The Fleet Street murders

Charles Finch

Book - 2009

Celebrating the 1866 holiday season at the side of his fiancée, amateur sleuth Charles Lenox is drawn into the double-homicide case of two reporters, an investigation that is complicated by a police ruling that the killings are unrelated.

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MYSTERY/Finch, Charles
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Subjects
Published
New York : Minotaur Books 2009.
Language
English
Main Author
Charles Finch (-)
Edition
1st ed
Item Description
The third chronicle of Charles Lenox.
Physical Description
306 p. ; 22 cm
ISBN
9780312650278
9780312565510
Contents unavailable.
Review by New York Times Review

Here's a (real) tip about that (hypothetical) book in your hand: if the precinct cops in the story are more interesting than the criminals, then you're holding an authentic station-house procedural. But with crime novels increasingly dominated by superhero cops and out-of-this-world villains, who's writing traditional police procedurals anymore? Joseph Wambaugh is, and let us give thanks for that. A former detective with the Los Angeles Police Department, Wambaugh published his first cop-shop novel, "The New Centurions," in 1971, packing it in 25 years later after a string of terrific books about the boys and girls on the beat. Then there were no more novels for 10 years - until he came roaring back with "Hollywood Station," a triumph in the old style of heightened realism that he followed up in 2008 with "Hollywood Crows." HOLLYWOOD MOON (Little, Brown, $26.99), the third novel in this series, is set at the L.A.P.D.'s Hollywood Division and features a roster of believable, if idiosyncratic, police officers. Before activating his anecdotal plot, Wambaugh makes sure we know who the heroes are, by sending his cops out on assignments that turn into grotesquely sad and funny street scenes. Revealing themselves in these dramatic vignettes are winning players like the rookie Harris Triplett, a ,"cute little puppy" way out of his depth working undercover vice; handsome Hollywood Nate Weiss, clutching his SAG card and forever chasing elusive dreams of stardom and his female partner, Dana Vaughn, "the smartest mouth at Hollywood Station"; and the uproariously entertaining surfer dudes known as Flotsam and Jetsam, who shred the language as fearlessly as they cut the waves at Malibu. Once we've bonded with the cops, no criminal, no matter how quirky or crazy, can shake that allegiance. Not even villains like Dewey Gleason and his monstrous wife, Eunice, enterprising con artists with a flair for the intricate mechanics of identity theft who make the fatal mistake of inviting a teenage psychopath into the business. For all the personality they bring to the plot, these crooks can't alter the dynamic because there are no gray patches of moral ambiguity or conflicted loyalties in Wambaugh's world. Here, cops rule. Charles Lenox, the amateur detective in Charles Finch's beguiling Victorian mysteries, is finally given the chance to pursue his dream of becoming a member of Parliament in THE FLEET STREET MURDERS (Minotaur, $24.99). But the hastily called election in far off Stirrington comes at a most inopportune moment, just as this amiable gentleman sleuth (who is cut from the same fine English broadcloth as Dorothy L. Sayers's Lord Peter Wimsey) has involved himself in the baffling murders of two politically adversarial Fleet Street journalists. Being compelled to divide his time between London and the rural town where a local brewer is giving him a run for his money seems to sharpen Lenox's ratiocinative skills even as it broadens his character. And character is very much at the core of these whodunits, which are seen from the perspective of an educated gentleman born to wealth and power. Lenox not only has access to the great homes, the private clubs and the inner political circles of his aristocratic society, but he also has the kindness to use these privileges for the public good. Let others rail against the decadent upper crust; Finch's genial hero curls up by the fire in his library, sipping his tea, reading his books and indulging his many hobbies, including the detective work to which he brings a sense of duty and honor. You can't fake the stuff that Stan Jones pulls off in VILLAGE OF THE GHOST BEARS (Sono, $24), the fourth mystery in his series about Nathan Active, an Eskimo state trooper whose beat covers the most remote regions of Alaska. A writer of muscular words and stark images, Jones sets up his scenes like film shots: the daredevil maneuvers of a bush pilot landing on a lake; herds of caribou crossing the mountains to winter grounds; a body floating gently on the current of a stream, its flesh eaten by pike. This kind of writing makes for strong reading, especially with a sturdy murder plot to give it structure. Make that two plots: one involving the unidentified corpse, the other an arson case that claims the lives of eight citizens of Chukchi, a frontier town of wooden houses and steel backbones. Active knows the territory and understands the regional psychology. What he can't grasp is the brute instinct that makes people destroy the peace of such a majestic environment. Slim as it is, P. D. James's TALKING ABOUT DETECTIVE FICTION (Knopf, $22) has biblical heft. Like her own novels, the style is clean, thoughtful and full of grace. In expounding her ideas on how detective fiction works, James makes fearless reference to everyone from Jane Austen to Evelyn Waugh. While she is gracious about the appeal of the tough guys ("The hard-boiled detectives are not introspective; it is through action and dialogue that their story is told"), she is more incisive about the work of her favorite classic authors - Dorothy L. Sayers chief among them. Perhaps not unaware that she herself is our great modern classicist, James speaks of her own methods, telling a wonderful anecdote about a blunder she made in writing about a motorcycle. She's also up to date on current authors, saluting their contributions to a genre that supplies "unpretentious celebrations of reason and order in our increasingly complex and disorderly world." There are no gray patches of moral ambiguity in Joseph Wambaugh's world. Here, cops rule.

Copyright (c) The New York Times Company [December 13, 2009]
Review by Booklist Review

Victorian gentleman Charles Lenox finds himself pulled in opposing directions in his third outing, after A Beautiful Blue Death (2008) and The September Society (2009). First, two noted London journalists are murdered within hours of each other; then the member of Parliament whose seat Lenox intends to seek dies prematurely, presenting him with a dilemma: whether to pursue his longtime dream of being elected to Parliament or to undertake the detective work he loves on the juiciest crimes of the day. To add to Lenox's travails, dear friends suffer a personal tragedy, and Lady Jane Grey expresses doubts about their pending marriage. With the help of his manservant, Graham, on the election hustings and his disciple, Dallington, on the Fleet Street case, Lenox calls on his own keen intuition, plus the file he has kept on his bete noire (and Lady Jane's former suitor) George Barnard, bringing events to an eminently satisfactying conclusion. With its vivid evocation of Victorian England and an appealing protagonist, this is a worthy addition to a fine series of historical whodunits.--Leber, Michele Copyright 2009 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

The near simultaneous murders on Christmas night of two giants of Fleet Street-Daily Telegraph writer Winston Carruthers and Daily News editor Simon Pierce-rock 1866 London in Finch's absorbing third historical (after 2008's The September Society). These sensational crimes disturb holiday festivities at the Mayfair home of amateur detective Charles Lenox, who jumps at the chance to further his crime-solving career. In the meantime, Lenox's restless fiancee, Lady Jane Grey, may delay their impending nuptials while Lenox is also off running for Parliament in distant Stirrington, where he learns the seamy underside of British politics. The multifaceted case includes a coded letter, wartime espionage, a gang slaying, bribery and eavesdropping, making it "all fearfully complicated" in the words of Inspector Jenkins of Scotland Yard. An exciting boat chase on the Thames leads to a slightly incongruous happy ending. (Nov.) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

It is Christmas 1866, and gentleman sleuth Charles Lenox (The September Society; A Beautiful Blue Death) is waging a political campaign for a seat in Parliament. Meanwhile, his fiancee, Lady Jane, wants to postpone their wedding, and then there is the matter of the murders of two journalists and an investigation run amok in the hands of Scotland Yard. Verdict Unfortunately, the mystery gets buried beneath too many scenes covering Lenox's political aspirations and his interaction with his would-be constituents. However, fans who have fallen under the spell of Finch's storytelling skills will still enjoy this third Victorian series entry. Anne Perry readers may also want to discover Finch. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

chapter one Lenox woke up with a morning head, and as soon as he could bear to open his eyes, he gulped half the cup of coffee that his valet, butler, and trusted friend, Graham, had produced at Lenox's fi rst stirring. "What are Edmund and Molly doing?" he asked Graham. "Lady Lenox and her sons have gone to the park, sir. It's a fi ne morning." "Depends what you mean by fine," said Lenox. He looked at his window and winced from the sun. "It seems awfully bright. My brother's in as much pain as I am, I hope?" "I fear so, sir." "Well, there is justice in the world, then," Lenox reflected. "Would you like me to close your curtains, sir?" "Thanks, yes. And can you bring me some food, for the love of all that's good?" "It should arrive momentarily, sir. Mary will be bringing it." "Cheers, Graham. Happy Boxing Day." "Thank you, sir. Happy Boxing Day, Mr. Lenox." "The staff got their presents?" "Yes, sir. They were most gratified. Ellie in particu lar expressed her thanks for the set of--" "Well, there's a present for you in the wardrobe if you care to fetch it," said Lenox. "Sir?" "I would do it myself, but I doubt I could lift a fork in my present state." Graham went to the wardrobe and found the broad, thin parcel, wrapped in plain brown paper and tied with brown rope. "Thank you, sir," he said. "By all means." Graham carefully untied the rope and set about unwrapping the paper. "Oh, just tear it," said Lenox irritably. Nevertheless, Graham stubbornly and methodically continued at the same pace. At last he uncovered the present. It was a broad charcoal drawing of Moscow, which he and Lenox had once visited. Both of them looked back on it as the adventure of their lives. "I hardly know how to thank you," said Graham, tilting it toward the light. He was a man with sandy hair and an earnest, honest mien, but now a rare smile dawned on his face. "I had it commissioned--from one of those sketches you drew us, you know." "But far surpassing it in size and skill, sir." "Well--size anyway." "Thank you, sir," said Graham. "Well, go on, find out about breakfast, won't you? If I waste away and die you'll be out of a job," said Lenox. "The papers, too." "Of course, sir." "And Merry Christmas." "Merry Christmas, Mr. Lenox." Soon breakfast came, and with it a stack of several newspapers. These Lenox ignored until he had eaten a few bites of egg and bacon and finished a second cup of coffee. Feeling more human, he glanced at the Times and then, seeing its subdued but intriguing headline, flipped through the rest of the stack. The more populist papers positively screamed the news. Two of the giants of Fleet Street were dead, their last breaths exhaled within minutes of each other, according to household members and confirmed by doctors. Both the victims of murder. Lenox picked up one of the papers at random. It happened to be the cheapest of the weekly Sunday papers, the threepenny News of the Day, a purveyor of shocking crime news and scurrilous society rumor, which had come into existence a few decades before and instantly vaulted to popularity among the London multitudes. Most men of Lenox's class would have considered it a degradation to even touch the cheap newsprint the News came on, but it was the detective's bread and butter. He had often found stories in the News of the Day that no other paper printed, about domestic skirmishes in Cheapside, anonymous dark-skinned corpses down among the docks, strange maladies that spread through the slums. The paper had recently played a crucial role in reporting the case of James Barry. A famous surgeon who had performed the first successful cesarean section in all of Africa, he had died--and after his death was discovered to have in fact been, of all things, a woman. Margaret Ann, by birth. It had been for a time the story on every pair of lips in London and was still often spoken of. shock christmas murder of fleet street duo, the headline on the front page shouted. Eagerly, Lenox read the article. The shock murder of two of London journalism's finest practitioners has shocked London this morning. "Winsome" Winston Carruthers, London editor of the Daily Telegraph, and the catholic Simon Pierce of the Daily News died within minutes of each other on christmas night. An unknown assailant shot Pierce in the heart at Pierce's South London home, waking his entire house hold and throwing his wife into fits of hysteria, at approximately 1:07 a.m. this morning. No witnesses have contacted the Metropolitan Police: come forth if you saw anything, readers. Not five minutes before, according to police reports, scarcely an hour into Boxing Day, Winston Carruthers was stabbed in his Oxford Street apartments. Police found Carruthers still warm after a resident of Oxford Street reported seeing a tall, disguised man climbing down a rope ladder! Exclusively, the notd has learned that Carruthers's landlady and housekeeper, a Belgian woman, was on the scene and cooperated with the police officers--only to vanish this morning, leaving her apartments and their contents behind save for several small bags. Her two children left with her. Word has been sent to the ports of England with a description of the housekeeper. She is fat, with a prominent nose and a shriveled left hand. if you see her, readers, contact the police, or the notd's editorial offi ces. According to inspector exeter, reliable and much decorated officer of Scotland Yard, the housekeeper (name withheld at our discretion) is not a suspect: At the same brief moments of the murder and the murderer's absconding, she was witnessed by a few dozen people along Oxford Street visiting a local alehouse. however, readers, she may still be an accomplice to murder! If you see her, contact the police. carruthers, forty-nine, was a native of our fair city, a childless bachelor who leaves behind a sister in Surrey. pierce, fifty-four, leaves behind a wife, bess, and a daughter, eliza, who is stationed with her husband in bombay. The news sends its sympathy to all of the bereaved. added for second printing: inspector exeter has already cracked the case, according to a reliable source, and found a definite link between the two men besides their profession. watch this space for more. Below this piece of sensationalism were two lengthier profiles of the men. Turning to the other papers, Lenox found much the same stories, with minor variances of biography. A shooting and a stabbing, five minutes apart. He wondered what the "definite link" between Carruthers and Pierce might be. Straightaway he thought it must be some story they had both covered. Perhaps he would try through covert means to discover what it was. A fascinating case, certainly--but did he have time to try to help solve it? It was a busy period in Lenox's life. Recently he had solved one of his most difficult cases, a murder in Oxford, and been shot for his efforts. Only grazed, but still. After a long life of solitude, too, he was engaged to be married. Most pressing of all, soon he was to participate in a by-election for Parliament in Stirrington, near the city of Durham. His brother and several other Members of the Liberal Party had approached him to ask him to run. Though he loved his work as a detective and bravely embraced the low esteem in which the members of his class held his profession, to be in Parliament was the dream of his lifetime. Still--these murders would be the great story of the day, and Lenox felt a longing to be involved in their solution. One of his few friends at Scotland Yard was a bright young inspector named Jenkins, and to him Lenox wrote a short query, entrusting it to Mary's care when the maid came to fetch the remains of his breakfast. He felt better for having eaten. A third cup of coffee sat on his bedside table, and he reached for it. Just then Edmund knocked on the door and came in. He looked green around the gills. "Hullo, brother," said Charles. "Feeling badly?" "Awful." "Did eating help?" "Don't even mention food, I beg of you," said Edmund. "I would rather face Attila the Hun than a plate of toast." Charles laughed. "I'm sorry to hear it." "Molly had the heart to take the boys out earlier. Not even a word of reproach. What a treasure she is." A sentimental look came into Edmund's eyes. "Do you have meetings today?" "Not until fi ve o'clock or so. The Prime Minister has remained in town." "You said last night." "I need to sharpen up before then, to be sure. Perhaps I'll go back to sleep." "The wisest course," Charles assured him. "Then I'll have a bath and try to put myself into some decent shape. At the moment I feel like the offspring of a human being and a puddle on the fl oor." "Have you seen the papers, by the way?" "What happened?" "Two journalists were murdered last night--opposite sides of town within just a few minutes of each other." "Oh yes? Well, you've other things to concentrate on at the moment." "I do, I know," said Charles rather glumly. "I wrote Jenkins, though." Edmund stopped pacing, and his face took on a stern aspect. "Many people are counting on you, Charles," he said. "Not to mention your country." "Yes." "You should spend this month before you go up to Stirrington meeting with politicians, granting interviews, strategizing with James Hilary." Hilary was a bright young star in the firmament of Liberal politics and a friend of Charles's, one of those who had entreated him to stand for Parliament. "This time can be quite as productive as any you spend in Durham." "I thought you were sick." "This is crucial, Charles." "You never did any of that," the younger brother answered. "Father had my seat. And his father. And his father. World without end." "I know, I know. I simply feel irresponsible if I stay out of things, I suppose. My meddling ways." "Just think of all the good we'll do when you're in the House," said Edmund. "Especially if we don't stay up late drinking." Edmund sighed. "Yes. Especially then, I grant you." "See you downstairs." "Don't let them wake me up before I'm ready." "I won't. Unless it's nearing fi ve." "Cheers," said Edmund and left the room. Excerpted from the Fleet Street Murders by Charles Finch. Copyright © 2009 by Charles Finch. Published in November 2009 by St. Martin's Press. All rights reserved. This work is protected under copyright laws and reproduction is strictly prohibited. Permission to reproduce the material in any manner or medium must be secured from the Publisher. Excerpted from The Fleet Street Murders by Charles Finch All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.