The other side of the bridge

Mary Lawson, 1946-

Book - 2006

Saved in:

1st Floor Show me where

FICTION/Lawson, Mary
1 / 1 copies available
Location Call Number   Status
1st Floor FICTION/Lawson, Mary Checked In
Subjects
Published
New York : Dial Press 2006.
Language
English
Main Author
Mary Lawson, 1946- (-)
Physical Description
296 p.
ISBN
9780385340373
Contents unavailable.
Review by Booklist Review

It's an age-old story--two brothers in love with the same woman--but in Lawson's masterful hands, the emotive tale of Arthur and Jake Dunn and the young woman who comes between them takes on a luminous originality. Set in a backwoods village in northern Canada, the story flashes back to 1930 to establish the tenacity of the Dunn brothers' relationship, and leaps forward to 1950, where Lawson, following her fine debut, Crow Lake (2002), cannily introduces a fourth element to the standard love triangle. Young Ian Christopherson, son of the town's only doctor, takes a summer job working on Arthur's farm, not because he craves the grueling labor but simply to be closer to Dunn's wife, Laura. When Jake resurfaces after more than a decade's absence, Ian interprets Laura's changed behavior in ways that will have devastating consequences. Lawson's melancholy saga of misspent youth, misplaced passion, and mistaken assumptions evinces both an enchanting delicacy and provocative vitality, and delivers an unerring sensitivity to place and time, people and passions. --Carol Haggas Copyright 2006 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

In this follow-up to her acclaimed Crow Lake, Lawson again explores the moral quandaries of life in the Canadian North. At the story's poles are Arthur Dunn, a stolid, salt-of-the-earth farmer, and his brother, Jake, a handsome, smooth-talking snake in the grass, whose lifelong mutual resentments and betrayals culminate in a battle over the beautiful Laura, with Arthur, it seems, the unlikely winner. Observing, and eventually intervening in their saga, is Ian, a teenager who goes to work on Arthur's farm to get close to Laura, seeing in her the antithesis of the mother who abandoned his father and him. It's a standard romantic dilemma who to choose: the goodhearted but dull provider or the seductive but unreliable rogue? but it gains depth by being set in Lawson's epic narrative of the Northern Ontario town of Struan as it weathers Depression, war and the coming of television. It's a world of pristine landscapes and brutal winters, where beauty and harshness are inextricably intertwined, as when Ian brings home a puppy that gambols adorably about and then playfully kills Ian's even cuter pet bunny. Lawson's evocative writing untangles her characters' confused impulses toward city and country, love and hate, good and evil. (Oct. 3) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Hotheaded Jake won't forgive big brother Arthur for inheriting the family farm or for chasing after the same fetching young woman. And then Jake disappears. Lawson aims to repeat the success of her debut, Crow Lake, a Today show book club selection. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

Another note-perfect take on coming of age in northern Canada, as beautiful as the landscape is stark, from Lawson (Crow Lake, 2002). Jake and Arthur are as dissimilar as brothers can be. Arthur, stolid and strong, takes after their farmer father, which is a great help as the Depression hits even their self-sufficient village of Struan. Quicksilver younger brother Jake is their mother's favorite. She admires his good looks and wit, but is blind to his selfishness. The brothers are so different that the story's crisis feels inevitable. Assigned to walk cows to a neighbor's farm, Arthur patiently leads a nervous heifer over a rickety bridge, while Jake fools around on the bridge's underside. When Jake calls out that the cow's movements might make him fall, Arthur responds with one rare word, "Good," that will haunt him throughout life. Cut to 20 years later, and Arthur is in charge of the family farm, still silent, still suffering, despite a healthy family and lovely wife. This second story focuses on young Ian, the son of Struan's doctor, who obsesses over Arthur's wife. As he wrestles with his own legacy, he becomes more involved with Arthur's, bringing about an event that will lay bare several secrets. With all the elements of melodrama, Lawson instead crafts a deftly interwoven story of family and loss. Jake's not evil, just bored. He, like Ian's mother, isn't valued in this hardscrabble climate, where his father and brother miss his school play due to errands. "Farming's important. Work's important. Time he knew what matters and what doesn't." The calm and beauty of the setting pervade Lawson's second novel, intensifying the heartfelt pull of its simple human drama. Copyright ©Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Chapter One FireFighters Battle BushFire Lost Bear Hunter Located by Plane: In Bush 40 Hours -- Temiskaming Speaker, May 1957 On a small farm about two miles outside Struan there lived a beautiful woman. She was tall and willowy with a lot of fair hair that she drew back into a thick plait and tied with whatever came to hand--a bit of frayed ribbon, an elastic band, an old piece of string. On Sundays she rolled it into a shining ball at the nape of her neck and fastened it somehow so that it wouldn't fall down during church. Her name was Laura Dunn. Laura, her own name, soft and beautiful like she was; Dunn, her husband's name, solid and lumpen like her husband. Arthur Dunn was a farmer, a big, heavyset man with a neck at least twice the width of his wife's, and to Ian, sitting with his parents three pews behind, he looked about as exciting as dishwater. Ian had first noticed Laura Dunn when he was fourteen--she must have been around all his life but that was the year he became aware of her. She would have been about thirty at the time. She and Arthur had three children, or possibly four. Ian wasn't sure--he'd never paid any attention to the children. For a year he made do with watching her in church on Sundays--the Dunns came into town for church every Sunday without fail. Then, when he was fifteen, Ian's father said that he should get a job working Saturdays and holidays and start saving up for his further education, the theory being that you appreciated things more if you'd helped to pay for them yourself. Ian couldn't recall anyone asking him if he wanted more education--it was another of the many assumptions people made about his life--but in this particular case he didn't argue. He got on his bike and cycled out to the Dunns' farm. The farm was an oddity in the Struan area because Arthur Dunn still worked his land with horses. It wasn't because he couldn't afford a tractor--the farm was prosperous enough--and it wasn't through any religious convictions like the Mennonites farther south. When asked about it Arthur would study the ground thoughtfully, as if the question had never occurred to him before, and then say that he guessed he liked horses. No one bought that explanation, though. They all believed that Arthur had been put off tractors years earlier, when his father got one and drove it down to the lower forty, where he rolled it into a ditch and killed himself, all within two hours of its arrival on the farm. Even the youngest and least intelligent of the plow horses would have known better than to fall into a ditch. The day after the funeral Arthur got rid of the tractor and harnessed up the team again and he'd been plodding along behind them ever since. He was out in the fields when Ian cycled up to the farm. Ian saw him, off in the distance, being towed along by two great heavy-footed animals like a picture postcard of a time gone by. Ian leaned his bike up against the pump, which he guessed would only be used to fill the water trough--all but the most remote farms in the area had running water, and electricity too; they'd been connected up to the grid two years ago, when the power lines were run in for the sawmill. Ian picked his way between the chickens to the back door. There was a front door on the other side of the house, but he figured no one ever used it. It would lead into the sitting room, where probably no one ever sat, whereas the back door led into the kitchen, which was where life would be lived. He could hear Laura Dunn talking as he climbed the three steps to the door. The inner door was open, letting the sound of voices out, but the screen door was closed, making it difficult to see in. She was scolding one of the kids, by the sound of it, though Ian couldn't make out the words because a baby was crying. Her voice wasn't sharp and sarcastic, as Ian's mother's voice tended to be when she was annoyed about something. It was exasperated, but still gentle and light, or so it seemed to Ian. There was a lull in the baby's crying and Ian, standing on the top step with his hand lifted, ready to knock on the door, heard Laura Dunn say, "Well for goodness' sake, Carter, couldn't you share it? Couldn't you let her have a turn ?" And a boy's voice said, "She never shares hers !" and a little girl's voice wailed, "I do so!" and the baby started to howl again. There was the sound of a chair being scuffed along the floor and then the screen door was flung open, nearly knocking Ian off the step, and a boy charged out. He gave Ian a startled, angry glance before jumping off the steps and disappearing around the side of the house. He looked about twelve years old and had the sort of face, Ian thought, that made you want to hit him. The sullen, sulky face of a kid who thinks the world's against him. The screen door slammed closed again and Laura Dunn appeared behind it. She gave a start when she saw Ian standing there and said, "Oh! Oh . . . hello! It's Ian, isn't it? Dr. Christopherson's son?" "Yes," Ian said. "Um, yes . . . um, I've come to talk to Mr. Dunn . . . about a job. I wondered if he'd be taking on anyone this summer. I mean, full-time this summer, but maybe Saturdays right away, and then full-time once the holidays start." He felt himself flushing. He was gabbling, because she was so near, just inches away behind the screen door, and she was looking at him, directly and only at him, with those wonderful soft eyes, eyes that he'd noticed always seemed shadowed, as if they contained deep, unfathomable mysteries, or--the possibility occurred to him now, what with the crying of the baby and the behavior of the kids--as if she were tired all the time. "Oh," she said. "Oh, well yes, I'm sure he'd be glad of some help. Just a minute, Ian. . . . I'll come out. Just a minute." She disappeared. Ian heard her say something to somebody and then she reappeared with a baby in her arms. A little girl was behind her, but she shrank back when she saw Ian standing there. He moved down off the steps and Laura came out, bouncing the baby gently up and down on her hip. The baby was fat and sexless, like all babies, and had round, unconvincing tears rolling down its cheeks. It and Ian looked at each other and the baby gave a sort of snort, as if it didn't think much of what it saw, and put its thumb in its mouth. "There, now," Laura said, brushing the top of its head with her lips. "That's better. This is Ian. Say hello to Ian." "Hi," Ian said. He smiled warily at the baby. It stared back and then curled up and buried its face in the folds of Laura's dress, its free hand clutching possessively at her breast. Ian quickly looked down at his feet. "The thing is, you'll really need to speak to Arthur," Laura was saying. "He's plowing at the moment." She nodded in the direction of the picture-postcard view of her husband. "If you'd like to go out and have a word with him . . . just along that track there." She looked doubtfully at Ian's bike. "Only I think you'd be better to walk. The horses cut up the path a bit. . . . But I'm sure he'll be pleased--it's so hard to get help. Men nowadays don't know how to deal with horses, you see." She smiled at him. "But maybe you like them. Is that why you've come?" "Well, sort of," Ian said. He hadn't given the work of the farm--the actual job he was applying for--a thought. Arthur Dunn could have hitched his plow to a moose, for all he cared. At the moment all his attention was taken up with trying not to look at the baby, which had now, unbelievably, wormed its hand inside its mother's dress and was tugging at what it found in there, all the while making fretful smacking noises with its lips. Laura gently disengaged the small hand. "Shush," she said to the baby. She smiled at Ian again, seeming not to notice his embarrassment. "Come back and let me know what he says, all right?" Ian nodded, and turned, his mind filled to the brim with the nearness of her, her overwhelming presence , and made his way down the muddy track to where Arthur Dunn was plodding up and down the furrows behind his horses. Arthur Dunn, so solid, so dull, so obviously unworthy of such a wife. Arthur Dunn, who, when he saw Ian approaching, halted his team and came across the field to meet him, and said yeah, sure, he could use a hand, and would Ian like to start this coming Saturday? Ian's grandfather had been Struan's first resident doctor, and when he'd answered the "Doctor Wanted" advertisement they'd put in a Toronto medical journal, the grateful townspeople built him a house just a block west of Main Street, a couple of hundred yards from the lake. It was a handsome wooden structure, white-painted and green-trimmed, with lawns on all four sides and a white picket fence surrounding the lawns. In the early days there was a neat white stable for the horse and buggy twenty yards from the house. Later the first Dr. Christopherson acquired a Buick Roadster, which became as much a part of him as his old black leather medical bag, and a garage was added beside the stable. He kept the horse for use in winter, when the back roads around Struan were impassable by anything except a sled. His son, the present Dr. Christopherson (who also drove a Buick, though his was the sedan), was sometimes heard lamenting the absence of the sled even now, given the state of the town's one and only snowplow. As much as anything else, the building of the house had been a statement of faith on the part of the people of Struan. Until then they'd had to go to New Liskeard if they required a doctor, and if you needed medical help badly enough to make the journey to New Liskeard, the odds were that you were in no state to make the journey. Getting their own doctor was a sign that the town had arrived. In the brief interval between applying the final coat of paint and the arrival of Dr. Christopherson, the people of Struan found excuses to walk past the house and admire it. You looked at that house and you thought, this is no fly-by-night northern settlement sprung up around a sawmill; any town that can afford to build its doctor a house like this is here to stay. Ian was aware of most of this personal and civic history, and as far as he was concerned his grandfather must have been raving mad. Imagine voluntarily leaving a city like Toronto to come to a hick town like Struan. And though you could excuse his grandfather's mistake on the grounds of ignorance--he couldn't have had any real idea what he was coming to--there was no such excuse for Ian's father. He had been born and brought up in Struan, and had then escaped, but after living in Toronto for almost a decade while he took his medical degree and worked in the Sick Children's Hospital, he had returned to Struan to take over his father's practice. Ian couldn't understand it. Why would anyone do such a thing? What was Struan, apart from a sawmill? A sorry bunch of stores lined up along a dusty main street, with nothing in them anyone would want to buy. A couple of churches. The Hudson's Bay Company. A post office. A bank. Harper's Restaurant. Ben's Bar. A hotel--because, incredibly, some people chose to come to Struan for their holidays--and a little clutch of holiday cottages down by the lake. The lake was the town's only asset, in Ian's opinion. It was large--fifty miles long, north to south, and almost twenty miles across--and deep, and very clear, surrounded on all sides by low granite hills studded with spruce and wind-blasted pines. Its shore was so ragged with bays and inlets and islands that you could spend your life exploring and never find half of them. When Ian dreamed of leaving the town, which he did all the time nowadays, the thought of leaving the lake was the only thing that bothered him. The lake and Laura Dunn. He parked his bike up against the veranda of the house, climbed the wide wooden steps to the porch, and went in. The door to his father's office was closed and he could hear voices behind it, but the waiting room was empty, so Ian sat down on one of the dozen or so battered old chairs lining the walls and flicked through a two-year-old copy of Reader's Digest while he thought about Laura Dunn. The wavy strands of her hair escaped from their elastic band and drifted around her face. Those shadowed eyes. Her breasts. He'd noticed--he couldn't help noticing--that on the front of her dress there had been two wet circles where her breasts had leaked milk. The door to the office opened and Ted Pickett, owner of Pickett's Hardware, came out with his arm in a sling. He nodded at Ian and grimaced and Ian grimaced back. Patients entered the house by a side door but both the office and the waiting room were right off the hall, so all his life he'd been used to seeing people going in and out in varying degrees of anguish, and he'd got his responses down pat. "He doesn't think it's broken," Mr. Pickett said. "That's lucky," Ian said. "He thinks it's just sprained. Hurts like hell though." Ian nodded sympathetically. "Did you fall off the ladder?" There was a ladder on wheels in the hardware store that Mr. Pickett scooted around on, reaching for nails or nuts or brackets or hinges, an accident waiting to happen. "Yeah," Mr. Pickett said, looking surprised. "How did you know?" "I just . . . kind of . . . wondered," Ian said politely. When Mr. Pickett left he knocked on his father's door and went in. "I've got a job," he said. His father had his back to him. He was rolling bandages and placing them neatly back in their drawer. His desk was littered with papers--patients' notes, medical journals, bills--but the tools of his trade were always properly put away. "That was quick," he said. "Arthur Dunn's farm," Ian said. "He said I could start Saturday." His father turned around and took off his glasses and blinked at him. "Arthur Dunn's farm?" "Yes, you know . . . doing . . . farm work." "Farm work." His father nodded vaguely, as if trying to imagine it. "I thought I'd like something outdoors," Ian said. Dr. Christopherson put his glasses back on and looked out the window. It had just started to rain. "Yes," he said doubtfully. "Well . . . if that's what you want. Arthur's a nice fellow." He looked dubiously at Ian. "It'll be hard work, you know." "I know," Ian said. "Did you see the horses?" "Yes." "Magnificent animals." "Yes," Ian said, though he had barely noticed them. He and his father smiled at each other, glad to be in agreement. They were usually in agreement, unlike Ian and his mother. Next he went and told his mother, who was watching I Love Lucy in the living room. Television had finally--finally!--reached Struan a couple of months earlier, proof, if more were needed, of how backward things were up here. Ian's mother had disapproved of it at first, but now she watched it more than he did. In fact, just lately she seemed to watch it all the time. She was supposed to be in with his father--she was his nurse--but apart from the odd emergency, Ian hadn't seen her in the office for weeks. "Mum?" he said, standing in the doorway. She was in one of her absent moods--he could tell even though he couldn't see her face. She had two moods nowadays, absent or annoyed, and whichever one she was in he invariably found he preferred the other. "Mum?" he said again. She turned her head a few degrees, not taking her eyes off the screen. "I've got a job," Ian said. She turned a little more and met his eyes, and he saw the glazed look fade as she focused on him. "What was that?" she said. "I said I've got a job." "Oh," she said. She smiled at him. "That's good." She turned back to the television. Ian waited a minute but there was no further response, so he went into the kitchen to get a reaction from Mrs. Tuttle instead. She was breading chicken pieces for supper, dipping each piece in a bowl of beaten egg and then slapping it back and forth in a dish of bread crumbs. "I've got a job, Mrs. Tuttle," Ian said. "Have you now?" she said, placing a breaded breast down on the baking tray and taking a pale, slippery-looking chicken leg from the hacked-up carcass on the chopping board. "That's exciting. What is it?" "Helping Mr. Dunn on his farm." She paused, then turned her head to look at him. Her glasses were splattered with the day's cooking--a dusting of flour from the tea biscuits, a little smear of butter, a scattering of crumbs--even what looked to be a shred of carrot peel. "Goodness!" she said, ducking her head in order to look over the top of them. "Whatever did you want a job like that for?" Which was what he'd expected her to say, and therefore satisfying in its way, so he smiled at her and left. His mother was still in front of the television when he passed the living room door on his way upstairs; I Love Lucy had finished and she was watching a program in French. It struck Ian as strange, because she didn't speak French. He wondered if anyone else's mother watched television during the day. It was hard to know. The mothers of most of his friends were farmers' wives and didn't have time to sit down, much less watch TV. But his mother had never been like other people's mothers. She didn't come from the north--she was an outsider, from Vancouver originally. She wore smart shoes with heels, even around the house, and skirts with sweaters that matched, and had her hair set in loose waves instead of tight little corkscrews like the mothers of his friends. In the evenings, she and Ian and his father ate formally in the dining room, instead of at the kitchen table. They used napkins-proper white linen ones, washed and starched and ironed by Mrs. Tuttle every Monday. Ian suspected that no one else in the whole of Struan would have the first idea what to do with a napkin. Excerpted from The Other Side of the Bridge by Mary Lawson, Mary Lawson All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.