Review by New York Times Review
ARNOLD SPIRIT JR. is the geekiest Indian on the Spokane Reservation. He wears chunky, lopsided glasses. His head and body look like Sputnik on a toothpick. When he doesn't stutter, he lisps. Arnold is a 14-year-old high school freshman. When he goes outside he gets teased and beaten, so he spends a lot of time in his room drawing cartoons. "I think the world is a series of broken dams and floods," he says, "and my cartoons are tiny little lifeboats." If that line has an unexpected poetry to it, that's because it was written by a poet. Arnold's creator, Sherman Alexie, grew up on the Spokane Reservation in tiny Wellpinit, Wash., and made his name as a poet before expanding into short stories, novels, screenplays, film directing and stand-up comedy. "The Absolutely True Diary of a Part-Time Indian" is Alexie's first foray into the young adult genre, and it took him only one book to master the form. Recently nominated for a National Book Award, this is a gem of a book. I keep flipping back to reread the best scenes and linger over Ellen Forney's cartoons. To say that life is hard on the Spokane rez doesn't begin to touch it. "My parents came from poor people who came from poor people who came from poor people," Arnold explains, "all the way back to the very first poor people." The kid was born with 10 too many teeth, so he gets them pulled - all in a single day, because the Indian Health Service pays for major dental work only once a year. When Arnold cracks open his geometry textbook, he finds his mother's name written on the flyleaf. "My school and my tribe are so poor and sad that we have to study from the same dang books our parents studied from," Arnold says. "That is absolutely the saddest thing in the world." Enraged, Arnold beans his geometry teacher with the book and gets suspended from school. The targeted teacher, Mr. P., visits Arnold at home and gives him a piece of advice: Get out. Mr. P. has seen too many promising students - like Arnold's sister, Mary Runs Away - fade year by year, beaten down by poverty and hopelessness. "The only thing you kids are being taught is how to give up," Mr. P. says. "The Absolutely True Diary" tracks Arnold's year of getting out. He transfers to Reardan High, 22 miles away, a gleaming campus full of wealthy white kids, with a computer room and chemistry labs. He's the only Indian - if you don't count the school mascot Early on, Arnold fears being beaten up by the jocks. "I was afraid those monsters were going to kill me," he says. "And I don't mean 'kill' as in 'metaphor.' I mean 'kill' as in 'beat me to death.'" (The comedian in Alexie pops up as often as the poet) Arnold's toughness soon earns him their respect, though, as well as a spot on the varsity basketball team. What he can't win back is the love of his neighbors at home. On the rez he's considered a traitor. His best friend punches him in the face. When Reardan plays Wellpinit High in basketball, the Indians rain so much abuse on Arnold that a race riot nearly breaks out. Triumph and grief come in equal measure. Arnold figures out that he's smarter than most of the white kids, and wins the heart of a white girl named Penelope. ("What was my secret?" he says. "If you want to get all biological, then you'd have to say that I was an exciting addition to the Reardan gene pool.") Meanwhile, his father's best friend is shot and killed, and his sister dies in a trailer fire. "I'm 14 years old, and I've been to 42 funerals," Arnold says. "That's really the biggest difference between Indians and white people." For 15 years now, Sherman Alexie has explored the struggle to survive between the grinding plates of the Indian and white worlds. He's done it through various characters and genres, but "The Absolutely True Diary of a Part-Time Indian" may be his best work yet. Working in the voice of a 14-year-old forces Alexie to strip everything down to action and emotion, so that reading becomes more like listening to your smart, funny best friend recount his day while waiting after school for a ride home. Which, by the way, Arnold doesn't have. Unless his folks get lucky and come up with some gas money. Bruce Barcott is a contributing editor at Outside magazine. His book "The Last Flight of the Scarlet Macaw" will be published next year.
Copyright (c) The New York Times Company [October 27, 2009]
Review by Booklist Review
Arnold Spirit, a goofy-looking dork with a decent jumpshot, spends his time lamenting life on the poor-ass Spokane Indian reservation, drawing cartoons (which accompany, and often provide more insight than, the narrative), and, along with his aptly named pal Rowdy, laughing those laughs over anything and nothing that affix best friends so intricately together. When a teacher pleads with Arnold to want more, to escape the hopelessness of the rez, Arnold switches to a rich white school and immediately becomes as much an outcast in his own community as he is a curiosity in his new one. He weathers the typical teenage indignations and triumphs like a champ but soon faces far more trying ordeals as his home life begins to crumble and decay amidst the suffocating mire of alcoholism on the reservation. Alexie's humor and prose are easygoing and well suited to his young audience, and he doesn't pull many punches as he levels his eye at stereotypes both warranted and inapt. A few of the plotlines fade to gray by the end, but this ultimately affirms the incredible power of best friends to hurt and heal in equal measure. Younger teens looking for the strength to lift themselves out of rough situations would do well to start here.--Chipman, Ian Copyright 2007 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
Screenwriter, novelist and poet, Alexie bounds into YA with what might be a Native American equivalent of Angela's Ashes, a coming-of-age story so well observed that its very rootedness in one specific culture is also what lends it universality, and so emotionally honest that the humor almost always proves painful. Presented as the diary of hydrocephalic 14-year-old cartoonist and Spokane Indian Arnold Spirit Jr., the novel revolves around Junior's desperate hope of escaping the reservation. As he says of his drawings, "I think the world is a series of broken dams and floods, and my cartoons are tiny little lifeboats." He transfers to a public school 22 miles away in a rich farm town where the only other Indian is the team mascot. Although his parents support his decision, everyone else on the rez sees him as a traitor, an apple ("red on the outside and white on the inside"), while at school most teachers and students project stereotypes onto him: "I was half Indian in one place and half white in the other." Readers begin to understand Junior's determination as, over the course of the school year, alcoholism and self-destructive behaviors lead to the deaths of close relatives. Unlike protagonists in many YA novels who reclaim or retain ethnic ties in order to find their true selves, Junior must separate from his tribe in order to preserve his identity. Jazzy syntax and Forney's witty cartoons examining Indian versus White attire and behavior transmute despair into dark humor; Alexie's no-holds-barred jokes have the effect of throwing the seriousness of his themes into high relief. Ages 14-up. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved
(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review
Gr 7-10-Exploring Indian identity, both self and tribal, Alexie's first young adult novel is a semiautobiographical chronicle of Arnold Spirit, aka Junior, a Spokane Indian from Wellpinit, WA. The bright 14-year-old was born with water on the brain, is regularly the target of bullies, and loves to draw. He says, "I think the world is a series of broken dams and floods, and my cartoons are tiny little lifeboats." He expects disaster when he transfers from the reservation school to the rich, white school in Reardan, but soon finds himself making friends with both geeky and popular students and starting on the basketball team. Meeting his old classmates on the court, Junior grapples with questions about what constitutes one's community, identity, and tribe. The daily struggles of reservation life and the tragic deaths of the protagonist's grandmother, dog, and older sister would be all but unbearable without the humor and resilience of spirit with which Junior faces the world. The many characters, on and off the rez, with whom he has dealings are portrayed with compassion and verve, particularly the adults in his extended family. Forney's simple pencil cartoons fit perfectly within the story and reflect the burgeoning artist within Junior. Reluctant readers can even skim the pictures and construct their own story based exclusively on Forney's illustrations. The teen's determination to both improve himself and overcome poverty, despite the handicaps of birth, circumstances, and race, delivers a positive message in a low-key manner. Alexie's tale of self-discovery is a first purchase for all libraries.-Chris Shoemaker, New York Public Library (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Horn Book Review
(Middle School, High School) The line between dramatic monologue, verse novel, and standup comedy gets unequivocally -- and hilariously and triumphantly -- bent in this novel about coming of age on the rez. Urged on by a math teacher whose nose he has just broken, Junior, fourteen, decides to make the iffy commute from his Spokane Indian reservation to attend high school in Reardan, a small town twenty miles away. He's tired of his impoverished circumstances (""Adam and Eve covered their privates with fig leaves; the first Indians covered their privates with their tiny hands""), but while he hopes his new school will offer him a better education, he knows the odds aren't exactly with him: ""What was I doing at Reardan, whose mascot was an Indian, thereby making me the only other Indian in town?"" But he makes friends (most notably the class dork Gordy), gets a girlfriend, and even (though short, nearsighted, and slightly disabled from birth defects) lands a spot on the varsity basketball team, which inevitably leads to a showdown with his own home team, led by his former best friend Rowdy. Junior's narration is intensely alive and rat-a-tat-tat with short paragraphs and one-liners (""If God hadn't wanted us to masturbate, then God wouldn't have given us thumbs""). The dominant mode of the novel is comic, even though there's plenty of sadness, as when Junior's sister manages to shake off depression long enough to elope -- only to die, passed out from drinking, in a fire. Junior's spirit, though, is unquenchable, and his style inimitable, not least in the take-no-prisoners cartoons he draws (as expertly depicted by comics artist Forney) from his bicultural experience. (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. All rights reserved.
(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
Alexie nimbly blends sharp wit with unapologetic emotion in his first foray into young-adult literature. Fourteen-year-old Junior is a cartoonist and bookworm with a violent but protective best friend Rowdy. Soon after they start freshman year, Junior boldly transfers from a school on the Spokane reservation to one in a tiny white town 22 miles away. Despite his parents' frequent lack of gas money (they're a "poor-ass family"), racism at school and many crushing deaths at home, he manages the year. Rowdy rejects him, feeling betrayed, and their competing basketball teams take on mammoth symbolic proportions. The reservation's poverty and desolate alcoholism offer early mortality and broken dreams, but Junior's knowledge that he must leave is rooted in love and respect for his family and the Spokane tribe. He also realizes how many other tribes he has, from "the tribe of boys who really miss . . . their best friends" to "the tribe of tortilla chips-and-salsa lovers." Junior's keen cartoons sprinkle the pages as his fluid narration deftly mingles raw feeling with funny, sardonic insight. (Fiction. YA) Copyright ©Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
