Review by Booklist Review
Since the car accident eight years earlier, identical twins Kaeleigh and Raeanne have struggled with dark secrets. Their politician mother is both physically and emotionally absent, and their father, a district court judge, sexually abuses Kaeleigh. The girls struggle with an encyclopedic array of problems that include promiscuity, alcohol and drug abuse, binging, purging, and cutting. Hopkins' trademark free verse carries the sometimes explicit narrative in the girls' alternating, authentic voices as their self-destructive behaviors accelerate. Especially effective are the poems positioned on facing pages that build on identical phrases in mirror imagery. Unfortunately, the book is overly long, stalling the pace in the last third and lessening the impact before powering through to the climax. Adult characters are undeveloped, but the legion of Hopkins' teen fans will be mesmerized by the emotional portrayal of the twins. A plot twist at the end will send readers immediately back to the beginning to track the clues.--Rutan, Lynn Copyright 2008 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
Starred Review. Using free verse as her vehicle, Hopkins (Crank, Glass) takes readers on a harrowing ride into the psyches of 16-year-old identical twins Kaeleigh and Raeanne, both of whom are racing toward self-destruction. The girls' family appears picture-perfect. Their father is a prominent judge, their mother is running for Congress, and both girls do well in school. But ever since an accident, Mom doesn't love anyone./ She is marble. Beautiful./ Frigid. Easily stained/ by her family. What's left/ of us, anyway. We are corpses. Raeanne seeks escape in sex and drugs; Kaileigh binges and cuts herself. Brief, gutsy confessions reveal a history of sexual abuse and emotional neglect, and it's not clear that both girls will survive it. Hopkins's verse is not only lean and sinuous, it also demonstrates a mastery of technique. Strategically placed concrete verse includes a poem about revenge shaped like a double-edged sword; in another, about jealousy, the lines form one heart reflecting another, until a rupture breaks the symmetry at the bottom. Often, the twins' entries mirror each other, on facing pages: although used differently in the two poems, the same key words are set off in corresponding stanzas (think./ How/ different/ life./ could be reads one set of key words). Those for whom Uncle Vampire means something will anticipate the still-breathless climax; all others, including most of the target audience, will be shocked. Ages 14-up. (Aug.) (c) Copyright PWxyz, LLC. All rights reserved All rights reserved.
(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review
Gr 9 Up-Identical teen twins Kaeleigh and Raeanne share a picture-perfect California life that is rank with dark, dangerous secrets under its surface. Their mother, who is running for Congress, leaves them at home with their father, a district court judge who is addicted to liquor and OxyContin. Daddy regularly molests Kaeleigh, using her as a stand-in for his absentee wife, and controls every aspect of her life. Raeanne sees every detail and reacts to her father's favoritism by acting out sexually and getting high on pot whenever possible. Written in free verse from alternating viewpoints, Identical tells the twins' story in intimate and often-graphic detail. Hopkins packs in multiple issues including eating disorders, drug abuse, date rape, alcoholism, sexual abuse, and self-mutilation as she examines a family that "puts the dys in dysfunction." The tension builds slowly and subtly, erupting in a shattering climax of psychological disintegration and breakthrough that reveals the truth about the twins and their father's own childhood secrets. Gritty and compelling, this is not a comfortable read, but its keen insights make it hard to put down.-Joyce Adams Burner, Hillcrest Library, Prairie Village, KS (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
Hopkins's gift with free verse reaches new heights in this portrait of splintered identical twins. Sexual abuse, a fatal car accident and violent alcoholism have wrecked their family. Mom disappears by running for Congress. Daddy drinks Wild Turkey and pops painkillers--and molests Kaeleigh. Raeanne acts out with bulimia and rough sex, willingly trading sex for drugs. Kaeleigh shuts down, throws up and withdraws from everyone, even steady Ian, her best friend, who's in love with her. Ian offers the first healthy love Kaeleigh's ever known, but too many secrets lurk under her surface. Masterful shards of verse convey the fragmented emotions: Falling for Ian, Kaeleigh feels, "Fire. Ice. Honey. Salt. Eiderdown. / Iron. Every fiber of me twitches / confusion." Some facing pages reveal additional mirror-poems along the gutter, each identical poem holding a very different meaning for each sister. Kaeleigh and Raeanne maintain distinct voices throughout as they wrestle with psychic damage and an astonishing, devastating realization. Sharp and stunning, with a brilliant final page. (Fiction. YA) Copyright ©Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
