Painting with acrylics

Painting with acrylics

Gabriel Martín i Roig, 1970-

Book - 2007

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Location Call Number   Status
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Subjects
Acrylic painting.
Published
Hauppauge, NY : Barrons 2007.
Language
English
Spanish
Main Author
Gabriel Martín i Roig, 1970- (-)
Item Description
Originally published 2006 by Paramon under title: Guía para principiantes: pintura al acrilico.
Physical Description
64 p. : ill. ; 29 cm
ISBN
9780764160486
  • Introduction: A Contemporary Approach
  • The Technique and Its Possibilities
  • Presentation and Characteristics of the Medium
  • Painting with Acrylic Washes
  • Opaque Techniques
  • Color in Acrylic Paints
  • Working over Color Backgrounds
  • Dragging the Color
  • Transparent Techniques with Acrylics
  • Practice Pages: Transparencies with Acrylic Mediums
  • Practice Pages: Washes with Paint
  • Alternative Methods of Painting with Acrylics
  • Reserves, Sgrafitto and Sanding
  • Practice Pages: Painting with Flat and Opaque Brushstrokes
  • Practice Pages: Dry Brush
  • Practical Exercises
  • Still Life with Brushstrokes and Gradations
  • Notebook on Effects: A Couple of Considerations
  • Still Life with Chair and Hat
  • Work by Students
  • Urban Scene with Saturated Colors
  • Notebook on Effects: Affinity and Rejection Between Color Contrasts
  • Seascape Using the Anticerne Effect
  • Notebook on Effects: Colors and Anticerne
  • Urban Landscape with Spattering Effect
  • Notebook on Effects: Spattering on the Support
  • Working on a Textured Base
  • Notebook on Effects: Effects with Texture
  • Modern Techniques: Collage and Abstraction
  • Notebook on Effects: Variations of a Theme
  • Expressive Approach to the Human Figure
  • Lessons from the Master: Jean Dubuffet
Review by Library Journal Review

Acrylic painting, one of the most enduring of modern media for the painter, originated, according to Roig (Perspective Drawing), in 1920s Mexico. It has remarkable characteristics to recommend it: the transparency of watercolors, the opacity of gouache, and the density and pastiness of oils. Half of this excellent overview for the beginner is devoted to the many techniques possible with acrylics, the other, filled with practical exercises. The book ends with tips from 19th-century French painter Jen Dubuffet. An inexpensive introduction recommended for all public libraries. For advanced work in acrylics, see All About Techniques in Acrylics: An Indispensable Manual for Artists (Barron's). (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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