Sheer folly

Carola Dunn

Book - 2009

1926. Daisy and her friend Lucy are at a stately home reputed to have the best grotto in the country, for research on their architectural book. As long-held secrets and resentments threaten to explode, even Daisy couldn't predict the deadly events to come.

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MYSTERY/Dunn, Carola
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Subjects
Published
New York : Minotaur Books 2009.
Language
English
Main Author
Carola Dunn (-)
Edition
1st ed
Physical Description
296 p. ; 22 cm
ISBN
9780312672577
9780312387754
Contents unavailable.
Review by Booklist Review

Writer Daisy Dalrymple and her collaborator pal, photographer Lucy, leave their families behind to travel to Appsworth Hall. The pair is working on a book about eighteenth-century architectural follies, and the grotto at Appsworth may qualify. Soon enough Daisy and Lucy have landed in the middle of an old-fashioned country-house mystery, taking place in 1926 England. The daunting list of characters and suspects includes the owner of the grotto and his sister-in-law and nephew. And there is the impoverished military widow and her daughter, Julia, and the several suitors for her hand. The guests are rounded out by a minor government official and his flirty wife. One of Julia's suitors is the thoroughly unpleasant Lord Rydal, known as Rhino because of his build and thick skin. Rhino is killed when the grotto mysteriously explodes just as Daisy's husband, Detective Chief Inspector Alec Dalrymple, arrives for the weekend. It soon becomes clear that foul play was involved. Both Alec and Daisy are recruited to help solve the mystery. Dunn and Daisy are at the top of their game in this entertaining, old-school story of drawing-room manners mixed with murder.--Coon, Judy Copyright 2009 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

At the start of Dunn's sprightly 18th Daisy Dalrymple mystery (after 2008's Black Ship), Daisy travels to Wiltshire because she's writing a book about an architectural folly, an elaborate grotto, at Appsworth Hall, owned by Mr. Pritchard of Pritchard's Plumbing Products. Best friend and freelance photographer Lucy Binscomb (aka Lady Gerald) accompanies Daisy, who leaves behind her husband, Scotland Yard's Det. Chief Insp. Alex Fletcher, to look after their twin children. On arrival at Appsworth, Daisy and Lucy discover that Mr. Pritchard is hosting a lavish house party, which includes eligible bachelorette Julia Beaufort; Lord Rydal (aka Rhino); Lady Ottaline Wandersley (with whom Rhino is having an affair); and Charles Armitage, a Canadian charmed by Julia. A shocking grotto explosion that takes Rhino's life spares Lady Ottaline and Rhino's chauffeur. While Dunn's cozy confection doesn't offer a lot of surprises, it does a neat job of evoking upper-class life in 1920s England. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review

Amateur sleuth Daisy Dalrymple Fletcher and her photographer pal Lucy's visit to a stately home becomes less about their planned book on architectural follies and more about murder. Appsworth Hall is currently owned by Mr. Pritchard, a pleasant enough man in the plumbing trade whose current crop of guests is a remarkably mixed bag. The utterly tactless Lord Rydal, aka Rhino, is visiting to pursue Daisy's old school friend Julia, whose impecunious mother Lady Beaufort is all for the advantageous match. Julia herself is more interested in a visiting historian of mysterious background who sometimes acts as the ghost of the beautifully restored Grotto. Rhino is taking special pains to distance himself from two of his fellow guests, Lady Ottaline and Sir Desmond Wandersleys, because Lady Ottaline is his lover. Daisy's husband, DCI Alex Fletcher of Scotland Yard, arrives with Lucy's husband, Lord Gerald Bincombe, just in time for the Grotto to explode, killing Lord Rydal and injuring Lady Ottaline, who had arranged a tryst there with the reluctant Rhino. The local police, happy to have help from Alec, are less keen on Daisy's meddling, but it's her inside knowledge that ultimately solves the case. Full of country-house charm but by no means the best of Dunn's venerable series starring the aristocratic Daisy and her policeman husband (Black Ship, 2008, etc.). Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

One "Daisy, do you really need to stay away over the weekend?" Alec asked plaintively, folding the News Chronicle and pushing back his chair from the table. "There's just a chance I may actually get a couple of days off. You've got egg on your chin." "No! How careless." Daisy dabbed with a napkin. "As far as my work is concerned, I could easily manage the writing part for the book in a couple of days, though I do hope I might get an article out of it as well. Lucy's photographs are the trouble. She has to hope the weather will cooperate, and one can't exactly count on it in March. Three or four days gives her a better chance of getting decent conditions." "Surely you don't have to stay to hold her hand!" "But you see, darling, in this case I rather do." "Are we talking about the same Lucy? Lady Gerald?" "Yes, of course." "I don't believe Lucy ever needed her hand held in her life!" "The trouble is," Daisy explained with a sigh, "she doesn't care for the man who presently owns Appsworth Hall and its folly." "What's wrong with him? I don't know that I want to let you go and stay with--" "Darling, you've gone all medieval again. Victorian, at least. This is 1926! You don't let me do things, remember? Anyway, there's nothing wrong with the poor man except that he's a manufacturer of bathroom fixtures." Alec burst out laughing. "I can't see how you persuaded her to visit him in the first place! Not that she has any justification for such an attitude. Didn't you tell me her great-grandfather was a manufacturer of umbrella silk?" "Great-great, I think. I suspect that's why she's so touchy," said Daisy, the origin of whose family's title was lost in the mists of time. Lucy, granddaughter of an earl and Daisy's closest friend, had been very difficult when Daisy first started going about with a middle-class policeman, albeit a Detective Chief Inspector from Scotland Yard. In fact she had disapproved quite as strongly as had Daisy's mother, the Dowager Lady Dalrymple. Unlike the viscountess, she had revised her opinion and given a qualified approval when he promised to support Daisy's writing career even after they married. Lucy, too, was a career-woman, continuing her photography studio since marrying the easy-going Lord Gerald Bincombe. But writing, photography, and even detecting were one thing. Manufacturing bathroom fixtures was another, quite beyond the pale. "It wasn't easy to get her to agree," Daisy admitted. "Haven't you collected enough follies for your book to skip this one?" "We have towers, temples, cloisters, pillars, and fake medieval ruins aplenty, even a campanile, but not a single grotto. Appsworth has the best grotto in the country. There are a couple of others, but they've rather been let go to rack and ruin. Mr. Pritchard--" "Of Pritchard's Plumbing Products?" Alec laughed again. "The man behind the blue PPP insignia in half the wash-basins and lavatories in the country? Instigator of a million vulgar jokes?" "Lucy seems to think it makes it worse that it's one of the biggest concerns in the country. Our Mr. Pritchard is semi-retired and Chairman of the Board--or something of the kind--I believe. But if he weren't so successful, he wouldn't be rich enough to have bought Appsworth Hall and done a marvellous job of restoring the grotto. Or so we've heard." "All modern plumbing?" His teasing grin made Daisy's lips twitch, but she said, "It wouldn't surprise me in the least. There's a stream running through it, and it's chalk and limestone country, the Marlborough Downs, where streams tend to appear and disappear whenever they feel like it." "Do you have to go this week?" "March isn't the best time of year for outdoor photography, but our publisher is baying at our heels. Besides, we're invited for this week, for the long weekend, and having accepted, one can't simply say, 'Oh, sorry, it's rather inconvenient, may we come next week?' That's another reason it wouldn't be at all the thing to duck out and come home for the weekend." "I could ring up, when I know whether I'm really getting time off, and claim a family emergency." "Darling, I'm shocked!" she told him severely. "A policeman inventing an alibi? Well, not an alibi, exactly, but I call it disgraceful. What is the world coming to? I'll tell you what, though: When I get down there, I'll see if I can cadge an invitation for you to join us." "All I wanted," he said mournfully, "is a quiet day at home with you and the babies." "Oh dear, I can't very well expect the poor man to invite the twins and Nurse Gilpin, too." "No, that would be a bit much. How on earth did you manage to wangle an invitation from Pritchard's Plumbing in the first place?" "It's a long story, involving a cousin of Gerald's in the Ministry of Health, an old school friend, Mr. Pritchard's fondness for titles, and . . . But you're going to be late, darling. In spite of her reluctance, it's Lucy's doing. I'm not sure I've got it all straight, and you wouldn't believe it anyway." Alec came round the table and kissed her. "I wouldn't believe it from anyone but you, love. You're leaving this afternoon?" "Yes, Lucy's coming to lunch, then we're driving down." "Lucy's driving?" At her nod, he groaned. "You may need our car." "True. Ring up this evening to tell me you got there safely, will you? Leave a message if I'm not home yet." "Right-oh, darling." Daisy stood up and gave him a hug. "I'll probably see you Sunday evening. We can stretch the weekend till Monday if necessary, but Lucy's not likely to want to, as long as we have decent weather for her shots. Unless you'll come to join us?" "I'll leave it to you to assess the situation. It's up to you to decide whether I want to meet the Bathroom King, work permitting, and whether he wants to meet me." Alec went off to catch criminals, and Daisy went up to the nursery. Mrs. Gilpin ruled the nursery, but she had long since been induced to concede that Daisy and Alec might visit Miranda and Oliver whenever they chose. They were even allowed to take their own children out for a walk without Nurse tagging along, though the nurserymaid, Bertha, usually acted as her deputy. Nonetheless, Nurse Gilpin was always cock-a-hoop when Daisy went out of town for a few days, as her work sometimes required, leaving the twins in their nanny's sole charge. This led Daisy to put off informing her of an impending absence till the last minute. Of course she always gave the housekeeper, Mrs. Dobson, plenty of warning. From Mrs. Dobson to the parlourmaid, Elsie, was no distance; from Elsie to Bertha, little further; and whatever Bertha knew, Nurse Gilpin knew. As Daisy opened the nursery door, five pairs of eyes turned her way. Three small bodies launched themselves towards her. Naturally the dog, Nana, arrived first, her cold wet nose bumping Daisy's knee in greeting. The twins toddled in her wake; Oliver in such a hurry that he sat down unexpectedly and completed the course crawling, still a faster means of locomotion as far as he was concerned. Single-minded, he beat Miranda, who put much of her effort into shouting, "Ma-ma-ma-ma!" as she came. Daisy, as usual, ended up sitting on the floor so as to accommodate everyone in her arms. "You'll spoil them, Mummy," said Mrs. Gilpin disapprovingly. Bertha bobbed a curtsy and went on ironing nappies. The twins used positive mountains of nappies. How on earth, Daisy wondered, did mothers manage who couldn't afford to pay nannies and nurserymaids and laundrymen? Presumably their babies survived without beautifully pressed, crease-free nappies. Ironing them seemed an unnecessary expenditure of time and energy, but Mrs. Gilpin certainly wouldn't tolerate such a suggestion. Daisy decided to save her energies for the battles that were sure to arise as Oliver and Miranda grew older. "I'm going to be away for a few days, Mrs. Gilpin," she said. "I'll leave a telephone number, of course, in case you need to reach me." "Oh, I'm sure that won't be necessary," said Nurse with a smug smile. And there--as Hamlet would no doubt have said had he taken any interest in child-care--was the rub. It was nice to know the babies would be very well taken care of while she was out of town, but depressing in a way that they didn't really need her. "Will you miss me?" she whispered in Miranda's little pink ear, half hidden by her froth of dark curls. Miranda giggled. Oliver stuck his tongue out and blew a raspberry, an act so screamingly funny that he roared with laughter and then repeated it. "All right, Master Oliver," Mrs. Gilpin commanded, "that's quite enough of that!" But Daisy couldn't help giggling, too, especially when Miranda tried to copy her brother, with indifferent success. Perhaps it was just as well that Nurse Gilpin ruled the nursery, Daisy thought as she stood up half an hour later. Otherwise the children might grow up to be horrid undisciplined brats. Or perhaps, like Daisy herself, they had the best of both worlds: Nurse to make them mind their p's and q's, and Mummy to indulge and laugh with them. All one could do was love them and hope for the best. "I'll only be gone a few days," she assured Oliver, and stooped to tickle his tummy one more time. "I'm going to stay with a plumber," she said to Miranda, who regarded her solemnly. "It should be interesting, as long as your godmother controls the bees in her bonnet and isn't rude to the poor man." Excerpted from Sheer Folly by . Copyright (c) 2009 by Carola Dunn. Published in September 2009 by St. Martin's Press. All rights reserved. This work is protected under copyright laws and reproduction is strictly prohibited. Permission to reproduce the material in any manner or medium must be secured from the Publisher. Excerpted from Sheer Folly: A Daisy Dalrymple Mystery by Carola Dunn All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.