The long fall

Walter Mosley

Book - 2009

Leonid McGill, a New York City private detective, tries to put his past life behind him. But it's not that easy when someone like Tony "The Suit" Towers expects you to do a job; when an Albany PI hires you to track down four men known only by their youthful street names; and when your 16-year-old son, Twill, is getting in over his head with a suicidal girl.

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Published
New York : Riverhead Books 2009.
Language
English
Main Author
Walter Mosley (-)
Physical Description
305 p. ; 24 cm
ISBN
9781594488580
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Review by New York Times Review

Like the inhabitants of Lake Wobegon, every single one of my friends is exceptional, and I assume the same applies to your crowd. Which means that all our exceptional friends are expecting exceptional books for Christmas. Lucky for us, some favorite authors came through with genrestretchers this year. Tops on my list: THE SCARECROW (Little, Brown, $27.99), Michael Connelly's cri de coeur for the journalism profession he once practiced as a crime reporter for The Los Angeles Times. The techno-savvy serial killer who stalks through this thriller serves as a grim metaphor for the implacable forces Connelly sees as draining the life from the nation's newspapers. Walter Mosley also went off the grid this year with THE LONG FALL (Riverhead, $25.95), a big-bad-city crime novel, set in New York, that introduces a new hero in Leonid McGill, an ex-boxer who sets himself up as a private eye in an attempt to make amends for his past sins as a mob fixer. You never know what's in store when Ruth Rendell is writing as Barbara Vine, but her savage humor is on fine display in THE BIRTHDAY PRESENT (Shaye Areheart, $25). In this lethal political novel, a Conservative member of Parliament's attempt to cover up a sexual misadventure goes awry when his mistress is killed during a bogus kidnapping. Keep in mind that the author is herself a member of Parliament - and be prepared for plenty of political animus. It's always wise to expect the unexpected from Jeffery Deaver, whose technology-driven mysteries are the most fiendishly plotted in the genre. Alternativereality games are the devil in the machine in ROADSIDE CROSSES (Simon & Schuster, $26.95), a morbid thriller about California teenagers who turn into cyberbullies when they become addicted to violent role-playing on arcane Web sites. Although it's much harder to pull off something astonishing in a longstanding private-eye series, Sara Paretsky manages to do just that in her new V. I. Warshawski novel. HARDBALL (Putnam, $26.95) reaches back to the incendiary summer of 1966, when civil rights marches set off race riots in Chicago, to solve a case involving a youth who served as a bodyguard to Martin Luther King. The way Paretsky tells it - with fist raised in moral outrage - the anger is still fresh because the pain never goes away. Crimes of social injustice commonly fuel the action in mysteries by international authors. In A DARKER DOMAIN (Harper/HarperCollins, $24.99), Val McDermid returns to 1984 for a damning look at the coal miners' strike that tore the heart out of a working-class Scottish community. The criminal motivation in Arnaldur Indridason's ARCTIC CHILL (Minotaur, $24.99) can be traced to murderous racial prejudice against Asian immigrants in Iceland. Sex trafficking is the common theme of two high-impact Swedish thrillers: BOX 21 (Sarah Crichton/ Farrar, Straus & Giroux, $26), by Anders Roslund and Borge Hellstrom, and THE GIRL WHO PLAYED WITH FIRE (Knopf, $25.95), by Stieg Larsson. Looking beyond the best sellers, there were several surprise hits this year. THE GHOSTS OF BELFAST (Soho, $25), a bleak, despairing first novel by Stuart Neville, is the most authentic piece of Irish noir fiction since Ken Bruen's thriller "The Guards." The brooding antihero, an I.R.A. enforcer during "the Troubles," sees the ghosts of the people he killed, and if he doesn't execute the men who ordered their deaths, these wrathful spirits will never let him rest. Strange as it sounds, Hannah Berry also catches the essence of noir in her first graphic novel, BRITTEN AND BRÜLIGHTLY (Metropolitan/Holt, paper, $20). The eerie narrative, elegantly drawn in sharp lines and monochromatic hues, conveys the metaphysical collapse of a melancholy private eye who specializes in confirming his clients' worst fears about their cheating lovers. The characters who wander into the Tick Tock restaurant in THIS WICKED WORLD (Little, Brown, $23.99), a first novel by Richard Lange, are the kind of drifters and grifters who give Hollywood Boulevard its local color. Jimmy Boone, the ex-con who tends bar at the Tick Tock, is an anomaly in this crowd - a guy who lives to help people. Charlie Huston lives to shock. But not even his novels about a vampire private eye have the kick of THE MYSTIC ARTS OF ERASING ALL SIGNS OF DEATH (Ballantine, $25). In this outlandish but rather sweet crime caper, a young slacker who works as a "trauma cleaner" (the guy who scrapes up the blood and gore after someone commits suicide) gets caught in a range war between rival cleaning companies. The oddball characters are originals; the dialogue is sublime. Speaking of sweet stuff, consider THE CASE OF THE MISSING SERVANT (Simon & Schuster, $24), by Tarquin Hall. This first novel is set in Delhi, where Vish Puri, founder and director of Most Private Investigators Ltd., performs discreet investigations into the backgrounds of prospective grooms, with surprising and often comic results. Other appealing oddities: THE BROKEN TEAGLASS (Delacorte, $25), a literary gem by Emily Arsenault, set in the fusty offices of a venerable publishing house and showcasing the research skills of two young lexicographers who discover clues to an unsolved murder in the citation files, and THE SWEETNESS AT THE BOTTOM OF THE PIE (Delacorte, $23), Alan Bradley's English country-house mystery about a precocious child who is training herself to be a scientific sleuth by working her way through "An Elementary Study of Chemistry." Luckily for mystery readers, some favorite authors came through with genre-stretchers in 2009.

Copyright (c) The New York Times Company [December 6, 2009]
Review by Booklist Review

Mosley publishes so often and so eclectically that a new book is no longer an event a new mystery series, however, probably qualifies. After Easy Rawlins' apparent death in Blonde Faith (2007), Mosley leaves 1960s L.A. behind for contemporary New York City. Leonid McGill, a PI with a dirty conscience, has decided to change his ways after his past caught up with him and died, spitting blood and curses on the rug. Given his tangled professional and personal life, it's less a fresh start than a new take on existing moral quandaries. Readers familiar with Mosley will experience dejà vu regarding both McGill's complicated relationships and his pronouncements about life and how to live it. But despite the large cast of characters, McGill lacks a true foil. There was electricity when Mosley divided superego and id between Easy and Mouse, but there are fewer sparks here: McGill doesn't form meaningful connections to other characters, and how much readers enjoy spending time in his head will depend on how much they enjoy Mosley's oeuvre as a whole. And what do we get from the modern setting? Well, McGill uses high-tech spy gadgets, but ironically, he's a bit anachronistic, someone who would seem more at home in the 1960s than the 2000s. A few scenes recall vintage Mosley, but despite the change in series, his books are starting to blur.--Graff, Keir Copyright 2008 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Mosley leaves behind the Los Angeles setting of his Easy Rawlins and Fearless Jones series (Devil in a Blue Dress, etc.) to introduce Leonid McGill, a New York City private detective, who promises to be as complex and rewarding a character as Mosley's ever produced. McGill, a 53-year-old former boxer who's still a fighter, finds out that putting his past life behind him isn't easy when someone like Tony "The Suit" Towers expects you to do a job; when an Albany PI hires you to track down four men known only by their youthful street names; and when your 16-year-old son, Twill, is getting in over his head with a suicidal girl. McGill shares Easy's knack for earning powerful friends by performing favors and has some of the toughness of Fearless, but he's got his own dark secrets and hard-won philosophy. New York's racial stew is different than Los Angeles's, and Mosley stirs the pot and concocts a perfect milieu for an engaging new hero and an entertaining new series. (Mar.) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

New York Times best-selling author Mosley (www.waltermosley.com) here successfully moves from the postwar Los Angeles setting of his Easy Rawlins novels to 21st-century New York City and introduces a new hero: flawed, hard-boiled PI Leonid McGill, who commands respect as he walks knowingly into danger and tries to keep his family clear of it. Actor Mirron Willis portrays Leonid-from whose perspective the story unfolds-with a warm, easygoing voice that invites listeners to slow down and get involved in his complex world. Audiences will breathe a sigh of relief when he survives his adventure. For all hard-boiled mystery genre fans. ["Once you start reading this mystery," read the review of the Riverhead hc, "you won't want to stop," LJ 2/15/09.-Ed.]-Juleigh Muirhead Clark, Colonial Williamsburg Fdn. Lib., VA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

The creator of Easy Rawlins, Socrates Fortlow and Fearless Jones introduces a new detective struggling to live down his checkered past in present-day New York. Leonid McGill has never killed anyone maliciously, but he's done plenty of other bad things. Still working as a private eye in his 50s, he's decided to expiate his sins by going "from crooked to only slightly bent." So he's not eager to help Albany shamus Ambrose Thurman track down four men for vague and unpersuasive reasons, especially after he learns that one is dead, a second is in prison and a third is in a holding cell. Who pays $10,000 to locate men like these unless some further crime is involved? McGill isn't any happier about finding a union accountant for midlevel mobster Tony "The Suit" Towers. And he's deeply troubled when his computer spying in his own home tells him that Twill, his wife Katrina's 16-year-old son, plans to kill the father of a girl who's been sending him distraught e-mails. But the PI's heart drops to his shoes when he realizes that someone is executing the men he's been hired to locate for Thurman. Plotting has never been Mosley's strong point, but McGill, a red-diaper baby, ex-boxer and a man eternally at war with himself, may be his most compelling hero yet. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Table of Contents   Title Page Copyright Page   Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 Chapter 6 Chapter 7 Chapter 8 Chapter 9 Chapter 10 Chapter 11 Chapter 12 Chapter 13 Chapter 14 Chapter 15 Chapter 16 Chapter 17 Chapter 18 Chapter 19 Chapter 20 Chapter 21 Chapter 22 Chapter 23 Chapter 24 Chapter 25 Chapter 26 Chapter 27 Chapter 28 Chapter 29 Chapter 30 Chapter 31 Chapter 32 Chapter 33 Chapter 34 Chapter 35 Chapter 36 Chapter 37 Chapter 38 Chapter 39 Chapter 40 Chapter 41 Chapter 42 Chapter 43 Chapter 44 Chapter 45 Chapter 46 Chapter 47 Chapter 48 Chapter 49 Chapter 50 Chapter 51 Chapter 52 Chapter 53 Chapter 54 Chapter 55   ABOUT THE AUTHOR ALSO BY WALTER MOSLEY EASY RAWLINS MYSTERIES Blonde Faith Cinnamon Kiss Little Scarlet Six Easy Pieces Bad Boy Brawly Brown A Little Yellow Dog Black Betty Gone Fishin' White Butterfly A Red Death Devil in a Blue Dress other FICTION The Tempest Tales Diablerie Killing Johnny Fry The Man in My Basement Fear of the Dark Fortunate Son The Wave Fear Itself Futureland Fearless Jones Walkin' the Dog Blue Light Always Outnumbered, Always Outgunned RL's Dream 47 The Right Mistake   NONFICTION This Year You Write Your Novel What Next: A Memoir Toward World Peace Life Out of Context Workin' on the Chain Gang RIVERHEAD BOOKS Published by the Penguin Group Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, USA * Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario M4P 2Y3, Canada (a division of Pearson Canada Inc.) * Penguin Books Ltd, 80 Strand, London WC2R 0RL, England * Penguin Ireland, 25 St Stephen's Green, Dublin 2, Ireland (a division of Penguin Books Ltd) * Penguin Group (Australia), 250 Camberwell Road, Camberwell, Victoria 3124, Australia (a division of Pearson Australia Group Pty Ltd) * Penguin Books India Pvt Ltd, 11 Community Centre, Panchsheel Park, New Delhi-110 017, India * Penguin Group (NZ), 67 Apollo Drive, Rosedale, North Shore 0632, New Zealand (a division of Pearson New Zealand Ltd) * Penguin Books (South Africa) (Pty) Ltd, 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England   Copyright © 2009 by Walter Mosley All rights reserved. No part of this book may be reproduced, scanned, or distributed in any printed or electronic form without permission. Please do not participate in or encourage piracy of copyrighted materials in violation of the author's rights. Purchase only authorized editions. Published simultaneously in Canada   Library of Congress Cataloging-in-Publication Data Mosley, Walter. The long fall / Walter Mosley. p. cm. eISBN : 978-1-101-01137-9 This is a work of fiction. Names, characters, places, and incidents either are the product of the author's imagination or are used fictitiously, and any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental. While the author has made every effort to provide accurate telephone numbers and Internet addresses at the time of publication, neither the publisher nor the author assumes any responsibility for errors, or for changes that occur after publication. Further, the publisher does not have any control over and does not assume any responsibility for author or third-party websites or their content. 1 I 'm sorry, Mr. um? . . ." the skinny receptionist said. Her baby-blue-on-white nameplate merely read JULIET. She had short blond hair that was longer in the front than in the back and wore a violet T-shirt that I was sure would expose a pierced navel if she were to stand up. Behind her was a mostly open-air-boutique-like office space with ten or twelve brightly colored plastic desks that were interspersed by big, leafy, green plants. The eastern wall, to my right, was a series of ceiling-to-floor segmented windowpanes that were not intended to open. All the secretaries and gofers that worked for Berg, Lewis & Takayama were young and pretty, regardless of their gender. All except one. There was a chubby woman who sat in a far corner to the left, under an exit sign. She had bad skin and a utilitarian fashion sense. She was looking down, working hard. I immediately identified with her. I imagined sitting in that corner, hating everyone else in the room. "Mr. Brown isn't in?" I asked, ignoring Juliet's request for a name. "He can't be disturbed." "Couldn't you just give him a note from me?" Juliet, who hadn't smiled once, not even when I first walked in, actually sneered, looking at me as if I were a city trash collector walking right from my garbage truck into the White House and asking for an audience with the president. I was wearing a suit and tie. Maybe my shoe leather was dull, but there weren't any scuffs. There were no spots on my navy lapels, but, like that woman in the corner, I was obviously out of my depth: a vacuum-cleaner salesman among high-paid lawyers, a hausfrau thrown in with a bevy of Playboy bunnies. "What is your business with Mr. Brown?" the snotty child asked. "He gives financial advice, right?" She almost answered but then decided it was beneath her. "I'm a friend of a friend of his," I said. "Jumper told me that Roger might show me what to do with my money." Juliet was getting bored. She took in a deep breath, letting her head tilt to the side as she exhaled. It wasn't my skin color that bothered her. People on Madison Avenue didn't mind dark skins in 2008. This woman might have considered voting for Obama, if she voted. She might have flirted with a rap star at some chic nightclub that only served imported champagne and caviar. Roger Brown was black. So were two of the denizens of the airy workspace. No. Juliet didn't like me because of my big calloused hands and no-frills suit. She didn't like me because I was two inches shorter and forty pounds heavier than a man should be. "If I leave you my card, will you make sure that he gets it?" After another sigh she held out a hand, palm up. My fat red-brown wallet was older than the child, no doubt. I opened it and rooted among the fake business cards that were the hallmark of my trade. I decided on one that I hadn't brought out since a woman I hardly knew had died at my feet. ARNOLD DUBOIS Van Der Zee Domestics and In-home Service Aides I went down on one knee, taking a pen from the red plastic desktop. "Excuse me," Juliet said in protest. I scrawled for Roger (aka B-Brain) Brown across the bottom. Beneath that I added a number from a lost, or maybe stolen, cell phone that I had purchased specifically for this job. I stood up easily, without grunting, because, unknown to Juliet, most of my extra weight was muscle. I handed her the card and she took it gingerly by a corner. "Is that all?" she said. The chubby woman in the corner looked up at just that moment. I grinned at her and waved. She returned the gesture with a slightly puzzled smile. "Thank you for your time," I said, pretending I was talking to the woman under the exit sign. "This means a lot to me." Juliet sucked a tooth and pulled in her chin. I remember a time when only black women did that.       STOMPING DOWN THE two flights to the street, I was thinking about when I would have pushed harder to get past that girl. All I had to do was get a look at Roger Brown. I had never even seen a photograph of the man but I knew he was black and in his thirties with a small crescent scar under his right eye. All I needed was one look. At an earlier point in my career I would have probably done something extreme to achieve that simple goal. I might have raised my voice and demanded to see her supervisor, or just walked past her, looking into offices until Roger Brown showed his face, or not. I could have pulled the fire alarm in the hallway or even put a smoke bomb in a trash can. But those days were pretty much over for me. I hadn't given up on being a private detective; that was all I knew. I still took incriminating photographs and located people who didn't necessarily want to be found. I exposed frauds and cheats without feeling much guilt. In other words, I still plied my trade but now I worried about things. In the years before, I had no problem bringing people down, even framing them with false evidence if that's what the client paid for. I didn't mind sending an innocent man, or woman, to prison because I didn't believe in innocence--and virtue didn't pay the bills. That was before my past caught up with me and died, spitting blood and curses on the rug.       I STILL HAD a family that looked to me for their sustenance. My wife didn't love me and two out of three grown and nearly grown children were not of my blood. But none of that mattered. I had a job to do, and more than one debt to pay. So I had contracted to find four men. I'd already located three of them. One was dead, one in prison, and the third was awaiting trial. Of the four, only Roger Brown, if this was indeed the Roger Brown I was looking for, had made some kind of life for himself, the kind of life where a pretty young white girl protected his privacy and called him Mister in an office of first names. Maybe I went easy on Juliet because I was worried about Roger. The job was presented as a straightforward case, with no criminal prosecution involved. But if you find three bad apples, you know there's got to be something rotten somewhere. I walked down Madison in the bright summer sunshine, hoping that this Roger wasn't the Roger I was looking for; and even if he was, I would have been happy if he never called. 2 F rom the Sixties on the East Side of Manhattan I took a yellow cab down to Thirty-fourth Street, a little west of Penn Station. Gordo's Gym took up the entire fifth floor of a dirty brick building that was built sometime before Joe Louis knocked out the Cinderella Man. At noon on a Wednesday the ring was empty, as most of Gordo's hopefuls were out plying day jobs to pay for their protein and locker space. I set myself up in the corner where a heavy bag hung. That particular piece of real estate was next to a big window that was painted shut and so murky that you couldn't see a thing through it. But I didn't go to Gordo's Gym three days a week for the view or the smell of men's sweat, or for the company, for that matter. I stripped down right there, put on my thick leather gloves (which were also older than Juliet), and started in on a rhythm of violence that kept up my balance in the rotted infrastructure of my city and my life. Throwing a punch is the yang of a boxer's life. The yin is being able to avoid getting hit. I'm pretty good at the yang part. Everybody knows but few can exploit the fact that a good punch comes first from the foot, moves in circular motion around the hips, and only then connects with the arm, fist, and if you're lucky, your opponent's jaw or rib cage. Fighting therefore is like the dance of a mighty Scot stamping and swinging in a dewy Highland morning. For nearly twenty minutes I did my barbarian dance, punishing the big bag, allowing it to swing forward and hit me in the chest now and again. Since I'd given up smoking my wind was getting longer. I needed anaerobic exercise to vent my anger. I hated Roger Brown and Juliet along with so many things I had done over the years. At one time I had been able to live with myself because I could say that I only set up people who were already crooked, guilty of something--usually something bad--but not any longer. I hit that bag with dozens of deadly combinations but in the end I was the one who was defeated, crouched over with my gloves on my knees. "Not half bad," a man said, his voice raspy and familiar. "Hey, Gordo." I didn't raise my head because I didn't have the strength. "You still know how to give it yer all when you decide to give." "And even with that I come up short nine times out of ten." "You shoulda been a boxer," one of New York's unsung master trainers said to me. "I liked late nights and cheap wine too much." "Beard like you got belongs in the ring." I'm a clean-shaven guy. Gordo was complimenting the iron in my jaw. "Hit me enough," I said, "and I'd go down like all the rest." "You coulda cleaned the clock of every light heavy in 1989." "Somebody woulda beat me." "That somebody was you," Gordo said with emphasis. "You hung back when you coulda stood tall." "Lucky for the world that I'm a short man in inches and stature." I straightened up and turned to face my best friend and toughest critic. Gordo was a short guy too, somewhere between seventy-five and eighty-eight. He was black by American racial terminology but in actuality he was more the color of untanned leather informed by a lifetime's worth of calluses, hard knocks, and hollering. The blood had risen to his face so often that his mug had darkened into a kind of permanent rage-color. I was still breathing hard. After all, I'm past fifty. "Why you wanna put yourself down like that, LT?" the veteran trainer said. "You coulda been sumpin'." He wouldn't have been talking to me if any of his young prospects were in the gym. Gordo hovered over his young boxers like a mama crocodile over her brood. I slumped down on the floor, letting my wet T-shirt slap against the wall. "That's just not me, G. I never could take any kinda order or regimen." "You know how to hit that bag three times a week." "Is that enough?" The sour-faced little guy frowned and shook his head, as much in disgust as in answer to my question. He turned away and limped toward his office on the other side of the big, low-ceilinged room. After five minutes or so I made it back to my feet. I pawed the bag three or four times before my knees and hips got into it. After a minute had passed I was in a kind of frenzy. Before, I had just been angry, now I was desperate. I think I went to Gordo's just so that he could kick me in the ass. The foundation of our friendship was the simple fact that he never held back. I was a failure because I wasn't a boxer--at least in his eyes. He never cared if his boys lost, only if they didn't try. I pounded that bag with everything I had. The sweat was streaming down my face and back and thighs. I felt lighter and lighter, stronger and stronger. For a moment there I was throwing punches like a real contender in a title match; the underdog who intended to prove the oddsmakers wrong. Everything fell into place and I wasn't anything but ready. And then, in an instant, the feeling slipped away. My legs gave out and I crumpled to the floor. All that I had was spent. Gordo leaned back in his office chair and glanced out the door in my direction. He saw me lying there and leaned forward again. Ten minutes later I got to my feet. Twenty minutes after that I'd showered and gotten dressed. A few guys were in the gym by then. Not boxers but office workers who wanted to feel what it was like to work out next to real athletes. I was headed for the stairs when Gordo called out to me. "LT." The visitor's chair in his matchbox office was a boxing stool. I squatted down on that and took a deep breath. "What's wrong with you, kid?" "It's nuthin', G. Not a thing." "Naw, uh-uh," the man who knew me as well as anyone said. "For over a year you been comin' in here hittin' that bag hard enough and long enough to give a young man cardiac arrest. You wasn't all that friendly before but now even the smart-asses around here leave you alone. Don't tell me it's nuthin'. Uh-uh. It's sumpin' and it's gettin' worse." "I got it under control," I said. "Talk to me, Leonid." Gordo never used my given name. He called me Kid or LT or McGill in everyday banter. But there was no humor in him right then. "You once told me that you didn't want to know about what I did to make a living," I said in a last-ditch attempt to stave him off. The old man grinned and tapped his forehead with the four fingers of his left hand. "I got more dirty secrets up here than a slot machine got nickels," he said. "I didn't wanna know about your business 'cause I knew that you couldn't talk about it an' still come around." In order to be a good trainer you had to be a teacher, a counselor, a psychologist, and a priest. In order to be a great trainer--add to that list, an irrefutable liar. "You can do it, kid," the trainer says when his fighter is down on points with his good eye swollen shut. "He's gettin' tired. It's time to pour it on," the trainer says when the opponent is grinning and bouncing on his toes in the opposite corner. Gordo never wanted to hear about my shady doings before. But before ceased to exist and all we had was now. But I couldn't tell him the truth. I mean, how could I confess that after twenty years a young woman had found out that I'd framed her father, sending him to prison and ultimately to his death? His daughter called herself Karma, and she framed me for her own murder using seduction and a hired assassin. I killed the killer but still the young woman, Karmen Brown, died in my arms cursing me with spittle and blood on her lips. Karmen's last breath was a curse for me. "Let's just say that I realized that I've done some things wrong," I said. "I'm tryin' to backtrack now. Tryin' to make right what I can." Gordo was studying me, giving away nothing of his own thoughts. "I got a kid tells me that he can be a middleweight," he said at last. "Problem is he thinks he's an artist instead of a worker. Comes in here and batters around some of the rejects and thinks that he's Marvin Hagler or somethin'." "Yeah? What's his name?" "Punterelle, Jimmy Punterelle. Italian kid. He'll be in here the next three days. If I put some fifty-year-old warhorse in front of him and point he'll put on a shit-eatin' grin and go to town." I pretended to consider these words for a moment or two and then said, "Okay." It was Gordo's brief smile that eased my sadness, somewhat. He was my de facto confessor, and Jimmy Punterelle was going to be my Hail Mary. 3 I checked my illegal cell phone for messages but Roger Brown hadn't called. So when I was out on the street again I felt lighter, easier. Maybe everything would be okay. It didn't matter if my client only found out about three lowlifes. It didn't matter at all.       Excerpted from The Long Fall by Walter Mosley All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.