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811.54/Armantrout
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Subjects
Published
Middletown, Conn. : Wesleyan University Press c2009.
Language
English
Main Author
Rae Armantrout, 1947- (-)
Item Description
Poems.
Physical Description
ix, 121 p. ; 24 cm
ISBN
9780819568793
  • Acknowledgments
  • Versed
  • Results
  • Versed
  • Fetch
  • Address
  • Vehicles
  • A Resemblance
  • Outer
  • Relations
  • Babel
  • Operations
  • Help
  • Name Calling
  • Pleasure
  • Guess
  • Locality
  • Wannabe
  • Stretch
  • Left Behind
  • Amplification
  • Bonding
  • Through
  • Scumble
  • Worth While
  • Dilation
  • Inscription
  • Either Side
  • Equals
  • New Genres
  • Presto
  • Decor
  • New
  • Heaven
  • Lengths
  • Just
  • What We Mean
  • The Catch
  • Running
  • Later
  • Own
  • Birth Order
  • Together
  • On Your Way
  • Translation
  • Dark Matter
  • Around
  • Dark Matter
  • Unbidden
  • Had
  • Simple
  • In Place
  • Music
  • Perfect
  • Whatever
  • Solution
  • Resounding
  • Like
  • Poem
  • Djinn
  • The Racket
  • Provenance
  • Previews
  • Missing Persons
  • The Line
  • Slip
  • Hey
  • Integer
  • Report
  • Left
  • Several
  • Concentrate
  • Minimum Sum
  • Lasting
  • Versions
  • The Light
  • Fade
  • Take-Out
  • Apartment
  • Remaining
  • Still
  • Hoop
  • Anchor
  • The Hole
  • Someone
  • Only
  • Thrown
  • Pass
  • Passage
  • Fact
Review by Publisher's Weekly Review

In recent years, Armantrout's reputation has soared-she began in the '70s as an obscure, early practitioner of language poetry, and now her poems regularly appear in the New Yorker. Her new book comprises two sequences-"Versed" and "Dark Matter"-of loosely interlinked poems dealing with the prolific poet's usual subjects (the body, contemporary society, violence) as well as more personal explorations of illness and mortality, all relayed in Armantrout's concentrated, crystalline voice, with a predilection for skipping some steps along the way to sense. The first sequence, peppered with pop culture references and quoted speech, features silly yet surprisingly serious poems on topics like "'[b]reaking/ Anna Nicole news// as she buries/ her son.'Å" In the playful "Scumble," the poet speculates as to "What if I were turned on by seemingly innocent words/ such as... 'extrapolate?'Å" The second section, "Dark Matter," is evasively intimate and occasionally, albeit characteristically, bleak, as Armantrout (Next Life) contemplates her own struggle with cancer "with a shocked smile,/ while an undiscovered tumor/squats on her kidney." In what may be moments of intense, sardonic honesty-"Chuck and I are pleased/ to have found a spot/where my ashes can be scattered"-the poet poses metaphysical questions with open endings: jarring moments in which the stakes are suddenly, impossibly high. (Feb.) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

It's been too long coming, but Armantrout finally shone as she should this year, receiving a nomination for the National Book Award and winning the National Book Critics Circle Award for this volume. Only apparently spare, her poems are in fact deeply distilled, glancing off reality in startling ways. With this work, she's achieved perfection. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.