Drawing animals made amazingly easy

Christopher Hart, 1957-

Book - 2007

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Location Call Number   Status
2nd Floor 743.6/Hart Due Apr 14, 2024
Subjects
Published
New York : Watson-Guptill Publications c2007.
Language
English
Main Author
Christopher Hart, 1957- (-)
Physical Description
160 p. : ill. ; 28 cm
Bibliography
Includes index.
ISBN
9780823013906
  • Introduction
  • Dogs
  • Seeing Animals as Humans
  • The Dog Head
  • Areas of Fur on the Head
  • "Smiles" and Barks
  • Simplified Body Structure
  • Standing
  • Sitting
  • Playful Pose
  • Curling Up
  • Running
  • Other Body Types
  • Hands and Paws
  • Feet and Paws
  • Conveying Volume
  • Overlapping Lines
  • Perspective
  • The Effect of Gravity
  • The Wolf
  • Cats
  • The Head
  • The "Sleeping" Eye
  • Rendering Facial Details
  • Standing
  • Sitting
  • Other Cat Postures
  • Horses
  • The Head
  • Simplified Anatomy
  • Body Contours
  • Neck and Chest Muscles
  • The Legs
  • Walking
  • Galloping
  • Deer
  • The Head
  • The Curve of the Neck
  • Varying the Head Placement
  • Simplified Body Structure
  • Alertness
  • Leaping
  • Running
  • Bears
  • The Head
  • The Body
  • Walking
  • Alternate Body Construction: the Three-Circle Method
  • "Standing"
  • Bear Types
  • Lions
  • The Lioness Head
  • Simplified Anatomy
  • Details of the Walk
  • Running
  • The Mane
  • Elephants
  • African Elephants vs. Asian Elephants
  • The Head in Profile
  • The Body in Profile
  • The Body Head-On
  • The Body in 3/4 View
  • The Baby Elephant
  • Other Animals
  • Chimpanzee
  • Bald Eagle
  • Penguin
  • Pig
  • Goat
  • Kangaroo
  • Giraffe
  • Index
Review by Library Journal Review

Hart, one of the world's best-selling authors of drawing and cartooning books, takes an unusual approach in this title for young students. To become comfortable with animal anatomy, he offers a simple solution: "You look for the similarities-between animal and human skeletons. Think of an animal as a strangely built human." For novices who may not have mastered the depiction of humans, this may not be much comfort. That said, Hart does provide adequate training in making simple drawings of dogs, cats, horses, deer, bears, lions, and elephants. Libraries on the whole, however, will be better served by self-taught artist Kaaren Poole's detailed and vivid How To Sketch Animals. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Believe it or not, but animals do not walk on the soles of their feet! They only walk on their toes. Let's go in for a close-up of this concept. When relaxed, a dog's paws are always floppy. That's one of the main distinctions i've noticed between animals and humans: Humans use their hands in a very precise manner, whereas animals use their "hands" in a loose and imprecise way. The idea of relaxed front and rear paws is especially important when dogs-- or any other animals with similar "hands" and "feet"-- walk. Take a look at the Great Dane to the right. This relaxed-paw quality is something that animators use and know well. It's a principle known as drag , and you can see it if you watch any wildlife special on TV. When animals walk, the paws drag behind in a floppy, relaxed manner. This is very different from the way humans walk. Yes, the joints in human hands are often loose during walking, but they never "drag" behind to quite the extent that you see on animals. Excerpted from Drawing Animals Made Amazingly Easy by Christopher Hart All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.