Play the scene The ultimate collection of contemporary and classic scenes and monologues

Book - 2004

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808.8245/Play
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Location Call Number   Status
2nd Floor 808.8245/Play Checked In
Subjects
Published
New York : St. Martin's Griffin 2004.
Language
English
Other Authors
Michael Schulman, 1941- (-), Eva Mekler
Edition
1st ed
Item Description
"From Chekov to Tony award-winning plays, includes more than 100 scenes"--Cover.
Physical Description
xxv, 309 p.
ISBN
9780312318796
  • Scenes for one man and one woman. Picasso at the Lapin Agile / Steve Martin
  • The graduate / adapted for the stage by Terry Johnson
  • Vincent in Brixton / Nicholas Wright
  • The shape of things / Neil LaBute
  • How I learned to drive / Paula Vogel
  • Dinner with friends / Donald Margulies
  • The tale of the allergist's wife / Charles Busch
  • This is our youth / Kenneth Lonergan
  • Heartbreak house / Bernard Shaw
  • Flyovers / Jeffrey Sweet
  • In the moonlight Eddie / Jack LoGiudice
  • Impossible marriage / Beth Henly
  • Life during wartime / Keith Reddin
  • Blithe spirit / Noel Coward
  • The Nina variations / Steven Dietz
  • The last night of ballyhoo / Alfred Uhry
  • Fresh horses / Larry Ketron
  • Sorrows of Stephen / Peter Parnell
  • Camille: the lady of the camellias / Alexandre Dumas.
  • Scenes for two women. Collected stories / Donald Margulies
  • Wit / Margaret Edson
  • Spike heels / Theresa Rebeck
  • The tale of the allergist's wife / Charles Busch
  • Women in motion / Donald Margulies
  • Fast girls / Diana Amsterdam
  • Impossible marriage / Beth Henley
  • Defying gravity / Jane Anderson
  • Desdemona: a play about a handkerchief / Paula Vogel
  • Independence / Lee Blessing
  • Nightswim / Julia Jordan.
  • Scenes for two men. Lobby hero / Kenneth Lonergan
  • Our Lady of 121st street / Stephen Adly Guirgis
  • The value of names / Jeffrey Sweet
  • Mojo / Jez Butterworth
  • Bluff / Jeffrey Sweet
  • As is / William M. Hoffman
  • The chosen / adapted by Aaron Posner and Chiam Potok from the novel by Chaim Potok
  • Buying time / Michael Weller
  • Night maneuver / Howard Korder.
  • Monologues for women. Kissing Christine / John Patrick Shanley
  • Picasso at the Lapin Agile / Steve Martin
  • How I learned to drive / Paula Vogel
  • Wit / Margaret Edson
  • Blown sideways through life / Claudia Shear
  • Collected stories / Donald Margulies
  • Lobby hero / Kenneth Lonergan
  • The lucky spot / Beth Henley
  • The altruists / Nicky Silver
  • The Nina variations / Steven Dietz
  • Lola / Donald Margulies
  • Defying gravity / Jane Anderson
  • The young man from Atlanta / Horton Foote
  • Appearances / Tina Howe
  • Lives of the great waitresses / Nina Shengold
  • Laughing wild / Christopher Durang.
  • Monologues for men. Cobb / Lee Blessing
  • This is our youth / Kenneth Lonergan
  • Spike heels / Theresa Rebeck
  • The Lisbon traviata / Terrence McNally
  • Bluff / Jeffrey Sweet
  • As is / William M Hoffman
  • Dylan / Sidney Michaels
  • Life during wartime / Keith Reddin
  • Cyrano de Bergerac / Edmond Rostand, translated by Brian Hooker
  • Dinner with friends / Donald Margulies
  • Flyovers / Jeffrey Sweet
  • Stray cats / Warren Leight
  • Fresh horses / Larry Ketron.
Review by Library Journal Review

Acting teacher Schulman (Lee Strasberg Theatre Inst.) and actress/playwright Meckler have assembled an excellent collection of (mostly) contemporary scenes and monologs, drawn from the likes of Steve Martin, Paula Vogel, George Bernard Shaw, and Margaret Edson. All of the scenes are for two characters, divided equally between those for one man and one woman and those for two men and two women. There is a similarly equal distribution of monologs for either sex. Taken individually, the scenes and monologs are full of the trials and tribulations of modern (and, occasionally, not-so-modern) life; they provide ample opportunity for the display of technique but not laugh-out-loud comedy, which is a mistake. As a whole, however, this collection deserves a place on the already groaning shelves of scenes and monologs because there is unique material here. Schulman's introduction should become a permanent part of every actor's toolbox and of every director's memory. Recommended for public and academic libraries.-Larry Schwartz, Minnesota State Univ. Lib., Moorhead (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.