A generous ort+hodoxy Why I am a missional, evangelical, post/Protestant, liberal/conservative, mystical/poetic, biblical, charismatic/contemplative, Fundamentalist/Calvinist, Anabaptist/Anglican, Methodist, Catholic, Green, incarnational, depressed-yet-hopeful, emergent, unfinished Christian

Brian D. McLaren, 1956-

Book - 2004

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Subjects
Published
El Cajon, CA : Grand Rapids, MI : Emergent YS ; Zondervan c2004.
Language
English
Main Author
Brian D. McLaren, 1956- (-)
Physical Description
297 p. : ill. ; 21 cm
Bibliography
Includes bibliographical references.
ISBN
9780310257479
  • Generous Orthodoxy and a Changing World: Foreword
  • Introduction
  • Chapter 0. For Mature Audiences Only
  • Part 1. Why I Am A Christian
  • Chapter 1. The Seven Jesuses I Have Known
  • Chapter 2. Jesus and God B
  • Chapter 3. Would Jesus Be a Christian?
  • Chapter 4. Jesus: Savior of What?
  • Part 2. The Kind of Christian I Am
  • Chapter 5. Why I Am Missional
  • Chapter 6. Why I Am evangelical
  • Chapter 7. Why I Am Post/Protestant
  • Chapter 8. Why I Am Liberal/Conservative
  • Chapter 9. Why I Am Mystical/Poetic
  • Chapter 10. Why I Am Biblical
  • Chapter 11. Why I Am Charismatic/Contemplative
  • Chapter 12. Why I Am Fundamentalist/Calvinist
  • Chapter 13. Why I Am (Ana)baptist/Anglican
  • Chapter 14. Why I Am Methodist
  • Chapter 15. Why I Am catholic
  • Chapter 16. Why I Am Green
  • Chapter 17. Why I Am Incarnational
  • Chapter 18. Why I Am Depressed-Yet-Hopeful
  • Chapter 19. Why I Am Emergent
  • Chapter 20. Why I Am Unfinished

Generous Orthodoxy Copyright © 2004 by Youth Specialties Youth Specialties Books, 300 South Pierce Street, El Cajon, CA 92020, are published by Zondervan, 5300 Patterson Avenue SE, Grand Rapids, MI 49530 Library of Congress Cataloging-in-Publication Data McLaren, Brian D., 1956- A generous orthodoxy : why I am a missional, evangelical, post/Protestant, liberal/conservative, mystical/poetic, biblical, charismatic/contemplative, Fundamentalist/Calvinist, Anabaptist/Anglican, Methodist, Catholic, Green, incarnational, depressed-yet-hopeful, emergent, unfinished Christian / by Brian McLaren. p. cm. Includes bibliographical references. ISBN 0-310-25747-6 (hardcover) 1. Christianity--Essence, genius, nature. I. Title. BT60.M37 2004 270.8'3--dc22 2004008614 Unless otherwise indicated, all Scripture quotations are taken from the Holy Bible: New International Version (North American Edition). Copyright © 1973, 1978, 1984 by International Bible Society. Used by permission of Zondervan. Some of the anecdotal illustrations in this book are true to life and are included with the permission of the persons involved. All other illustrations are composites of real situations, and any resemblance to people living or dead is coincidental. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means--electronic, mechanical, photocopy, recording, or any other--except for brief quotations in printed reviews, without the prior permission of the publisher. Web site addresses listed in this book were current at the time of publication. Please contact Youth Specialties via e-mail (YS@YouthSpecialties.com) to report URLs that are no longer operational and replacement URLs if available. Editorial direction by Dave Urbanski Art direction by Jay Howver Editing by David Sanford Proofreading by Kristi Robison & Janie Wilkerson Cover design by Mark Arnold Cover and jacket photography by Blair Anderson Interior design by Holly Sharp Interior photography by Ryan Sharp Printed in the United States of America 02 03 04 05 06 07 / DC / 10 9 8 7 6 5 4 3 2 1 I am a Christian because I have a sustained and sustaining confidence in Jesus Christ. I've lost and rediscovered that confidence a few times, which is a long and messy story worth simplifying and boiling down to manageable length in these first chapters. I know my original attraction to Jesus came as a young child. In my home and at Sunday school, I heard stories about Jesus. I remember a children's picture Bible that had a simple but beautiful picture of Jesus, seated, in a blue and white robe, with children of all races gathered around his knees. Some were leaning on him. Some were seated at his feet. Some had their arms around him. His arms were opened in an embrace that took them all in, and his bearded face carried a gentle smile a boy could trust. Looking back, I realize the illustration wasn't historically accurate. It was influenced more by a popular Sunday school song that I also loved ("red and yellow, black and white, they are precious in his sight. Jesus loves the little children of the world") than by ancient Middle Eastern realities. But in a way the picture was even truer than a historically accurate picture would have been; it probably would have had no red, yellow, black, or white children at all, but only brown Middle Eastern ones. The picture Bible was augmented in my imagination by flannel graph stories about Jesus. Flannel graph was a kind of 1950s high-tech precursor of overhead projectors, laptop video projectors, videos, and DVDs. The teachers were always kind women, sometimes even my own mother. Each would tell stories with an easel behind her. On the easel would be a piece of flannel cloth with a scene drawn on it with markers--a countryside, a storm at sea, a courtyard with marble columns, a home, a roadside with big boulders beside it. As the story unfolded, cut-out figures backed with felt would be stuck on the flannel background (felt and flannel being a gentle precursor of Velcro®)--blind Bartimaeus, Zacchaeus, a woman near a well, a nameless leper and his nine friends, a Roman centurion, or a Syrophonecian woman with a sick child. Through these stories, Jesus won my heart. When I reached my teenage years, though, I lost that Jesus as one loses a friend in a crushing, noisy, rushing crowd. The crowd included arguments about evolution (which seemed elegant, patient, logical, and actually quite wonderful to me, more wonderful even than a literal six-day creation blitz), arguments about the Vietnam War (which made no sense to me--even if communism was as bad as everyone said, were people better off bombed and napalmed to death?), arguments about ethical issues like civil rights and desegregation and a hundred other things. I wondered if women were really supposed to be submissive to men and if rock 'n' roll was really of the devil. Were Catholics really going to burn in hell forever unless they revised their beliefs and practices to be biblical like us? After a short foray into doubt and a rather mild (all things considered) youthful rebellion, my faith in Jesus was revitalized, largely through the Jesus Movement. For those who were part of it, especially in its early days, the Jesus Movement was a truly wonderful thing. There was a simplicity, a childlikeness, a naïveté, and a corresponding purity of motive that I have seldom seen since. In fact, this book may simply be an attempt to articulate what many of us felt and "knew" during those years. But all too soon the Jesus Movement was co-opted. It was to a different Jesus that I was gradually converted.14 The first new Jesus I met had a different face, a different tone, a different function. "Jesus was born to die," I was told again and again, which meant his entire life--including the red, yellow, black, and white children around his knees…Zacchaeus in the sycamore tree (which gave me a lifelong love for sycamores)… Bartimaeus by the road…the one grateful leper returning…the woman by the well…the caring parents who begged him to heal their children--was quite marginalized. Everything between his birth and death was icing at most, assuredly not cake. This marginalization was unintentional, but in my experience it was very real. I was losing something but gaining something, too: the conservative Protestant (or Evangelical) Jesus. The Conservative Protestant Jesus For conservative Protestants, the Good News centers on the crucifixion of Jesus. Jesus saves us by dying on the cross. "Jesus was born to die," I heard again and again. By dying, Jesus mysteriously absorbs the penalty of all human wrongdoing through all of history. The cross becomes the focal point where human injustice--past, present, and future--meets the unconquerable compassion and forgiveness of God. Jesus, hanging in agony, says, "Father, forgive them, for they do not know what they are doing." We Excerpted from Emergentys Generous Orthodoxy: Why I Am a Missional, Evangelical, Post/Protestant, Liberal/Conservative, Mystical/Poetic, Biblical, Charismatic/Contemplative, Fundamentalist/Calvinist Anabaptist/Anglican, Metho by Brian D. McLaren, Brian D. Mclaren All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.