Review by Booklist Review
\deflang1033\viewkind4\uc1d\f0\fs24 The Knights Templar, a small monastic military order formed in the early 1100s to protect travelers to the Holy Land, eventually grew and became wealthy beyond imagination. In 1307, the French king, feeling jealous and greedy, killed off the Templars, and by 1311, the last master, Jacques de Molay, was burned at the stake. The whereabouts of the Templars' treasure--and their secrets--have been the subject of legend ever since. Now, a new thriller tries to follow in the steps of The Da Vinci Code0 . There's no doubt that Khoury's Last Templar 0 has one of the most gripping opening scenes among recent thrillers. Four horsemen, dressed as Templars, ride their steeds up the steps of the Metropolitan Museum of Art, crashing into a show of Vatican artifacts and stealing a coding device that can unlock the Templars' secrets about the early days of Christianity. Archaeologist Tess Chaykin is a witness to the theft, and her professional juices kick in, prompting her to join forces with FBI investigator Sean Reilly. The action moves back and forth in time between the Templars' last battle and the present-day search for the missing device and the message it will decode. Khoury is a screenwriter, and his story is nothing if not cinematic, as it skips across three continents and climaxes with a storm at sea of biblical proportions. A nice twist at the end spins the Christian history everyone's been chasing. --Ilene Cooper Copyright 2005 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
The war between the Catholic Church and the Gnostic insurgency drags on in this ponderous Da Vinci Code knockoff. The latest skirmish erupts when horsemen dressed as knights raid New York's Metropolitan Museum of Art, lopping off heads and firing Uzis as they go. Their trail leads FBI agent Sean Ryan and fetching archeologist Tess Chaykin to the medieval crusading order of the Knights Templars. Anachronistic Gnostic champions of feminism and tolerance against Roman hierarchy and obscurantism, the Templars, they learn, discovered proof that Catholic dogma is a "hoax" and were planning to use it to unite all religions under a rationalist creed that would usher in world peace. Screenwriter and first-time novelist Khoury spices up the doctrinal revisionism with Da Vinci-style thriller flourishes, including secret codes, gratuitous but workmanlike action scenes and a priest-hit man sent out by the Vatican to kill anyone who knows anything. The narrative pauses periodically for believers-vs.-agnostics debates and tutorials on everything from the Gospel of Thomas to alchemy. Though long-winded and sophomoric, these seminars are a relief from Tess and Sean's tedious romance, which proceeds from awkward flirtations as they listen to Sean's mix CD to hackneyed intimacies about childhood traumas. The novel's religious history is as dubious as its conspiracy plot, but anti-clericalists-and Catholics taking a break from the church's real headaches-could unwind with it. (Feb.) (c) Copyright PWxyz, LLC. All rights reserved
(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review
During a "Treasures of the Vatican" exhibit at New York's Metropolitan Museum of Art, four masked horsemen dressed as Templars trot straight up the museum stairs and steal a valuable object. Screenwriter Khoury's first novel has sparked hot auctions in 21 countries. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
Keep the code, scratch da Vinci. It's 1291, and in Jerusalem, the Knights of the Templar--long allied to the established church--are taking a pasting from the Saracens. The Grand Master Templar, seeing the handwriting on the wall, summons trusted aides, and places in their care an unassuming little item containing metaphoric dynamite. Flash forward 700-plus years to the Metropolitan Museum of Art. It's the fancy opening of a special exhibit: Treasures of the Vatican. Crashing the event are four marauders on horseback, wearing iron clothing and masquerading as Knights of the Templar. They gallop up the steps of the Met clearly intent on larceny--of a particular kind, it turns out, when they ignore the sumptuous array of glittering prizes in favor of a gadget described in the catalogue as a "multigeared rotor encoder." Lovely, feisty Tess Chaykin, an archaeologist, is witness to the curious events. Her interest changes from mild to near-obsessive as she continues to ponder implications: If an encoder is so urgently sought, she reasons, it follows that somewhere there's a really big-time code in need of breaking. Enter stalwart, semi-hunk FBI counter-terrorism expert Sean Reilly, who is equally struck. And more than a little struck by Tess as well. Now enter the bad guys--chief among them a rogue archaeologist with an unquenchable hate for organized religion, and his opposite number, a Catholic priest with ninja-type moves. The game's afoot, a humongous mystery needs to be solved, and at the center of it is a certain Jeshua of Nazareth, carpenter, who kept a meticulously detailed personal journal, and who may or may not have been "just a man." A mostly implausible first novel. Copyright ©Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
