The people of paper

Salvador Plascencia, 1976-

Book - 2006

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FICTION/Plascencia, Salvador
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Subjects
Published
Orlando, Fla. : Harcourt 2006.
Language
English
Main Author
Salvador Plascencia, 1976- (-)
Edition
1st Harvest ed
Item Description
"A Harvest book."
Physical Description
245 p. : ill. ; 24 cm
ISBN
9780156032117
Contents unavailable.
Review by Publisher's Weekly Review

Plascencia's mannered but moving debut begins with an allegory for art and the loss that drives it: a butcher guts a boy's cat; the boy constructs paper organs for the feline, who is revivified; the boy thus becomes the world's first origami surgeon. Though Plascencia's book sometimes seems to take the form of an autobiographical attempt to come to terms with a lost love, little of this experimental work-a mischievous mix of Garcia Marquez magical realism and Tristram Shandy typographical tricks-is grounded in reality. Early on we meet a "Baby Nostradamus" and a Catholic saint disguised as a wrestler while following the enuretic Fernando de la Fe and his lime-addicted daughter from Mexico to California. Fernando-whose wife, tired of waking in pools of piss, has left him-settles east of L.A. in El Monte. He gathers a gang of carnation pickers to wage a quixotic war against the planet Saturn and, in a Borges-like discovery, Saturn turns out to be Salvador Plascencia. Over a dozen characters narrate the story while fighting like Lilliputians to emancipate themselves from Plascencia's tyrannical authorial control. Playful and cheeky, the book is also violent and macabre: masochists burn themselves; a man bleeds horribly after performing cunnilingus on a woman made of paper. Plascencia's virtuosic first novel is explosively unreal, but bares human truths with devastating accuracy. (June) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved

CHAPTERONEyyySATURNFederico de la Fe discovered a cure for remorse. A remorse that started by the river of Las Tortugas. Every Tuesday Federico de la Fe and Merced carried their conjugal mattress past the citrus orchard and laid it down at the edge of the river. Federico de la Fe would take out his sickle and split open the mattress at the seams while Merced sucked on the limes she plucked from the orchard. Merced sent Federico de la Fe across the river to cut fresh straw and mint leaves while she pulled straw, wet with urine, from the open mattress. For the first five years of their marriage Merced felt no shame in having a husband who wet his bed. She got used to the smell of piss and mint in the morning. And she could not imagine making love without the fermenting stench of wet hay underneath her. When Little Merced was born, Merced joked about Federico de la Fe giving up his cotton under-briefs in exchange for cloth diapers like the ones their daughter wore. But instead both child and husband slept in the nude, curled around Merced. The ratio of mint leaves to hay was increased; and although Merced feared chafing, she spread white sand on the bed to absorb the moisture.But Merced grew impatient when Little Merced learned to use the chamber pot and Federico de la Fes penis continued to drip on the sheets. This is the last straw Im putting into this mattress, she told Federico de la Fe at the river. A wife can only take so many years of being pissed on.Federico de la Fe went to the botanica to find a remedy, because he could not think of anything sadder than losing Merced. The curandero behind the counter gave him a green ointment to rub on his groin and two boiled turtle eggs to chew, a prescription designed to cure his enuresis. As Federico de la Fe chewed on the shells and meat of the eggs and spread the salve, he felt the weight of a distant force looking down on him.LITTLE MERCEDThe medication failed. My mother got up from the bed and wiped the wet sand from her back. She left my father as he slept and I stared at her long and tangled hair. When my father awoke and discovered that my mother was not in the house or in the river washing herself, his sadness began. Merced, it is just you and me, he said with a voice that was sore and full of sadness.My mother was gone and my father chased goats and sheep to bring me milk. At night, instead of sleeping nestled between my mothers breasts, I slept next to my father and felt the wet warmth that had driven her away.It was not until I turned eleven that my father discovered a cure for his decade of sadness, a cure that he never revealed to me. With his sadness the cure also took away his need for washed sheets and fresh straw and mint leaves. If only I had stopped when you were a little girl and your mother was still here, he said, but his sore voice had healed.Two weeks after losing his sadness, my father told me to put my things in the pillowcases that my mother had s Excerpted from The People of Paper by Salvador Plascencia All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.