Family and other accidents A novel

Shari Goldhagen, 1976-

Book - 2006

Saved in:
Subjects
Published
New York : Doubleday c2006.
Language
English
Main Author
Shari Goldhagen, 1976- (-)
Edition
1st ed
Physical Description
viii, 262 p.
ISBN
9780767925884
9780385515979
Contents unavailable.
Review by Booklist Review

After his mother dies, 25-year-old Jack Reed returns to Cleveland to work at his late father's law firm and raise his brother, Connor, who is still in high school. Jack becomes a workaholic with a parade of women streaming in and out of his life, while lonely Connor feels he is a burden to his brother. Wary of their emotions, the two brothers avoid talking about the devastating events that have profoundly changed their lives, instead bickering over minutiae and suffering from an array of physical ailments. Connor eventually marries a leggy Harvard grad and immediately sets out to create the family he never had, while Jack becomes involved with a red-haired reporter whom he's not sure he loves. As the years pass and their partners change, as Jack becomes immensely wealthy and Connor gets sick, the brothers' bond becomes the central fact of their lives and one they finally acknowledge. In this immensely assured first novel, Goldhagen uses a wealth of skillful techniques to create an indelible portrait of the flawed but loving Reed brothers. --Joanne Wilkinson Copyright 2006 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Five years after their father dies of a heart attack, Jack and Connor Reed's mother dies of an aneurysm, and Jack, 25, returns to Cleveland to take care of 15-year-old Connor and to work in his late father's corporate law firm. This debut novel from Goldhagen, a celebrity reporter, spirals episodically through two-plus decades of Connor and Jack's fraught fraternity, showing the aftermath of loss in devastatingly efficient snapshots. Goldhagen cuts smoothly between the two men's perspectives, and widens out to include Jack's wife, Mona; Connor's wife, Laine; and, later, their children. Domestic disconnection and dissatisfaction are the rule, with marriages and pregnancies occurring more by chance than choice. Unsentimental and emotionally riveting, this is a portrait of the love between people who are not particularly good at loving. Even when Connor gets ill and tells Jack, "I tell everyone you're the only parent I ever had," their connection remains inarticulate. (Apr.) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

This debut novel begins in the suburbs of Cleveland, OH, with orphaned brothers Jack and Connor Reed. The older and supposedly wiser Jack finds himself the caretaker of teenaged Connor, who suspects that Jack has put aside his own future and taken a job in their deceased father's law firm so that he can raise Connor in the family home. Connor knows Jack could do much better as a big-city lawyer and senses the resentment Jack must harbor for him. The two young men grown up and grow apart as Connor goes off to school and Jack asks Mona, the girlfriend he may or may not really love, to move in with him to help fill up the lonely house. As the years pass and girlfriends come and go, Jack and Connor remain tied together. Goldhagen does a wonderful job of describing the familial bond and all the ups and downs and oddities that we consider family. This would also make a good book group selection. Highly recommended.-Leann Restaino, Girard, OH (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

This sharply realistic debut novel traces the lives of Jack and Connor Reed, brothers growing up in Shaker Heights, Ohio. The two are orphaned when Jack is a fledgling lawyer of 25 and Connor a shy, likable boy of 15. This narrative sticks relentlessly to the issues of private life--Jack's relationships with women, Connor's near-fatal leukemia, both men's marriages and children--and follows their careers only insofar as they contribute to stress, vanity or economic stability. Although everyone involved is depicted as being exceptionally bright, no one seems to have a stray thought to spare for art, science, religion, philosophy or the public good. An unwavering focus on daily life, of the dog-to-the-vet, trip-to-the-convenience-store variety, makes the characters' lives seem real, but also pedestrian. The story's merit is neither on the level of events, which are relatively unexciting, nor of language. Goldhagen's style is merely a means to an end, clear, serviceable and occasionally cliché-ridden, as when she describes Jack's second wife as having "dewy skin and eyes blue and faceted as cut sapphires." When she strays from familiar locutions, however, the results are hardly more successful, as when one character reflects, "There were annoying hangnails of boredom itching to be chewed." Where the author excels is at the level of moral choice: Her characters struggle toward a sense of what it means to be an adult, one who takes responsibility for another's well-being. When Connor is diagnosed with leukemia, for example, his relationship with his wife Laine becomes mired in conflict. Nevertheless, when Connor insists on taking a shower despite his doctor's warning that the heat could cause him to faint, Laine sits protectively "watching him through the beveled glass." The pervasive emphasis on kindness and responsibility is what gives this book its value. Copyright ©Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

One stealing condoms from joe jr.'s room One hundred and ninety-eight hours before Jenny Greenspan's birth control pills should kick in, Connor is in juvenile traffic court explaining how he followed a pickup truck through a yellow light and slammed into the side of a minivan. "It was raining and hard to see." He tries to sound apologetic, the way his brother suggested on the ride over. Really he just wants court to be over so he can use the bathroom; he's had a weird stomachache since Jenny told him about the pill last night. "I assumed it was okay, because the truck ahead of me made it through. I was only following." "Your Honor, the conditions were treacherous." Next to him Jack pipes in -self--assured and authoritative. "If you look at the accident report, the officer even made note of it." Bored and gray-bearded, the judge looks at Jack and actually yawns, says Connor should be more careful next time and pay the seventy-five-dollar fine at the cashier's window. Connor thanks the judge because Jack thanks the judge. Hurried as always, Jack pulls on his beige trench coat and fishes his wallet out of his briefcase before they've even left the courtroom. He rips out a blank check, hands it to Connor, tells him to wait in line while he calls his office. By the time Jack comes back Connor is forging his brother's signature and finishing with the clerk. "Fucking ridiculous we had to come all the way down here," Jack says. At twenty-seven, he's ten years older, a second-year associate in their father's law firm, Connor's legal guardian for five and a half more months. "We could have just mailed that." "Yeah, it would have been easier." Connor agrees to be polite; he's just glad his driver's license wasn't revoked. He's got his eyes on the men's room down the hall. "Can I run to the bathroom--" "Aww come on, Conn." Shaking his head, Jack flips up his wrist and looks at his watch. "I have to drop you home before I can go back to work." Connor starts to say he didn't enjoy spending Friday afternoon in court either, but changes his mind. Last month, while waiting for Jack at the Bagley Road Repair shop after the accident, the unsalvageable remains of his car bleeding oil and green fluid on the garage floor, Connor had felt oppressively guilty and had developed a laundry list of things he would do to make Jack's life better: learn to cook so Jack wouldn't eat greasy takeout every night; pick up Jack's dry cleaning; apply to Case Western and Ohio State and not just schools out west. So far he has done none of those things-he hasn't even thanked Jack for paying his traffic fine. Maybe not using the bathroom is a place to start. "I can wait until I get home," Connor says, though he's not entirely sure. "Thanks for coming with me. I know you're crazy busy." "Go ahead," Jack growls, as if it's truly a great concession. With the back of his hand, he waves Connor to the men's room. "Just don't take forever, okay?" On the toilet stall walls, graffiti claims Pearl Jam sucks, the East Side could kick the West Side's ass, and everyone should vote Clinton. Briefly Connor fantasizes these notes are from the mind of a serial murderer or a bank robber-infinitely more interesting than another juvenile traffic offender. But then he reads that Jill C. gives awesome head, and he's thinking about Jenny and the pill again. On the phone last night, she said they should have sex when it started working next weekend. "Sure," he'd said; he didn't think seventeen-year-old boys were allowed to turn down such offers. Even if the seventeen-year-old boy was almost certain he didn't love his girlfriend. When Connor comes out of the men's room, Jack is down the hall by the water fountain, his hand on the shoulder of a girl. Connor can't see her well, but can tell she has great hair--long and red and curly. Her neck is tilted back, like she's laughing, like something Jack said is really fabulous--he probably didn't tell her there wasn't time to use the bathroom. Noticing Connor, Jack nods, leans in to say something to the girl, his fingers still on her arm. As they part, she turns to look at him again, but Jack doesn't look back. "Who was that?" Connor asks. " That was a reporter from the Plain Dealer ." Jack's mood has turned 180. He smiles, shoulders loose, coat draped over his arm, suit jacket unbuttoned. "She ran into me at the drinking fountain, and her stuff went everywhere. We're going for coffee tonight. Cute, isn't she?" "Yeah," Connor says flatly. A girl from Penn's Young Alumni chapter spent the night twice last week, and the temp who organized files in Jack's office still calls their house constantly. "You know, we've got to get cracking on teaching you stick," Jack says. "I'm going to work all weekend, so I can just skip out this afternoon. Let's go home, change, and you can practice for a couple hours." Connor nods. Jack had used the accident as an excuse to get the BMW, saying he'd give Connor the Nissan Sentra he'd driven all through law school. But the Sentra is a manual transmission, and for weeks Jack has been promising to teach Connor how to drive it. Now, with Jack greased and happy from the encounter with another girl he doesn't need, is as good a time as any. But an hour later (one hundred and ninety-six hours before Jenny Greenspan's birth control takes effect), on an empty service road in the business district, Jack is wound and tense as Connor tries to put the Sentra in second gear. "Shift, shift." Jack slams his foot on an imaginary clutch on the passenger side, squeezes the utility hook overhead. "Now!" But even as Connor switches the weight in his feet from one pedal to the other, the car shudders and dies. "You can't just sit in the middle of the road," Jack says, as if they're on the interstate instead of a deserted alley. "Are you going to start the fucking car?" Indignation percolates in Connor's throat. He restarts the Sentra. Downshifts. Stops at the stop sign-the engine trembles, stays running. Jack shakes his head, rubs eyebrows with his thumb and forefinger. Connor makes the easy left from the one-way onto the main road. "What are you doing!" Jack yells as a Ford Taurus, bright yellow and angry, hurtles toward them. "Wrong side! Wrong side!" Jack reaches for the wheel just as Connor starts to turn it. Hand on top of hand, they jerk the car across the double yellow line. The long blast of a horn dopplering by them. "Pull in there." Unnaturally red, Jack points to a low-rise industrial complex with a squat sign offering the name "Cleveland Communications." "How did you ever get your license in the first place?" "I made a mistake, okay?" In the worn vinyl driver's seat, Connor stares straight ahead as Jack gets out of the passenger door and comes around to the driver's side. When Jack opens the door, cold air rushes in, stinging his bitten lips. "Get out." Jack bends down so they're eye level. "You're done driving today." "It wasn't my fault." "You decided we were in England." Jack drums long fingers on the car frame. "How is that not your fault?" "You were making me nervous." "Yeah, well, it makes me nervous when you drive into other cars. You're going to give me a fucking coronary." Their father's heart hadn't outlasted his fifties. Instead of exercising or eating vegetables, Jack makes lots of slightly off comments about having heart attacks. "Come on. If I have to take you out of the car, we're both going to feel really stupid." Connor doesn't move, and Jack reaches in and unhooks the seat belt. Putting one hand on Connor's shoulder, Jack slides the other under the bend in his brother's knees. Maybe half an inch taller, Jack outweighs Connor by twenty-five pounds, could probably pick him up without much effort. "Fine, I'm moving." Connor smacks Jack's hands away, climbs over the console into the passenger side, feet tangling with the gear shift and the cup holder. Jack sighs, gets in, starts driving. Cleveland rolls past, brown and crunchy in early November. Springsteen's Born to Run album is in the cassette deck, so low it's barely audible. As "Thunder Road" starts its whiny harmonica intro, Connor fiddles with the volume knob. But it's hard to adjust it blindly and he doesn't want to chance looking at his brother. So he stares out the window, tapping his fingers on the cold, cold glass in time with the music. "Are you mad at me?" Jack asks. "No," Connor tells the window. A two-mile silence. "Look, I don't think we can do this without killing each other," Jack says, turning onto their -cul--de--sac. "Call the driving school you went to last year. Just give them a check." It's the same kind of thing his parents did before they died--his father when Connor was ten; his mother of an aneurysm while showing a house in Shaker Heights two years ago. When Connor was born, his parents had been old enough to be his grandparents; there'd been lots of things they paid other people to do for their youngest son. "I can't just go to the driving school," he says. "You're going to need to sign something." "Have them fax me whatever I need to sign," Jack says. "Do you need a ride anywhere? I told the reporter I'd meet her at nine." Waiting for the garage door to roll open, Connor can see into his bedroom window, where the shades are open, lights left on. Over his desk hangs the framed black-and-white poster of John Kennedy, hand under his chin, looking pensive and presidential. "Jenny can pick me up," Connor says, out the door and in the house before Jack even puts the car in park. One hundred and ninety-two hours before Jenny Greenspan's pills start working, Connor's head is between her thighs in a pile of dead leaves in Lakefront Park. "Higher, higher." Jenny is on her back, jeans and panties bunched around hiking boots at her ankles. "Right there." He and Jenny have been going down on each other every weekend for the past four months, but he still has no idea what she's asking for, what he's supposed to be doing. His friends offered bad metaphorical advice-like your tongue is a fine-point pen; not like you're trying to wallpaper a house. None of them warned it would taste very, very bad or that her pubic hairs would get caught in his throat. Jenny's orgasm-a series of uninspired "oh Gods"-seems largely faked, far too similar to that scene in When Harry Met Sally. "Your turn." She pulls up her pants and runs fingers through her long ponytail. "But I don't see why we have to do this here. Your brother never cares if we're in your room." "It's a nice night." Connor flips onto his back and unzips his jeans. "And the woods are romantic." When he thought of it earlier in the day, it had seemed romantic--sort of rustic, a mountain man kind of thing. But it's about thirty-five degrees, and they're both freezing, having fashioned a makeshift blanket from their ski jackets and scarves. The leaves and crisp grass itch his ass, and a stick practically poked his eye out while he was going down on Jenny. They're really in the park because Connor wanted to get away from Jack, and the Sentra, and the new girl with the red hair. Jenny curls her fingers around his dick, and he trembles-more because her hands are cold than because of anything she's doing. Then her hot mouth on his cock, going up and down, up and down. He props himself on his elbows and reaches for her breasts, malleable and firm like balled socks. Her cheeks are red from the breeze off the lake and her tan has almost completely faded. They met as lifeguards at Euclid Beach last summer, peeling sheets of dead skin off each other's leathery brown shoulders and making out under the pier during breaks. She lives a few suburbs away in Solon and wanted to keep dating when school started. He likes the oval muscles in her calves, the dimples deep in her checks, how she says "soda" instead of "pop," is pretty sure he doesn't love her and often finds he has nothing to say in response to things she talks about when she calls. As he feels himself starting to give, he taps her shoulder. "Jen," he moans, "you should move." She bobs out of the way and white jizz arcs into the air, landing on the sleeve of his coat. He just stares at it until he remembers to kiss her forehead through her knit ski hat; she likes that. Clothes and coats back on, they make their way to the car, branches and dying autumn things cracking under their feet. She threads her arm round his waist-always touching him, as if that could fill the awkward spaces between them. Hand resting on Jenny's on the armrest, he drives her mother's station wagon back to his house. A Simon and Garfunkel song comes on the radio, and they both sing, quietly at first. "Kathy, I'm lost, I said, though I knew she was sleeping. I'm empty and aching and I don't know why." Squeezing his hand, Jenny smiles, and they sing louder. Her voice is thin but pretty-one more thing to like. On the high notes, his tenor splinters. Jenny laughs, and Connor forgets that they have to have sex in one hundred and -ninety--one hours, that he can't drive stick, that Jack keeps pressuring him to apply to Case Western. "Counting the cars on the New Jersey Turnpike, they've all come to look for Amer-i-ca--" He stops singing when he sees the strange car in his driveway, realizing it must belong to Jack's reporter. "Don't forget to get condoms before next weekend," Jenny says, as if she were reminding him to call ahead and find out movie times. "It's good to have a backup method, just to be on the safe side." Connor gives a nod punctuated by the birth-control-announcement stomachache. Excerpted from Family and Other Accidents by Shari Goldhagen All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.