1st Floor Show me where

FICTION/Kline, Christina Baker
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Subjects
Published
New York : William Morrow 2009.
Language
English
Main Author
Christina Baker Kline, 1964- (-)
Physical Description
275 pages ; 24 cm
ISBN
9780688177249
9780061829635
Contents unavailable.
Review by Booklist Review

Sometimes it takes something terrible to set events in motion. On the way home from her friend Claire's book release party, Alison gets into a car accident. While it isn't her fault, a young boy dies, and Alison's life is forever changed. What follows is the story of four best friends two couples whose lives have become hopelessly intertwined. Their story is told from all four perspectives and in both the distant past and the present aftermath of the accident. Alison fights feelings of guilt over the tragedy and estrangement from her husband, Charlie. He is having an affair with Claire, his wife's best friend. She is falling out of love with her loving husband, Ben, who ironically has been jealous of Alison and Charlie's happy suburban family life. Kline explores the complications of the lines and bonds between marriage and friendship with honest and complex emotions on all four narrative fronts.--Orphan, Claire Copyright 2009 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

In her fourth novel (after The Way Life Should Be), Kline traces the construction and collapse of two long-term relationships. On her way home to New Jersey after an awkward party for her lifelong friend Claire's highly autobiographical first novel, Alison gets into a car accident that kills a boy in the other car. Even though the accident wasn't her fault, Allison, a mother of two young children, is wracked with grief and guilt. Her husband, Charlie, also struggles with the impulse to blame his wife, especially as he longs for any excuse to escalate his nascent affair with Claire and end his marriage. Episodes detailing the inevitable collapse of Alison and Charlie's marriage, as well as Claire's marriage to her well-meaning husband, Ben, are interspersed with vignettes revealing the four friends' 10-plus-year history together. Shifting perspectives and thoughtful interior monologues reveal just how isolated, and in some cases misguided, the characters are. Kline's unflinching gaze and lovely prose sets Kline's novel apart from the herd of infidelity/marital ennui novels. It's well-done, thoughtful and thought provoking. (Aug.) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

In one life-altering moment driving home from a book release party to her New York suburban neighborhood, Alison Gray can't avoid a collision when another driver runs a stop sign. The little boy riding in the front seat of the other car is killed. In the weeks following, Alison's guilt makes it hard for her to parent her own children. Alison's husband, Charlie, first reproaches her for drinking two martinis that night, then dutifully tries to be supportive, but the neighbor they barely know manages to help Alison more. As the story of Alison and Charlie's eight-year, on-autopilot marriage unfolds, so does the history Charlie shares with Alison's best friend, Clare, and her husband, Ben, going back to their days as American grad students in London. When Charlie and Clare begin an affair, everyone is forced to make decisions about the future. VERDICT Though it covers familiar territory (young adults approaching middle age), Kline's fourth novel (after The Way Life Should Be) exhibits an unsparing eye for the telling details that reveal how people think and act. Readers who enjoy thoughtful family dramas and stories about marriages and relationships (e.g., Jodi Picoult, Anita Shreve) may want to try this. It's also good book club choice, with a reading group guide. [See Prepub Alert, LJ 4/15/09.]--Laurie A. Cavanaugh, Brockton P.L., MA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Bird in Hand Chapter One It had been a rainy morning, and all through the afternoon the sky remained opaque, bleached and unreadable. Alison wasn't sure until the last minute whether she would even go to Claire's book party in the city. The kids were whiny and bored, and she was feeling guilty that her latest freelance assignment, "Sparking the Flame of Your Child's Creativity," which involved extra interviews and rewrites, had made her distracted and short-tempered with them. She'd asked the babysitter to stay late twice that week already, and had shut herself away in her tiny studyâ€"mudroom, reallyâ€"trying to finish the piece. "Dolores, would you mind distracting him, please?" she'd called with a shrill edge of panic when three-year-old Noah pounded his small fists on the door. "Maybe we shouldn't go," she said when Charlie called from work to find out when she was leaving. "The kids are needy. I'm tired." "But you've been looking forward to this," he said. "I don't know," she said. "Dolores seems out of sorts. I can hear her out there snapping at the kids." "Look," he said. "I'll come home. I have a lot of work to do tonight anyway. I'll take over for Dolores, and then you won't have to worry." "But I want you there," she said obstinately. "I don't want to go alone. I probably won't even know anybody." "You know Claire," Charlie said. "Isn't that what matters? It'll be good to show your support." "It's not like she's gone out of her way to get in touch with me." "She did send you an invitation." "Well, her publicist." "So Claire put your name on the list. Come on, Alisonâ€"I'm not going to debate this with you. Clearly you want to go, or you wouldn't be agonizing over it." He was right. She didn't answer. Sometime back in the fall, Claire's feelings had gotten hurtâ€"something about an article she'd submitted to the magazine Alison worked for that wasn't right, that Alison's boss had brusquely criticized and then rejected, leaving her to do the work of explaining. It was Alison's first major assignment as a freelance editor, and she hadn't wanted to screw it up. So she'd let her boss's displeasure (which, after all, had eked out as annoyance at her, too: "I do wonder, Alison, if you defined the assignment well enough in the first place . . .") color her response. She'd hinted that Claire might be taking on too many things at once, and that the piece wasn't up to the magazine's usual standards. She was harsher than she should have been. And yetâ€"the article was sloppy; it appeared to have been hastily written. There were typos and transition problems. Claire seemed to have misunderstood the assignment. Frankly, Alison was annoyed at her for turning in the piece as she didâ€"she should have taken more time with it, been more particular. It pointed to something larger in their friendship, Alison thought, a kind of carelessness on Claire's part, a taking for granted. It had been that way since they were young. Claire was the impetuous, brilliant one, and Alison was the compass that kept her on course. Now Claire had finished her novel, a slim, thinly disguised roman à clef called Blue Martinis, about a girl's coming-of-age in the South. Alison couldn't bear to read it; the little she'd gleaned from the blurb by a bestselling writer on the postcard invitation Claire's publicist had sentâ€""Every woman who has ever been a girl will relate to this searingly honest, heartbreakingly funny novel about a girl's sexual awakening in a repressive southern town"â€"made her stomach twist into a knot. Claire's story was, after all, Alison's story, too; she hadn't been asked or even consulted, but she had little doubt that her own past was now on view. And Claire hadn't let her see the manuscript in advance; she'd told Alison that she didn't want to feel inhibited by what people from Bluestone might think. Anyway, Claire insisted, it was a novel. Despite this disclaimer, from what Alison could gather, she was "Jill," the main character's introverted if strong-willed sidekick. "Ben will be there, won't he?" Charlie said. "Probably. Yes." "So hang out with him. You'll be fine." Alison nodded into the phone. Ben, Claire's husband, was effortlessly sociableâ€"wry and intimate and inclusive. Alison had a mental picture of him from countless cocktail parties, standing in the middle of a group with a drink in one hand, stooping his tall frame slightly to accommodate. "Tell them I'm sorry I can't be there," Charlie said. "And let Dolores know I'll be home around seven. And rememberâ€"this is part of your job, to schmooze and make contacts. You'll be glad you went." "Yeah, okay," she said, thinking, oh right, my job, mentally adding up how much she'd earned over the past year: two $50 checks for whimsical personal essays on smart-mommy Web sites, $500 for a parenting magazine "ser-vice" piece called "50 Ways for New Moms to Relieve Stress," a $1,000 kill fee for a big feature on sibling rivalry that the competition scooped just before Alison's story went to press. The freelance editing assignment with Claire had never panned out. "The party's on East End Avenue, right?" he said. "You should probably take the bridge. The tunnel might be backed up, with this rain. Drive slow; the roads'll be wet." They talked about logistics for a few minutesâ€"how much to pay Dolores, what Charlie might find to eat in the fridge. As they were talking, Alison slipped out of her study, shutting the door quietly behind her. She could hear the kids in the living room with Dolores, and she made her way upstairs quietly, avoiding the creaky steps so they wouldn't be alerted to her presence. In the master bedroom she riffled through the hangers on her side of the closet and pulled out one shirt and then another for inspection. She yanked off the jeans she'd been wearing for three days and tried on a pair of black wool pants she hadn't worn in months, then stood back and inspected herself in the full-length mirror on the back of the closet door. The pants zipped easily enough, but the top button was tight. She put a hand over her tummy, unzipped the pants, and callipered a little fat roll with her fingers. She sighed. Bird in Hand . Copyright © by Christina Kline . Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold. Excerpted from Bird in Hand by Christina Baker-Kline All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.