Skeletons at the feast A novel

Chris Bohjalian, 1960-

Book - 2008

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Subjects
Published
New York : Shaye Areheart Books c2008.
Language
English
Main Author
Chris Bohjalian, 1960- (-)
Edition
1st ed
Item Description
Includes map on endpages.
Physical Description
363 p. : map
ISBN
9780307394958
Contents unavailable.
Review by New York Times Review

Everyone in this tale of war is on the move, trying to escape death while fearing they're headed straight toward it. The action begins early in 1945 as the Emmerich family is shutting down its estate in East Prussia, preparing to join the columns of refugees in flight from the advancing Red Army. Cecile, a Jewish prisoner of the Nazis, is also marching west, although she's not sure why. And Uri Singer, who has survived the war's later years by adopting the identities of dead German soldiers, is restlessly criss-crossing the countryside in search of his sister, Rebekah. The main focus is on the Emmerichs, who throughout the novel occupy a benign moral middle ground that would seem an impossibility in such a war. (Their story was inspired by a diary kept by a woman whose family made a similar trek.) As the paths of these characters converge, Bohjalian works to flesh out their disparate views of the conflagration, from the Prussians who can't understand why the Soviets are committing atrocities (while attributing all German atrocities to "SS brutes and thugs") to Uri, who sees the refugees as "fleeing a retribution they had asked for."

Copyright (c) The New York Times Company [October 27, 2009]
Review by Publisher's Weekly Review

In his 12th novel, Bohjalian (The Double Bind) paints the brutal landscape of Nazi Germany as German refugees struggle westward ahead of the advancing Russian army. Inspired by the unpublished diary of a Prussian woman who fled west in 1945, the novel exhumes the ruin of spirit, flesh and faith that accompanied thousands of such desperate journeys. Prussian aristocrat Rolf Emmerich and his two elder sons are sent into battle, while his wife flees with their other children and a Scottish POW who has been working on their estate. Before long, they meet up with Uri Singer, a Jewish escapee from an Auschwitz-bound train, who becomes the group's protector. In a parallel story line, hundreds of Jewish women shuffle west on a gruesome death march from a concentration camp. Bohjalian presents the difficulties confronting both sets of travelers with carefully researched detail and an unflinching eye, but he blinks when creating the Emmerichs, painting them as untainted by either their privileged status, their indoctrination by the Nazi Party or their adoration of Hitler. Although most of the characters lack complexity, Bohjalian's well-chosen descriptions capture the anguish of a tragic era and the dehumanizing desolation wrought by war. (May) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Bohjalian (The Double Bind) leaves his traditional Vermont milieu for this well-crafted, deeply moving historical novel in which he traces the last months of World War II Germany through various lives, masterfully describing landscape and struggle. Narrator Mark Bramhall (An Atomic Romance) easily moves among accents and between genders. Bohjalian fans will applaud; highly recommended. [Also available from Random House Audio as a retail ed. unabridged CD (ISBN 978-0-7393-6623-3. $34.95) and digital download (ISBN 978-0-7393-6624-0); audio clips available through library.booksontape.com and www.randomhouse.com; the Shaye Areheart Books hc was recommended for fiction collections, LJ 5/1/08.--Ed.]--Joyce Kessel, Villa Maria Coll., Buffalo, NY (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

0307394956|excerpt Bohjalian: SKELETONS AT THE FEAST Part I Autumn 1944 Chapter One usually, it was only when one of the local soldiers was home on leave that Anna and her girlfriends ever saw the sorts of young men with whom, in different times, they might have danced. And, as the war had dragged on, the pool of marriage prospects--in Anna's mind, often enough that meant merely her older brother Werner's acquaintances--dried up completely. The soldiers were either missing or disfigured or dead. But then came the POWs. Seven of them, sent from the prison camp to help with the harvest. And a week after the POWs arrived at Kaminheim, when the corn was almost completely harvested and everyone was about to begin to gather the sugar beets and the apples, there came four naval officers in search of a plow. They were planning to mark a groove through the estate that would be the start of an antitank trench. When it was complete, the trench would span the length of the district, bisecting some farms, skirting the edges of others. Meanwhile, different officers were visiting neighboring estates as well, and the Emmerichs were told that at some point in the coming month hundreds of foreigners and old men would follow them, and descend on the estate to actually construct the trench. And while the very idea of an antitank trench was alarming, the presence of all those handsome young men--the Germans, the Brits, and that one very young Scot--made it a burden Anna was willing to shoulder. This was true, at least in part, because she didn't honestly believe the fighting would ever come this far west. It couldn't. Even the naval officers said this was a mere precau- tion. And so she would flirt with the Brits during the day in the fields, where she would work, too, and dance with the naval officers in the evenings in the manor house's small but elegant ballroom. Mutti would play the piano, joined after that first night by Callum Finella on Uncle Felix's accordion, while her father--though distracted by the news from the east--would look on benignly. Sometimes Theo would put his toy cavalrymen away and watch as well, appalled in the manner of any ten-year-old boy that these brave and accomplished soldiers wanted to waste their time with the likes of his sister and her friends. He followed the men around like a puppy. Helmut did, too. But Helmut actually would work with the officers as long as their father allowed him away from the har- vest, helping them to find their way around the endless acres of Kaminheim, and thus mark out the optimum design and place- ment of the trench. Then, after dinner, he would dance with Anna's friends--girls who, previously, he had insisted were too puerile to be interesting. Seeing them now through the eyes of the navy men, however, he was suddenly discovering their charms. Certainly Anna worried about her older brother, Werner, who had already been wounded once in this war and was fighting somewhere to the south. But she had rarely spent any time with men as interesting as this eclectic group who had descended upon their farm that autumn. She and Helmut had learned to speak English in school, though she had taken her studies far more seriously than her brother, which meant that she alone in the assemblage could speak easily to everybody--the POWs during the day and the naval officers at night--and appreciate how erudite and experienced everyone was. At least, she thought, in comparison to her. She was, on occasion, left almost dizzy as she swiveled among conversations and translated asides and remarks. And the longer stories? She felt like a star-struck child. When she was in grade school she had met English families the winter her family had gone skiing in Switzerland, but by 1944 she remembered little more than a very large man in a very poor bear costume, and the way she and the English children together had endured his clownish shenanigans because all of the parents had thought the fellow was wildly entertaining. But since the war had begun, she hadn't been west of Berlin. In the early years, they had still taken summer holidays on the beaches of the Baltic or ventured to Danzig for concerts, but lately even those trips had ceased completely. Two of their POWs, however, had seen the pyramids; another had been to America; and Callum--the youngest of the group, the tallest of the group, and the only one from Scotland--had been born in India, where his father had been a colonial official, and had traveled extensively throughout Bengali and Burma and Madras as a little boy. Even the German naval officers were more interesting than any of the country boys--or men--she had met in her district. They, too, had seen places in Europe and Africa she'd only read about in books. Initially, she had worried that there might be unpleasant sparks when the Germans and the Brits crossed paths, especially on the first morning when the naval officers would be marking out a segment of the antitank trench in the very same beet fields where the POWs were working. But the two groups of men had largely ignored each other. It was the next day, when she was working alongside the prisoners in the apple orchard, that one of the POWs--that exuberant young giant named Callum--segued from the usual flirtatious banter to which she had grown accustomed and had come to ex- pect from him, to guarded innuendos about Adolf Hitler and then (even more problematic, in some ways) to questions about the work camps. "You're such a nice girl, Anna, and so sharp," he said, as the two of them stood together beside a particularly wiry tree, resting for a moment midmorning. There was a military policeman who must have been somebody's grandfather standing guard a hundred meters away, but he was so old he probably wouldn't have heard a word they were saying if they had been standing directly beside him. "And your family is much more hospitable than necessary--given the circumstances and all." The POWs were sleeping in the bunkhouse that the farmhands had used before they had either run off or been commandeered by the Reich for work in the mines and the munitions factories. "Thank you," she said simply. She was unsure where this conversation was going, but that opening, that apparent surprise that she was such a nice girl, had her slightly wary. She'd been laughing with Callum for days, and the thought crossed her mind that perhaps she had misjudged him. Grown too comfortable--too friendly--with him. With all the POWs. "So, I was wondering," he continued, his voice nonchalant. "What do you think your Hitler is doing with the Jews?" "My Hitler? You make him sound like one of my horses," she said, aware that she was not answering his question. "I didn't mean that. I meant . . ." "What did you mean?" "I had a mate in Scotland who was Jewish, a chum I played soccer with. We were friends, our parents were friends. He had family somewhere in Germany. And they just disappeared. There was talk of them trying to come to Edinburgh, but they couldn't get out. Eventually, the letters just dried up. Stopped coming. Then, at the stalag this summer, I met two chaps from Wales who had been in intelligence. And they said--" She cut him off: "At school, they told me not to ask when I inquired. They told me I didn't know what I was talking about." "But you asked?" Aware that she couldn't help but sound oversensitive, she answered, "Maybe it would surprise you, but I do have a brain behind my eyes. Yes, I asked." "It wouldn't surprise me a bit," he said, smiling. "I asked them where the Jews were going," she continued. "Before the war, my parents had friends in Danzig who were Jewish. That's where my father went to university: Danzig. He grew up on a farm in another part of Prussia, but for a time he considered becoming a lawyer. But he's a very scientific man. And he likes working the earth too much. Anyway, he has never understood the Nazis' obsession with Jews. Never. My mother? It's different for her: She's lived her whole life here. She, too, thinks it's ridiculous, but she has always been a little oblivious of anything that doesn't involve the farm or this corner of the country." "They're both party members, right?" She nodded. "My father wouldn't have the contracts he has if he weren't a member of the party. Even I know that." "Tell me, then: These friends. Your parents' Jewish friends. Where are they now?" "One, I know, was my father's banker. I don't know his name, but he took very good care of Father and Mutti on their honeymoon. The inflation was so horrible that suddenly they couldn't pay their bills and Father's stocks were worth nothing. Somehow, the banker solved everything for them and they had a perfectly lovely holiday after that." "What do you think became of him?" "He and Father lost touch. But I can tell you this: My father wrote letters on his family's behalf to different people. I don't know who or what the letters were supposed to accomplish. But he wrote letters for other friends, too. And for a few weeks in the summer of 1940, my parents had some Jewish friends who lived with us: a younger couple and their baby. A little baby girl. She was adorable. They had lost their apartment in Danzig. I was thirteen and I always wanted to babysit, but the mother wouldn't let the child out of her sight." She could have gone on, but it was a memory she tried not to think about. There had been some talk about hiding the family--and hiding was indeed the word her parents had used--but so many people in the village had been aware of the Emmerichs' visitors from Danzig that the couple had refused her mother and father's offer of sanctuary and simply disappeared into the fog one August morning. "I'm badgering you," he said. "I'm sorry. I didn't mean to. I have a habit of talking too much. You might have noticed." "You're inquisitive," she said, unable to mask the small tremor she heard in her voice. The truth was, she didn't want to be having this conversation. She knew she wouldn't dare discuss these sorts of things on one of the streets in the village or in a city. One never knew who might be listening or how they might be connected to the party. And, suddenly, she felt an odd spike of defensiveness. "But you tell me: How am I supposed to know where everyone is in the midst of a war?" "Well," he said evenly. "You can keep track of the Jews because of the stars on their clothes. You've seen them." "Yes, of course I have. I've seen them in Danzig and I've seen them in Berlin." "Lately?" "I haven't been to Berlin lately. Or Danzig." He used a handkerchief to wipe the perspiration away from his temples. The hair there was a bay that reminded her of Balga, her favorite horse. "The folks who will be coming to build the antitank trench," he began, and she could tell that he was choosing his words with great care. "You know, actually digging where those navy blokes are leaving the plow marks? They're the lucky ones." "They'll be more prisoners like you." "Maybe. But I think they're going to come instead from those work camps. Not the prison camps. It will take hundreds of people just to dig through your farm. And, besides, it's one thing to put a group of us soldiers to work harvesting apples and corn and sugar beets. Trust me, this is luxurious compared to life in the stalag, and we are all deeply appreciative of your family's kindness. But it's quite another to make us dig antitank trenches. The Red Cross and the folks who penned the Geneva convention wouldn't exactly approve." "So, the workers will be the criminals from the camps? Communists and Gypsies. Why should that trouble me?" "And Jews. That's my point, Anna. They're in those camps for no other reason than because they're Jewish." "What?" "The Jews have been sent to the camps." "No," she said. "No. That's not true." "I'm sorry, Anna. But it is." "The Jews have just been resettled," she continued, repeating what she had been told at school and at her meetings with other teen girls in the Bund Deutscher Mädel whenever she had asked the question, but until that moment had never said aloud herself. Somehow, verbalizing the idea made it seem ludicrous. She certainly didn't add what so many of her teachers or BDM leaders had added over the years: They have to be resettled because they are not Aryan. They are inferior in every imaginable way, they are worse than the Russians and the Poles. Most have nothing that resembles an Aryan conscience, and they are interested in nothing but their money and mezuzahs and diamonds. Many are evil; all are conniving. "And doesn't even resettlement seem, I don't know, a trifle uncivilized--even if it really is what's occurring?" he went on. "Think of that little family that was with you when you were thirteen. Why do you think there was talk of hiding them? I mean, suppose my government in England just decided to 'resettle' the Catholics--to take away their homes, their animals, their possessions, and then just send them away?" Another prisoner, the balding mason named Wally, passed by with one of the wicker baskets they used for the apples and gave Callum a look that Anna recognized instantly as the universal sign to shut up. His head was cocked slightly and his eyes were wide. Callum ignored him and continued, "Those intelligence chaps from Wales. They told us about another camp. One further east in Poland. They had heard rumors--" "I've heard rumors. We've all heard rumors. I've listened to your propaganda on the radio." "You listen to the BBC? That's illegal, Anna, you know that," he told her, his voice mocking her good-naturedly. "Everyone listens. And you know that." Wally dumped his apples in one of the shipping crates in the back of a wagon and started to say something, his mouth opening into an anxiety-ridden O, but then stopped himself and returned to the trees where he was working, shaking his head in bewilderment. "Besides," she said, angry now, "what am I supposed to do? Am I supposed to go have tea with the führer and advise him on policy?" He paused, seeming to think about this, unsure what to say. She decided to press her advantage. "You would be in serious trouble, you know, if I told anyone what you were saying." "Indeed I would. I am putting my trust completely at your discretion." "Why?" "Because you are very pretty and very smart, and until I was sent here I hadn't spoken to a girl who was either in a very, very long time." "Spare me," she said, but she couldn't help being flattered. "I've gone just as long without the company of boys. They're all off fighting somewhere." "Ah, but then your navy men arrived," he said, and she realized he was actually a little jealous of them. He seemed about to say more when Wally returned, this time accompanied by the Yorkshire schoolteacher named Arthur Frost. "Come along, Callum," Arthur said firmly, "those apples won't pick themselves. No more dillydallying." Callum nodded agreeably and left, turning back to Anna once to bring his index and middle finger to the tip of his lips. At the time, she thought he was shushing her; later, she would conclude he had in fact blown her a kiss. theo moved two of his toy cavalrymen to the front of his column, and then had them ride to the river that Anna had helped him paint a year ago now on a piece of barn board. The board was at least a meter and a half square and he could carry it by himself--but just barely. Helmut had found it and his father had sanded it flat. In addition to the river, he and Anna had also painted trees and wooden fences on it, and a long trench winding its way down one of the sides, all as if seen from a low-flying airplane. He had wanted to add barbed wire near the trench, but Anna had convinced him that it would reduce the number of conflicts he could reenact by limiting his scenarios to the Great War. The trench, she had suggested, could be a streambed that had dried up in the summer if he wanted to stage a battle from the nineteenth century. "Or," he had suggested helpfully at the time, "one of the firefights Werner has been in." "That's right," she had said, but he had been able to tell by the pause and the way her voice had quivered just the tiniest bit that for some reason she was troubled by the idea of him using his lead soldiers to reenact battles along the eastern front. He hadn't really expected at the time that he would, because he had only a pair of toy tanks, and battles these days demanded lots and lots of armor. Moreover, his two tanks were of a different scale than his lead soldiers. They were from another collection and they were barely the height of his fighting men, which meant that he rarely used them. He did know boys who owned model tanks that would have worked quite well with his men. But they wouldn't have shared their tanks with him and he never played with them. He wanted to, and he would have been happy to join them if they had ever asked--he would have been happy and flattered and more than a little grateful--but they never did. Moreover, he knew they never would. Once he made the mistake of telling some of the boys in school about the scene he and Anna had painted for his soldiers, hinting that they should come to Kaminheim and bring their own model cannons and tanks, but they had laughed at him and suggested that they would sooner have gone and played in Moscow. It wasn't, of course, Kaminheim that kept them away; it was him. He had set up his playing board this evening after dinner in a corner of the dining room underneath one of the sconces, and these two cavalry officers were reconnoitering the terrain. It was the summer of 1870, and they were deciding whether this might be a good spot to try and force a battle with the French Army of the Rhine. He heard his father and the naval officer named Oskar in the hallway walking toward Father's office, and he went very still. Oskar had small eyes, a high forehead, and almost no lips, but he was calm and intelligent and Theo knew that his parents respected him. He heard his father pushing the door shut, but it didn't close all the way and he could hear some of what they were saying if he didn't move. They were discussing, as the grown-ups did all the time these days, the Russian front, but it seemed that Oskar was talking as well about the attempt that summer on the life of the führer. A few months earlier, in July, a group of officers had set off a bomb in the führer's headquarters in Prussia. Hitler had survived, but it seemed the conspiracy was extensive. Even now, months later, the SS was still rounding up individuals who were involved. At school and among the Jungvolk, people referred to those officers as traitors and discussed with undisguised glee how cowardly they had been when they were executed for their crime, but Theo had the sense when the subject came up at dinner that his parents believed the plotters had only had Germany's best interests in mind. It seemed, from what Theo could hear, that Oskar did, too. "The problem," the officer was telling his father now, "is that we can't win the war. But we can't negotiate a peace now because of what some of Hitler's lackeys have done." "A negotiated peace was never an option. Churchill and Roosevelt said years ago they would only accept a complete surrender," his father said. "We are speaking in confidence, true?" "Of course." "Have you heard about the camps?" "I've heard whispers." "When the Russians find them? Or the Americans and the Brits? There will be hell to pay." "Tell me: What do you know?" Suddenly Theo's heart was beating fast in his chest, in part because his father and this officer were discussing the possibility that Germany might actually lose the war, and in part because of whatever it was that Oskar was about to reveal. Before the officer had continued, however, there were great whoops of laughter and the sound of the front door swinging open. He felt a rush of cool air. Two of the other naval officers, Oskar's friends, had come inside, and then he heard Anna and Mutti greeting them and helping them off with their coats. Any moment now they would bring that giant Scotsman in from the bunkhouse and hand him the accordion, and everyone would start dancing. No doubt, one of Anna's friends had arrived with the officers. The two men had probably been off somewhere picking her up. His father and Oskar emerged from the office, and Oskar greeted his associates. His father noticed him now on the floor and knelt beside him. "I didn't hear you out here," he said, and he rubbed the top of his head. "Have you been playing long?" He had the sense that he would worry his father if he told him that he had. And his father had worries enough right now. "No. I just sat down," he answered. This seemed to make his father happy. He motioned down at the cavalrymen. "The battle of Mars-la-Tour?" he asked. "I hadn't decided." "Oskar reminded me of a book I think you're old enough to read now. It has a wonderful description of Von Bredow's Death Ride and the Prussian cavalry charge. Would you like me to see if I can find you a copy?" "Yes, thank you." Over their shoulder one of the officers was boasting that he had brought honey for the schnapps from the village, and Theo heard a female voice he couldn't quite recognize start to giggle. No doubt, it was indeed one of Anna's friends: She had so many. Another night, Theo thought, he might have continued to move his lead soldiers around the board, alone on the dining room floor, but not this evening. He would join the crowd that would gather in the ballroom. Perhaps if he was unobtrusive, the grown-ups would let down their guards and he might learn whatever it was that Oskar had been about to reveal. another day, callum told Anna about his uncle's library in Edinburgh. His uncle was a university professor there, and among the books on his shelves were novels by Russians that he was confident would convince her that not everyone born east of Warsaw was a barbarian. "I don't think that," she said. "My mother might. But I don't." Still, she was only dimly aware of most of the authors he mentioned. She wondered if their books had been banned in Germany, or whether they simply weren't available in their rural corner of the Reich. The same seemed to be true of movies he had seen, and specific operas and dramas he'd attended. It all made Callum seem almost impossibly erudite for someone so physically imposing and, yes, so young--it was hard to believe he was only twenty--and it caused her to rue, for the first time, all of the things she was being denied. They also compared the beaches on the Baltic with those along the North Sea, and the castle ruins that dotted their landscapes. She expressed envy for how civilized the winters sounded in Scotland, and he, in turn, said he thought Scotch farmers would be jealous of the soil in which her family grew sugar beets and corn, and cared for their apple trees. She found herself wishing she had a fraction of the stories and experiences he had, and worrying that soon he would come to find her boring. All she knew, she realized, were horses. Horses and housework. Her father had taught her to ride--and, in all fairness, to ski and to hike--and her mother had groomed her well to be the wife, someday, of a farmer. A gentleman farmer, certainly. A landowner. An aristocrat, even. But, like her father, a farmer nonetheless. He was completely unlike her three brothers--even little Theo--whose posture had always been perfect at the dining room table, and who seemed to stand with their ankles together and (inevitably) their arms folded imperiously across their chests. Could Werner and Helmut ever be anything but stern? She didn't think so. Perhaps there was still hope for Theo, but already he was being trained to be a soldier in carriage if not, in the end, in profession. And yet their father was no martinet. He laughed and drank beer and had stories of his own he could tell. He would slouch on occasion. Listen with them to the BBC. Tell jokes about the Nazis, despite the reality that both he and his wife were party members. She asked her father that night if he had ever read books by the Russians Callum had mentioned, and he said that he had. Mutti had, too. Of course, they had grown up in a different era. A different time. The world they knew wasn't decorated solely with red flags and black swastikas, and a person could still read novels written by Russians. Excerpted from Skeletons at the Feast by Chris Bohjalian All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.