pencils in the other. "I visited Mrs. Jevons in her room, and she was well enough to go through everything with me." "Why have you got two pencils?" "In case one breaks," she said, and she grinned. Housemaids were not supposed to grin at the earl, but Fitz could not help smiling back. "All right," he said. "Tell me what you've got written down in your book." "Three subjects," she said. "Guests, staff, and supplies." "Very good." "From your lordship's letter, we understand there will be twenty guests. Most will bring one or two personal staff, say an average of two, therefore an extra forty in servants' accommodation. All arriving on the Saturday and leaving on the Monday." "Correct." Fitz felt a mixture of pleasure and apprehension very like his emotions before making his first speech in the House of Lords: he was thrilled to be doing this and, at the same time, worried about doing it well. Williams went on: "Obviously Their Majesties will be in the Egyptian Apartment." Fitz nodded. This was the largest suite of rooms. Its wallpaper had decorative motifs from Egyptian temples. "Mrs. Jevons suggested which other rooms should be opened up, and I've wrote it down by here." The phrase "by here" was a local expression, pronounced like the Bayeux Tapestry. It was a redundancy, meaning exactly the same as "here." Fitz said: "Show me." She came around the desk and placed her open book in front of him. House servants were obliged to bathe once a week, so she did not smell as bad as the working class generally did. In fact her warm body had a flowery fragrance. Perhaps she had been stealing Bea's scented soap. He read her list. "Fine," he said. "The princess can allocate guests to rooms--she may have strong opinions." Williams turned the page. "This is a list of extra staff needed: six girls in the kitchen, for peeling vegetables and washing up; two men with clean hands to help serve at table; three extra chambermaids; and three boys for boots and candles." "Do you know where we're going to get them?" "Oh, yes, my lord, I've got a list of local people who've worked here before, and if that's not sufficient we'll ask them to recommend others." "No socialists, mind," Fitz said anxiously. "They might try to talk to the king about the evils of capitalism." You never knew with the Welsh. "Of course, my lord." "What about supplies?" She turned another page. "This is what we need, based on previous house parties." Fitz looked at the list: a hundred loaves of bread, twenty dozen eggs, ten gallons of cream, a hundred pounds of bacon, fifty stone of potatoes ... He began to feel bored. "Shouldn't we leave this until the princess has decided the menus?" "It's all got to come up from Cardiff," Williams replied. "The shops in Aberowen can't cope with orders of this size. And even the Cardiff suppliers need notice, to be sure they have sufficient quantities on the day." She was right. He was glad she was in charge. She had the ability to plan ahead--a rare quality, he found. "I could do with someone like you in my regiment," he said. "I can't wear khaki. It doesn't suit my complexion," she replied saucily. The butler looked indignant. "Now, now, Williams, none of your cheek." "I beg your pardon, Mr. Peel." Fitz felt it was his own fault for speaking facetiously to her. Anyway, he did not mind her impudence. In fact he rather liked her. Peel said: "Cook have come up with some suggestions for the menus, my lord." He handed Fitz a slightly grubby sheet of paper covered with the cook's careful, childish handwriting. "Unfortunately we're too early for spring lamb, but we can get plenty of fresh fish sent up from Cardiff on ice." "This looks very like what we had at our shooting party in November," Fitz said. "On the other hand, we don't want to attempt anything new on this occasion--better to stick with tried and tested dishes." "Exactly, my lord." "Now, the wines." He stood up. "Let's go down to the cellar." Peel looked surprised. The earl did not often descend to the basement. There was a thought at the back of Fitz's mind that he did not want to acknowledge. He hesitated, then said: "Williams, you come as well, to take notes." The butler held the door, and Fitz left the library and went down the back stairs. The kitchen and servants' hall were in a semibasement. Etiquette was different here, and the skivvies and boot boys curtsied or touched their forelocks as he passed. The wine cellar was in a subbasement. Peel opened the door and said: "With your permission, I'll lead the way." Fitz nodded. Peel struck a match and lit a candle lamp on the wall, then went down the steps. At the bottom he lit another lamp. Fitz had a modest cellar, about twelve thousand bottles, much of it laid down by his father and grandfather. Champagne, port, and hock predominated, with lesser quantities of claret and white burgundy. Fitz was not an aficionado of wine, but he loved the cellar because it reminded him of his father. "A wine cellar requires order, forethought, and good taste," the old man used to say. "These are the virtues that made Britain great." Fitz would serve the very best to the king, of course, but that required a judgment. The champagne would be Perrier-Jouët, the most expensive, but which vintage? Mature champagne, twenty or thirty years old, was less fizzy and had more flavor, but there was something cheerfully delicious about younger vintages. He took a bottle from a rack at random. It was filthy with dust and cobwebs. He used the white linen handkerchief from the breast pocket of his jacket to wipe the label. He still could not see the date in the dim candlelight. He showed the bottle to Peel, who had put on a pair of glasses. "Eighteen fifty-seven," said the butler. "My goodness, I remember this," Fitz said. "The first vintage I ever tasted, and probably the greatest." He felt conscious of the maid's presence, leaning close to him and peering at the bottle that was many years older than she. To his consternation, her nearness made him slightly out of breath. "I'm afraid the fifty-seven may be past its best," said Peel. "May I suggest the eighteen ninety-two?" Fitz looked at another bottle, hesitated, and made a decision. "I can't read in this light," he said. "Fetch me a magnifying glass, Peel, would you?" Peel went up the stone steps. Fitz looked at Williams. He was about to do something foolish, but he could not stop. "What a pretty girl you are," he said. "Thank you, my lord." She had dark curls escaping from under the maid's cap. He touched her hair. He knew he would regret this. "Have you ever heard of droit du seigneur?" He heard the throaty tone in his own voice. "I'm Welsh, not French," she said, with the impudent lift of her chin that he was already seeing as characteristic. He moved his hand from her hair to the back of her neck, and looked into her eyes. She returned his gaze with bold confidence. But did her expression mean that she wanted him to go further--or that she was ready to make a humiliating scene? He heard heavy footsteps on the cellar stairs. Peel was back. Fitz stepped away from the maid. She surprised Fitz by giggling. "You look so guilty!" she said. "Like a schoolboy." Peel appeared in the dim candlelight, proffering a silver tray on which there was an ivory-handled magnifying glass. Fitz tried to breathe normally. He took the glass and returned to his examination of the wine bottles. He was careful not to meet Williams's eye. My God, he thought, what an extraordinary girl. {{ II }} Ethel Williams felt full of energy. Nothing bothered her; she could handle every problem, cope with any setback. When she looked in a mirror she could see that her skin glowed and her eyes sparkled. After chapel on Sunday her father had commented on it, with his usual sarcastic humor. "You're cheerful," he had said. "Have you come into money?" She found herself running, not walking, along the endless corridors of Tŷ Gwyn. Every day she filled more pages of her notebook with shopping lists, staff timetables, schedules for clearing tables and laying them again, and calculations: numbers of pillowcases, vases, napkins, candles, spoons ... This was her big chance. Despite her youth, she was acting housekeeper, at the time of a royal visit. Mrs. Jevons showed no sign of rising from her sickbed, so Ethel bore the full responsibility of preparing Tŷ Gwyn for the king and queen. She had always felt she could excel, if only she were given the chance; but in the rigid hierarchy of the servants' hall there were few opportunities to show that you were better than the rest. Suddenly such an opening had appeared, and she was determined to use it. After this, perhaps the ailing Mrs. Jevons would be given a less demanding job, and Ethel would be made housekeeper, at double her present wages, with a bedroom to herself and her own sitting room in the servants' quarters. But she was not there yet. The earl was obviously happy with the job she was doing, and he had decided not to summon the housekeeper from London, which Ethel took as a great compliment; but, she thought apprehensively, there was yet time for that tiny slip, that fatal error, that would spoil everything: the dirty dinner plate, the overflowing sewer, the dead mouse in the bathtub. And then the earl would be angry. On the morning of the Saturday when the king and queen were due to arrive, she visited every guest room, making sure the fires were lit and the pillows were plumped. Each room had at least one vase of flowers, brought that morning from the hothouse. There was Tŷ Gwyn-headed writing paper at every desk. Towels, soap, and water were provided for washing. The old earl had not liked modern plumbing, and Fitz had not yet got around to installing running water in all rooms. There were only three water closets, in a house with a hundred bedrooms, so most rooms also needed chamber pots. Potpourri was provided, made by Mrs. Jevons to her own recipe, to take away the smell. The royal party was due at teatime. The earl would meet them at Aberowen railway station. There would undoubtedly be a crowd there, hoping for a glimpse of royalty, but at this point the king and queen would not meet the people. Fitz would bring them to the house in his Rolls-Royce, a large closed car. The king's equerry, Sir Alan Tite, and the rest of the royal traveling staff would follow, with the luggage, in an assortment of horse-drawn vehicles. In front of Tŷ Gwyn a battalion from the Welsh Rifles was already assembling either side of the drive to provide a guard of honor. The royal couple would show themselves to their subjects on Monday morning. They planned a progress around nearby villages in an open carriage, and a stop at Aberowen town hall to meet the mayor and councilors, before going to the railway station. The other guests began to arrive at midday. Peel stood in the hall and assigned maids to guide them to their rooms and footmen to carry their bags. The first were Fitz's uncle and aunt, the Duke and Duchess of Sussex. The duke was a cousin of the king and had been invited to make the monarch feel more comfortable. The duchess was Fitz's aunt, and like most of the family she was deeply interested in politics. At their London house she held a salon that was frequented by cabinet ministers. The duchess informed Ethel that King George V was a bit obsessed with clocks and hated to see different clocks in the same house telling different times. Ethel cursed silently: Tŷ Gwyn had more than a hundred clocks. She borrowed Mrs. Jevons's pocket watch and began to go around the house setting them all. In the small dining room she came across the earl. He was standing at the window, looking distraught. Ethel studied him for a moment. He was the handsomest man she had ever seen. His pale face, lit by the soft winter sunlight, might have been carved in white marble. He had a square chin, high cheekbones, and a straight nose. His hair was dark but he had green eyes, an unusual combination. He had no beard or mustache or even side-whiskers. With a face like that, Ethel thought, why cover it with hair? He caught her eye. "I've just been told that the king likes a bowl of oranges in his room!" he said. "There's not a single orange in the damn house." Ethel frowned. None of the grocers in Aberowen would have oranges this early in the season--their customers could not afford such luxuries. The same would apply to every other town in the South Wales valleys. "If I might use the telephone, I could speak to one or two greengrocers in Cardiff," she said. "They might have oranges at this time of year." "But how will we get them here?" "I'll ask the shop to put a basket on the train." She looked at the clock she had been adjusting. "With luck the oranges will come at the same time as the king." "That's it," he said. "That's what we'll do." He gave her a direct look. "You're astonishing," he said. "I'm not sure I've ever met a girl quite like you." She stared back at him. Several times in the last two weeks he had spoken like this, overly familiar and a bit intense, and it gave Ethel a strange feeling, a sort of uneasy exhilaration, as if something dangerously exciting were about to happen. It was like the moment in a fairy tale when the prince enters the enchanted castle. The spell was broken by the sound of wheels on the drive outside, then a familiar voice. "Peel! How delightful to see you." Fitz looked out of the window. His expression was comical. "Oh, no," he said. "My sister!" "Welcome home, Lady Maud," said Peel's voice. "Though we were not expecting you." "The earl forgot to invite me, but I came anyway." Ethel smothered a smile. Fitz loved his feisty sister, but he found her difficult to deal with. Her political opinions were alarmingly liberal: she was a suffragette, a militant campaigner for votes for women. Ethel thought Maud was wonderful--just the kind of independent-minded woman she herself would have liked to be. Fitz strode out of the room, and Ethel followed him into the hall, an imposing room decorated in the Gothic style beloved of Victorians such as Fitz's father: dark paneling, heavily patterned wallpaper, and carved oak chairs like medieval thrones. Maud was coming through the door. "Fitz, darling, how are you?" she said. Maud was tall like her brother, and they looked similar, but the sculpted features that made the earl seem like the statue of a god were not so flattering on a woman, and Maud was striking rather than pretty. Contrary to the popular image of feminists as frumpy, she was fashionably dressed, wearing a hobble skirt over button boots, a navyblue coat with an oversize belt and deep cuffs, and a hat with a tall feather pinned to its front like a regimental flag. She was accompanied by Aunt Herm. Lady Hermia was Fitz's other aunt. Unlike her sister, who had married a rich duke, Herm had wedded a thriftless baron who died young and broke. Ten years ago, after Fitz and Maud's parents had both died within a few months, Aunt Herm had moved in to mother the thirteen-year-old Maud. She continued to act as Maud's somewhat ineffectual chaperone. Fitz said to Maud: "What are you doing here?" Aunt Herm murmured: "I told you he wouldn't like it, dear." "I couldn't be absent when the king came to stay," Maud said. "It would have been disrespectful." Fitz's tone was fondly exasperated. "I don't want you talking to the king about women's rights." Ethel did not think he needed to worry. Despite Maud's radical politics, she knew how to flatter and flirt with powerful men, and even Fitz's Conservative friends liked her. "Take my coat, please, Morrison," Maud said. She undid the buttons and turned to allow the footman to remove it. "Hello, Williams. How are you?" she said to Ethel. "Welcome home, my lady," Ethel said. "Would you like the Gardenia Suite?" "Thank you. I love that view." "Will you have some lunch while I'm getting the room ready?" "Yes, please. I'm starving." "We're serving it club style today, because guests are arriving at different times." Club style meant that guests were served whenever they came into the dining room, as in a gentlemen's club or a restaurant, instead of all at the same time. It was a modest lunch today: hot mulligatawny soup, cold meats and smoked fish, stuffed trout, lamb cutlets, and a few desserts and cheeses. Ethel held the door and followed Maud and Herm into the large dining room. Already at lunch were the von Ulrich cousins. Walter von Ulrich, the younger one, was handsome and charming, and seemed delighted to be at Tŷ Gwyn. Robert was fussy: he had straightened the painting of Cardiff Castle on his wall, asked for more pillows, and discovered that the inkwell on his writing desk was dry--an oversight that made Ethel wonder fretfully what else she might have forgotten. They stood up when the ladies walked in. Maud went straight up to Walter and said: "You haven't changed since you were eighteen! Do you remember me?" His face lit up. "I do, although you have changed since you were thirteen." They shook hands and then Maud kissed him on both cheeks, as if he were family. "I had the most agonizing schoolgirl passion for you at that age," she said with startling candor. Walter smiled. "I was rather taken with you, too." "But you always acted as if I was a terrible young pest!" "I had to hide my feelings from Fitz, who protected you like a guard dog." Aunt Herm coughed, indicating her disapproval of this instant intimacy. Maud said: "Aunt, this is Herr Walter von Ulrich, an old school friend of Fitz's who used to come here in the holidays. Now he's a diplomat at the German embassy in London." Walter said: "May I present my cousin the Graf Robert von Ulrich." Graf was German for count, Ethel knew. "He is a military attaché at the Austrian embassy." They were actually second cousins, Peel had explained gravely to Ethel: their grandfathers had been brothers, the younger of whom had married a German heiress and left Vienna for Berlin, which was how come Walter was German whereas Robert was Austrian. Peel liked to get such things right. Everyone sat down. Ethel held a chair for Aunt Herm. "Would you like some mulligatawny soup, Lady Hermia?" she asked. "Yes, please, Williams." Ethel nodded to a footman, who went to the sideboard where the soup was being kept hot in an urn. Seeing that the new arrivals were comfortable, Ethel quietly left to arrange their rooms. As the door was closing behind her, she heard Walter von Ulrich say: "I remember how fond you were of music, Lady Maud. We were just discussing the Russian ballet. What do you think of Diaghilev?" Not many men asked a woman for her opinion. Maud would like that. As Ethel hurried down the stairs to find a couple of maids to do the rooms, she thought: That German is quite a charmer. {{ III }} The Sculpture Hall at Tŷ Gwyn was an anteroom to the dining room. The guests gathered there before dinner. Fitz was not much interested in art--it had all been collected by his grandfather--but the sculptures gave people something to talk about while they were waiting for their dinner. As he chatted to his aunt the duchess, Fitz looked around anxiously at the men in white tie and tails and the women in low-cut gowns and tiaras. Protocol demanded that every other guest had to be in the room before the king and queen entered. Where was Maud? Surely she would not cause an incident! No, there she was, in a purple silk dress, wearing their mother's diamonds, talking animatedly to Walter von Ulrich. Fitz and Maud had always been close. Their father had been a distant hero, their mother his unhappy acolyte; the two children had got the affection they needed from each other. After both parents died they had clung together, sharing their grief. Fitz had been eighteen then, and had tried to protect his little sister from the cruel world. She, in turn, had worshipped him. In adulthood, she had become independent-minded, whereas he continued to believe that as head of the family he had authority over her. However, their affection for each other had proved strong enough to survive their differences--so far. Now she was drawing Walter's attention to a bronze cupid. Unlike Fitz, she understood such things. Fitz prayed she would talk about art all evening and keep off women's rights. George V hated liberals; everyone knew that. Monarchs were usually conservative, but events had sharpened this king's antipathy. He had come to the throne in the middle of a political crisis. Against his will he had been forced, by Liberal prime minister H. H. Asquith--strongly backed by public opinion--to curb the power of the House of Lords. This humiliation still rankled. His Majesty knew that Fitz, as a Conservative peer in the House of Lords, had fought to the last ditch against the so-called reform. All the same, if he were harangued by Maud tonight, he would never forgive Fitz. Walter was a junior diplomat, but his father was one of the kaiser's oldest friends. Robert, too, was well-connected: he was close to the archduke Franz Ferdinand, the heir to the throne of the Austro-Hungarian Empire. Another guest who moved in exalted circles was the tall young American now talking to the duchess. His name was Gus Dewar, and his father, a senator, was intimate adviser to U.S. president Woodrow Wilson. Fitz felt he had done well in assembling such a group of young men, the ruling elite of the future. He hoped the king was pleased. Gus Dewar was amiable but awkward. He stooped, as if he would have preferred to be shorter and less conspicuous. He seemed unsure of himself, but he was pleasantly courteous to everyone. "The American people are concerned with domestic issues more than foreign policy," he was saying to the duchess. "But President Wilson is a liberal, and as such he is bound to sympathize with democracies such as France and Britain more than with authoritarian monarchies such as Austria and Germany." At that moment the double doors opened, the room fell silent, and the king and queen walked in. Princess Bea curtsied, Fitz bowed, and everyone else followed suit. There were a few moments of mildly embarrassed silence, for no one was allowed to speak until one of the royal couple had said something. At last the king said to Bea: "I stayed at this house twenty years ago, you know," and people began to relax. The king was a neat man, Fitz reflected as the four of them made small talk. His beard and mustache were carefully barbered. His hair was receding, but he had enough left on top to comb with a parting as straight as a ruler. Close-fitting evening clothes suited his slim figure: unlike his father, Edward VII, he was not a gourmet. He relaxed with hobbies that required precision: he liked to collect postage stamps, sticking them meticulously into albums, a pastime that drew mockery from disrespectful London intellectuals. The queen was a more formidable figure, with graying curls and a severe line to her mouth. She had a magnificent bosom, shown off to great advantage by the extremely low neckline that was currently de rigueur. She was the daughter of a German prince. Originally she had been engaged to George's older brother, Albert, but he had died of pneumonia before the wedding. When George became heir to the throne, he also took over his brother's fiancée, an arrangement that was regarded by some people as a bit medieval. Bea was in her element. She was enticingly dressed in pink silk, and her fair curls were perfectly arranged to look slightly disordered, as if she had suddenly broken away from an illicit kiss. She talked animatedly to the king. Sensing that mindless chatter would not charm George V, she was telling him how Peter the Great had created the Russian navy, and he was nodding interestedly. Peel appeared in the dining room door, an expectant look on his freckled face. He caught Fitz's eye and gave an emphatic nod. Fitz said to the queen: "Would you care to go in to dinner, Your Majesty?" She gave him her arm. Behind them, the king stood arm in arm with Bea, and the rest of the party formed up in pairs according to precedence. When everyone was ready, they walked into the dining room in procession. "How pretty," the queen murmured when she saw the table. "Thank you," said Fitz, and breathed a silent sigh of relief. Bea had done a wonderful job. Three chandeliers hung low over the long table. Their reflections twinkled in the crystal glasses at each place. All the cutlery was gold, as were the salt and pepper containers and even the small boxes of matches for smokers. The white tablecloth was strewn with hothouse roses and, in a final dramatic touch, Bea had trailed delicate ferns from the chandeliers down to the pyramids of grapes on golden platters. Everyone sat down, the bishop said grace, and Fitz relaxed. A party that began well almost always continued successfully. Wine and food made people less disposed to find fault. The menu began with hors d'oeuvres Russes, a nod to Bea's home country: little blinis with caviar and cream, triangles of toast and smoked fish, crackers with soused herring, all washed down with the Perrier-Jouët 1892 champagne, which was as mellow and delicious as Peel had promised. Fitz kept an eye on Peel, and Peel watched the king. As soon as His Majesty put down his cutlery, Peel took away his plate, and that was the signal for the footmen to clear all the rest. Any guest who happened to be still tucking into the dish had to abandon it in deference. Soup followed, a pot-au-feu, served with a fine dry oloroso sherry from Sanlúcar de Barrameda. The fish was sole, accompanied by a mature Meursault Charmes like a mouthful of gold. With the medallions of Welsh lamb Fitz had chosen the Château Lafite 1875--the 1870 was still not ready to drink. The red wine continued to be served with the parfait of goose liver that followed and with the final meat course, quails with grapes baked in pastry. No one ate all this. The men took what they fancied and ignored the rest. The women picked at one or two dishes. Many plates went back to the kitchen untouched. There was salad, a dessert, a savory, fruit, and petits fours . Finally, Princess Bea raised a discreet eyebrow to the queen, who replied with an almost imperceptible nod. They both got up, everyone else stood, and the ladies left the room. The men sat down again, the footmen brought boxes of cigars, and Peel placed a decanter of Ferreira 1847 port at the king's right hand. Fitz drew thankfully on a cigar. Things had gone well. The king was famously unsociable, feeling comfortable only with old shipmates from his happy navy days. But this evening he had been charming and nothing had gone wrong. Even the oranges had arrived. Fitz had spoken earlier with Sir Alan Tite, the king's equerry, a retired army officer with old-fashioned side-whiskers. They had agreed that tomorrow the king would have an hour or so alone with each of the men around the table, all of whom had inside knowledge of one government or another. This evening, Fitz was to break the ice with some general political conversation. He cleared his throat and addressed Walter von Ulrich. "Walter, you and I have been friends for fifteen years--we were together at Eton." He turned to Robert. "And I've known your cousin since the three of us shared an apartment in Vienna when we were students." Robert smiled and nodded. Fitz liked them both: Robert was a traditionalist, like Fitz; Walter, though not so conservative, was very clever. "Now we find the world talking about war between our countries," Fitz went on. "Is there really a chance of such a tragedy?" Walter answered: "If talking about war can make it happen, then yes, we will fight, for everyone is getting ready for it. But is there a real reason? I don't see it." Gus Dewar raised a tentative hand. Fitz liked Dewar, despite his liberal politics. Americans were supposed to be brash, but this one was well-mannered and a bit shy. He was also startlingly well-informed. Now he said: "Britain and Germany have many reasons to quarrel." Walter turned to him. "Would you give me an example?" Gus blew out cigar smoke. "Naval rivalry." Walter nodded. "My kaiser does not believe there is a God-given law that the German navy should remain smaller than the British forever." Fitz glanced nervously at the king. He loved the Royal Navy and might easily be offended. On the other hand, Kaiser Wilhelm was his cousin. George's father and Willy's mother had been brother and sister, both children of Queen Victoria. Fitz was relieved to see that His Majesty was smiling indulgently. Walter went on: "This has caused friction in the past, but for two years now we have been in agreement, informally, about the relative size of our navies." Dewar said: "How about economic rivalry?" "It is true that Germany is daily growing more prosperous, and may soon catch up with Britain and the United States in economic production. But why should this be a problem? Germany is one of Britain's biggest customers. The more we have to spend, the more we buy. Our economic strength is good for British manufacturers!" Dewar tried again. "It's said that Germany wants more colonies." Fitz glanced at the king again, wondering if he minded the conversation being dominated by these two; but His Majesty appeared fascinated. Walter said: "There have been wars over colonies, notably in your home country, Mr. Dewar. But nowadays we seem able to decide such squabbles without firing our guns. Three years ago Germany, Great Britain, and France quarreled about Morocco, but the argument was settled without war. More recently, Britain and Germany have reached agreement about the thorny issue of the Baghdad Railway. If we simply carry on as we are, we will not go to war." Dewar said: "Would you forgive me if I used the term German militarism ?" That was a bit strong, and Fitz winced. Walter colored, but he spoke smoothly. "I appreciate your frankness. The German Empire is dominated by Prussians, who play something of the role of the English in Your Majesty's United Kingdom." It was daring to compare Britain with Germany, and England with Prussia. Walter was right on the edge of what was permissible in a polite conversation, Fitz thought uneasily. Walter went on: "The Prussians have a strong military tradition, but do not go to war for no reason." Dewar said skeptically: "So Germany is not aggressive." "On the contrary," said Walter. "I put it to you that Germany is the only major power on mainland Europe that is not aggressive." There was a murmur of surprise around the table, and Fitz saw the king raise his eyebrows. Dewar sat back, startled, and said: "How do you figure that?" Walter's perfect manners and amiable tone took the edge off his provocative words. "First, consider Austria," he went on. "My Viennese cousin Robert will not deny that the Austro-Hungarian Empire would like to extend its borders to the southeast." "Not without reason," Robert protested. "That part of the world, which the British call the Balkans, has been part of the Ottoman domain for hundreds of years; but Ottoman rule has crumbled, and now the Balkans are unstable. The Austrian emperor believes it is his holy duty to maintain order and the Christian religion there." "Quite so," said Walter. "But Russia, too, wants territory in the Balkans." Fitz felt it was his job to defend the Russian government, perhaps because of Bea. "They, too, have good reasons," he said. "Half their foreign trade crosses the Black Sea, and passes from there through the straits to the Mediterranean Sea. Russia cannot allow any other great power to dominate the straits by acquiring territory in the eastern Balkans. It would be like a noose around the neck of the Russian economy." "Exactly so," said Walter. "Turning to the western end of Europe, France has ambitions to take from Germany the territories of Alsace and Lorraine." At this point the French guest, Jean-Pierre Charlois, bridled. "Stolen from France forty-three years ago!" "I will not argue about that," Walter said. "Let us say that Alsace-Lorraine was joined to the German Empire in 1871, after the defeat of France in the Franco-Prussian War. Whether stolen or not, you allow, Monsieur le Comte, that France wants those lands back." "Naturally." The Frenchman sat back and sipped his port. Walter said: "Even Italy would like to take, from Austria, the territories of Trentino--" "Where most people speak Italian!" cried Signor Falli. "--plus much of the Dalmatian coast--" "Full of Venetian lions, Catholic churches, and Roman columns!" "--and Tyrol, a province with a long history of self-government, where most people speak German." "Strategic necessity." "Of course." Fitz realized how clever Walter had been. Not rude, but discreetly provocative, he had stung the representatives of each nation into confirming, in more or less belligerent language, their territorial ambitions. Now Walter said: "But what new territory is Germany asking for?" He looked around the table, but no one spoke. "None," he said triumphantly. "And the only other major country in Europe that can say the same is Britain!" Gus Dewar passed the port and said in his American drawl: "I guess that's right." Walter said: "So why, my old friend Fitz, should we ever go to war?" {{IV}} On Sunday morning before breakfast Lady Maud sent for Ethel. Ethel had to suppress an exasperated sigh. She was terribly busy. It was early, but the staff were already hard at work. Before the guests got up all the fireplaces had to be cleaned, the fires relit, and the scuttles filled with coal. The principal rooms--dining room, morning room, library, smoking room, and the smaller public rooms--had to be cleaned and tidied. Ethel was checking the flowers in the billiard room, replacing those that were fading, when she was summoned. Much as she liked Fitz's radical sister, she hoped Maud did not have some elaborate commission for her. When Ethel had come to work at Tŷ Gwyn, at the age of thirteen, the Fitzherbert family and their guests were hardly real to her: they seemed like people in a story, or strange tribes in the Bible, Hittites perhaps, and they terrified her. She was frightened that she would do something wrong and lose her job, but also deeply curious to see these strange creatures close up. One day a kitchen maid had told her to go upstairs to the billiard room and bring down the tantalus. She had been too nervous to ask what a tantalus was. She had gone to the room and looked around, hoping it would be something obvious like a tray of dirty dishes, but she could see nothing that belonged downstairs. She had been in tears when Maud walked in. Maud was then a gangly fifteen-year-old, a woman in girl's clothes, unhappy and rebellious. It was not until later that she made sense of her life by turning her discontent into a crusade. But even at fifteen she had had the quick compassion that made her sensitive to injustice and oppression. She had asked Ethel what was the matter. The tantalus turned out to be a silver container with decanters of brandy and whisky. It tantalized, because it had a locking mechanism to prevent servants stealing sips, she explained. Ethel thanked her emotionally. It was the first of many kindnesses and, over the years, Ethel had come to worship the older girl. Ethel went up to Maud's room, tapped on the door, and walked in. The Gardenia Suite had elaborate flowery wallpaper of a kind that had gone out of fashion at the turn of the century. However, its bay window overlooked the most charming part of Fitz's garden, the West Walk, a long straight path through flower beds to a summerhouse. Maud was pulling on boots, Ethel saw with displeasure. "I'm going for a walk--you must be my chaperone," she said. "Help me with my hat and tell me the gossip." Ethel could hardly spare the time, but she was intrigued as well as bothered. Who was Maud going to walk with; where was her normal chaperone, Aunt Herm; and why was she putting on such a charming hat just to go into the garden? Could there be a man in the picture? As she pinned the hat to Maud's dark hair, Ethel said: "There's a scandal below stairs this morning." Maud collected gossip the way the king collected stamps. "Morrison didn't get to bed until four o'clock. He's one of the footmen--tall with a blond mustache." "I know Morrison. And I know where he spent the night." Maud hesitated. Ethel waited a moment, then said: "Aren't you going to tell me?" "You'll be shocked." Ethel grinned. "All the better." "He spent the night with Robert von Ulrich." Maud glanced at Ethel in the dressing-table mirror. "Are you horrified?" Ethel was fascinated. "Well, I never! I knew Morrison wasn't much of a ladies' man, but I didn't think he might be one of those, if you see what I mean." "Well, Robert is certainly one of those, and I saw him catch Morrison's eye several times during dinner." "In front of the king, too! How do you know about Robert?" "Walter told me." "What a thing for a gentleman to say to a lady! People tell you everything. What's the gossip in London?" "They're all talking about Mr. Lloyd George." David Lloyd George was the chancellor of the Exchequer, in charge of the country's finances. A Welshman, he was a fiery left-wing orator. Ethel's da said Lloyd George should have been in the Labour Party. During the coal strike of 1912 he had even talked about nationalizing the mines. "What are they saying about him?" Ethel asked. "He has a mistress." "No!" This time Ethel was really shocked. "But he was brought up a Baptist!" Maud laughed. "Would it be less outrageous if he were Anglican?" "Yes!" Ethel refrained from adding obviously. "Who is she?" "Frances Stevenson. She started as his daughter's governess, but she's a clever woman--she has a degree in classics--and now she's his private secretary." "That's terrible." "He calls her Pussy." Ethel almost blushed. She did not know what to say to that. Maud stood up, and Ethel helped her with her coat. Ethel asked: "What about his wife, Margaret?" "She stays here in Wales with their four children." "Five, it was, only one died. Poor woman." Maud was ready. They went along the corridor and down the grand staircase. Walter von Ulrich was waiting in the hall, wrapped in a long dark coat. He had a small mustache and soft hazel eyes. He looked dashing in a buttoned-up, German sort of way, the kind of man who would bow, click his heels, and then give you a little wink, Ethel thought. So this was why Maud did not want Lady Hermia as her chaperone. Maud said to Walter: "Williams came to work here when I was a girl, and we've been friends ever since." Ethel liked Maud, but it was going too far to say they were friends. Maud was kind, and Ethel admired her, but they were still mistress and servant. Maud was really saying that Ethel could be trusted. Walter addressed Ethel with the elaborate politeness such people employed when speaking to their inferiors. "I'm pleased to make your acquaintance, Williams. How do you do?" "Thank you, sir. I'll get my coat." She ran downstairs. She did not really want to be going for a walk while the king was there--she would have preferred to be on hand to supervise the housemaids--but she could not refuse. In the kitchen Princess Bea's maid, Nina, was making tea Russian style for her mistress. Ethel spoke to a chambermaid. "Herr Walter is up," she said. "You can do the Gray Room." As soon as the guests appeared, the maids needed to go into the bedrooms to clean, make the beds, empty the chamber pots, and put out fresh water for washing. She saw Peel, the butler, counting plates. "Any movement upstairs?" she asked him. "Nineteen, twenty," he said. "Mr. Dewar has rung for hot water for shaving, and Signor Falli asked for coffee." "Lady Maud wants me to go outside with her." "That's inconvenient," Peel said crossly. "You're needed in the house." Ethel knew that. She said sarcastically: "What shall I do, Mr. Peel, tell her to go and get knotted?" "None of your sauce. Be back as quick as you can." When she went back upstairs the earl's dog, Gelert, was standing at the front door, panting eagerly, having divined that a walk was in prospect. They all went out and crossed the East Lawn to the woods. Walter said to Ethel: "I suppose Lady Maud has taught you to be a suffragette." "It was the other way around," Maud told him. "Williams was the first person to introduce me to liberal ideas." Ethel said: "I learned it all from my father." Ethel knew they did not really want to talk to her. Etiquette did not permit them to be alone, but they wanted the next best thing. She called to Gelert, then ran ahead, playing with the dog, giving them the privacy they were probably longing for. Glancing back, she saw that they were holding hands. Maud was a fast worker, Ethel thought. From what she had said yesterday, she had not seen Walter for ten years. Even then there had been no acknowledged romance, just an unspoken attraction. Something must have happened last night. Perhaps they had sat up late talking. Maud flirted with everyone--it was how she got information out of them--but clearly this was more serious. A moment later, Ethel heard Walter sing a snatch of a tune. Maud joined in; then they stopped and laughed. Maud loved music, and could play the piano quite well, unlike Fitz, who was tone-deaf. It seemed Walter was also musical. His voice was a pleasant light baritone that would have been much appreciated, Ethel thought, in the Bethesda Chapel. Her mind wandered to her work. She had not seen polished pairs of shoes outside any of the bedroom doors. She needed to chase the boot boys and hurry them up. She wondered fretfully what the time was. If this went on much longer she might have to insist on returning to the house. She glanced back, but this time she could not see Walter or Maud. Had they stopped, or gone off in a different direction? She stood still for a minute or two, but she could not wait out there all morning, so she retraced her steps through the trees. A moment later she saw them. They were locked in an embrace, kissing passionately. Walter's hands were on Maud's behind and he was pressing her to him. Their mouths were open, and Ethel heard Maud groan. She stared at them. She wondered whether a man would ever kiss her that way. Spotty Llewellyn had kissed her on the beach during a chapel outing, but it had not been with mouths open and bodies pressed together, and it certainly had not made Ethel moan. Little Dai Chops, the son of the butcher, had put his hand up her skirt in the Palace Cinema in Cardiff, but she had pushed it away after a few seconds. She had really liked Llewellyn Davies, a schoolteacher's son, who had talked to her about the Liberal government, and told her she had breasts like warm baby birds in a nest; but he had gone away to college and never written. With them she had been intrigued, and curious to do more, but never passionate. She envied Maud. Then Maud opened her eyes, caught a glimpse of Ethel, and broke the embrace. Gelert whined suddenly and walked around in a circle with his tail between his legs. What was the matter with him? A moment later Ethel felt a tremor in the ground, as if an express train were passing, even though the railway line ended a mile away. Maud frowned and opened her mouth to speak; then there was a crack like a clap of thunder. "What on earth was that?" said Maud. Ethel knew. She screamed, and began to run. {{ V }} Billy Williams and Tommy Griffiths were having a break. They were working a seam called the Four-Foot Coal, only six hundred yards deep, not as far down as the Main Level. The seam was divided into five districts, all named after British racecourses, and they were in Ascot, the one nearest to the upcast shaft. Both boys were working as butties, assistants to older miners. The collier used his mandrel, a straight-bladed pick, to hew the coal away from the coal face, and his butty shoveled it into a wheeled dram. They had started work at six o'clock in the morning, as always, and now after a couple of hours they were taking a rest, sitting on the damp ground with their backs to the side of the tunnel, letting the soft breath of the ventilation system cool their skin, drinking long drafts of lukewarm sweet tea from their flasks. They had been born on the same day in 1898, and were six months away from their sixteenth birthday. The difference in their physical development, so embarrassing to Billy when he was thirteen, had vanished. Now they were both young men, broad-shouldered and strong-armed, and they shaved once a week though they did not really need to. They were dressed only in their shorts and boots, and their bodies were black with a mixture of perspiration and coal dust. In the dim lamplight they gleamed like ebony statues of pagan gods. The effect was spoiled only by their caps. The work was hard, but they were used to it. They did not complain of aching backs and stiff joints, as older men did. They had energy to spare, and on days off they found equally strenuous things to do, playing rugby or digging flower beds or even bare-knuckle boxing in the barn behind the Two Crowns pub. Billy had not forgotten his initiation three years ago--indeed, he still burned with indignation when he thought of it. He had vowed then that he would never mistreat new boys. Only today he had warned little Bert Morgan: "Don't be surprised if the men play a trick on you. They may leave you in the dark for an hour or something stupid like that. Little things please little minds." The older men in the cage had glared at him, but he met their eyes: he knew he was in the right, and so did they. Mam had been even angrier than Billy. "Tell me," she had said to Da, standing in the middle of the living room with her hands on her hips and her dark eyes flashing righteousness, "how is the Lord's purpose served by torturing little boys?" "You wouldn't understand--you're a woman," Da had replied, an uncharacteristically weak response from him. Billy believed that the world in general, and the Aberowen pit in particular, would be better places if all men led God-fearing lives. Tommy, whose father was an atheist and a disciple of Karl Marx, believed that the capitalist system would soon destroy itself, with a little help from a revolutionary working class. The two boys argued fiercely but continued best friends. "It's not like you to work on a Sunday," Tommy said. That was true. The mine was doing extra shifts to cope with the demand for coal but, in deference to religion, Celtic Minerals made the Sunday shifts optional. However, Billy was working despite his devotion to the Sabbath. "I think the Lord wants me to have a bicycle," he said. Tommy laughed, but Billy was not joking. The Bethesda Chapel had opened a sister church in a small village ten miles away, and Billy was one of the Aberowen congregation who had volunteered to go across the mountain every other Sunday to encourage the new chapel. If he had a bicycle he could go there on weeknights as well, and help start a Bible class or a prayer meeting. He had discussed this plan with the elders, and they had agreed that the Lord would bless Billy's working on the Sabbath day for a few weeks. Billy was about to explain this when the ground beneath him shook, there was a bang like the crack of doom, and his flask was blown out of his hand by a terrific wind. His heart seemed to stop. Suddenly he remembered that he was half a mile underground, with millions of tons of earth and rock over his head, held up only by a few timber props. "What the bloody hell was that?" said Tommy in a scared voice. Billy jumped to his feet, shaking with fright. He lifted his lamp and looked both ways along the tunnel. He saw no flames, no fall of rock, and no more dust than was normal. When the reverberations died away, there was no noise. "It was an explosion," he said, his voice unsteady. This was what every miner dreaded every day. A sudden release of firedamp could be produced by a fall of rock, or just by a collier hacking through to a fault in the seam. If no one noticed the warning signs--or if the concentration simply built up too quickly--the inflammable gas could be ignited by a spark from a pony's hoof, or from the electric bell of a cage, or by a stupid miner lighting his pipe against all regulations. Tommy said: "But where?" "It must be down on the Main Level--that's why we escaped." "Jesus Christ, help us." "He will," said Billy, and his terror began to ebb. "Especially if we help ourselves." There was no sign of the two colliers for whom the boys had been working--they had gone to spend their break in the Goodwood district. Billy and Tommy had to make their own decisions. "We'd better go to the shaft." They pulled on their clothes, hooked their lamps to their belts, and ran to the upcast shaft, called Pyramus. The landing onsetter, in charge of the elevator, was Dai Chops. "The cage isn't coming!" he said with panic in his voice. "I've been ringing and ringing!" The man's fear was infectious, and Billy had to fight down his own panic. After a moment he said: "What about the telephone?" The onsetter communicated with his counterpart on the surface by signals on an electric bell, but recently phones had been installed on both levels, connected with the office of the colliery manager, Maldwyn Morgan. "No answer," said Dai. "I'll try again." The phone was fixed to the wall beside the cage. Billy picked it up and turned the handle. "Come on, come on!" A quavery voice answered. "Yes?" It was Arthur Llewellyn, the manager's clerk. "Spotty, this is Billy Williams," Billy shouted into the mouthpiece. "Where's Mr. Morgan?" "Not here. What was that bang?" "It was an explosion underground, you clot! Where's the boss?" "He have gone to Merthyr," Spotty said plaintively. "Why's he gone--never mind, forget that. Here's what you got to do. Spotty, are you listening to me?" "Aye." The voice seemed stronger. "First of all, send someone to the Methodist chapel and tell Dai Crybaby to assemble his rescue team." "Right." "Then phone the hospital and get them to send the ambulance to the pithead." "Is someone injured?" "Bound to be, after a bang like that! Third, get all the men in the coal-cleaning shed to run out fire hoses." "Fire?" "The dust will be burning. Fourth, call the police station and tell Geraint there have been an explosion. He'll phone Cardiff." Billy could not think of anything else. "All right?" "All right, Billy." Billy put the earpiece back on the hook. He was not sure how effective his instructions would be, but speaking to Spotty had focused his mind. "There will be men injured on the Main Level," he said to Dai Chops and Tommy. "We must get down there." Dai said: "We can't. The cage isn't here." "There's a ladder in the shaft wall, isn't there?" "It's two hundred yards down!" "Well, if I was a sissy I wouldn't be a collier, now, would I?" His words were brave, but all the same he was scared. The shaft ladder was seldom used, and it might not have been well-maintained. One slip, or a broken rung, could cause him to fall to his death. Dai opened the gate with a clang. The shaft was lined with brick, damp and moldy. A narrow shelf ran horizontally around the lining, outside the wooden cage housing. An iron ladder was fixed by brackets cemented into the brickwork. There was nothing reassuring about its thin side rails and narrow treads. Billy hesitated, regretting his impulsive bravado. But to back out now would be too humiliating. He took a deep breath and said a silent prayer, then stepped onto the shelf. He edged around until he reached the ladder. He wiped his hands on his trousers, grasped the side rails, and put his feet on the treads. He went down. The iron was rough to his touch, and rust flaked off on his hands. In places the brackets were loose, and the ladder shifted unnervingly under his feet. The lamp hooked to his belt was bright enough to illuminate the treads below him, but not to show the bottom of the shaft. He did not know whether that was better or worse. Unfortunately, the descent gave him time to think. He remembered all the ways miners could die. To be killed by the explosion itself was a mercifully quick end for the luckiest. The burning of the methane produced suffocating carbon dioxide, which the miners called afterdamp. Many were trapped by falls of rock, and might bleed to death before rescue came. Some died of thirst, with their workmates just a few yards away trying desperately to tunnel through the debris. Suddenly he wanted to go back, to climb upward to safety instead of down into destruction and chaos--but he could not, with Tommy immediately above him, following him down. "Are you with me, Tommy?" he called. Tommy's voice came from just above his head. "Aye!" That strengthened Billy's nerve. He went down faster, his confidence returning. Soon he saw light, and a moment later he heard voices. As he approached the Main Level he smelled smoke. Now he heard an eerie racket, screaming and banging, which he struggled to identify. It threatened to undermine his courage. He got a grip on himself: there had to be a rational explanation. A moment later he realized he was hearing the terrified whinnying of the ponies, and the sound of them kicking the wooden sides of their stalls, desperate to escape. Comprehension did not make the noise less disturbing: he felt the same way they did. He reached the Main Level, sidled around the brick ledge, opened the gate from inside, and stepped gratefully onto muddy ground. The dim underground light was further reduced by traces of smoke, but he could see the main tunnels. The pit bottom onsetter was Patrick O'Connor, a middle-aged man who had lost a hand in a roof collapse. A Catholic, he was inevitably known as Pat Pope. He stared with incredulity. "Billy-with-Jesus!" he said. "Where the bloody hell have you come from?" "From the Four-Foot Coal," Billy answered. "We heard the bang." Tommy followed Billy out of the shaft and said: "What's happened, Pat?" "Far as I can make out, the explosion must have been at the other end of this level, near Thisbe," said Pat. "The deputy and everyone else have gone to see." He spoke calmly, but there was desperation in his look. Billy went to the phone and turned the handle. A moment later he heard his father's voice. "Williams here. Who's that?" Billy did not pause to wonder why a union official was answering the colliery manager's phone--anything could happen in an emergency. "Da, it's me, Billy." "God in His mercy be thanked, you're all right," said his father, with a break in his voice; then he became his usual brisk self. "Tell me what you know, boy." "Me and Tommy were in the Four-Foot Coal. We've climbed down Pyramus to the Main Level. The explosion was over toward Thisbe, we think. There's a bit of smoke, not much. But the cage isn't working." "The winding mechanism have been damaged by the upward blast," Da said in a calm voice. "But we're working on it and we'll have it fixed in a few minutes. Get as many men as you can to the pit bottom so we can start bringing them up as soon as the cage is fixed." "I'll tell them." "The Thisbe shaft is completely out of action, so make sure no one tries to escape that way--they could get trapped by the fire." "Right." "There's breathing apparatus outside the deputies' office." Billy knew that. It was a recent innovation, demanded by the union and made compulsory by the Coal Mines Act of 1911. "The air's not bad at the moment," he said. "Where you are, perhaps, but it may be worse farther in." "Right." Billy put the earpiece back on the hook. He repeated to Tommy and Pat what his father had said. Pat pointed to a row of new lockers. "The key should be in the office." Billy ran to the deputies' office, but he could see no keys. He guessed they were on someone's belt. He looked again at the row of lockers, each labeled: "Breathing Apparatus." They were made of tin. "Got a crowbar, Pat?" he said. The onsetter had a tool kit for minor repairs. Pat handed him a stout screwdriver. Billy swiftly broke open the first locker. It was empty. Billy stared, unbelieving. Pat said: "They tricked us!" Tommy said: "Bastard capitalists." Billy opened another locker. It, too, was empty. He broke open the others with angry savagery, wanting to expose the dishonesty of Celtic Minerals and Perceval Jones. Tommy said: "We'll manage without." Tommy was impatient to get going, but Billy was trying to think clearly. His eye fell on the fire dram. It was the management's pathetic excuse for a fire engine: a coal dram filled with water, with a hand pump strapped to it. It was not completely useless: Billy had seen it operate after what the miners called a "flash," when a small quantity of firedamp close to the roof of the tunnel would ignite, briefly, and they would all throw themselves to the floor. The flash would sometimes light the coal dust on the tunnel walls, which then had to be sprayed. "We'll take the fire dram," he shouted to Tommy. It was already on rails, and the two of them were able to push it along. Billy thought briefly of harnessing a pony to it, then decided it would take too long, especially as the beasts were all in a panic. Pat Pope said: "My boy Micky is working in Marigold district, but I can't go and look for him. I've got to stay here." There was desperation in his face, but in an emergency the onsetter had to stay by the shaft--it was an inflexible rule. "I'll keep an eye open for him," Billy promised. "Thank you, Billy boy." The two lads pushed the dram along the main road. Drams had no brakes: their drivers slowed them by sticking a stout piece of wood into the spokes. Many deaths and countless injuries were caused by runaway drams. "Not too fast," Billy said. They were a quarter of a mile into the tunnel when the temperature rose and the smoke thickened. Soon they heard voices. Following the sound they turned into a branch tunnel. This part of the seam was currently being worked. On either side Billy could see, at regular intervals, the entrances to miners' workplaces, usually called gates, but sometimes just holes. As the noise grew, they stopped pushing the dram and looked ahead. The tunnel was on fire. Flames licked up from walls and floor. A handful of men stood at the edge of the conflagration, silhouetted against the glow like souls in hell. One held a blanket and was batting it ineffectually at a blazing stack of timber. Others were shouting; no one was listening. In the distance, dimly visible, was a train of drams. The smoke had a strange whiff of roast meat, and Billy realized with a sick feeling that it must come from the pony that had been pulling the drams. Billy spoke to one of the men. "What's happening?" "There's men trapped in their gates--but we can't get to them." Billy saw that the man was Rhys Price. No wonder nothing was being done. "We've brought the fire dram," he said. Another man turned to him, and he was relieved to see John Jones the Shop, a more sensible character. "Good man!" said Jones. "Let's have the hose on this bloody lot." Billy ran out the hose while Tommy connected the pump. Billy aimed the jet at the ceiling of the tunnel, so that the water would run down the walls. He soon realized that the mine's ventilation system, blowing down Thisbe and up Pyramus, was forcing the flames and smoke toward him. As soon as he got the chance he would tell the people on the surface to reverse the fans. Reversible fans were now mandatory--another requirement of the 1911 act. Despite the difficulty, the fire began to die back, and Billy was able to go forward slowly. After a few minutes the nearest gate was clear of flame. Immediately two miners ran out, gasping the relatively good air of the tunnel. Billy recognized the Ponti brothers, Giuseppe and Giovanni, known as Joey and Johnny. Some of the men ran into the gate. John Jones came out carrying the limp form of Dai Ponies, the horse wrangler. Billy could not tell whether he was dead or just unconscious. He said: "Take him to Pyramus, not Thisbe." Price butted in: "Who are you to be giving orders, Billy-with-Jesus?" Billy was not going to waste time arguing with Price. He addressed Jones. "I spoke on the phone to the surface. Thisbe is badly damaged but the cage should soon be operating in Pyramus. I was told to tell everyone to head for Pyramus." "Right, I'll spread the word," said Jones, and he went off. Billy and Tommy continued to fight the fire, clearing farther gates, freeing more trapped men. Some were bleeding, many were scorched, and a few had been hurt by falling rock. Those who could walk carried the dead and the seriously injured in a grim procession. Too soon, their water was gone. "We'll push the dram back and fill it from the pond at the bottom of the shaft," Billy said. Together they hurried back. The cage was still not working, and there were now a dozen or so rescued miners waiting, and several bodies on the ground, some groaning in agony, others ominously still. While Tommy filled the dram with muddy water, Billy picked up the phone. Once again his father answered. "The winding gear will be operating in five minutes," he said. "How is it down there?" "We've got some dead and injured out of the gates. Send down drams full of water as soon as you can." "What about you?" "I'm all right. Listen, Da, you should reverse the ventilation. Blow down Pyramus and up Thisbe. That will drive the smoke and afterdamp away from the rescuers." "Can't be done," said his father. "But it's the law--pit ventilation must be reversible!" "Perceval Jones told the inspectors a sob story, and they gave him another year to modify the blowers." Billy would have cursed if anyone other than his father had been on the line. "How about turning on the sprinklers--can you do that?" "Aye, we can," said Da. "Why didn't I think of that?" He spoke to someone else. Billy replaced the earpiece. He helped Tommy refill the dram, taking turns with the hand pump. It took as long to fill as it had to empty. The flow of men from the afflicted district slowed while the fire raged unchecked. At last the tub was full and they started back. The sprinklers came on, but when Billy and Tommy reached the fire, they found that the flow of water from the narrow overhead pipe was too slight to put out the flames. However, Jones the Shop had now got the men organized. He was keeping the uninjured survivors with him, for rescue work, and sending the walking wounded to the shaft. As soon as Billy and Tommy had connected the hose, he seized it and ordered another man to pump. "You two go back and get another dram of water!" he said. "That way we can keep on hosing." "Right," said Billy, but before he turned to go something caught his eye. A figure came running through the flames with his clothes on fire. "Good God!" Billy said, horrified. As he watched, the runner stumbled and fell. Billy shouted at Jones: "Hose me!" Without waiting for acknowledgment, he ran into the tunnel. He felt a jet of water strike his back. The heat was terrible. His face hurt and his clothes smoldered. He grabbed the prone miner under the shoulders and pulled, running backward. He could not see the face but he could tell it was a boy of his own age. Jones kept the hose on Billy, soaking his hair, his back, and his legs, but the front of him was dry, and he could smell his skin scorching. He screamed in pain but managed to keep hold of the unconscious body. A second later he was out of the fire. He turned and let Jones spray his front. The water on his face was blessed relief: though he still hurt, it was bearable. Jones sprayed the boy on the floor. Billy turned him over and saw that it was Michael O'Connor, known as Micky Pope, the son of Pat. Pat had asked Billy to look out for him. Billy said: "Dear Jesus, have mercy on Pat." He bent down and picked Micky up. The body was limp and lifeless. "I'll take him to the shaft," Billy said. "Aye," said Jones. He was staring at Billy with an odd expression. "You do that, Billy boy." Tommy went with Billy. Billy felt light-headed, but he was able to carry Micky. On the main road they encountered a rescue team with a pony pulling a small train of drams filled with water. They must have come from the surface, which meant the cage was operating and the rescue was now being properly managed, Billy reasoned wearily. He was right. As he reached the shaft, the cage arrived again and disgorged more rescuers in protective clothing and more drams of water. When the newcomers had dispersed, heading for the fire, the wounded began to board the cage, carrying the dead and unconscious. When Pat Pope had sent the cage up, Billy went to him, holding Micky in his arms. Pat stared at Billy with a terrified look, shaking his head in negation, as if he could deny the news. "I'm sorry, Pat," said Billy. Pat would not look at the body. "No," he said. "Not my Micky." "I pulled him out of the fire, Pat," said Billy. "But I was too bloody late, that's all." Then he began to cry. {{ VI }} The dinner had been a great success in every way. Bea had been in a sparkling mood: she would have liked a royal party every week. Fitz had gone to her bed, and as he expected she had welcomed him. He stayed until morning, slipping away only just before Nina arrived with the tea. He was afraid the debate amongst the men might have been too controversial for a royal dinner, but he need not have worried. The king thanked him at breakfast, saying: "Fascinating discussion, very illuminating, just what I wanted." Fitz had glowed with pride. Thinking it over as he smoked his after-breakfast cigar, Fitz realized that the thought of war did not horrify him. He had spoken of it as a tragedy, in an automatic way, but it would not be entirely a bad thing. War would unite the nation against a common enemy, and dampen the fires of unrest. There would be no more strikes, and talk of republicanism would be seen as unpatriotic. Women might even stop demanding the vote. And in a personal way he found himself strangely drawn to the prospect. War would be his chance to be useful, to prove his courage, to serve his country, to do something in return for the wealth and privilege that had been lavished on him all his life. The news from the pit, coming at midmorning, took the sparkle off the party. Only one of the guests actually went into Aberowen--Gus Dewar, the American. Nevertheless, they all had the feeling, unusual for them, of being far from the center of attention. Lunch was a subdued affair, and the afternoon's entertainments were canceled. Fitz feared the king would be displeased with him, even though he had nothing to do with the operation of the mine. He was not a director or shareholder of Celtic Minerals. He merely licensed the mining rights to the company, which paid him a royalty per ton. So he felt sure that no reasonable person could possibly blame him for what had happened. Still, the nobility could not be seen to indulge in frivolous pursuits while men were trapped underground, especially when the king and queen were visiting. That meant that reading and smoking were just about the only acceptable pursuits. The royal couple were sure to be bored. Fitz was angered. Men died all the time: soldiers were killed in battle, sailors went down with their ships, railway trains crashed, hotels full of sleeping guests burned to the ground. Why did a pit disaster have to happen just when he was entertaining the king? Shortly before dinner Perceval Jones, mayor of Aberowen and chairman of Celtic Minerals, came to the house to brief the earl, and Fitz asked Sir Alan Tite whether the king might like to hear the report. His Majesty would, came the reply, and Fitz was relieved: at least the monarch had something to do. The male guests gathered in the small drawing room, an informal space with soft chairs and potted palms and a piano. Jones was wearing the black tailcoat he had undoubtedly put on for church this morning. A short, pompous man, he looked like a strutting bird in a double-breasted gray waistcoat. The king was in evening dress. "Good of you to come," he said briskly. Jones said: "I had the honor of shaking Your Majesty's hand in 1911, when you came to Cardiff for the investiture of the Prince of Wales." "I'm glad to renew our acquaintanceship, though sorry it should happen in such distressing circumstances," the king replied. "Tell me what happened in plain words, just as if you were explaining it to one of your fellow directors, over a drink at your club." That was clever, Fitz thought; it set just the right tone--though no one offered Jones a drink, and the king did not invite him to sit down. "So kind of Your Majesty." Jones spoke with a Cardiff accent, harsher than the lilt of the valleys. "There were two hundred and twenty men down the pit when the explosion occurred, fewer than normal as this is a special Sunday shift." "You know the exact figure?" the king asked. "Oh, yes, sir. We note the name of each man going down." "Forgive the interruption. Please carry on." "Both shafts were damaged, but firefighting teams brought the blaze under control, with the help of our sprinkler system, and evacuated the men." He looked at his watch. "As of two hours ago, two hundred and fifteen had been brought up." "It sounds as if you have dealt with the emergency very efficiently, Jones." "Thank you very much, Your Majesty." "Are all the two hundred and fifteen alive?" "No, sir. Eight are dead. Another fifty have injuries sufficiently serious to require a doctor." "Dear me," said the king. "How very sad." As Jones was explaining the steps being taken to locate and rescue the remaining five men, Peel slipped into the room and approached Fitz. The butler was in evening clothes, ready to serve dinner. Speaking very low, he said: "Just in case it's of interest, my lord ..." Fitz whispered: "Well?" "The maid Williams just came back from the pithead. Her brother was something of a hero, apparently. Whether the king might like to hear the story from her own lips ...?" Fitz thought for a moment. Williams would be upset, and might say the wrong thing. On the other hand, the king would probably like to speak to someone directly affected. He decided to take a chance. "Your Majesty," he said. "One of my servants has just returned from the pithead, and may have more up-to-date news. Her brother was underground when the gas exploded. Would you care to question her?" "Yes, indeed," said the king. "Send her in, please." A few moments later Ethel Williams entered. Her uniform was smudged with coal dust, but she had washed her face. She curtsied, and the king said: "What is the latest news?" "Please, Your Majesty, there are five men trapped in Carnation district by a fall of rock. The rescue team are digging through the debris but the fire is still burning." Fitz noticed that the king's manners with Ethel were subtly different. He had hardly looked at Perceval Jones, and had tapped a finger restlessly on the arm of his chair while listening; but he gave Ethel a direct look, and seemed more interested in her. In a softer voice, he asked: "What does your brother say?" "The explosion of firedamp set light to the coal dust, and that's what's burning. The fire trapped many of the men in their workplaces, and some suffocated. My brother and the others couldn't rescue them because they had no breathing apparatus." "That's not so," Jones said. "I think it is," Gus Dewar contradicted him. As always, the American was a bit diffident in his manner, but he made an effort to speak insistently. "I spoke to some of the men coming up. They said the lockers marked 'Breathing Apparatus' turned out to be empty." He seemed to be suppressing anger. Ethel Williams said: "And they couldn't put out the flames because there was insufficient water kept underground." Her eyes flashed with fury in a way that Fitz found alluring, and his heart skipped a beat. "There's a fire engine!" Jones protested. Gus Dewar spoke again. "A coal dram filled with water, and a hand pump." Ethel Williams went on: "They should have been able to reverse the flow of ventilation, but Mr. Jones has not modified the machinery in accordance with the law." Jones looked indignant. "It wasn't possible--" Fitz interrupted. "All right, Jones. This isn't a public inquiry. His Majesty just wants to get people's impressions." "Quite so," said the king. "But there is one subject on which you might be able to advise me, Jones." "I should be honored--" "I was planning to visit Aberowen and some of the surrounding villages tomorrow morning, and indeed to call upon your good self at the town hall. But in these circumstances a parade seems inappropriate." Sir Alan, sitting behind the king's left shoulder, shook his head and murmured: "Quite impossible." "On the other hand," the king went on, "it seems wrong to go away without any acknowledgment of the disaster. People might think us indifferent." Fitz guessed there was a clash between the king and his staff. They probably wanted to cancel the visit, imagining that was the least risky course; whereas the king felt the need to make some gesture. There was a silence while Perceval considered the question. When he spoke, he said only: "It's a difficult choice." Ethel Williams said: "May I make a suggestion?" Peel was aghast. "Williams!" he hissed. "Speak only when spoken to!" Fitz was startled by her impertinence in the presence of the king. He tried to keep his voice calm as he said: "Perhaps later, Williams." But the king smiled. To Fitz's relief, he seemed quite taken with Ethel. "We might as well hear what this young person has to propose," he said. That was all Ethel needed. Without further ado she said: "You and the queen should visit the bereaved families. No parade, just one carriage with black horses. It would mean a lot to them. And everybody would think you were wonderful." She bit her lip and subsided into silence. That last sentence was a breach of etiquette, Fitz thought anxiously; the king did not need to make people think he was wonderful. Sir Alan was horrified. "Never been done before," he said in alarm. But the king seemed intrigued by the idea. "Visit the bereaved ..." he said musingly. He turned to his equerry. "By Jove, I think that's capital, Alan. Commiserate with my people in their suffering. No cavalcade, just one carriage." He turned back to the maid. "Very good, Williams," he said. "Thank you for speaking up." Fitz breathed a sigh of relief. {{ VII }} In the end there was more than one carriage, of course. The king and queen went in the first with Sir Alan and a lady-in-waiting; Fitz and Bea followed in a second with the bishop; and a pony-and-trap with assorted servants brought up the rear. Perceval Jones had wanted to be one of the party, but Fitz had squashed that idea. As Ethel had pointed out, the bereaved might have tried to take him by the throat. It was a windy day, and a cold rain lashed the horses as they trotted down the long drive of Tŷ Gwyn. Ethel was in the third vehicle. Because of her father's job she was familiar with every mining family in Aberowen. She was the only person at Tŷ Gwyn who knew the names of all the dead and injured. She had given directions to the drivers, and it would be her job to remind the equerry who was who. She had her fingers crossed. This was her idea, and if it went wrong she would be blamed. As they drove out of the grand iron gates, she was struck, as always, by the sudden transition. Inside the grounds all was order, charm, and beauty; outside was the ugliness of the real world. A row of agricultural laborers' cottages stood beside the road, tiny houses of two rooms, with odd bits of lumber and junk in front and a couple of dirty children playing in the ditch. Soon afterward the miners' terraces began, superior to the farm cottages but still ungainly and monotonous to an eye such as Ethel's, spoiled by the perfect proportions of Tŷ Gwyn's windows and doorways and roofs. The people out here had cheap clothes that quickly became shapeless and worn, and were colored with dyes that faded, so that all the men were in grayish suits and all the women brownish dresses. Ethel's maid's outfit was envied for its warm wool skirt and crisp cotton blouse, for all that some of the girls liked to say they would never lower themselves to be servants. But the biggest difference was in the people themselves. Out here they had blemished skin, dirty hair, and black fingernails. The men coughed, the women sniffed, and the children all had runny noses. The poor shambled and limped along roads where the rich strode confidently. The carriages drove down the mountainside to Mafeking Terrace. Most of the inhabitants were lining the pavements, waiting, but there were no flags, and they did not cheer, just bowed and curtsied, as the cavalcade pulled up outside number 19. Ethel jumped down and spoke quietly to Sir Alan. "Sian Evans, five children, lost her husband, David Evans, an underground horse wrangler." David Evans, known as Dai Ponies, had been familiar to Ethel as an elder of the Bethesda Chapel. Sir Alan nodded, and Ethel stepped smartly back while he murmured in the ear of the king. Ethel caught Fitz's eye, and he gave her a nod of approval. She felt a glow. She was assisting the king--and the earl was pleased with her. The king and queen went to the front door. Its paint was peeling, but the step was polished. I never thought I'd see this, Ethel thought, the king knocking on the door of a collier's house. The king wore a tailcoat and a tall black hat; Ethel had strongly advised Sir Alan that the people of Aberowen would not wish to see their monarch in the kind of tweed suit that they themselves might wear. The door was opened by the widow in her Sunday best, complete with hat. Fitz had suggested that the king should surprise people, but Ethel had argued against that, and Sir Alan had agreed with her. On a surprise visit to a distraught family the royal couple might have been confronted with drunken men, half-naked women, and fighting children. Better to forewarn everyone. "Good morning. I'm the king," said the king, raising his hat politely. "Are you Mrs. David Evans?" She looked blank for a moment. She was more used to being called Mrs. Dai Ponies. "I have come to say how very sorry I am about your husband, David," said the king. Mrs. Dai Ponies seemed too nervous to feel any emotion. "Thank you very much," she said stiffly. It was too formal, Ethel saw. The king was as uncomfortable as the widow. Neither was able to say how they really felt. Then the queen touched Mrs. Dai's arm. "It must be very hard for you, my dear," she said. "Yes, ma'am, it is," said the widow in a whisper, and then she burst into tears. Ethel wiped a tear from her own cheek. The king was embarrassed, but to his credit, he stood his ground, murmuring: "Very sad, very sad." Mrs. Evans sobbed uncontrollably, but she seemed rooted to the spot, and did not turn her face away. There was nothing gracious about grief, Ethel saw: Mrs. Dai's face was blotched red, her open mouth showed that she had lost half her teeth, and her sobs were hoarse with desperation. "There, there," said the queen. She pressed her handkerchief into Mrs. Dai's hand. "Take this." Mrs. Dai was not yet thirty, but her big hands were knotted and lumpy with arthritis like an old woman's. She wiped her face with the queen's handkerchief. Her sobs subsided. "He was a good man, ma'am," she said. "Never raised a hand to me." The queen did not know what to say about a man whose virtue was that he did not beat his wife. "He was even kind to his ponies," Mrs. Dai added. "I'm sure he was," said the queen, back on familiar ground. A toddler emerged from the depths of the house and clung to its mother's skirt. The king tried again. "I believe you have five children," he said. "Oh, sir, what are they going to do with no da?" "It's very sad," the king repeated. Sir Alan coughed, and the king said: "We're going on to see some other people in the same sad position as yourself." "Oh, sir, it was kind of you to come. I can't tell you how much it means to me. Thank you, thank you." The king turned away. The queen said: "I will pray for you tonight, Mrs. Evans." Then she followed the king. As they were getting into their carriage, Fitz gave Mrs. Dai an envelope. Inside, Ethel knew, were five gold sovereigns and a note, handwritten on blue crested Tŷ Gwyn paper, saying: "Earl Fitzherbert wishes you to have this token of his deep sympathy." That, too, had been Ethel's idea. {{ VIII }} One week after the explosion Billy went to chapel with his da, mam, and gramper. The Bethesda Chapel was a square whitewashed room with no pictures on the walls. The chairs were arranged in neat rows on four sides of a plain table. On the table stood a loaf of white bread on a Woolworth's china plate and a jug of cheap sherry--the symbolic bread and wine. The service was not called Communion or mass, but simply the breaking of the bread. By eleven o'clock the congregation of a hundred or so worshippers were in their seats, the men in their best suits, the women in hats, the children scrubbed and fidgeting in the back rows. There was no set ritual: the men would do as the Holy Spirit moved them--extemporize a prayer, announce a hymn, read a passage from the Bible, or give a short sermon. The women would remain silent, of course. In practice there was a pattern. The first prayer was always spoken by one of the elders, who would then break the loaf and hand the plate to the nearest person. Each member of the congregation, excluding the children, would take a small piece and eat it. Next the wine was passed around, and everyone drank from the jug, the women taking tiny sips, some of the men enjoying a good mouthful. After that they all sat in silence until someone was moved to speak. When Billy had asked his father at what age he should begin taking a vocal part in the service, Da had said: "There's no rule. We follow where the Holy Spirit leads." Billy had taken him at his word. If the first line of a hymn came into his mind, at some point during the hour, he took that as a nudge from the Holy Spirit, and he would stand up and announce the hymn. He was precocious in doing so at his age, he knew, but the congregation accepted that. The story of how Jesus had appeared to him during his underground initiation had been retold in half the chapels in the South Wales coalfield, and Billy was seen as special. This morning every prayer begged for consolation for the bereaved, especially Mrs. Dai Ponies, who was sitting there in a veil, her eldest son beside her looking scared. Da asked God for the greatness of heart to forgive the wickedness of the mine owners in flouting laws about breathing equipment and reversible ventilation. Billy felt something was missing. It was too simple just to ask for healing. He wanted help in understanding how the explosion fitted into God's plan. He had never yet extemporized a prayer. Many of the men prayed with fine-sounding phrases and quotations from the Scriptures, almost as if they were sermonizing. Billy himself suspected God was not so easily impressed. He always felt most moved by simple prayers that seemed heartfelt. Toward the end of the service, words and sentences began to take shape in his mind, and he felt a strong impulse to give voice to them. Taking that for the guidance of the Holy Spirit, he eventually stood up. With his eyes shut tight he said: "Oh, God, we have asked Thee this morning to bring comfort to those who have lost a husband, a father, a son, especially our sister in the Lord Mrs. Evans, and we pray that the bereaved will open their hearts to receive Thy benison." This had been said by others. Billy paused, then went on: "And now, Lord, we ask for one more gift: the blessing of understanding. We need to know, Lord, why this explosion have took place down the pit. All things are in Thy power, so why didst Thou allow firedamp to fill the Main Level, and why didst Thou permit it to catch alight? How come, Lord, that men are set over us, directors of Celtic Minerals, who in their greed for money become careless of the lives of Thy people? How can the deaths of good men, and the mangling of the bodies Thou didst create, serve Thy holy purpose?" He paused again. He knew it was wrong to make demands of God, as if negotiating with the management, so he added: "We know that the suffering of the people of Aberowen must play a part in Thy eternal plan." He thought he should probably leave it there, but he could not refrain from adding: "But, Lord, we can't see how, so please explain it to us." He finished: "In the name of the Lord Jesus Christ." The congregation said: "Amen." {{ IX }} That afternoon the people of Aberowen were invited to view the gardens at Tŷ Gwyn. It meant a lot of work for Ethel. A notice had gone up in the pubs on Saturday night, and the message was read in churches and chapels after services on Sunday morning. The gardens had been made especially lovely for the king, despite the winter season, and now Earl Fitzherbert wished to share their beauty with his neighbors, the invitation said. The earl would be wearing a black tie, and he would be glad to see his visitors wearing a similar token of respect for the dead. Although it would obviously be inappropriate to have a party, nevertheless refreshments would be offered. Ethel had ordered three marquees to be pitched on the East Lawn. In one were half a dozen 108-gallon butts of pale ale brought by train from the Crown Brewery in Pontyclun. For teetotallers, of whom there were many in Aberowen, the next tent had trestle tables bearing giant tea urns and hundreds of cups and saucers. In the third, smaller tent, sherry was offered to the town's diminutive middle class, including the Anglican vicar, both doctors, and the colliery manager, Maldwyn Morgan, who was already being referred to as Gone-to-Merthyr Morgan. By good luck it was a sunny day, cold but dry, with a few harmless-looking white clouds high in a blue sky. Four thousand people came--very nearly the entire population of the town--and almost everyone wore a black tie, ribbon, or armband. They strolled around the shrubbery, peered through the windows into the house, and churned up the lawns. Princess Bea stayed in her room: this was not her kind of social event. All upper-class people were selfish, in Ethel's experience, but Bea had made an art of it. All her energy was focused on pleasing herself and getting her own way. Even when giving a party--something she did well--her motive was mainly to provide a showcase for her own beauty and charm. Fitz held court in the Victorian-Gothic splendor of the Great Hall, with his huge dog lying on the floor beside him like a fur rug. He wore the brown tweed suit that made him seem more approachable, albeit with a stiff collar and black tie. He looked handsomer than ever, Ethel thought. She brought the relatives of the dead and injured to see him in groups of three or four, so that he was able to commiserate with every Aberowen resident who had suffered. He spoke to them with his usual charm, and sent each one away feeling special. Ethel was now the housekeeper. After the king's visit, Princess Bea had insisted that Mrs. Jevons retire permanently: she had no time for tired old servants. In Ethel she had seen someone who would work hard to fulfill her wishes, and had promoted her despite her youth. So Ethel had achieved her ambition. She had taken over the housekeeper's little room off the servants' hall, and had hung up a photograph of her parents, in their Sunday best, taken outside the Bethesda Chapel the day it had opened. When Fitz came to the end of the list, Ethel asked permission to spend a few minutes with her family. "Of course," said the earl. "Take as much time as you like. You've been absolutely marvelous. I don't know how I would have managed without you. The king was grateful for your help, too. How do you remember all those names?" She smiled. She was not sure why it gave her such a thrill to be praised by him. "Most of these people have been to our house, sometime or other, to see my father about compensation for an injury, or a dispute with an overseer, or a worry about some safety measure down the pit." "Well, I think you're remarkable," he said, and he gave the irresistible smile that occasionally came over his face and made him seem almost like the boy next door. "Give my respects to your father." She went out and ran across the lawn, feeling on top of the world. She found Da, Mam, Billy, and Gramper in the tea tent. Da looked distinguished in his black Sunday suit and a white shirt with a stiff collar. Billy had a nasty burn on his cheek. Ethel said: "How are you feeling, Billy boy?" "Not bad. It looks horrible, but the doctor says it's better without a bandage." "Everybody's talking about how brave you were." "It wasn't enough to save Micky Pope, though." There was nothing to say to that, but Ethel touched her brother's arm in sympathy. Mam said proudly: "Billy led us in prayer this morning at Bethesda." "Well done, Billy! I'm sorry I missed it." Ethel had not gone to chapel--there was too much to do in the house. "What did you pray about?" "I asked the Lord to help us understand why He allowed the explosion down the pit." Billy cast a nervous glance at Da, who was not smiling. Da said severely: "Billy might have done better to ask God to strengthen his faith, so that he can believe without understanding." Clearly they had already argued about this. Ethel did not have the patience for theological disputes that made no difference to anything in the end. She tried to brighten the mood. "Earl Fitzherbert asked me to give you his respects, Da," she said. "Wasn't that nice of him?" Da did not melt. "I was sorry to see you taking part in that farce on Monday," he said sternly. "Monday?" she said incredulously. "When the king visited the families?" "I saw you whispering the names to that flunky." "That was Sir Alan Tite." "I don't care what he calls himself. I know a lickspittle when I see one." Ethel was shocked. How could Da be scornful of her great moment? She felt like crying. "I thought you'd be proud of me, helping the king!" "How dare the king offer sympathy to our folk? What does a king know of hardship and danger?" Ethel fought back tears. "But, Da, it meant so much to people that he went to see them!" "It distracted everyone's attention from the dangerous and illegal actions of Celtic Minerals." "But they need comfort." Why could he not see this? "The king softened them up. Last Sunday afternoon this town was ready to revolt. By Monday evening all they could talk about was the queen giving her handkerchief to Mrs. Dai Ponies." Ethel went swiftly from heartbreak to anger. "I'm sorry you feel that way," she said coldly. "Nothing to be sorry for--" "I'm sorry because you are wrong," she said, firmly overriding him. Da was taken aback. It was rare for him to be told he was wrong by anyone, let alone a girl. Mam said: "Now, Eth--" "People have feelings, Da," she said recklessly. "That's what you always forget." Da was speechless. Mam said: "That's enough, now!" Ethel looked at Billy. Through a mist of tears she saw his expression of awestruck admiration. That encouraged her. She sniffed and wiped her eyes with the back of her hand and said: "You and your union, and your safety regulations and your Scriptures--I know they're important, Da, but you can't do away with people's feelings. I hope that one day socialism will make the world a better place for working people, but in the meantime they need consolation." Da found his voice at last. "I think we've heard enough from you," he said. "Being with the king has gone to your head. You're a slip of a girl, and you've no business lecturing your elders." She was crying too much to argue further. "I'm sorry, Da," she said. After a heavy silence she added: "I'd better get back to work." The earl had told her to take all the time she liked, but she wanted to be alone. She turned away from her father's glare and walked back to the big house. She kept her eyes downcast, hoping the crowds would not notice her tears. She did not want to meet anyone so she slipped into the Gardenia Suite. Lady Maud had returned to London, so the room was empty and the bed was stripped. Ethel threw herself down on the mattress and cried. She had been feeling so proud. How could Da undermine everything she had done? Did he want her to do a bad job? She worked for the nobility. So did every coal miner in Aberowen. Even though Celtic Minerals employed them, it was the earl's coal they were digging, and he was paid the same per ton as the miner who dug it out of the earth--a fact her father never tired of pointing out. If it was all right to be a good collier, efficient and productive, what was wrong with being a good housekeeper? She heard the door open. Quickly she jumped to her feet. It was the earl. "What on earth is the matter?" he said kindly. "I heard you from outside the door." "I'm very sorry, my lord. I shouldn't have come in here." "That's all right." There was genuine concern on his impossibly handsome face. "Why are you crying?" "I was so proud to have helped the king," she said woefully. "But my father says it was a farce, all done just to stop people feeling angry with Celtic Minerals." She burst into fresh tears. "What nonsense," he said. "Anyone could tell that the king's concern was genuine. And the queen's." He took the white linen handkerchief from the breast pocket of his jacket. She expected him to hand it to her, but instead he wiped the tears from her cheeks with a gentle touch. "I was proud of you last Monday, even if your father wasn't." "You're so kind." "There, there," he said, and he bent down and kissed her lips. She was dumbfounded. It was the last thing in the world she had expected. When he straightened up she stared at him uncomprehendingly. He gazed back at her. "You are absolutely enchanting," he said in a low voice; then he kissed her again. This time she pushed him away. "My lord, what are you doing?" she said in a shocked whisper. "I don't know." "But what can you be thinking of?" "I'm not thinking at all." She stared up at his chiseled face. The green eyes studied her intently, as if trying to read her mind. She realized that she adored him. Suddenly she was flooded with excitement and desire. "I can't help myself," he said. She sighed happily. "Kiss me again, then," she said. CHAPTER THREE February 1914 A t half past ten the looking glass in the hall of Earl Fitzherbert's Mayfair house showed a tall man immaculately dressed in the daytime clothing of an upper-class Englishman. He wore an upright collar, disliking the fashion for soft collars, and his silver tie was fastened with a pearl. Some of his friends thought it was undignified to dress well. "I say, Fitz, you look like a damn tailor, about to open his shop in the morning," the young Marquis of Lowther had said to him once. But Lowthie was a scruff, with crumbs on his waistcoat and cigar ash on the cuffs of his shirt, and he wanted everyone else to look as bad. Fitz hated to be grubby; it suited him to be spruce. He put on a gray top hat. With his walking stick in his right hand and a new pair of gray suede gloves in his left, he went out of the house and turned south. In Berkeley Square a blond girl of about fourteen winked at him and said: "Suck you for a shilling?" He crossed Piccadilly and entered Green Park. A few snowdrops clustered around the roots of the trees. He passed Buckingham Palace and entered an unattractive neighborhood near Victoria Station. He had to ask a policeman for directions to Ashley Gardens. The street turned out to be behind the Roman Catholic cathedral. Really, Fitz thought, if one is going to ask members of the nobility to call, one should have one's office in a respectable quarter. He had been summoned by an old friend of his father's named Mansfield Smith-Cumming. A retired naval officer, Smith-Cumming was now doing something vague in the War Office. He had sent Fitz a rather short note. "I should be grateful for a word on a matter of national importance. Can you call on me tomorrow morning at, say, eleven o'clock?" The note was typewritten and signed, in green ink, with the single letter "C." In truth Fitz was pleased that someone in the government wanted to talk to him. He had a horror of being thought of as an ornament, a wealthy aristocrat with no function other than to decorate social events. He hoped he was going to be asked for his advice, perhaps about his old regiment, the Welsh Rifles. Or there might be some task he could perform in connection with the South Wales Territorials, of which he was honorary colonel. Anyway, just being summoned to the War Office made him feel he was not completely superfluous. If this really was the War Office. The address turned out to be a modern block of apartments. A doorman directed Fitz to an elevator. Smith-Cumming's flat seemed to be part home, part office, but a briskly efficient young man with a military air told Fitz that "C" would see him right away. C did not have a military air. Podgy and balding, he had a nose like Mr. Punch and wore a monocle. His office was cluttered with miscellaneous objects: model aircraft, a telescope, a compass, and a painting of peasants facing a firing squad. Fitz's father had always referred to Smith-Cumming as "the seasick sea captain" and his naval career had not been brilliant. What was he doing here? "What exactly is this department?" Fitz asked as he sat down. "This is the Foreign Section of the Secret Service Bureau," said C. "I didn't know we had a Secret Service Bureau." "If people knew, it wouldn't be secret." "I see." Fitz felt a twinge of excitement. It was flattering to be given confidential information. "Perhaps you'd be kind enough not to mention it to anyone." Fitz was being given an order, albeit politely phrased. "Of course," he said. He was pleased to feel a member of an inner circle. Did this mean that C might ask him to work for the War Office? "Congratulations on the success of your royal house party. I believe you put together an impressive group of well-connected young men for His Majesty to meet." "Thank you. It was a quiet social occasion, strictly speaking, but I'm afraid word gets around." "And now you're taking your wife to Russia." "The princess is Russian. She wants to visit her brother. It's a long-postponed trip." "And Gus Dewar is going with you." C seemed to know everything. "He's on a world tour," Fitz said. "Our plans coincided." C sat back in his chair and said conversationally: "Do you know why Admiral Alexeev was put in charge of the Russian army in the war against Japan, even though he knew nothing about fighting on land?" Having spent time in Russia as a boy, Fitz had followed the progress of the Russo-Japanese War of 1904-1905, but he did not know this story. "Tell me." "Well, it seems the grand duke Alexis was involved in a punch-up in a brothel in Marseilles and got arrested by the French police. Alexeev came to the rescue and told the gendarmes that it was he, not the grand duke, who had misbehaved. The similarity of their names made the story plausible and the grand duke was let out of jail. Alexeev's reward was command of the army." "No wonder they lost." "All the same, the Russians deploy the largest army the world has ever known--six million men, by some calculations, assuming they call up all their reserves. No matter how incompetent their leadership, it's a formidable force. But how effective would they be in, say, a European war?" "I haven't been back since my marriage," Fitz said. "I'm not sure." "Nor are we. That's where you come in. I would like you to make some inquiries while you're there." Fitz was surprised. "But surely our embassy should do that." "Of course." C shrugged. "But diplomats are always more interested in politics than military matters." "Still, there must be a military attaché." "An outsider such as yourself can offer a fresh perspective--in much the same way as your group at Tŷ Gwyn gave the king something he could not have got from the Foreign Office. But if you feel you can't..." "I'm not refusing," Fitz said hastily. On the contrary, he was pleased to be asked to do a job for his country. "I'm just surprised that things should be done this way." "We are a newish department with few resources. My best informants are intelligent travelers with enough military background to understand what they're looking at." "Very well." "I'd be interested to know whether you felt the Russian officer class has moved on since 1905. Have they modernized, or are they still attached to old ideas? You'll meet all the top men in St. Petersburg--your wife is related to half of them." Fitz was thinking about the last time Russia went to war. "The main reason they lost against Japan was that the Russian railways were inadequate to supply their army." "But since then they have been trying to improve their rail network--using money borrowed from France, their ally." "Have they made much progress, I wonder?" "That's the key question. You'll be traveling by rail. Do the trains run on time? Keep your eyes open. Are the lines still mostly single-track, or double? The German generals have a contingency plan for war that is based on a calculation of how long it will take to mobilize the Russian army. If there is a war, much will hang on the accuracy of that timetable." Fitz was as excited as a schoolboy, but he forced himself to speak with gravity. "I'll find out all I can." "Thank you." C looked at his watch. Fitz stood up and they shook hands. "When are you going, exactly?" C asked. "We leave tomorrow," said Fitz. "Good-bye." {{ II }} Grigori Peshkov watched his younger brother, Lev, taking money off the tall American. Lev's attractive face wore an expression of boyish eagerness, as if his main aim was to show off his skill. Grigori suffered a familiar pang of anxiety. One day, he feared, Lev's charm would not be enough to keep him out of trouble. "This is a memory test," Lev said in English. He had learned the words by rote. "Take any card." He had to raise his voice over the racket of the factory: heavy machinery clanking, steam hissing, people yelling instructions and questions. The visitor's name was Gus Dewar. He wore a jacket, waistcoat, and trousers all in the same fine gray woollen cloth. Grigori was especially interested in him because he came from Buffalo. Dewar was an amiable young man. With a shrug, he took a card from Lev's pack and looked at it. Lev said: "Put it on the bench, facedown." Dewar put the card on the rough wooden workbench. Lev took a ruble note from his pocket and placed it on the card. "Now you put a dollar down." This could be done only with rich visitors. Grigori knew that Lev had already switched the playing card. In his hand, concealed by the ruble note, there had been a different card. The skill--which Lev had practiced for hours--lay in picking up the first card, and concealing it in the palm of the hand, immediately after putting down the ruble note and the new card. "Are you sure you can afford to lose a dollar, Mr. Dewar?" said Lev. Dewar smiled, as the marks always did at that point. "I think so," he said. "Do you remember your card?" Lev did not really speak English. He could say these phrases in German, French, and Italian, too. "Five of spades," said Dewar. "Wrong." "I'm pretty sure." "Turn it over." Dewar turned over the card. It was the queen of clubs. Lev scooped up the dollar bill and his original ruble. Grigori held his breath. This was the dangerous moment. Would the American complain that he had been robbed, and accuse Lev? Dewar grinned ruefully and said: "You got me." "I know another game," Lev said. It was enough: Lev was about to push his luck. Although he was twenty years old, Grigori still had to protect him. "Don't play against my brother," Grigori said to Dewar in Russian. "He always wins." Dewar smiled and replied hesitantly in the same tongue. "That's good advice." Dewar was the first of a small group of visitors touring the Putilov Machine Works. It was the largest factory in St. Petersburg, employing thirty thousand men, women, and children. Grigori's job was to show them his own small but important section. The factory made locomotives and other large steel artifacts. Grigori was foreman of the shop that made train wheels. Grigori was itching to speak to Dewar about Buffalo. But before he could ask a question the supervisor of the casting section, Kanin, appeared. A qualified engineer, he was tall and thin with receding hair. With him was a second visitor. Grigori knew from his clothes that this must be the British lord. He was dressed like a Russian nobleman, in a tailcoat and a top hat. Perhaps this was the clothing worn by the ruling class all over the world. The lord's name, Grigori had been told, was Earl Fitzherbert. He was the handsomest man Grigori had ever seen, with black hair and intense green eyes. The women in the wheel shop stared as if at a god. Kanin spoke to Fitzherbert in Russian. "We are now producing two new locomotives every week here," he said proudly. "Amazing," said the English lord. Grigori understood why these foreigners were so interested. He read the newspapers, and he went to lectures and discussion groups organized by the St. Petersburg Bolshevik Committee. The locomotives made here were essential to Russia's ability to defend itself. The visitors might pretend to be idly curious, but they were collecting military intelligence. Kanin introduced Grigori. "Peshkov here is the factory's chess champion." Kanin was management, but he was all right. Fitzherbert was charming. He spoke to Varya, a woman of about fifty with her gray hair in a head scarf. "Very kind of you to show us your workplace," he said, cheerfully speaking fluent Russian with a heavy accent. Varya, a formidable figure, muscular and big-bosomed, giggled like a schoolgirl. The demonstration was ready. Grigori had placed steel ingots in the hopper and fired up the furnace, and the metal was now molten. But there was one more visitor to come: the earl's wife, who was said to be Russian--hence his knowledge of the language, which was unusual in a foreigner. Grigori wanted to question Dewar about Buffalo, but before he had a chance, the earl's wife came into the wheel shop. Her floor-length skirt was like a broom pushing a line of dirt and swarf in front of her. She wore a short coat over her dress, and she was followed by a manservant carrying a fur cloak, a maid with a bag, and one of the directors of the factory, Count Maklakov, a young man dressed like Fitzherbert. Maklakov was obviously very taken with his guest, smiling and talking in a low voice and taking her arm unnecessarily. She was extraordinarily pretty, with fair curls and a coquettish tilt to her head. Grigori recognized her immediately. She was Princess Bea. His heart lurched and he felt nauseated. He fiercely repressed the ugly memory that rose out of the distant past. Then, as in any emergency, he checked on his brother. Would Lev remember? He had been only six years old at the time. Lev was looking with curiosity at the princess, as if trying to place her. Then, as Grigori watched, Lev's face changed and he remembered. He went pale and looked ill; then suddenly he reddened with anger. By that time Grigori was at Lev's side. "Stay calm," he murmured. "Don't say anything. Remember, we're going to America--nothing must interfere with that!" Lev made a disgusted noise. "Go back to the stables," Grigori said. Lev was a pony driver, working with the many horses used in the factory. Lev glared a moment longer at the oblivious princess. Then he turned and walked away, and the moment of danger passed. Grigori began the demonstration. He nodded to Isaak, a man of his own age, who was captain of the factory football team. Isaak opened up the mold. Then he and Varya picked up a polished wooden template of a flanged train wheel. This in itself was a work of great skill, with spokes that were elliptical in cross-section and tapered by one in twenty from hub to rim. The wheel was for a big 4-6-4 locomotive, and the template was almost as tall as the people lifting it. They pressed it into a deep tray filled with damp sandy molding mixture. Isaak swung the cast-iron chill on top of that, to form the tread and the flange, and then finally the top of the mold. They opened up the assemblage and Grigori inspected the hole made by the template. There were no visible irregularities. He sprayed the molding sand with a black oily liquid; then they closed the flask again. "Please stand well back now," he said to the visitors. Isaak moved the spout of the hopper to the funnel on top of the mold. Then Grigori pulled the lever that tilted the hopper. Molten steel poured slowly into the mold. Steam from the wet sand hissed out of vents. Grigori knew by experience when to raise the hopper and stop the flow. "The next step is to perfect the shape of the wheel," he said. "Because the hot metal takes so long to cool, I have here a wheel that was cast earlier." It was already set up on a lathe, and Grigori nodded to Konstantin, the lathe operator, who was Varya's son. A thin, gangling intellectual with wild black hair, Konstantin was chairman of the Bolshevik discussion group and Grigori's closest friend. He started the electric motor, turning the wheel at high speed, and began to shape it with a file. "Please keep well away from the lathe," Grigori said to the visitors, raising his voice over the whine of the machine. "If you touch it, you may lose a finger." He held up his left hand. "As I did, here in this factory, at the age of twelve." His third finger, the ring finger, was an ugly stump. He caught a glance of irritation from Count Maklakov, who did not enjoy being reminded of the human cost of his profits. The look he got from Princess Bea mingled disgust with fascination, and he wondered whether she was weirdly interested in squalor and suffering. It was unusual for a lady to tour a factory. He made a sign to Konstantin, who stopped the lathe. "Next, the dimensions of the wheel are checked with calipers." He held up the tool used. "Train wheels must be exactly sized. If the diameter varies by more than one-sixteenth of an inch--which is about the width of the lead in a pencil--the wheel must be melted down and remade." Fitzherbert said in broken Russian: "How many wheels can you make per day?" "Six or seven on average, allowing for rejects." The American, Dewar, asked: "What hours do you work?" "Six in the morning until seven in the evening, Monday through Saturday. On Sunday we are allowed to go to church." Excerpted from Fall of Giants by Ken Follett All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.