PreS-K. "Your Pal, Mo Willems," as the cover reads, offers a simple message-driven story, elevated by a smart, striking design. Leonardo is supposed to be a terrible monster, but he's just terrible at his monsterly craft. Small, with big blue eyes, a blue tongue, and a furry body, Leonardo looks like a tiny, unassuming brother of a Wild Thing. He gets an idea: find the most "scaredy-cat kid" in the world and "scare the tuna salad" out of him. He finds Sam, who seems an easy mark and bursts into tears. But on a clever double-page spread, Willems lists the real reasons Sam is crying, starting with "My mean big brother stole the action figure out of my hands" and ending with a bird's pooping on Sam's head. After thinking it over, Leonardo decides to move from terrible monster to wonderful friend. This oversize book uses thick paper in the colors of a desert sunset. Sam and Leonardo take up very little room on the large pages; the old-fashioned lettering dominates the expanse of color. A winner for story hours, with plenty of discussion possibilities. ((Reviewed July 2005)) Copyright 2005 Booklist Reviews.Review by Publishers Weekly Reviews
Picture books commonly suggest that monsters, like certain bullies, are insecure and make marvelous playmates. Pint-size Leonardo, a case in point, is "a terrible monster" because "he couldn't scare anyone." As he roars, two people exchange patronizing smiles, and a circus-style, curly-serif typeface implies silly humor rather than danger. Like a Muppet, Leonardo is knee-high with olive-drab fur, a monkey's tail, a pink nose and tiny white horns. "He didn't have 1,642 teeth, like Tony," a six-mouthed purple guy (a footnote explains, "Not all teeth shown"), and "he wasn't big, like Eleanor," whose clawed feet (one sporting a pearl ankle bracelet) barely fit in the spread. Leonardo decides to pick on someone his own size, but when he successfully startles a moping boy, the child begins to wail about a broken toy in inch-tall italics that fill two pages. Leonardo decides that "instead of being a terrible monster, he would become a wonderful friend," and dispenses a consoling hug. Willems's (Don't Let the Pigeon Drive the Bus!) finale feels apt but syrupy; Leonardo's decision to be nice seems homiletic. Yet this is an appealing book, sketched in dark brown against grayish pastel backdrops, with evergreen lettering and highlighted key words. Leonardo accurately mimics a child's frustration at not being taken seriously; Willems suggests trying kindness to get attention. Ages 3-6. (Sept.) Copyright 2005 Reed Business Information.Review by School Library Journal Reviews
PreS-Gr 1-Leonardo is a terrible monster-"terrible" as in he can't scare anybody. He's not big, doesn't have hundreds of teeth, and isn't even weird. So one day he comes up with an idea: "He would find the most scaredy-cat kid in the whole world-and scare the tuna salad out of him!" After much research, he chooses Sam, sneaks up on him, and "[gives] it all he [has]." When the boy cries, Leonardo is convinced that he is a success. But Sam proceeds to recite a litany of wrongs that actually brought on his tears: "My mean big brother stole my action figure right out of my hands-," and on and on. Leonardo makes a decision that is sure to surprise and delight readers. Willems's familiar cartoon drawings work hand in glove with the brief text to tell this perfectly paced story. It is printed on pastel grounds in large, fancy letters that change color for emphasis. Sam's list of woes marches across a spread. Leonardo, a small greenish-beige creature with tiny horns; blue eyes; and pink nose, hands, and feet, first appears in a lower right-hand corner looking dejected, but when he makes his momentous decision, his circular head fills two pages. His antics to produce a scare will have youngsters laughing, while the asterisk next to the number of monster Tony's teeth ("*note: not all teeth shown") will have grown-ups chuckling, too. A surefire hit.-Marianne Saccardi, Norwalk Community College, CT Copyright 2005 Reed Business Information.
Losing all hope in his ability to scare people, which is sorely lacking, Leonardo, who is terrible at being a monster, discovers a nervous little boy who seems to be the perfect candidate for him to practice on.Review by Publisher Summary 2
Losing all hope in his ability to scare people, which is sorely lacking, Leonardo, who is terrible at being a monster, discovers a nervous little boy who seems to be the perfect candidate for him to practice on. 7-city author tour.Review by Publisher Summary 3
Leonardo is truly a terrible monster-terrible at being a monster that is. No matter how hard he tries, he can't seem to frighten anyone. Determined to succeed, Leonardo sets himself to training and research. Finally, he finds a nervous little boy, and scares the tuna salad out of him! But scaring people isn't quite as satisfying as he thought it would be. Leonardo realizes that he might be a terrible, awful monster-but he could be a really good friend.Review by Publisher Summary 4
Leonardo is truly a terrible monster-terrible at being a monster that is. No matter how hard he tries, he can't seem to frighten anyone. Determined to succeed, Leonardo sets himself to training and research. Finally, he finds a nervous little boy, and scares the tuna salad out of him! But scaring people isn't quite as satisfying as he thought it would be. Leonardo realizes that he might be a terrible, awful monster-but he could be a really good friend.