1st Floor Show me where

MYSTERY/Barnard, Robert
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Subjects
Published
New York : Scribner 2008.
Language
English
Main Author
Robert Barnard (-)
Edition
First Scribner hardcover edition
Physical Description
243 pages ; 22 cm
ISBN
9781416559405
Contents unavailable.
Review by Booklist Review

*Starred Review* The latest whodunit from genre veteran Barnard is his best in many years. As this riveting story opens, Eve McNabb has returned to her childhood home in the north of England; her mother has died of cancer, and Eve needs to tend to the funeral and the estate. She is an only child, and her father left the family before Eve had any memory of him, going off to Australia, where he eventually died. Eve's mother was a prominent educator in the town, and while Eve settles the estate, a strange letter arrives, addressed to her mother. The message contains enigmatic information suggesting a previously unknown side to Eve's mother, prompting Eve to set off on a complicated search for more information about both her mother and her father, including whether what she was told about her father is really true. Of course, murder crosses Eve's path along the way, as does a new love interest in the form of the police officer who's been helping her track down the author of the mysterious letter. An involving mystery, compelling characters, and Barnard's signature style add up to great entertainment.--Hooper, Brad Copyright 2008 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

In this assured suspense yarn from British veteran Barnard (A Fall from Grace), Eve McNabb receives many consolation letters after the death of her mother, May, the beloved head of a school in Crossley, Yorkshire. One missive, though, is disturbingly different from the rest. Addressed to May and signed Jean, this letter suggests there was once a physical intimacy between Jean and May and makes a veiled reference to "the business with John," Eve's late father. Determined to locate the unknown sender, Eve turns to Omkar Rani, an Indian policeman who's also a philatelist, for help in deciphering the envelope's smudged postmark. Omkar and Eve manage to track down an actress, Jean Mannering, who denies writing the letter, but drops the bombshell that Eve's father emigrated to Australia for his health and could still be alive. Eve travels to Australia, but a message from Okmar that there's been a murder in Crossley brings her home. Unexpected solutions and a clever closing switch make this a satisfying read. (May) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review

A sympathy card radically upends a daughter's memories of her mum. May McNabb was the best deputy head that the Blackfield Road Primary School ever had. Everyone said so as they politely munched the teacakes after her interment. But when her daughter Eve returned home and started reading through the condolence post, one letter brought her up short: Someone named Jean was regretting the awful mishap with John that scuttled their lesbian affair. Eve, who'd never thought of her mum as having Sapphic tendencies, had been told that her dad John died when she was a child. Determined to find the letter writer and learn more, Eve turns for help to policeman/philatelist Omkar Rani, an unhappily married Hindu. The two embark on a romantic odyssey that traces cartoonist John to his Scots roots, then to Australia, and pits Eve against the memories of a former schoolgirl-turned-vicar, a crusty old auntie and a retired, embittered headmistress who is soon smothered in her nursing-home bed. As usual with Barnard, the twists keep coming, the final one almost unbearably appalling. If not quite top-notch for the Diamond Dagger Lifetime Achievement winner (A Fall from Grace, 2007, etc.), kilometers ahead of his compatriots and a pleasure for enthusiasts of the peel-the-layers-of-the-onion school. Copyright ©Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Chapter 1 Letter to the Dead Eve looked down at the face in the coffin. It was prettified, and the neckline of the dress, the only thing visible, was too meticulously neat to suggest her mother's usual style. She wondered whether to kiss her for the last time. But she had already kissed her for the last time -- as she lay dying. To kiss her now would be no kiss at all, because there was nothing remaining of her mother to receive it. Mr. Bradshaw, the head of the firm of Bradshaw and Pollock, Funeral Directors, had not explicitly asked Eve if she wanted to see her mother laid out in her coffin. He had merely, after they had swapped funereal inanities, raised his eyebrows in the direction of the main laying-out room, and she had walked automatically, as if this was part of some ritual like exchanging rings at a wedding. Now, faced with the total extinction that was death, she felt nothing that she had not felt over and over again in the days since her mother died. She had been with her when she died, sitting beside her in the hospital room. That was the important thing. Eve shook herself and went back into the tactfully dim lighting of the main premises. She realized with a sinking heart that Mr. Bradshaw was preparing to be chatty. "She'll be much missed," he said, as if he had just thought it up. "I shall certainly miss her," Eve said, trying to be conversational, "even though we lived a fair way apart with me in Wolverhampton and her here in Crossley. We always talked to each other every week, twice a week if anything noteworthy had occurred. And we wrote quite often, particularly if it was something that was difficult to put into words." "I remember very well when Mrs. McNabb first came to Crossley," said Mr. Bradshaw, perching himself on an empty coffin with a price tag on its lid. "I was within an ace of taking Betty, that's my eldest, out of the primary school and sending her to a private one. Then someone told me that he'd met the new teacher who was said to be going places, and who seemed enormously competent -- knew what she wanted and how she wanted to achieve it. After I'd talked to your mother for a few minutes at a parents' evening, I decided to give the school a go for another year. I never regretted it, and there's a lot of parents about that time who did like me and would say the same." "I'm so glad," said Eve, wondering when she could legitimately plead busyness and end the conversation. "I think she found being deputy rather difficult. She liked -- not being in charge exactly -- " "No, no." " -- but being able to take a lead, take people along with her. She even liked the maneuvering that convinced people they were part of the decision-making process. And she liked the compromises that had to be made, because she didn't want the reputation of being a one-woman band." "I think it was her human side that made her such a good head. There was so often a glint in her eye." "I think it was a Scottish sort of humor," said Eve. Then suddenly she thought: the woman we are talking about and the woman I loved and remember are two different people. And really I don't give a damn about the public woman. It's not her I feel like crying for. She smiled at Mr. Bradshaw. "Well, I must get going. Always a mountain of things to do when something like this happens. The post is piling up. I am grateful to you for all you've done." As she went out into the discreet Crossley side street, a passing man looked at her, nodded, and murmured something that was obviously a condolence or a tribute to her mother. Eve smiled her thanks and walked on -- briskly, repelling any further encounters. It was time to concentrate on the private woman May McNabb. When she got to Derwent Road, she slowed to a halt as she neared the house where she had grown up. Number 24 loomed rather pushily over the houses around and opposite it. It was an Edwardian product, with large rooms, a study and five bedrooms: it had been built for a substantial bigwig in the small town of Crossley, and it had been designed to impress. Size was of the essence and was not something to be apologized for. The garden, entirely cared for by May McNabb until an occasional help had been engaged in the last months, stretched comfortably on all four sides of the house. How had her mother and father afforded this house, back in the seventies, when salaries in teaching were derisory? Maybe a legacy, maybe her father's cartoons had brought in money. Eve shook herself and walked on. But before she could get into the home that she had shared with her mother for the first twenty years of her life, there was the neighbor in the garden. She had been there and shown signs of wanting to talk when Eve had come out earlier in the afternoon, but Eve had used her appointment with Mr. Bradshaw as an excuse, and felt that now she ought to have a few words. Mrs. Calthorp was a woman her mother had liked and respected, and she had always been good when her mother had taken a well-deserved holiday -- fed the cat, collected the post, even done a bit of weeding if her mother had been away a long time. Eve stopped at her front gate. "Well, that's over," she said to the stooping form. "Was it awful?" asked Mrs. Calthorp, straightening up. "Not exactly. But I felt pressured to go and see the body. I suppose it's usual, and we do usual things at such a time. But I didn't want to. It was meaningless. I had seen her die." "I know what you mean. I thought I ought to when Harold died. People even said the grandchildren ought to go, but I put a stop to that idea. You're quite right. It's just a charade." "Now I want to sit down and cherish memories of her alive ." "I'm sure there'll be a lot of those. You were so close." "Yes, we were. But somehow these last years, it's been difficult to be close. Her having school holidays and me never being able to get off then because of having to give priority to people with young children." "Still, there were all the times you came back here, and all the weekends away." "Those were nice, especially the weekends. Little festivals here and there. We found some good ones and some really odd ones. We'd have done much more of that sort of thing if only she'd had longer in retirement. And her keeping quiet about the breast cancer didn't help. Oh well..." Eve went through her own gate and started toward the front door. "The postman's been. Another big bundle for you," said Mrs. Calthorp, bending down. Eve let herself into the house she had grown up in. She stepped over an untidy mess of envelopes on the doormat and went through to the kitchen. She needed so much to have a cup of tea and time for thought. The making of tea and the finding of biscuits helped, but then when she sat down in the sitting room, in her own old threadbare armchair, the thought came back to her: I only knew part of my mother -- the private area. The headmistress part meant nothing to me, but it meant everything to most of those who knew her. Quite rightly she found another school for me to go to, not her own. But even the private area of her life I didn't know all that well. Visits home, phone calls, weekends at Buxton or Garsington -- what did they amount to? We could have had such a good time now that she had reached sixty-five. Gone around together, made discoveries about each other. The process was beginning in the six months after she retired. And then the beastly cancer intervened -- suddenly, and quickly deadly. She fetched the post and began to open the envelopes. Mostly short missives about how sad people were, how much her mother had meant to them, how wonderfully she had turned around the Blackfield Road Primary School. All of the messages heartfelt, this Eve felt sure of. There were hardly any purely formal condolences. The longer ones usually mentioned one or two special memories of her mother -- as teacher, headmistress or just as a sympathetic and enterprising human being. Eve had to admit that many of the anecdotes caught the essence of her mother in her public role. She was nearing the end of her task, with two piles on the floor beside her: those needing answers and those that did not. She picked up an envelope that had been near the bottom of the raggedy pile she had taken up from the doormat. It was fatter than the earlier ones, with a fierce animal on a first-class stamp and, as usual these days, an illegible postmark. She opened it and found four small pages of very flimsy paper covered with large, clear script. When she read the inscription she realized with a shock that the writer was not one of those who wanted to pay tribute to a dead woman. Dearest May, It seems ages since we've been in touch, and I can only explain the scrappiness of my letters by pleading the extreme busyness of someone who has madly taken up this and that these last few years, and has less time than she ever had in her life before. Don't do anything as silly now that you have retired! My activities are easily cataloged, though they take up so much of my time. Apart from all my church work, which I've told you about before, I am a school governor, I am secretary to the local Green Party and I dabble as often as I am asked and can manage it in amateur dramatics. People say that there are few parts for older women, but I think they must mean few good parts, few long, meaty ones. I am now into my third production of Hay Fever. In the first I played Myra, in the second I played Judith Bliss, and now I'm going to play Clara the old maid. Plenty of meat in that part if you know how to dig for it. But how amateur dramatics do bring home to one the passing of time! But sometimes, you know, it's as if time has not passed at all, and we are back, together again and happy as sand boys. Often at night I dream of you being beside me in bed, with your lovely enticing body throwing out invitations even in sleep. We were the most wonderful pair, May; two people who had to come together because physically and mentally, we made a complete whole, and were quite diminished by separation. Oh dear -- I did so love you, May darling, and I sometimes feel bitter that you did not have the courage to make the sort of stand that women of our tastes make all the time nowadays. And when I'm in that mood, I feel it wasn't the business with John that separated us, but your own conventionality and lack of fighting spirit. Oh well -- water under the bridge. You'll wish I hadn't mentioned it, I know. But how wonderful it was. I feel invigorated just by the memory of it. Have fun in your retirement, dearest. With all my love, Jean Eve sat in silence with the letter in her hand as outside the sun went down and evening came on. Copyright (c) 2008 by Robert Barnard Excerpted from Last Post: A Novel of Suspense by Robert Barnard All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.