Rapunzel

Rachel Isadora

Book - 2008

Recasts in an African setting the familiar fairy tale in which a beautiful girl with extraordinarily long hair is imprisoned in a lonely tower by a witch.

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Location Call Number   Status
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Subjects
Genres
Picture books
Published
New York : G.P. Putnam's Sons/Penguin c2008.
Language
English
Main Author
Rachel Isadora (-)
Other Authors
Jacob Grimm, 1785-1863 (-), Wilhelm Grimm, 1786-1859
Physical Description
unpaged : col. ill. ; 26 cm
ISBN
9780399247729
Contents unavailable.
Review by Booklist Review

This oft-sanitized Brothers Grimm tale is given a faithful if indeed grim retelling in the latest of Isadora's African-set fairy-tale adaptations, seen most recently with The Fisherman and His Wife (2008). The story races along with every scandalous plot point intact: Trapped by an evil sorceress, Rapunzel uses her long hair to allow a prince entrance into her cloistered tower. When her ensuing pregnancy tips off the sorceress, the vengeful captor tosses the prince into thorn bushes that blind him. As with Isadora's previous retellings, the text is scant and the abrupt happy ending doesn't really satisfy but her wild, colorful Africa makes up for it. Sprawled across double-page spreads, the collage assembly will take repeat examinations to fully appreciate; thick brushstrokes render skin as textured and rich as wood grain, and the landscapes are chaotic patchworks cut from swaths of burnt orange, deep brown, and the sorceress' stormy purple. Young listeners will also find plenty to scrutinize it's a dazzling garden of images, particularly given the paucity of the story's seeds.--Kraus, Daniel Copyright 2008 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by School Library Journal Review

K-Gr 3-Isadora sets the classic fairy tale in a sunny African setting. A child, taken from her parents by a sorceress, "grew into the most beautiful child under the sun." When she is 12, the evil woman locks her in a high tower, climbing up Rapunzel's beautiful, black, flower-strewn hair when she wants to ascend her prison. The story remains true to the original, including the ending in which the young woman and her twins are reunited with the prince, and she cures him of his blindness. Colorful, vibrant oil paints and collages brighten up the story. The artwork has rich brushstrokes and is heavily patterned, and details abound, including the green warts on the sorceress's face. Add this book to Isadora's fairy tales reimagined in Africa, such as The Princess and the Pea, The Twelve Dancing Princesses (both 2007), and The Fisherman and His Wife (2008, all Putnam).-Carrie Rogers-Whitehead, Kearns Library, UT (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince "get married" in the tower and she gets pregnant. The sorceress cuts off Rapunzel's hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: "The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after." Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy's Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8) Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.