Review by Booklist Review
Ya-Ya sisters, rejoice: your long wait for the sequel to Wells' divine best-seller, Divine Secrets of the Ya-Ya Sisterhood 0 (1996), is over. Vivi, Teensy, Necie, and Caro, those spirited Ya-Ya sisters, are back with even more raucous tales of their lifelong friendship. Bursting with details of the sisterhood's origins, the sequel also introduces the next generation, aka the Petites Ya-Yas, and even their offspring's offspring, the Tres Petites Ya-Yas. Every bit as joyful as the original, Ya-Yas in Bloom0 exposes the irrepressible Ya-Yas' formidable impact on their staid Louisiana bayou town of Thornton. From the beginning, the Ya-Yas' earthy blend of Cajun mysticism and Catholic catechism put them at odds with the town's more conservative citizens, a fact they found infinitely more amusing than annoying. But when old wrongs come home to haunt the sisterhood, the next generations of Ya-Yas are threatened in profound and frightening ways. Armed with their irreverent philosophy, infectious humor, and implacable loyalty, the sisterhood proves that true friendship will always prevail. And just as it does among the best of friends, the conversation in Wells' second Ya-Ya saga picks right up where the first left off, without missing a beat. Uplifting, uproarious, saucy and smart. --Carol Haggas Copyright 2005 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
The Ya-Ya sisters shimmy on and off stage in this disjointed follow-up to Divine Secrets of the Ya-Ya Sisterhood, Wells's bestselling novel about the singular friendship and escapades of four larger-than-life Southern women. The author is off to a good start with the tale of how Vivi, Teensy, Caro and Necie met as little girls in 1930, their spunk and liveliness a harbinger of things to come. But the focus on the Ya-Yas' early years soon wavers and the novel is all over the map-here a few tales about the grown-up Ya-Yas, like Vivi's run-in with her son's first-grade teacher, a pompous nun; there a story about Vivi's eldest daughter, Sidda, one of the so-called "Petites Ya-Yas," and her directorial debut at age eight at a Valentine's Day party. A chapter appears out of nowhere from the viewpoint of Myrtis Spevey, a contemporary of the original Ya-Yas, who is so excessively jealous and resentful of the friends that she comes off as a cartoon character. After a vexing 30-year leap, Myrtis's creepy, emotionally ill daughter, Edythe, takes over the narrative, kidnapping one of the Ya-Yas' grandchildren. What begins as a collection of haphazard but entertaining snippets from the Ya-Yas' lives suddenly bumps up against a sober story about a missing child and the lengths to which parents will go to protect their young. Readers may lose patience as even the loose family-album format fails to hold up, but Wells still charms when she focuses on the redemptive power of family love and the special bond that comes from genuine, long-lived friendship. Agent, Kim Witherspoon. (One-day laydown Mar. 29) Forecast: Flaws aside, this has a chance at #1, though it may not stick at the top of the lists as long as Divine Secrets. Major ad/promo. (c) Copyright PWxyz, LLC. All rights reserved
(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review
Fans of The Divine Secrets of the Ya-Ya Sisterhood will find Wells's follow-up a major disappointment, lacking all the sparkle and insight into mother/daughter relationships that marked the introduction of characters Sidda, ViVi, Teensy, Necie, and Caro. This book is a collection of turgid vignettes highlighting moments in the lives of the Ya-Yas, told primarily from the point of view of Sidda and her mother, ViVi. Leaping randomly from the 1960s to the 1990s, these include such events as how ViVi met her three best friends, Sidda's first experience directing a Valentine's Day performance of the Ya-Yas, the first appearance of snow in their hometown of Thornton, LA, the Beatles' appearance on the Ed Sullivan Show, and other random events. The dialog is leaden, the stories not particularly interesting. Of course, given Wells's well-earned popularity for her earlier titles and the aggressive marketing campaign that will surround this book, public libraries will get requests but should consider purchase only to meet demand. [See Prepub, LJ 12/04.]-Nancy Pearl, formerly with Washington Ctr. for the Book, Seattle (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
More helpings of southern-fried sisterhood. Actually, in this third set of snapshots from the lives of four Louisiana friends (Divine Secrets of the Ya-Ya Sisterhood, 1997, etc.), the men get the final epiphanies. But since these consist of politically correct nostrums like "masculine love . . . is not about power. It is not about judging. It is about a quiet calm, a quiet love," it's clear that girls still rule. For those who have been panting to know how the Ya-Yas first got together, Wells takes us back to 1930, when Teensy Whitman shoves a pecan up her nose and, rushed to the doctor's office where Viviane Abbott sits with an earache, intoxicates Vivi with "a magical wink." Bohemian Caro and good-girl Necie round out the quartet before the year is up, and the narrative then bounces around to show them as unconventional young mothers during the 1960s and cool grannies in 1994. That's the year when Edythe Spevey, the mentally disturbed daughter of a jealous farm girl who always hated the wealthy, flamboyant Ya-Yas, snatches Necie's three-year-old granddaughter, Rosalyn, from a video store. This scary development assorts very oddly with earlier feel-good episodes that show the Ya-Yas facing down such all-too-easy targets as Necie's narrow-minded husband George (he doesn't like the Beatles!) and a censorious nun (she's shocked when Vivi's six-year-old son brings in his mother's garter belt for Show and Tell!). Not even a kidnapping can bring real depth to the kind of characters who call their kids "the Petites Ya-Yas" and their grandchildren "the Très Petites." Fortunately, since Wells inclines to southern cutesiness rather than southern gothic, little Rosalyn is rescued in short order--and in plenty of time for the annual Ya-Ya Christmas party. Wells closes with a chaotic pageant that's meant to be adorable and the stunning revelation that Judge George Ogden is actually not such a bad guy. Another divine jacket image will undoubtedly move books off the shelves, but this is pretty thin stuff for all but the most fanatical Ya-Ya devotees. Copyright ©Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
