Last night

James Salter

Book - 2005

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FICTION/Salter, James
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Subjects
Published
New York : Knopf 2005.
Language
English
Main Author
James Salter (-)
Edition
First edition
Physical Description
132 pages
ISBN
9781400078417
9781400043125
  • Comet
  • Eyes of the stars
  • My Lord you
  • Such fun
  • Give
  • Platinum
  • Palm Court
  • Bangkok
  • Arlington
  • Last night.
Review by Booklist Review

Perhaps this collection of Salter's artful yet definitely embraceable short stories will shake him free of the impositions of his reputation as a writer's writer. There is nothing wrong, of course, with being someone other writers like to read, but in most cases, and certainly in Salter's, a writer's writer is also someone anyone who appreciates good writing would enjoy. There are 10 stories here, and not one fails to showcase his superior talent in the form: his prose style, which is subtle but not abstruse, and his stories' points, which are also subtle but never vague. He deals in the broad subject of relationships, but within each relationship that he limns, he finds corners of peculiarity to illuminate, even though outward appearances may seem so ordinary. In the masterpiece Comet, a man at a dinner party suddenly sees right through the transparency of his marriage to how wrongly he has led his life. The title story is a tour de force about assisted suicide gone wrong--for several reasons. Salter's genius is most apparent in the effectiveness of his short and direct dialogue, which he uses not only to reflect real people talking but also to distill character to sheer essence. --Brad Hooper Copyright 2005 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Teetering marriages, collapsing relationships and other calamities of the heart drive these 10 compact, unsettling stories by respected writer Salter (A Sport and a Pastime, etc.). The title story is especially impressive-when Walter Much and his seriously ill wife, Marit, agree that he will assist in her suicide, Marit insists that Susanna, a mutual friend, come over to keep them company in her final moments. Nothing goes as planned, however, and Walter's double betrayal of his wife ushers in the haunting conclusion. The reunion stories are equally compelling: in "Palm Court," a man who initially failed to marry the love of his life meets her years later after her divorce only to find himself overwhelmed and distraught by the mixed feelings she rouses in him. "Bangkok" offers a different take on the reunion angle, as a woman tries to tempt an old flame into joining her and her female traveling companion on a sexually adventurous, last-second trip to the Far East, despite his being happily married and claiming to be satisfied with his sedate, settled life. The reserved, elegiac nature of Salter's prose and his mannered, well-bred characters lend the collection a distanced tone, but at their best these are stirring stories, worthy additions to a formidable body of work. Agent, ICM. (Apr. 25) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review

Matchless narrative economy and surgically precise prose are the identifying marks of this exemplary gathering: ten stories by the semi-legendary veteran author (Burning the Days, 1997, etc.) Sex, betrayal, aging and death are dominant themes, whether in a night of shared palaver among manless "girl" friends that ends in a plaintive cry for attention ("Such Fun"); a vignette showing a charismatic, unstable male friend's effect on a complacent marriage ("Give"); or the tale ("Bangkok") of a married bookseller's resistance to the promiscuous former lover who challenges him to choose between "Life and a kind of pretend life." Salter's great gift is his ability to trace the arc of an entire life, or several shared or separated lives, with a masterly fusion of crisp dialogue and penetrating summary statement. In "Comet," for example, the future of a seemingly successful second marriage is adumbrated in the wife's sardonic acknowledgement of her new husband's history of infidelities. D.H. Lawrence might have devised the haunting symbolism that pervades "My Lord You," in which an unhappy wife's fixation on a self-destructive poet is crystallized in the figure of his enormous dog, which follows her silently ("its shoulders moving smoothly, like a kind of machine"). Elsewhere, a heartless, calculating "party girl" is "handled" (in "Platinum") by the wealthy lawyer who shares her with his errant-son-in-law (it reads like a combination of Edith Wharton and John O'Hara). The grief felt by a stockbroker too timid to seize the happiness offered him is depicted in "Palm Court," and a career army man's victimization by his selfish Czech wife, and eventual escape from her spell into the consolations of tradition and responsibility, is etched in seven icy pages in "Arlington." All Salter's themes merge memorably in the concluding (title) story, a compact symphony of mutual devotion, human frailty and lingering regret. One of the masters displays his wares, to stunning effect. Copyright ©Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Comet Philip married Adele on a day in June. It was cloudy and the wind was blowing. Later the sun came out. It had been a while since Adele had married and she wore white: white pumps with low heels, a long white skirt that clung to her hips, a filmy blouse with a white bra underneath, and around her neck a string of freshwater pearls. They were married in her house, the one she'd gotten in the divorce. All her friends were there. She believed strongly in friendship. The room was crowded. -- I, Adele, she said in a clear voice, give myself to you, Phil, completely as your wife . . . Behind her as best man, somewhat oblivious, her young son was standing, and pinned to her panties as something borrowed was a small silver disc, actually a St. Christopher's medal her father had worn in the war; she had several times rolled down the waistband of her skirt to show it to people. Near the door, under the impression that she was part of a garden tour, was an old woman who held a little dog by the handle of a cane hooked through his collar. At the reception Adele smiled with happiness, drank too much, laughed, and scratched her bare arms with long showgirl nails. Her new husband admired her. He could have licked her palms like a calf does salt. She was still young enough to be good-looking, the final blaze of it, though she was too old for children, at least if she had anything to say about it. Summer was coming. Out of the afternoon haze she would appear, in her black bathing suit, limbs all tan, the brilliant sun behind her. She was the strong figure walking up the smooth sand from the sea, her legs, her wet swimmer's hair, the grace of her, all careless and unhurried. They settled into life together, hers mostly. It was her furniture and her books, though they were largely unread. She liked to tell stories about DeLereo, her first husband--Frank, his name was--the heir to a garbage-hauling empire. She called him Delerium, but the stories were not unaffectionate. Loyalty--it came from her childhood as well as the years of marriage, eight exhausting years, as she said--was her code. The terms of marriage had been simple, she admitted. Her job was to be dressed, have dinner ready, and be fucked once a day. One time in Florida with another couple they chartered a boat to go bonefishing off Bimini. -- We'll have a good dinner, DeLereo had said happily, get on board and turn in. When we get up we'll have passed the Gulf Stream. It began that way but ended differently. The sea was very rough. They never did cross the Gulf Stream--the captain was from Long Island and got lost. DeLereo paid him fifty dollars to turn over the wheel and go below. -- Do you know anything about boats? the captain asked. -- More than you do, DeLereo told him. He was under an ultimatum from Adele, who was lying, deathly pale, in their cabin. -- Get us into port somewhere or get ready to sleep by yourself, she'd said. Philip Ardet heard the story and many others often. He was mannerly and elegant, his head held back a bit as he talked, as though you were a menu. He and Adele had met on the golf course when she was learning to play. It was a wet day and the course was nearly empty. Adele and a friend were teeing off when a balding figure carrying a cloth bag with a few clubs in it asked if he could join them. Adele hit a passable drive. Her friend bounced his across the road and teed up another, which he topped. Phil, rather shyly, took out an old three wood and hit one two hundred yards straight down the fairway. That was his persona, capable and calm. He'd gone to Princeton and been in the navy. He looked like someone who'd been in the navy, Adele said--his legs were strong. The first time she went out with him, he remarked it was a funny thing, some people liked him, some didn't. -- The ones that do, I tend to lose interest in. She wasn't sure just what that meant but she liked his appearance, which was a bit worn, especially around the eyes. It made her feel he was a real man, though perhaps not the man he had been. Also he was smart, as she explained it, more or less the way professors were. To be liked by her was worthwhile but to be liked by him seemed somehow of even greater value. There was something about him that discounted the world. He appeared in a way to care nothing for himself, to be above that. He didn't make much money, as it turned out. He wrote for a business weekly. She earned nearly that much selling houses. She had begun to put on a little weight. This was a few years after they were married. She was still beautiful--her face was--but she had adopted a more comfortable outline. She would get into bed with a drink, the way she had done when she was twenty-five. Phil, a sport jacket over his pajamas, sat reading. Sometimes he walked that way on their lawn in the morning. She sipped her drink and watched him. -- You know something? -- What? -- I've had good sex since I was fifteen, she said. He looked up. -- I didn't start quite that young, he confessed. -- Maybe you should have. -- Good advice. Little late though. -- Do you remember when we first got started? -- I remember. -- We could hardly stop, she said. You remember? -- It averages out. -- Oh, great, she said. After he'd gone to sleep she watched a movie. The stars grew old, too, and had problems with love. It was different, though--they had already reaped huge rewards. She watched, thinking. She thought of what she had been, what she had had. She could have been a star. What did Phil know--He was sleeping. Autumn came. One evening they were at the Morrisseys'--Morrissey was a tall lawyer, the executor of many estates and trustee of others. Reading wills had been his true education, a look into the human heart, he said. At the dinner table was a man from Chicago who'd made a fortune in computers, a nitwit it developed, who during the meal gave a toast, -- To the end of privacy and the life of dignity, he said. He was with a dampened woman who had recently found out that her husband had been having an affair with a black woman in Cleveland, an affair that had somehow been going on for seven years. There may even have been a child. -- You can see why coming here is like a breath of fresh air for me, she said. The women were sympathetic. They knew what she had to do--she had to rethink completely the past seven years. -- That's right, her companion agreed. -- What is there to be rethought? Phil wanted to know. He was answered with impatience. The deception, they said, the deception--she had been deceived all that time. Adele meanwhile was pouring more wine for herself. Her napkin covered the place where she had already spilled a glass of it. -- But that time was spent in happiness, wasn't it? Phil asked guilelessly. That's been lived. It can't be changed. It can't be just turned into unhappiness. -- That woman stole my husband. She stole everything he had vowed. -- Forgive me, Phil said softly. That happens every day. There was an outcry as if from a chorus, heads thrust forward like the hissing, sacred geese. Only Adele sat silent. -- Every day, he repeated, his voice drowned out, the voice of reason or at least of fact. -- I'd never steal anyone's man, Adele said then. Never. Her face had a tone of weariness when she drank, a weariness that knew the answer to everything. And I'd never break a vow. -- I don't think you would, Phil said. -- I'd never fall for a twenty-year-old, either. She was talking about the tutor, the girl who had come that time, youth burning through her clothes. -- No, you wouldn't. -- He left his wife, Adele told them. There was silence. Phil's bit of smile had gone but his face was still pleasant. -- I didn't leave my wife, he said quietly. She threw me out. -- He left his wife and children, Adele said. -- I didn't leave them. Anyway it was over between us. It had been for more than a year. He said it evenly, almost as if it had happened to someone else. It was my son's tutor, he explained. I fell in love with her. -- And you began something with her? Morrissey suggested. -- Oh, yes. There is love when you lose the power to speak, when you cannot even breathe. -- Within two or three days, he confessed. -- There in the house? Phil shook his head. He had a strange, helpless feeling. He was abandoning himself. -- I didn't do anything in the house. -- He left his wife and children, Adele repeated. From the Hardcover edition. Excerpted from Last Night by James Salter All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.