1st Floor Show me where

FICTION/DeLosSantos, Marisa
1 / 1 copies available
Location Call Number   Status
1st Floor FICTION/DeLosSantos, Marisa Checked In
Subjects
Published
New York : William Morrow [2008]
Language
English
Main Author
Marisa De los Santos, 1966- (-)
Edition
First edition
Physical Description
390 pages ; 24 cm
Audience
1050L
ISBN
9780061240287
9780061240270
Contents unavailable.
Review by Publisher's Weekly Review

Cornelia Brown, heroine of de los Santos's bestselling Love Walked In, returns in a gracefully written if formulaic sophomore effort. Cornelia and her husband, Teo, move to suburban Philadelphia, where she finds it difficult to fit into the sorority-like atmosphere. Despite a bevy of domestic dramas (planning a family among them), Cornelia's first-person chapters are the quietest of the three points of view. Seemingly shallow and vicious, neighbor Piper shows her kinder side as she struggles through her best friend's fight against cancer. Though the extreme of Piper's two-facedness isn't convincing, her moments of sincerity invite genuine empathy. Cornelia also yields narrative time to Dev, a precocious teenager whose father is missing and whose mother develops a friendship with Cornelia. Dev's connection to the story is initially unclear, though he does grow close to Clare, a troubled teenager with an unconventional connection to Cornelia, and a late-breaking development grounds his role more firmly. Though each story line is a good read on its own, they don't always braid nicely, and while the predictable plot wanders into sappiness, the prose is polished and the suburban travails are familiar enough that fans of the women's fiction and higher-brow mommy lit will relate. (May) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Things are not as they seem for chipper Cornelia, imperious Piper, and crusading mom Lake. With a reading group guide. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

In de los Santos's second novel (Love Walked In, 2006), Cornelia Brown returns the as heroine, now married to handsome oncologist Teo and trying to make a new home in the suburbs of Philadelphia. Having moved out of New York City after the double whammy of a miscarriage and 9/11, Cornelia finds herself a shunned outsider among the community's perfect blond matrons. Particularly unwelcoming is her tightly wound neighbor Piper, who is as sharp-tongued as she is judgmental about fashion, flowers and childrearing. Cornelia does begin a fledgling friendship with another newcomer, Lake, a waitress who has moved from California to enroll her genius 13-year-old son Dev in a special school after his previous school punished him for being too smart. Dev suspects there might be more to the move, that Lake may be moving them closer to the mystery father he's never met. As much as Cornelia likes Lake, she senses Lake holding back at crucial moments and responds in kind. Meanwhile, Piper turns out to be a far more complicated woman than she seems on the surface. She drops everything (but her children) to care for her best friend Elizabeth, who's in the last stages of cancer. By the time Cornelia succeeds in becoming pregnant, she and Piper have grown surprisingly close, each opening her heart a little to the other. Days after Elizabeth dies, Piper's husband leaves her and she finds herself an outcast for continuing her (platonic) involvement with Elizabeth's mourning husband and children. In another development, Dev stumbles on the truth Lake has been hiding and learns the identity of his father. The father is stunned; Cornelia is devastated; and oh-so-sensitive, intelligent Dev is furious. Needless to say, a happy ending awaits Cornelia, but readers will be far more interested in Piper, a complex, genuinely intriguing character. Pages on which she appears glow; the rest merely flicker. Witty and intelligent but too often pat. Copyright ©Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Belong to Me LP A Novel Chapter One Cornelia My fall from suburban grace, or, more accurately, my failure to achieve the merest molehill of suburban grace from which to fall, began with a dinner party and a perfectly innocent, modestly clever, and only faintly quirky remark about Armand Assante. Armand Assante, the actor. If you didn't know that Armand Assante was an actor, don't be alarmed. Had I not caught, years ago, the second part of the two-part small-screen adaptation of Homer's Odyssey , I might not have known, either, but whether or not you are familiar with the work of Armand Assante, you are right to wonder how he could have had a hand in anyone's fall from grace, suburban or otherwise. I wondered myself, and, even now, I don't have a clear or satisfying explanation for either of us. What I know is that I was doing my best. I had lit out for the suburbs in the manner of pioneers and pilgrims, not so bravely and with fewer sweeping historical consequences, but with that same combination of discouragement and hope, that simultaneous running-away and running-toward. I was a woman ready for a new life. I was trying to make friends, to adapt to my new environment, and for reasons that felt entirely out of my control, I was failing. People like to say that cities are impersonal, that there's nothing like a big city to make a person feel small. And, sure, when viewed from the top of a twenty-story building, I'm an ant, you're an ant, everyone's an ant. Trust me. I know what it means to be small. I'm five feet tall and weigh about as much as your average sack of groceries, but for years, every time I walked down a city street, I could have sworn I expanded. I lost track of where I ended and the city began, and after a few blocks, I'd have stretched to include the flower stand, the guy selling "designer" handbags on the corner, the skyscrapers' shining geometry, the scent of roasting nuts, the café with its bowl of green apples in the window, and the two gorgeous shopgirls on break, flamingolike and sucking on cigarettes outside their fancy boutique, eyes closed, rapturous, as though to smoke were very heaven. I loved the noise, opening my window to let a confetti of sound fly in. I loved how leaving my apartment, in pursuit of newspapers or bags of apricots or bagels so perfect they were not so much bagels as odes to gloss and chewiness, never just felt like going out, but like setting out, adrenaline singing in my veins, the unexpected glancing off storefronts, simmering in grates and ledges, pooling in stairwells, awaiting me around every corner, down every alleyway. Imagine an enormous strutting peacock with the whole jeweled city for a tail. But my peacock days didn't last. They went on for years and years, first in Philadelphia then in New York, before skidding to as abrupt a halt as anything ever skidded, so that by the time my husband, Teo, and I took a left turn onto Willow Street, those days had been over for months, and as we drove through as quiet a neighborhood as I had ever seen, I could not shake the feeling that we were home. I wanted and did not want to feel this way. My heart sank even as my spirits lightened and rose toward the canopy of sycamore leaves, the sleepy blue sky. What you need to understand is that I had not planned to become this person. I had planned to remain an adventurous urbanite, to court energy and unpredictability, and to remain open to blasts of strangeness, ugliness, and edgy beauty for the rest of my life. Instead, as Teo drove ten miles an hour down street after street, it came from everywhere, from the red flags of the mailboxes and the swaths of green lawn, from the orderly flower beds and the oxidized copper of the drainpipes: the sound of this sedate, unsurprising place calling me home. "It looks like home," Teo said, and after a mild double take (very mild, since the man reads my mind with unnerving regularity), I realized that he didn't mean "home" the way I'd been thinking it, or not quite. He meant the place where we'd been kids together and where all four of our parents still lived. My husband and I had grown up, not in a suburb exactly, but in a cozy little Virginia college town, in the same kind of neighborhood we drove through now, beautiful, with houses dating from the early twentieth century, trees dating from before that, not a McMansion in sight. A place where late spring meant hardwoods in full, emerald green leaf, fat bumblebees tumbling into flowers, and a Memorial Day lawn party replete with croquet, badminton, barbecue, and at least five kinds of pie. And although we were years and miles away from that place, that childhood, although it was late morning and Memorial Day had come and gone two weeks ago, I could almost see the children we had been darting through the dusk, could almost smell the rich perfume of grilling meat. I know how syrupy this sounds, how dull, provincial, and possibly whitewashed, but what can I do? Happy childhoods happen. Ours happened. What came back to me, with lightning-crack vividness, as I looked out the car window, were the clusters of women, at birthday parties, cookouts, standing in yards and kitchens, the air warm with their talking, and how oddly interchangeable we all were, women and children both. The woman who picked us up when we fell down or wiped our faces or fed us lunch or yelled us down from treetops or out of mud (all of it so casually, with barely a break in the conversation or an extra breath) may have been our mother but could just as easily have been someone else's. We hardly noticed. The women merged into a kind of laughing, chatting, benevolent blur, a network of distracted love and safekeeping. Belong to Me LP A Novel . Copyright © by Marisa de los Santos. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold. Excerpted from Belong to Me by Marisa de los Santos All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.