Fool

Christopher Moore, 1957-

Book - 2009

Pocket, King Lear's fool, sets out to straighten out the mess the mad king has made of the kingdom and the royal family, only to discover the truth about his own heritage.

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FICTION/Moore, Christopher
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Subjects
Published
New York : William Morrow 2009.
Language
English
Main Author
Christopher Moore, 1957- (-)
Edition
1st ed
Item Description
"A novel."
Physical Description
311 p.
ISBN
9780060590321
9780060590314
Contents unavailable.
Review by Booklist Review

In Moore's randy alternate Britain, in which Lear is a thirteenth-century monarch rather than the fourth-century BCE figure he most probably was (if he was real, not legendary), the fool doesn't disappear in the third-act storm. Indeed, he sets the ball rolling that eventually crushes the king, his ingrate elder daughters, and most of the others that perish in Shakespeare's most devastating tragedy. He and Cordelia survive, though, as well they might, since the fool loves Cordelia. How's that for a new wrinkle? Others include a horny, dumbbell, giant apprentice fool, named Drool after his chronic propensity; all manner of hot-to-trot supernumeraries; and more or less wall-to-wall, farcical fornicating and fighting. While a jolly good time can be had, the horror and high pathos of the basic plot frequently douse the comic and sexual fires like so much ice water in the face, or lower. King Lear is one tough play to parody, at least at this length, and the book feels like something Moore had to get out of his system. His legion of fans will forgivingly enjoy it, while newcomers should be quickly steered toward The Lust Lizard of Melancholy Cove (1999) or The Stupidest Angel (2004) for a giddy taste of Moore at his ludicrous best.--Olson, Ray Copyright 2008 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Here's the Cliff Notes you wished you'd had for King Lear--the mad royal, his devious daughters, rhyming ghosts and a castle full of hot intrigue--in a cheeky and ribald romp that both channels and chides the Bard and "all Fate's bastards." It's 1288, and the king's fool, Pocket, and his dimwit apprentice, Drool, set out to clean up the mess Lear has made of his kingdom, his family and his fortune--only to discover the truth about their own heritage. There's more murder, mayhem, mistaken identities and scene changes than you can remember, but bestselling Moore (You Suck) turns things on their head with an edgy 21st-century perspective that makes the story line as sharp, surly and slick as a game of Grand Theft Auto. Moore confesses he borrows from at least a dozen of the Bard's plays for this buffet of tragedy, comedy and medieval porn action. It's a manic, masterly mix--winning, wild and something today's groundlings will applaud. (Feb.) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Fans of Moore's (You Suck; A Dirty Job) warped sense of humor will not be dis-appointed by his latest, a retelling of the King Lear story, with Lear's jester, Pocket, in the lead role. Heavily borrowing from Shakespeare's drama for plot and characterization, Moore weaves bits of the Bard's prose into this raunchy, clever tale. This laugh-out-loud book, enjoyable by both those familiar with the Shakespeare tragedy and those new to the story of a barmy old king, treacherous daughters, familial duty, and the difference between a jester and a fool, is recommended for all academic libraries and for public libraries (with the warning that it contains adult language and scenes). [See Prepub Alert, LJ 10/15/08.]-Amy Watts, Univ. of Georgia Lib., Athens (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

Moore's 11th novel (You Suck, 2007, etc.) re-imagines Shakespeare's most austere tragic masterpiece with a transgressive brio that will have devoted bardolators howling for the miscreant author's blood. It's the venerable tale of 13th-century British King Lear (who's sometimes Christian, sometimes pagan) and the authoritarian vanity that alienates him from his three daughters, his kingdom and eventually his wits. It's narrated by the eponymous King's Fool, known as Pocket (for his diminutive size), who waxes profanely about his upbringing among monks and nuns, his cordial relationship with Lear's youngest daughter Cordelia, carnal dalliances with her elder sisters Goneril and Regan and his quick-witted attempts to foment and manage civil war and thus keep Lear's embattled kingdom from fully self-destructing. Ghastly jokes and groan-worthy puns shamelessly abound, but there are inspired sequences: a splendidly tasteless revision of the play's opening scene, in which Lear unwisely solicits declarations of his daughters' love for him; cameo appearances by a female ghost given to cryptic rhyming prophecies, as well as the three witches better known as agents of change in "Macbeth"; and a very funny impromptu arraignment at which Pocket is accused of shagging "innocent" Princess Regan. One does appreciate the characterization of Goneril's effete steward Oswald as a "rodent-faced muck-sucker." And surely readers can be forgiven for lamenting a mere passing reference to the play "Green Eggs and Hamlet," or saluting disguised hero Edgar's free translation of the Latin phrase "Carpe diem" as "Fish of the Day." Less may be more, but it isn't Moore. Wretched excess doth have power to charm, and there are great reeking oodles of it strewn throughout these irreverent pages. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Fool LP A Novel Chapter One Always a Bloody Ghost "Tosser!" cried the raven. There's always a bloody raven. "Foolish teachin' him to talk, if you ask me," said the sentry. "I'm duty-bound foolish, yeoman," said I. I am, you know? A fool. Fool to the court of Lear of Britain. "And you are a tosser," I said. "Piss off!" said the raven. The yeoman took a swipe at the bird with his spear and the great black bird swooped off the wall and went cawing out over the Thames. A ferryman looked up from his boat, saw us on the tower, and waved. I jumped onto the wall and bowed--at your fucking service, thank you. The yeoman grumbled and spat after the raven. There have always been ravens at the White Tower. A thousand years ago, before George II, idiot king of Merica, destroyed the world, there were ravens here. The legend says that as long as there are ravens at the Tower, England will stand strong. Still, it may have been a mistake to teach one to talk. "The Earl of Gloucester approaches!" cried a sentry on the west wall. "With his son Edgar and the bastard Edmund!" The yeoman by me grinned. "Gloucester, eh? Be sure you do that bit where you play a goat and Drool plays the earl mistaking you for his wife." "That would be unkind," said I. "The earl is newly widowed." "You did it the last time he was here and she was still warm in the grave." "Well, yes. A service that--trying to shock the poor wretch out of his grief, wasn't it?" "Good show, too. The way you was bleatin' I thought ol' Drool was givin' it to you right proper up the bung." I made a note to shove the guard off the wall when opportunity presented. "Heard he was going to have you assassinated, but he couldn't make a case to the king." "Gloucester's a noble, he doesn't need a case for murder, just a whim and a blade." "Not bloody likely," the yeoman said, "everyone knows the king's got a wing o'er you." That was true. I enjoy a certain license. "Have you seen Drool? With Gloucester here, there'll be a command performance." My apprentice, Drool--a beef-witted bloke the size of a draught horse. "He was in the kitchen before the watch," said the yeoman. The kitchen buzzed--the staff preparing for a feast. "Have you seen Drool ?" I asked Taster, who sat at the table staring sadly at a bread trencher laid out with cold pork, the king's dinner. He was a thin, sickly lad, chosen, no doubt, for his weakness of constitution, and a predisposition toward dropping dead at the slightest provocation. I liked to tell him my troubles, sure that they would not travel far. "Does this look poisoned to you?" "It's pork, lad. Lovely. Eat up. Half the men in England would give a testicle to feast thus, and it only mid-day. I'm tempted myself." I tossed my head--gave him a grin and a bit of a jingle on the ol' hat bells to cheer him. I pantomimed stealing a bit of his pork. "After you, of course." A knife thumped into the table by my hand. "Back, Fool," said Bubble, the head cook. "That's the king's lunch and I'll have your balls before I'll let you at it." "My balls are yours for the asking, milady," said I. "Would you have them on a trencher, or shall I serve them in a bowl of cream, like peaches?" Bubble harrumphed, yanked her knife from the table and went back to gutting a trout at the butcher block, her great bottom rolling like thunderclouds under her skirt as she moved. "You're a wicked little man, Pocket," said Squeak, waves of freckles riding o'er her shy smile. She was second to the cook, a sturdy, ginger-haired girl with a high giggle and a generous spirit in the dark. Taster and I often passed pleasant afternoons at the table watching her wring the necks of chickens. Pocket is my name, by the way. Given to me by the abbess who found me on the nunnery doorstep when I was a tiny babe. True, I am not a large fellow. Some might even say I am diminutive, but I am quick as a cat and nature has compensated me with other gifts. But wicked? "I think Drool was headed to the princess's chambers," Squeak said. "Aye," said Taster, glumly. "The lady sent for a cure for melancholy." "And the git went?" Jest on his own? The boy wasn't ready. What if he blundered, tripped, fell on the princess like a millstone on a butterfly? "Are you sure?" Bubble dropped a gutless trout into a bushel of slippery co-fishes. "Chanting, 'Off to do ma duty,' he was. We told him you'd be looking for him when we heard Princess Goneril and the Duke of Albany was coming." "Albany's coming?" "Ain't he sworn to string your entrails from the chandelier?" asked Taster. "No," corrected Squeak. "That was Duke of Cornwall. Albany was going to have his head on a pike, I believe. Pike, wasn't it, Bubble?" "Aye, have his head on a pike. Funny thing, thinkin' about it, you'd look like a bigger version of your puppet-stick there." "Jones," said Taster, pointing to my jester's scepter, Jones, who is, indeed, a smaller version of my own handsome countenance, fixed atop a sturdy handle of polished hickory. Jones speaks for me when even my tongue needs to exceed safe license with knights and nobles, his head pre-piked for the wrath of the dull and humorless. My finest art is oft lost in the eye of the subject. "Yes, that would be right hilarious, Bubble--ironic imagery--like the lovely Squeak turning you on a spit over a fire, an apple up both your ends for color--although I daresay the whole castle might conflagrate in the resulting grease fire, but until then we'd laugh and laugh." Fool LP A Novel . Copyright © by Christopher Moore. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold. Excerpted from Fool by Christopher Moore All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.