Tricks

Ellen Hopkins

Book - 2009

Five troubled teenagers fall into prostitution as they search for freedom, safety, community, family, and love.

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Subjects
Published
New York : Margaret K. McElderry Books 2009.
Language
English
Main Author
Ellen Hopkins (-)
Edition
1st ed
Physical Description
627 p. ; 19 cm
ISBN
9781481498241
9781416950073
Contents unavailable.
Review by Booklist Review

Five teenagers from all over the U.S. three girls, two boys, some straight, some gay end up as prostitutes in Las Vegas in this multiple-voiced novel in verse. Among the different stories are a preacher's daughter breaking free from abuse, a closeted gay young man who hides his love life from his widowed and homophobic father, and the lesbian daughter of a prostitute. Hopkins has never shied away from tough subjects; descriptions of sex, while not overly graphic, are realistic and will likely provoke controversy. A master of storytelling through free verse, she uses multiple poetic devices to construct well-defined, distinctive voices for the five teens. Like E. R. Frank's Life Is Funny (2000), the multiple protagonists are easy to identify and their stories compelling, especially when they begin to intersect. Teens will queue up for this one some, admittedly, for the sensational subject matter and find Hopkins' trademark empathy for teens in rough situations.--Carton, Debbie Copyright 2009 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Hopkins again tackles a serious societal problem, this time focusing on teen prostitution. Fans of her work will recognize both her signature free verses and the gritty details she weaves within them. Newcomers, however, may be shocked by the graphic depictions of five struggling teens who find themselves turning tricks (one realizes her mother has sold her "for a good time" with a stranger, while another recounts "pretending to enjoy... deviant sex" to earn the trust of a guard at an ultra-strict religious rehabilitation camp). Some plotting seems cliched, such as the story of a preacher's daughter from Idaho, whose mother banishes her to the Tears of Zion camp after catching her with her boyfriend. While each story unfolds slowly, readers will understand the protagonists' desperation as well as their complete powerlessness once their descents have begun. Each story is unique (one teen needs money, another was thrown out because of his sexuality, still another was simply looking for love from the wrong person); while readers may connect with some characters more than others, they will long remember each painful story. Ages 14-up. (Aug.) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review

Gr 9 Up-Five teens desperately seek to find their way through the darkness in Hopkins's latest epic novel in verse. Eden flees an evangelical household; Cody blocks out a family illness with gambling and sex; Whitney gives up her body in exchange for the love she finds so elusive; Seth struggles to define himself as a homosexual; and Ginger comes to terms with an awful truth about her neglectful mother. Burden after burden piles on the teens' shoulders until they resort to the unthinkable in order to survive. As they near rock bottom, their narratives begin to intersect. It is only when their paths converge that a glimmer of redemption appears out of the hopelessness. From the punch delivered by the title, to the teens' raw voices, to the visual impact of the free verse, Hopkins once again produces a graphic, intense tale that will speak to mature teens.-Jill Heritage Maza, Greenwich High School, CT (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

Hopkins sharply portrays extreme adolescent turbulence with her biggest cast yet, as five disparate, desperate teens are sucked into the Las Vegas world of selling sex. Indiana farm boy Seth is kicked off his family's farm for being gay; optionless, he follows a controlling sugar daddy to Vegas. In Boise, Eden's first romantic relationship spurs her "hellfire-and-brimstone-preaching" Pentecostal parents to declare, "You are obviously possessed by demons," and send her to Tears of Zion reform camp, where unwilling sex is her only hope for escape. In California, Whitney craves male attention, while Ginger realizes that the rapes she's endured throughout childhood were orchestrated by her mother for cash. Cody's in Vegas, already drugging and gambling but crushed when his stepfather dies. All five are "spinning. Spiraling. Clinging to / the eye of the tornado." Hopkins's pithy free verse reveals shards of emotion and quick glimpses of physical detail. It doesn't matter that the first-person voices blur, because the stories are distinct and unmistakable. Graphic sex, rape, drugs, bitter loneliness, despairand eventually, blessedly, glimmers of hope. (Fiction. YA) Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Tricks Not Wrong for Me No, not at all. Andrew is pretty much perfect. Not gorgeous, not in a male model kind of way, but he is really cute, with crazy hair that sometimes hides his eyes, dark chocolate eyes that hold laughter, even when he's deadly serious. He's not a hunk, but toned, and tall enough to effortlessly tuck me under his arms, arms that are gentle but strong from honest ranch work, arms that make me feel safe when they gather me in. It's the only time I really feel wanted, and the absolute best part of any day is when I manage to steal cherished time with Andrew. No, he's not even a little wrong for me except maybe--maybe!--in the eyes of God. But much, much worse than that, he's completely wrong for my parents. Excerpted from Tricks by Ellen Hopkins All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.