The miraculous journey of Edward Tulane

Review by Booklist Review

Gr. 2-4. As she did in her Newbery Medal Book, The Tale of Despereaux (2004), DiCamillo tucks important messages into this story and once more plumbs the mystery of the heart--or, in this case, the heartless. Edward Tulane is a china rabbit with an extensive wardrobe. He belongs to 10-year-old Abilene, who thinks almost as highly of Edward as Edward does of himself. Even young children will soon realize that Edward is riding for a fall. And fall he does, into the sea, after mean boys rip him from Abilene's hands during an ocean voyage. Thus begins Edward's journey from watery grave to the gentle embrace of a fisherman's wife, to the care of a hobo and his dog, and into the hands of a dying girl. Then, pure meanness breaks Edward apart, and love and sacrifice put him back together--until just the right child finds him. With every person who taouches him, Edward's heart grows a little bit softer and a little bit bigger. Bruised and battered, Edward is at his most beautiful, and beautiful is a fine word to describe the artwork. Ibatoulline outdoes himself; his precisely rendered sepia-tone drawings and color plates of high artistic merit are an integral part of this handsomely designed package. Yet even standing alone, the story soars because of DiCamillo's lyrical use of language and her understanding of universal yearnings. This will be a pleasure to read aloud. --Ilene Cooper Copyright 2006 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.

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Review by Publisher's Weekly Review

Equal parts fantasy and old-fashioned heart-tugger, DiCamillo's (Because of Winn-Dixie) timeless tale about the adventures of a china rabbit proves fine material for family listening in the capable hands of actress Ivey, who brings deeper hues of emotion to an already colorfully original script. China rabbit Edward Tulane is a dapper, rather full-of-himself fellow, never appreciating the love heaped on him by his 10-year-old owner Abilene. But when Edward is tossed overboard during a trans-Atlantic voyage with Abilene's family, he discovers that his own complicated journey is just beginning. Ivey provides a stalwart, straightforward narration and additionally proves an agile player, delivering the accents and voices of the variegated cast that drifts in and out of Edward's life. As Ivey brings Edward's travels full circle, listeners will wholly believe his subtle yet magical transformation. Ages 7-up. (Feb.) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved

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Review by School Library Journal Review

Gr 3-6-This achingly beautiful story shows a true master of writing at her very best. Edward Tulane is an exceedingly vain, cold-hearted china rabbit owned by 10-year-old Abilene Tulane, who dearly loves him. Her grandmother relates a fairy tale about a princess who never felt love; she then whispers to Edward that he disappoints her. His path to redemption begins when he falls overboard while during the family's ocean journey. Sinking to the bottom of the sea where he will spend 297 days, Edward feels his first emotion-fear. Caught in a fisherman's net, he lives with the old man and his wife and begins to care about his humans. Then their adult daughter takes him to the dump, where a dog and a hobo find him. They ride the rails together until Edward is cruelly separated from them. His heart is truly broken when next owner, four-year-old Sarah Ruth, dies. He recalls Abilene's grandmother with a new sense of humility, wishing she knew that he has learned to love. When his head is shattered by an angry man, Edward wants to join Sarah Ruth but those he has loved convince him to live. Repaired by a doll store owner, he closes his heart to love, as it is too painful, until a wise doll tells him that he must open his heart for someone to love him. This superb book is beautifully written in spare yet stirring language. The tender look at the changes from arrogance to grateful loving is perfectly delineated. Ibatoulline's lovely sepia-toned gouache illustrations and beautifully rendered color plates are exquisite. An ever-so-marvelous tale.-B. Allison Gray, John Jermain Library, Sag Harbor, NY (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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Review by Horn Book Review

(Intermediate) Edward Tulane is a china rabbit with real rabbit-fur ears and tail, a sumptuous wardrobe, and a pampered life with Abilene Tulane, the little girl who loves him. Her devotion isn't returned. Edward's heart is as chilly as his china body until his fortune changes and he spends some time in the muck at the bottom of the ocean. He passes through several hands over the years, found first by an elderly fisherman and his wife. With them, he learns to listen and to remember the stories they whisper to him, and his heart for the first time begins to wake up. Edward's journey continues -- he spends time in a garbage dump, travels around with a hobo and his dog, and lives with several others, learning to love those who love him. DiCamillo writes tenderly and lyrically but with restraint, keeping a tight focus on Edward's experience and gradual awakening. The book is physically beautiful as well, with cream-colored pages and a generous number of illustrations. Ibatoulline's appropriately old-fashioned sepia-toned drawings and full-color plates, which possess the same poignant quality as DiCamillo's prose, ground the fanciful story in a realistic setting. Although Edward (like the Velveteen Rabbit his story can't help but bring to mind) is the worse for wear, a happy ending awaits him. (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. All rights reserved.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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Review by Kirkus Book Review

Once again, DiCamillo harkens back to an older storytelling style, filled with magic and the transformational power of love. Edward Tulane is a china rabbit--dapper and serious and more than a little superior. His mistress, Abilene Tulane, loved him and "thought almost as highly of Edward as Edward thought of himself." Edward is interested in little beyond his own comfort and beauty. Indeed, everyone except for Abilene's grandmother, Pellegrina, condescends to him. She commissioned his making, ordered his dapper clothing and smart pocket watch and, in the end, demanded a good deal more of Edward than he thought he wanted to give. Her warning, "You disappoint me," thrusts Edward into the adventure that becomes his life. He learns about love, loss and consequences. Somewhere between fairy tale and fable, DiCamillo spins the tale of Edward, transformed by the lives he touches. The reader will be transformed too. Sumptuous gouache illustrations complement the old-fashioned, dramatic narrative. Keep the tissues handy for this one. (Fiction. 7+) Copyright ©Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

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CHAPTER ONE Once, in a house on Egypt Street, there lived a rabbit who was made almost entirely of china. He had china arms and china legs, china paws and a china head, a china torso and a china nose. His arms and legs were jointed and joined by wire so that his china elbows and china knees could be bent, giving him much freedom of movement. His ears were made of real rabbit fur, and beneath the fur, there were strong, bendable wires, which allowed the ears to be arranged into poses that reflected the rabbit's mood - jaunty, tired, full of ennui. His tail, too, was made of real rabbit fur and was fluffy and soft and well shaped. The rabbit's name was Edward Tulane, and he was tall. He measured almost three feet from the tip of his ears to the tip of his feet; his eyes were painted a penetrating and intelligent blue. In all, Edward Tulane felt himself to be an exceptional specimen. Only his whiskers gave him pause. They were long and elegant (as they should be), but they were of uncertain origin. Edward felt quite strongly that they were not the whiskers of a rabbit. Whom the whiskers had belonged to initially - what unsavory animal - was a question that Edward could not bear to consider for too long. And so he did not. He preferred, as a rule, not to think unpleasant thoughts. Edward's mistress was a ten-year-old, dark-haired girl named Abilene Tulane, who thought almost as highly of Edward as Edward thought of himself. Each morning after she dressed herself for school, Abilene dressed Edward. The china rabbit was in possession of an extraordinary wardrobe composed of handmade silk suits. . . . Each pair of well-cut pants had a small pocket for Edward's gold pocket watch. Abilene wound this watch for him each morning. "Now, Edward," she said to him after she was done winding the watch, "when the big hand is on the twelve and the little hand is on the three, I will come home to you." She placed Edward on a chair in the dining room and positioned the chair so that Edward was looking out the window and could see the path that led up to the Tulane front door. Abilene balanced the watch on his left leg. She kissed the tips of his ears, and then she left and Edward spent the day staring out at Egypt Street, listening to the tick of his watch and waiting. Of all the seasons of the year, the rabbit most preferred winter, for the sun set early then and the dining-room windows became dark and Edward could see his own reflection in the glass. And what a reflection it was! What an elegant figure he cut! Edward never ceased to be amazed at his own fineness. In the evening, Edward sat at the dining-room table with the other members of the Tulane family: Abilene; her mother and father; and Abilene's grandmother, who was called Pellegrina. True, Edward's ears barely cleared the tabletop, and true also, he spent the duration of the meal staring straight ahead at nothing but the bright and blinding white of the tablecloth. But he was there, a rabbit at the table. Abilene's parents found it charming that Abilene considered Edward real, and that she sometimes requested that a phrase or story be repeated because Edward had not heard it. "Papa," Abilene would say, "I'm afraid that Edward didn't catch that last bit." Abilene's father would then turn in the direction of Edward's ears and speak slowly, repeating what he had just said for the benefit of the china rabbit. Edward pretended, out of courtesy to Abilene, to listen. But, in truth, he was not very interested in what people had to say. And also, he did not care for Abilene's parents and their condescending manner toward him. All adults, in fact, condescended to him. Only Abilene's grandmother spoke to him as Abilene did, as one equal to another. Pellegrina was very old. She had a large, sharp nose and bright, black eyes that shone like dark stars. It was Pellegrina who was responsible for Edward's existence. It was she who had commissioned his making, she who had ordered his silk suits and his pocket watch, his jaunty hats and his bendable ears, his fine leather shoes and his jointed arms and legs, all from a master craftsman in her native France. It was Pellegrina who had given him as a gift to Abilene on her seventh birthday. And it was Pellegrina who came each night to tuck Abilene into her bed and Edward into his. "Will you tell us a story, Pellegrina?" Abilene asked her grandmother each night. "Not tonight, lady," said Pellegrina. "When?" asked Abilene. "What night?" "Soon," said Pellegrina. "Soon there will be a story." And then she turned off the light, and Edward and Abilene lay in the dark of the bedroom. "I love you, Edward," Abilene said each night after Pellegrina had left. She said those words and then she waited, almost as if she expected Edward to say something in return. Edward said nothing. He said nothing because, of course, he could not speak. He lay in his small bed next to Abilene's large one. He stared up at the ceiling and listened to the sound of her breath entering and leaving her body, knowing that soon she would be asleep. Because Edward's eyes were painted on and he could not close them, he was always awake. Sometimes, if Abilene put him into his bed on his side instead of on his back, he could see through the cracks in the curtains and out into the dark night. On clear nights, the stars shone, and their pinprick light comforted Edward in a way that he could not quite understand. Often, he stared at the stars all night until the dark finally gave way to dawn. _______ THE MIRACULOUS JOURNEY OF EDWARD TULANE by Kate DiCamillo. Text copyright (c) 2006 by Kate DiCamillo. Published by Candlewick Press, Inc., Cambridge, MA. Excerpted from The Miraculous Journey of Edward Tulane by Kate DiCamillo All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

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