221 one-minute monologues for men

Book - 2006

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Subjects
Published
Hanover, NH : Smith and Kraus 2006.
Language
English
Other Authors
John Capecci (-), Irene Ziegler Aston, 1955-
Edition
1st ed
Physical Description
xiii, 282 p. ; 20 cm
Bibliography
Includes bibliographical references and indexes.
ISBN
9781575254005
  • Classical monologues : The affairs of Anatol / Arthur Schnitzler, trans. Marya Mannes
  • Antony and Cleopatra (2) / William Shakespeare
  • The beaver coat / Gerhart Hauptmann, trans. by Ludwig Lewisohn-- Before dawn / Gerhart Hauptmann, trans. by Ludwig Lewisohn
  • The blunderer / Molière, trans. Henri van Laun
  • The boor / Anton Chekhov, trans. Mason W. Cartwright
  • The castle spectre / Michael G. Lewis
  • The cherry orchard (3) / Anton Chekhov, trans. Mason W. Cartwright
  • The czar's soliloquy / Mark Twain
  • Darnley / Edward Bulwer-Lytton
  • Doctor Faustus / Christopher Marlowe
  • Don Quixote / Miguel de Cervantes
  • The green cockatoo / Arthur Schnitzler, trans. by Grace Isabel Colbron
  • The hairy ape / Eugene O'Neill
  • Hamlet / William Shakespeare
  • Henry IV / William Shakespeare
  • Hindle wakes / Stanley Houghton
  • Keep your own secret / Pedro Calderón de la Barca
  • King John / William Shakespeare
  • Lady Windermere's fan / Oscar Wilde
  • Living hours / Arthur Schnitzler, trans. by Grace Isabel Colbron
  • The lower depths / Maxim Gorky, trans. Laurence Irving
  • The merchant of Venice / William Shakespeare
  • A midsummer night's dream (5) / William Shakespeare
  • The misanthrope (3) / Molière, trans. Hal Gelb
  • Mithridate / Jean Racine, trans. Robert Bruce Boswell
  • The octoroon / Dion Boucicault
  • The open boat / Stephen Crane
  • Othello (2) / William Shakespeare
  • Philoctetes / Sophocles
  • The prince of Parthia / Thomas Godfrey
  • The provoked wife / John Vanbrugh
  • Reigen / Arthur Schnitzler, trans. by Grace Isabel Colbron
  • Richard III / William Shakespeare
  • The rivals / Richard Brinsley Sheridan
  • Romeo and Juliet / William Shakespeare
  • A room with a view / E.M. Forster
  • The school for wives / Molière, trans. Henri van Laun
  • The sea gull (2) / Anton Chekhov, trans. Mason W. Cartwright
  • Sonnet XVIII / William Shakespeare
  • Sonnet XXVIII / William Shakespeare
  • Sonnet XXX / William Shakespeare
  • Sudden light / Dante Gabriel Rossetti
  • The tempest / William Shakespeare
  • Thirst / Eugene O'Neill
  • Titus Andronicus / William Shakespeare
  • The two gentlemen of Verona / William Shakespeare
  • Contemporary monologues : 1969 / Tina Landau
  • 3 secrets / Mike Albo and Virgina Hefferman
  • All stories are true (2) / John Edgar Wideman
  • Am I right? / Mark Saunders
  • And now a word from our sponsor / Clinton A. Johnston
  • Angels in American (3) / Tony Kushner
  • Anger box / Jeff Goode
  • Angry young man / Daniel Trujillo
  • Any suspicious activity / Roger Nieboer
  • The apocryphal transcripts of clear Eddie / John Colburn
  • The art machine / Adam Szymkowicz
  • Balm in Gilead / Lanford Wilson
  • Bang (2) / Neal Lerner
  • The beauty and terror of being a dog / Steven Schutzman
  • Better places to go / David-Matthew Barnes
  • The blacks: a clown show (2) / Jean Genet, trans. Bernard Frechtman
  • Blade to the heat / Oliver Mayer
  • Bodhisattva by lagoon / Cass Brayton
  • Bronx / Danny Hoch
  • Brown hearts bleed young / W. Brandon Lacy Campos
  • The burning / Duncan Ley
  • Business casual / Adam Hahn
  • Can you tell me how to get (fill in the blank)? / Luke Pingel
  • Charlie's bird store / Richard Davis, Jr.
  • Christmas spirit / Daniel Drennan
  • Church of the open mind / Allyson Currin
  • Circle A / Cathy Camper
  • Cities of the mountain / Jim Cowen
  • Closure / Steve Martin
  • Coercion / Katie Leo
  • Concerned Catholics / Barbara Lhota and Janet Milstein
  • Confessions of a recovering teenager / Jonathan Dorf
  • Crush everlasting / Dave Ulrich
  • The curious incident of the dog in the night-time (2) / Mark Haddon
  • Curse of the starving class (3) / Sam Shepard
  • Cuthbert's last stand / Andrew Biss
  • Daddy garbage / John Edgar Wideman
  • Daddy's home / Henry W. Kimmel
  • Dangerous Dave and the whalers / Lawrence Krauser
  • Dear Chuck / Jonathan Dorf
  • The death of King Arthur (2) / Matthew Freeman
  • Dinner with friends / Donald Margulies
  • Dog chameleon / Eric Bogosian
  • Down the road / Lee Blessing
  • East Texas hot links (3) / Eugene Lee
  • Eating round the bruise / Barret O'Brien
  • Eclipse / Andrea Lepcio
  • Eloise & Ray (2) / Stephanie Fleischmann
  • Everybody knew Bubba Riff / John Edgar Wideman
  • Falcons / D. Travers Scott
  • Feast of love / Charles Baxter
  • Firebug / Todd Ristau
  • Fish head soup / Philip Kan Gotanda
  • Five flights / Adam Bock
  • Five scenes from life / Alan Brody
  • Fool circle / S.W. Senek
  • Freefall (3) / Charles Smith
  • Fur and other dangers / Allyson Currin
  • The girl on the red velvet swing / Tim Monsion
  • The green man / Todd Ristau
  • Ho ho hell / Maria Rokas
  • Honeymoon / Dane Stauffer
  • Honeymoon in Dealy Plaza / Lawrence Krauser
  • Horrible child / Lawrence Krauser
  • The hours (2) / Michael Cunningham
  • How I learned to drive / Paula Vogel
  • Hurlyburly / David Rabe
  • I used to bank here, but that was long, long ago / David Rakoff
  • Illegal entry / Clem Martini
  • I'm not Rappaport (3) / Herb Gardner
  • Impossible marriage / Beth Henley
  • The interview (2) / James Thurber
  • Jonathan Bailey's out-of-office auto-response for 12 September, 2003 / Wells Oliver
  • Kinnikinic / Roger Nieboer
  • Land of Nod / Cathy Camper
  • The last word / Gus Edwards
  • Lather, rinse, repeat / David Rakoff
  • LGA-ORD / Ian Frazier
  • Like a light bulb / Antay Bilgutay
  • The line forms in my rear / Mark Saunders
  • Long day's journey into night / Eugene O'Neill
  • Looking for our town / Henry W. Kimmel
  • Love is the cookie / Antay Bilgutay
  • Love's lumberings remembered / Dawson Moore
  • Mac-blank, or the most evil return of the weird witches, three / Sean Wagner
  • Mandelstam / Don Nigro
  • Marcus is walking / Joan Ackerman
  • Marshall / Rob Matsushita
  • Marshall / Diana Amsterdam
  • Master Harold and the boys / Athol Fugard
  • Maui / Mike Albo
  • The migrant farmworker's son / Silvia Gonzalez S.
  • Mijo / Michael Kearns
  • Miss Beautyman / Tim Cage
  • Mr. & Mrs. Hollywood / Barret O'Brien
  • My buddy list / Kelly DuMar
  • My father's girlfriend / Irene Ziegler
  • The old settler / John Henry Redwood
  • The oldest living graduate / Preston Jones
  • Other people's money (2) / Jerry Sterner
  • Our lady of 121st Street / Stephen Adly Guirgis
  • Perfectly cut grass / Bill Nelson
  • Philadelphia cream cheese / Jason Feifer
  • Phoenix / Don Nigro
  • The pleasure of my company / Steve Martin
  • Portnoy's complaint / Philip Roth
  • A private practise / Andrew Biss
  • The return to morality / Jamie Pachino
  • Revelations / Heidi Decker
  • Saturday night / Jason Caldwell-Hughes
  • Scathed / Sean Muir
  • Scatsong / Ernest Slyman
  • Separate the man from his head / Michael Rothschild
  • Shining sea / Jonathan Dorf
  • Sin, sex & cinema / Roger Nieboer
  • Small domestic acts / Joan Lipkin
  • Solitaire / Rosary O'Neill
  • The speed of darkness (3) / Steve Tesich
  • Stuck rubber baby (2) / Howard Cruse
  • Suburban redux / Andrew Biss
  • Take out taxi / Mike Albo
  • Tammy / Steven Schutzman
  • Thane of Cawdor / Don Nigro
  • This wakeful night / Rosary O'Neill
  • Throw pitchfork / Alexander Thomas
  • 'Tis better / Clinton A. Johnston
  • Tongues , part 2 / Heidi Decker
  • Topdog/underdog (3) / Suzan-Lori Parks
  • The trophy room (3) / Hilly Hicks, Jr.
  • Two rooms / Lee Blessing
  • Wedding dance / Dominic Taylor
  • Werthheimer is dead/long live Werthheimer / Steven Schutzman
  • What you pawn I will redeem / Sherman Alexie
  • Where girls grow strong: an Archie Levine piece / Todd Ristau
  • Winner of the National Book Award (a novel of fame, honor and really bad weather) / Jincy Willett
  • The worrying / Paul Monette
  • You will fall in love with me / Adam Hahn.
Review by Choice Review

If brevity is the soul of a good audition, then these titles will prove a great resource. Nothing kills an otherwise successful audition like running over the allotted time. In the first two volumes, Capecci and Aston assemble bite-sized audition pieces drawn from myriad sources: plays, novels, film scripts, even comic books. In both volumes, the monologues are grouped into two categories--classics (anything before the 1920s), which take up about a third of the selections, and contemporary. Selections are indexed by age, tone, and voice: the age category ranges from teens to senior citizens; tone refers to the quality of the monologue, usually comedic, dramatic, or seriocomic; voice refers to any specific class, ethnicity, or sexual identity that defines the character. This index is particularly useful, because the actor is probably searching for a monologue geared toward a specific time period, age range, or type. To the editors' credit, the selection of authors is diverse--Shakespeare, Moliere, Suzan-Lori Parks, Athol Fugard, Don Nigro, Philip Roth, and Jane Martin, among many others.The third book in the set collects works by Glenn Alterman, who has made a name for himself writing monologues strictly for auditions. This volume offers 101 pithy, gritty, and often humorous pieces for a wide range of character types. The great strength of the 60 Seconds to Shine titles is their focus on newer contemporary works and original material. Monologues that work well often become overused, by the world at large as well as by individual actors, so including fresh selections from a wide range of sources is a plus. One word of caution: the first two volumes provide little context, so the actor should refer to the original source whenever possible. These volumes join Smith & Kraus's "Ultimate Audition Book" titles, which are also valuable. A 60 Seconds to Shine title on nondramatic sources from literature is in the works. ^BSumming Up: Highly recommended. Student and professional actors. E. D. Bochinski Fairfield University

Copyright American Library Association, used with permission.