The black path

Åsa Larsson, 1966-

Book - 2008

A grisly torture-murder, a haunting northern Sweden backdrop, and a dark drama of twisted sexuality collide in a masterpiece of suspense.

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Subjects
Published
New York, N.Y. : Bantam Dell 2008.
Language
English
Swedish
Main Author
Åsa Larsson, 1966- (-)
Other Authors
Marlaine Delargy (-)
Item Description
First published in Sweden as Svart stig.
Physical Description
384 pages ; 21 cm
ISBN
9780385341011
Contents unavailable.
Review by Booklist Review

*Starred Review* In Larsson's third American publication, former lawyer Rebecka Martinsson is recovering from shocks suffered at the end of The Blood Spilt (2007), continuing to live in her family home near Kiruna, and avoiding her old colleagues and boss. On the advice of her therapist, she takes a job as a part-time prosecutor in the same police precinct as Anna Maria and Sven-Erick, the police involved in her previous misadventures, making more plausible Rebecka's continued involvement in their cases. The body of the local mining company's second in command is found in an ice-fishing shack, and Rebecka is gradually drawn into Anna Maria and Sven-Erick's investigation, using her knowledge of corporate law and accounting to good advantage. As usual, Larsson does not limit the point of view to her series characters, this time drawing in the mining company's founder and his Sami-raised half sister, who believes that she can remember the future. Black Path is at least as good as Larsson's previous entries, with fully fleshed characters, a complex and well-paced plot, and her usual outstanding use of the atmosphere and environment of northern Sweden. Essential reading for all Scandinavian crime fans.--Moyer, Jessica Copyright 2008 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Starred Review. In Swedish author Larsson's superb, gut-wrenching police procedural, Insp. Anna-Maria Mella and her longtime partner, Sven-Erik Stålnacke, investigate the brutal torture-murder of Inna Wattrang, head of information for Kallis Mining, whose body is found in an ark, a small cabin on runners, on a frozen lake. The paucity of clues leads the inspector to take the unconventional step of recruiting a new prosecutor, Rebecka Martinsson, to the team. Martinsson's single-minded devotion to her work is of great benefit to Mella, whose inquiries into the self-made founder of Kallis as well as the victim's brother lead her to believe that the motive for the brutal crime stems from Kallis Mining's unscrupulous business practices. While the plot offers little mystery, this intelligent thriller carries tremendous emotional heft and makes Swedish society easily comprehensible to an American reader. Larsson's debut, Sunstorm (2003), was named Sweden's Best First Crime Novel of the Year. (Aug.) (c) Copyright PWxyz, LLC. All rights reserved All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Inspector Anna-Maria Mella and lawyer Rebecka Martinsson take up the case of a dead woman whose tortured body was found at a frozen lake. Larsson, who lives in Sweden, is the best-selling and award-winning author of The Blood Spilt. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

Still reeling from her last encounter with evil (The Blood Spilt, 2007), Stockholm attorney Rebecka Martinsson accepts a probationary position as special prosecutor in a third fraught murder case. For someone who was such a big noise when she was alive--she was head of information for the global corporation Kallis Mining--Inna Wattrang certainly met with an ignominious end. When the Kiruna police finally identify her and trace the murder scene from the chilly spot where her body was found back to her own home, they realize that she was methodically tortured before being stabbed to death. Who could have done such a terrible thing to a woman with such deep roots in the community? The events that unfold from here on out--90 percent of them in the past--dramatize the ways roots can go entirely too deep for comfort. Shifting between present and past with disconcerting rapidity, Larsson reveals the intricacies of Inna's past with her brother Diddi, an incompetent who ends up handling Kallis Mining's finances, and Mauri Kallis, a local boy who makes good beyond his wildest dreams. The shifting relationships among this unholy trinity--compounded further by the arrival of Mauri's long-separated sister Ester, a gifted artist--are so baroque and perverse that they eclipse the official investigation and reduce Rebecka and Anna-Maria Mella, the police inspector she's working with, to supporting roles. As Ester reflects shortly before the climactic bloodbath that carries off most of the cast, "[W]hile her feet are following the black path, she herself is living in another world. You could call it a memory, but it's happening now. Again." Larsson's attraction to the pathology of psychological and physical violence is so baleful and intense that it's almost a relief to see her troubled heroine upstaged by an even more troubled group of suspects. Copyright ©Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Saturday March 15 An early spring evening, Torneträsk. The ice was thick, more than a meter. All along the lake, some seventy kilometers long, lay arks, small cabins on runners, four square meters in size. At this time of year the inhabitants of Kiruna made their pilgrimage up to Torneträsk. They came up on snowmobiles, towing the ark behind them. Inside the ark there was a hole in the floor. You drilled a hole through the thick ice. A plastic pipe linked the hole in the ice to the hole in the floor, and that prevented the icy wind from getting into the ark from below. And then you sat inside fishing through the hole in the ice. Leif Pudas was sitting in his ark in just his pants, fishing. It was eight-thirty in the evening. He'd cracked open a few beers, it was Saturday night after all. The Calor gas stove was hissing and whistling. It was lovely and warm, almost eighty degrees. And he'd caught some fish too, fifteen mountain char, only small, but still. And he'd saved a few sprats for his sister's cat. When it was time for a pee it felt like a kind of liberation, he was much too hot, it would be nice to get outside and cool down a bit. He pulled on his boots and clambered out into the cold and dark in just his pants. As soon as he opened the door, the wind seized hold of it. During the day it had been sunny and calm, with no wind. But in the mountains the weather changes constantly. Now the storm was tugging and snapping at the door like a rabid dog. One moment there was hardly any wind at all, it was as if it were lying there growling and gathering its strength, then it was pulling at the door for all it was worth. Would the hinges hold? Leif Pudas got hold of the door with both hands and closed it behind him. Maybe he should have put some clothes on. Oh, what the hell, it only took a minute to have a pee. The gusts of wind carried loose snow with them. Not soft, fine fresh snow, but sharp diamond slivers of compacted snow. It whirled across the ground like a white cat-o'-nine-tails, flaying his skin with a slow, evil rhythm. Leif Pudas ran around the ark to shelter from the wind and got ready to pee. He might be sheltered from the wind, but it was cold so far up north. His scrotum contracted to a rock-hard ball. But at least he managed to pee. He almost expected it to freeze on its way through the air. To be transformed into a yellow arc of ice. Just as he finished, he heard a kind of bellowing through the wind, and all of a sudden the ark was at his back. It almost knocked him over, and the next second it was gone. It took a little while for him to understand. The storm had taken the ark. He could see the window, the square of warm light in the darkness, traveling away from him. He ran a little way in the darkness, but now its mooring had come loose, the ark was gathering speed. He hadn't a chance of catching up with it, it was hurtling away on its runners. First of all he thought only about the ark. He'd built it himself of plywood, then insulated it and covered it with aluminum. Tomorrow morning when he found it, it would be firewood. All he could do was hope it didn't cause any damage. That could lead to difficulties. All of a sudden there came a powerful squall. It almost knocked him to the ground. Then he realized he was in danger. And he had all that beer inside him, it was as if his blood was just beneath the surface of the skin. If he didn't manage to get inside somewhere very soon, he'd freeze to death in no time. He looked around. It had to be at least a kilometer up to Abisko tourist station, he'd never make it, it was a question of minutes now. Where was the closest ark? The whirling snow and the storm meant he couldn't see the lights of any other arks. Think, he said to himself. You don't take one single bloody step until you've used your head. Which direction are you facing now? He used his head for three seconds, felt his hands starting to stiffen, and tucked them under his arms. He took four steps from where he was standing and managed to walk straight into the snowmobile. The key was in the disappearing ark, but he had a little toolbox under the seat, and he got it out. Then he prayed to someone up there that he was going the right way, and set off in the direction of his closest neighboring ark. It was no more than twenty meters, but he wanted to weep with every step. He was so afraid of missing it. And if he did, he was a dead man. He searched for Persson's fiberglass ark. The wet snow covered his eyes; he tried to peer through, but it was as if a slush kept forming over his eyes and he had to wipe it away. It was impossible to see anything, darkness and snow. He thought about his sister. And he thought about his ex-partner, about the fact that things had been good between them in many ways. He'd almost walked straight into Persson's ark before he saw it. Nobody home, the windows dark. He took the hammer out of his toolbox, had to use his left hand, the right one was completely useless, pain shooting through it after holding the cold steel of the toolbox handle. He fumbled his way through the darkness to the small Plexiglas window and smashed it. The fear made him strong, and he heaved his entire bulk of over two hundred pounds in through the window. Swore when he scraped his stomach on the sharp metal frame. But what did that matter. Death had never been quite so close before, breathing down his neck. Once he was inside, he had to do something about getting some heat going. Even if he was protected from the wind, it was bitterly cold inside the ark. He rummaged in the drawers and found some matches. How can you hold something so small when the cold has made your hands completely useless? He pushed his fingers into his mouth to warm them until they were working well enough to allow him to light the lamp and the stove. His entire body wanted to do nothing but shiver and shake, never in his life had he felt this cold. Frozen through to his bones. "Bloody hell it's cold, fuck me it's cold," he kept saying to himself over and over again. He spoke out loud, it somehow kept the panic at bay, as if he were keeping himself company. The wind howled through the window like a malevolent god; he grabbed a big cushion that was leaning against the wall and managed to wedge it fast between the curtain pole and the wall. He looked around and found a red padded jacket, probably one of Mrs. Persson's. He also found a drawer full of underwear, pulled on two pairs of long johns, one on his legs and one on his head. The warmth came slowly, he held his limbs out toward the stove, pain shooting through his body; it was agonizing. He had no feeling at all in one cheek and ear, which wasn't a good sign. There was a heap of blankets on the bunk bed. They were ice cold, of course, but he could wrap himself up in them anyway, they'd provide some sort of insulation. I've survived, he said to himself. What does it matter if I lose an ear? He yanked a blanket off the bed. It was covered in big flowers in different shades of blue, a relic of the seventies. And underneath it lay a woman. Her eyes were open and had frozen to ice, so they were completely white, like frosted glass. Something that looked like porridge, or maybe it was vomit, on her chin and hands. She was wearing sports clothes. There was a red mark on her top. He didn't scream. He didn't even feel surprised. It was as if his emotions had been completely wiped out by what he'd been through. "What the fuck" was all he said. And the feeling that washed over him was like the feeling you get when your new puppy pees in the house for the hundredth time. Exhaustion in the face of how crap everything is. He resisted the impulse to simply put the blanket back and forget about her. Then he sat down to think. What on earth should he do now? He had to get to the tourist station, of course. He wasn't too keen on going up there in the dark. But he had no choice, did he? And he didn't much like the idea of sitting here thawing out with her. But he needed to sit here for a little while longer. Until he wasn't so damned cold. It was like a kind of companionship between them. She kept him company as he sat there for an hour, tortured by the pain in various parts of his body as the warmth brought the feeling back. He held his hands out to the stove. He didn't say a word. And neither did she. Excerpted from The Black Path by Åsa Larsson All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.