How to live in small spaces Design, furnishing, decoration, detail for the smaller home

Terence Conran

Book - 2007

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Subjects
Published
Buffalo, N.Y. ; Richmond Hill, Ont. : Firefly Books 2007.
Language
English
Main Author
Terence Conran (-)
Physical Description
223 p. : col. ill. ; 28 cm
Bibliography
Includes index.
ISBN
9781554072422
  • Introduction
  • Part 1. Making the Most of Small Spaces
  • Design and Planning
  • Living in small spaces
  • Levels of change
  • Looking for potential
  • Storage
  • How to get rid of things
  • Planning built-in storage
  • Customizing built-in storage
  • Scale and Proportion
  • Architectural detail
  • Minimizing architectural detail
  • Fireplaces and stoves
  • Openings
  • Screens and partitions
  • Open-concept layouts
  • Volume
  • Top lighting
  • Stairs, halls and lighting
  • Simplifying routes
  • Space-saving stairs
  • Making use of circulation space
  • Decorating and Furnishing
  • Color, texture and pattern
  • Creating a decoration scheme
  • Using color
  • Space-enhancing color
  • Textural contrast
  • Bold statements
  • Decorating practicalities
  • Lighting
  • Assessing your needs
  • Types of lighting
  • Lighting schemes for small spaces
  • Choosing light fixtures
  • Choosing light sources
  • Natural light
  • Furnishing small spaces
  • Fold-down furniture and equipment
  • Space-saving beds
  • Minimizing the impact of furniture
  • Basic gear
  • Details
  • Branching Out
  • Getting the work done
  • Planning permits and legalities
  • Hiring professionals
  • Managing the work sequence
  • Converting attics
  • Permits and regulations
  • Structural issues
  • Access
  • Design
  • Converting basements
  • Extending downward
  • Structural issues and building work
  • Natural light
  • Potential uses
  • Cost-effectiveness
  • Additions
  • Assessing your needs
  • Siting
  • Permits
  • Building work
  • Style and character
  • Sheds and Outbuildings
  • Working retreats
  • Converting an existing shed
  • Prefab solutions
  • Converted outbuildings
  • Part 2. Small Space Specifics
  • Area By Area
  • Multipurpose spaces and studios
  • Basic strategies
  • Designing the layout
  • Lofts
  • Living areas
  • Home media solutions
  • Concealed storage
  • Dividers and partitions
  • Surfaces and finishes
  • Kitchens and eating areas
  • Keep it simple
  • Designing the layout
  • Space-saving and space-enhancing ideas
  • Eating areas
  • Bedrooms
  • Creating a tranquil retreat
  • Sleeping platforms
  • Sleeping pods
  • Clothes storage
  • Dressing areas
  • Children's rooms
  • Flexible storage
  • Bathrooms
  • Designing the layout
  • Wet rooms
  • Space-enhancing ideas
  • Home office
  • Siting
  • Live-work
  • Small yards
  • Assessing your outdoor space
  • Planning and layout
  • Design principles
  • Views, vistas and focal points
  • Connecting home and garden
  • Front yards
  • Container gardening
  • Roof gardens
  • Second homes and weekend retreats
  • Choosing a location
  • Expressing a sense of place
  • Practicalities
  • Case Studies
  • Case study 1.
  • 3773 studio project, Los Angeles: Home studio
  • Case study 2.
  • Live-work maisonette, London: Working from home
  • Case study 3.
  • Split-level apartment, Paris: White light
  • Case study 4.
  • One-bedroom apartment, New York: A place for everything
  • Case study 5.
  • Family house, London: Drawing down the light
  • Case study 6.
  • Engawa House, Tokyo: Bringing the outside in
  • Supplies
  • Index
  • Credits
Review by Publisher's Weekly Review

Founder of Habitat stores, designer and author Conran (The Ultimate House Book) recognizes in this prescient work that being upwardly mobile no longer translates into living large, particularly for urban dwellers. Opting for a smaller home enables one to live in a more desirable location, perhaps closer to work; a smaller home is cheaper to run (think energy), easier to maintain and forces one to be more selective in purchases and less acquisitive. "Think laterally and creatively" is Conran's dictum, for example, in assessing needs, decorating the space to make the most of light and air, simplifying architectural details, building in storage and investing in functional, dual-use furniture, i.e., wall beds in neutral shades. Conran is fond of open-concept layouts to permit freer circulation space and is not afraid of suggesting strong color for tight spaces. He emphasizes the importance of lighting, especially diffuse lighting. And once you've done all you can yourself, subsequent chapters treat hiring assistance for converting attics, basements and sheds. In "Area by Area," Conran tackles each tight living space specifically for maximum use-kitchen, bedroom, children's room, bathroom, even small yards. Six cases studies nicely conclude this enormously accessible volume, from a studio in L.A. to a split-level apartment in Paris and an engawa house in Tokyo. (May) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved

Introduction Size, as they say, is not everything. If many of us are living in homes smaller than those in which we grew up, it is not necessarily because circumstances (economic ones, in particular) have forced us to. A recent statistic widely published in the British press reveals that half the households in two of London's more prosperous boroughs, Westminster, and Kensington and Chelsea, are single households, and presumably quite a substantial proportion of these are apartments. As has long been the case in New York, Tokyo and Hong Kong, it seems clear that people are increasingly prepared to make the best of small space living for the sake of a good location. A desire to live near to one's place of work and to avoid long commutes plays a significant part in decisions about where to live. It used to be the case that one's advance up the property ladder could be charted in terms of increasing floor area, as the student bachelor apartment roughly the size of a broom closet was exchanged for the unimaginable luxury of a one-bedroom apartment, which, in turn, eventually led to a family house with several bedrooms and a family-sized yard. This ever-expanding progression is not quite as inevitable today as it once was. The premium price that space commands, particularly in urban areas and densely populated parts of the globe, increasingly means that sooner or later many homeowners (and renters, too, for that matter) find themselves having to rethink their spatial requirements and "downsize" their expectations accordingly. Probably the smallest home I have ever lived in was a single rented room measuring about 10 x 12 ft. (3 x 3.7 m) on the top floor of a house in Warwick Gardens -- actually, it was the first place I lived in when I came to London. As an ambitious young designer, I wasted no time putting my own stamp on my surroundings with bright color, Paolozzi prints and furniture I had designed and made out of welded metal and rope. In the room across from mine lived a woman named Olive Sullivan, who was at that time decorating editor of House and Garden magazine. Occasionally I would get a glimpse into her room, which, much to my amusement, was smothered in patterns largely featuring, as I recall, rosebuds. They were two very similar rooms in size, scale and proportion, but approached in two very different ways, to say the least. I suppose the point I am trying to make is that size need not inhibit personal expression: you can make a small place just as much your own as you can a larger one. A similar point can be illustrated by Madrid's Hotel Puerta America, a "designer" hotel with a difference. Each of its 12 floors is the work of a different architect or designer -- those involved on the project included Norman Foster, Ron Arad, Marc Newson and Arata Isozaki. A stipulation of the brief was that the different architects and designers involved were asked not to talk to each other. Each of the 342 rooms has the same basic grid and parameters, but what eventually emerged were very different interpretations of what a hotel room should be. Whether small space living has been forced upon you or is something you have chosen more positively, this book is for you. It is a "house book" in the fullest sense, in that it covers just about every aspect we could think of, from decorating and furnishing to design and detail, from spatial alterations to distributors and suppliers. Tailoring a small space to meet your needs, and meet them well, is not a question of superficial styling or purely decoration; it is a design job. Throughout, we have firmly stressed the practicalities of how to make a small space work better and feel larger: I always say that if you get the bones right -- the basics of structure, function and layout -- the rest is relatively easy. You may well require professional assistance to translate your ideas into reality, but you need the ideas in the first place, and I hope this book will provide you with more than a few. Space is such a luxury these days, and widely perceived as such, that many people cannot help but feel cheated or hard done by if their homes are not as spacious as they would have liked. This is one of the first attitudes that you must overcome if you are going to enjoy small space living to its fullest. Small homes do entail some degree of compromise, but it is not all about sacrifice. There are many positive aspects to the situation, and it is well worth it to remind yourself of them. Here is a brief list: Opting for a smaller home may enable you to live in a location that you might otherwise not be able to afford, closer to where you work, for example, or within walking or cycling distance of a city center. Smaller homes are cheaper to run, in just about every respect, but notably in terms of fuel bills, utilities and taxes. When it comes to choosing materials -- flooring, for example -you will be able to afford those of a better quality because the surface area that you will need to cover will be limited. The same applies to details such as switches and handles -- you will need fewer, so you can afford better. Small spaces, indoors and out, are easier to maintain. Clearing up or cleaning the house will no longer be a task that no sooner completed must be started all over again. The time you save on routine chores can be spent doing something you really enjoy. Small space living forces you to be selective in your purchases, and this is no bad thing at a time when choice can be overwhelming and many people own and acquire much more than they use or need. The tight planning that small spaces demand often makes everyday tasks easier to perform -- think of the economy of movement and control you gain by working in a small, well-planned kitchen. You may well think of other advantages that you could add to the list. At any rate, it seems to me that the pros potentially outweigh the cons, and certainly provide compelling enough reasons to make the most of whatever space you have. Perhaps most persuasive, however, is the fact that living in a small space forces you to think laterally and creatively and not be bound by convention. Instead of allocating specific functions to separate rooms, you will inevitably need to consider the space as a whole, linking or grouping activities together without the conventional boundaries of walls, as well as building in as much as you can behind the scenes. At their best, small spaces can be both inclusive and flexible, which is perfectly in tune with the relaxed and informal way we want to live now and will no doubt continue to want to live in the future. Excerpted from How to Live in Small Spaces: Design, Furnishing, Decoration and Detail for the Smaller Home by Terence Conran All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.