A new literary history of America

Book - 2009

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Subjects
Published
Cambridge, Mass. : Belknap Press of Harvard University Press 2009.
Language
English
Other Authors
Greil Marcus (-), Werner Sollors
Physical Description
xxvii, 1095 p. : ill. ; 26 cm
Bibliography
Includes bibliographical references and index.
ISBN
9780674035942
  • Timeline
  • Introduction
  • The name "America" appears on a map
  • Mexico in America
  • Alvar Núñez Cabeza de Vaca
  • "Counterfeited according to the truth"
  • Fear and love in the Virginia colony
  • A city upon a hill
  • A nearer neighbor to the Indians
  • Anne Bradstreet
  • The American jeremiad
  • The stamp of God's image
  • The Jesuit relations
  • Francis Daniel Pastorius
  • The Salem witchcraft trials
  • Edward Taylor
  • Samuel Sewall, The Selling of Joseph
  • Benjamin Franklin, The Silence Dogood Letters
  • The Great Awakening
  • Francis Scott Key writes The Star-Spangled Banner 1765, December 23
  • Michel-Guillaume Jean de Crèvecoeur
  • Phillis Wheatley
  • The Declaration of Independence
  • Charles Willson Peale
  • James Madison, Notes of the Debates in the Federal Convention
  • John Adams, Discourses on Davila
  • Philip Freneau and The National Gazette
  • Washington's farewell address
  • Mary Rowlandson and the Alien and Sedition Acts
  • American gothic
  • Jefferson's first inaugural address
  • The matter of Haiti
  • Cupola of the world
  • The Missouri crisis
  • Landscape with birds
  • Sequoyah, the Cherokee syllabary
  • Junius Brutus Booth
  • Henry Rowe Schoolcraft, the Ojibwe firefly, and Longfellow's Hiawatha
  • Thomas Cole and the Hudson River
  • Songs of the republic
  • Cooper's Leatherstocking tales
  • Transnational poetry
  • Joseph Smith and the Book of Mormon
  • David Walker, Appeal, in Four Articles
  • Jump Jim Crow
  • The Cherokee Nation decision
  • President Jackson's bank veto
  • Democracy in America
  • William Gilmore Simms, The Yemasseee
  • The Sacred Harp
  • The Alamo and Texas border writing
  • Richard Henry Dana, Jr.
  • Ralph Waldo Emerson, "The American Scholar"
  • "The Divinity School Address"
  • The slave narrative
  • "The Murders in the Rue Morgue"
  • James Russell Lowell's Biglow Papers
  • Henry David Thoreau
  • The Scarlet Letter
  • Margaret Fuller and the Transcendentalist Movement
  • Nathaniel Hawthorne and Herman Melville
  • Uncle Tom's Cabin
  • Hawthorne's Blithedale Romance and utopian communities
  • Frederick Douglass, "What to the slave is the Fourth of July?"
  • Maria Cummins and sentimental fiction
  • Walt Whitman, Leaves of Grass
  • The Lincoln-Douglas debates
  • The science of the Indian
  • Emily Dickinson
  • The journeys of Little Women
  • Lincoln's second inaugural address
  • "Conditions of repose"
  • Carl Schurz
  • All men and women are created equal
  • The Winchester Rifle
  • Melville in the dark
  • The art of telephony
  • "How to Make Our Ideas Clear"
  • John Muir and nature writing
  • Henry James, Portrait of a Lady
  • Mark Twain's hairball
  • The Linotype machine
  • The Southwest imagined
  • The problem of error
  • Limits to violence
  • Writing New Orleans
  • The introduction of motion pictures 1889, August 28
  • A Connecticut Yankee in King Arthur's Court
  • Chief Simon Pokagon and Native American literature
  • Ida B. Wells, A Red Record
  • Paul Laurence Dunbar, Lyrics of Lowly Life
  • Queen Lili'uokalani
  • The Robert Gould Shaw and 54th Regiment Monument
  • Literature and imperialism
  • McTeague and Greed
  • Henry Adams
  • The Wizard of Oz
  • Sister Carrie and The House of Mirth
  • Charles W. Chesnutt, The Marrow of Tradition
  • The problem of the color line 1903, May 5
  • "The real American has not yet arrived"
  • The invention of the blues
  • One sees what one sees
  • Henry James in America
  • Little Nemo in Slumberland
  • The Azusa Street revival
  • The San Francisco Earthquake
  • "Alexander's Ragtime Band"
  • Lifeboats cut adrift
  • The lure of impossible things
  • Tarzan begins his reign
  • A modernist moment
  • D. W. Griffith, The Birth of a Nation
  • Robert Frost
  • The philosopher and the millionaire
  • Mamie Smith's "Crazy Blues"
  • Jean Toomer
  • T. S. Eliot and D. H. Lawrence
  • F. O. Matthiessen meets Russell Cheney
  • The Johnson-Reed Act and ethnic literature
  • The Great Gatsby
  • Sinclair Lewis
  • The Scopes trial
  • Dorothy Parker
  • Fire!!
  • Hardboiled
  • The Book-of-the-Month Club
  • Carl Sandburg and The American Songbag
  • "Free to develop their faculties"
  • Dilsey Gibson goes to church
  • John Dos Passos
  • The mouse that whistled
  • "You're swell!"
  • The Silent Enemy
  • Grant Wood's American Gothic" 1931, March 19
  • Nevada legalizes gambling
  • Edmund Wilson, The American Jitters
  • Arthur Miller
  • The River Rouge plant and industrial beauty
  • Ned Cobb
  • Baby Face is censored
  • FDR's first Fireside Chat
  • Robert Penn Warren
  • The Popular Front
  • The skyscraper
  • Alcoholics Anonymous
  • Porgy and Bess
  • Gone with the Wind and Absalom, Absalom! 1936, July 5
  • Two days in Harlem
  • Life begins
  • Superman
  • Jelly Roll Morton speaks
  • Billie Holiday, "Strange Fruit"
  • Up from invisibility
  • "No way like the American way"
  • Preston Sturges
  • An insolent style
  • Citizen Kane
  • The word "multicultural"
  • Hemingway's paradise, Hemingway's prose
  • The second Bill of Rights
  • Bebop
  • Thomas Pynchon and modern war
  • The atom bomb
  • Integrating the military
  • Norbert Wiener, Cybernetics
  • Saul Bellow
  • "Birth of the Cool"
  • "Damned busy painting"
  • A poet among painters
  • The Catcher in the Rye 1951
  • James Jones, From Here to Eternity
  • A soft voice
  • Elia Kazan and the blacklist in Hollywood
  • C. L. R. James
  • The song in country music
  • Wallace Stevens, Collected Poems
  • "The self-respect of my people"
  • A. J. Liebling and the Marciano-Moore fight
  • A generation in miniature
  • Nabokov's Lolita
  • "Roll Over Beethoven"
  • Dr. Seuss
  • "Nobody's perfect"
  • Psycho
  • More than a game
  • JFK's inaugural address and Catch-22
  • The author as advertisement
  • Bob Dylan writes "Song to Woody"
  • "White Elephant Art vs. Termite Art"
  • "Letter from Birmingham Jail"
  • Robert Lowell, "For the Union Dead"
  • The last stand on Earth 1965, September 11
  • The Council on Interracial Books for Children
  • The Autobiography of Malcolm X
  • Norman Mailer
  • The illusory babels of language
  • The plight of conservative literature
  • Elizabeth Bishop, Complete Poems
  • The first Asian Americans
  • The eye of Vietnam
  • Maya Angelou, Toni Morrison, Alice Walker
  • Loisaida literature
  • Adrienne Rich, Diving into the Wreck
  • Gayl Jones
  • Toni Morrison
  • Edmund White, A Boy's Own Story
  • Wild Style
  • Maya Lin's wall
  • Harriet Wilson
  • Henry Roth
  • Maxine Hong Kingston, Tripmaster Monkey
  • Philip Roth
  • Twenty-first-century free verse
  • Richard Powers, The Time of Our Singing
  • Barack Obama
Review by Choice Review

Marcus (a recognized music journalist and cultural critic) and Sollors (Harvard Univ., acclaimed for his pioneering work in ethnic American literature) here compile 219 widely divergent essays to form a collection analyzing the "matrix of American culture." The volume contributes to the field by extending expressions of voice in "whatever form" to chronicle a historical trajectory of events and ideas impacting literary forms, figures, and (often-contestatory) narratives of a nation. In their introduction, the editors stress that their objective "is not to smash a canon or create a new one" but rather to broaden critical inquiry to include religious tracts, diaries, public debates, Supreme Court decisions, children's fiction, war memorials, music, film, comic strips, maps, and cybernetics. Chronologically arranged, these essays, especially those addressing technology via the Winchester rifle and institutions like Alcoholics Anonymous, indicate pivotal turning points in literary history. Significantly, many of the 201 contributors are distinguished scholars from American studies, philosophy, and architecture, along with poets, novelists, journalists, screenwriters, and artists (one finds here Gish Jen, Walter Mosley, Bharati Mukherjee, Richard Powers, Camille Paglia, and Ishmael Reed), thus making the volume valuable as a primary as well as a secondary resource. Summing Up: Essential. Lower-division undergraduates through faculty. M. L. Mock University of Pittburgh at Johnstown

Copyright American Library Association, used with permission.
Review by Booklist Review

Of course it's hefty; it's a broadly cultural history of America with a literary bent, an avid and provocative collaboration that tracks the American story not only through works of American literature, classic and forgotten, but also via music, art, pop culture, speeches, letters, religious tracts, photographs, and Supreme Court decisions. Versatile social critic and historian Marcus, Harvard University professor of English and African American studies Sollors, and their illustrious board of editors assembled more than 200 commissioned essays, which meander chronologically from 1507 and the first appearance on a map of the name America to Barack Obama's election. In between is a dazzling array of inquiries into Gone with the Wind and Invisible Man, The Wizard of Oz and the blues, hard-boiled detective stories and Mickey Mouse, Howl and Miles Davis, nature writing and Zora Neale Hurston. With such contributors as Elizabeth Alexander, Mary Gaitskill, Bharati Mukherjee, Richard Powers, Ishmael Reed, David Thomson, David Treuer, and John Edgar Wideman, this is an adventurous, jazzily choral, and kaleidoscopic book of interpretations, illuminations, and revitalized history.--Seaman, Donna Copyright 2009 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

The full national-literary character of the United States is on display in this mighty history and reference work for our time. Written by a distinguished team, under the sure-handed editorship of musicologist and historian Marcus and Sollors, Harvard professor of English and African-American studies, this volume begins with America's first appearance on a map and concludes with the election of President Obama. Among the more than 200 contributors are Bharati Mukherjee (on The Scarlet Letter), Camille Paglia (on Tennessee Williams) and Ishmael Reed (on The Adventures of Huckleberry Finn). The book includes entries on not strictly literary themes: the first U.S. natural history collection of painter Charles Willson Peale; the invention of the blues; and the art of Grant Wood. This balancing act is even less sure-footed as we enter present time with entries on Some Like It Hot and the National Football League. Although it is impossible to include every important author in one volume, Sylvia Plath barely gets a nod as does James Merrill. Such are the blemishes on exquisite skin. Overall, this is an astounding achievement in multiculturalism and American studies, which in the age of Google and the Internet lights the way toward serious interpretive reference publishing. 27 illus. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Marcus (Mystery Train: Images of America in Rock 'n' Roll Music) and Sollors (English & Afro-American studies, Harvard) trace through literature the dynamism of American society and culture spanning 500 years, from the first time the name America appears on a map (1507) to the election of Barack Obama as president. The editors include over 200 chronologically arranged essays, original to this volume and including Camille Paglia on Tennessee Williams, Paula Rabinowitz on FDR's first fireside chat, David Treuer on Longfellow's Song of Hiawatha, Michael Tolkin on Alcoholics Anonymous, and Paul Muldoon on Carl Sandburg. The editors selected the entries from a pool of over 400 essays, requiring that each deal with a turning point, a new question, or a time when "what before seemed impossible came to seem necessary or inevitable." Verdict No single volume can fully capture the range of a nation's literary history, but this book succeeds in highlighting new ideas and providing a starting point for further investigation. Above all, it is a pleasure to read.-Mark Alan Williams, Library of Congress (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.