Home by design Transforming your house into home

Sarah Susanka

Book - 2004

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Subjects
Published
Newtown, CT : Taunton Press 2004.
Language
English
Main Author
Sarah Susanka (-)
Physical Description
250 p. : ill
Bibliography
Includes index.
ISBN
9781561586189
  • Preface
  • From House to Home
  • Part 1. Space
  • Chapter 1. The Process of Entering
  • Path and Place
  • Receiving Place
  • Gateways
  • Entry Courtyard
  • Covered Entry
  • Front Porch
  • Chapter 2. Shelter Around Activity
  • Alcoves
  • Window Seats
  • Soffits
  • Ceiling Shape
  • Rug-Defined Place
  • Chapter 3. Sequence of Places
  • Alcoves off a Central Space
  • Alcoves off Circulation
  • Connecting Views
  • Nooks and Crannies
  • Chapter 4. Ceiling Height Variety
  • Dropped Soffits
  • Lowered Alcove
  • Lowered Hallway
  • Floating Shelf
  • Ceiling as Sculpture
  • Ceiling Height Hierarchy
  • Chapter 5. Interior Views
  • Diagonal Views
  • Long Views Through
  • Connecting Views
  • Partially Hidden Views
  • Surprise Views
  • Chapter 6. Layering
  • Framed Openings
  • Framed Openings in Series
  • Connecting Pass-Throughs
  • Arcade
  • Implied Walls
  • Sliding Partitions
  • Chapter 7. Inside Outside
  • Continuous Surfaces
  • Almost Frameless Windows
  • Outdoor Focus
  • Outdoor Room
  • Chapter 8. Changes in Level
  • Stairs as Sculpture
  • Lowered Room
  • Raised Room
  • Platforms
  • Over Under
  • Chapter 9. Public to Private
  • Focal Gathering Place
  • Alcoves off Focal Gathering Place
  • Away Room
  • Place of Quiet Remove
  • Place of Your Own
  • Chapter 10. Openability
  • Sliding Doors
  • Sliding Screens
  • Sliding Panels
  • Movable Window Walls
  • Chapter 11. Enclosure
  • Containment
  • Partially Hidden Room
  • Implied Walls
  • Chapter 12. Differentiation of Parts
  • Exterior Beltlines
  • Interior Beltlines
  • Headbands
  • Floating Surfaces
  • Separate Components
  • Pod of Space
  • Chapter 13. Depth and Thickness
  • Thick Walls
  • Deep-Set Windows
  • Library Walls
  • Wide Windowsills
  • Wall Insets
  • Interior Sculpture
  • Part 2. Light
  • Chapter 14. Light to Walk Toward
  • Light at the End of the Tunnel
  • Window at the End of a Hallway
  • Lighted Picture at the End of a Vista
  • Window at the End of a Main Axis
  • Chapter 15. Light Intensity Variation
  • Layers of Light and Shade
  • Light Defines Form
  • Indented Windows
  • Brilliance in a Dark Place
  • Chapter 16. Reflecting Surfaces
  • Wall Washing
  • Reflective Ceiling
  • Hidden Light Source
  • Light Coves
  • Doubling the Space
  • Chapter 17. Window Positioning
  • Daylight Fixture
  • Centered on the Middle
  • Windowsill Height
  • Window Whimsy
  • Light from Above
  • Chapter 18. Visual Weight
  • Colored Wall
  • Dark-Colored Ceiling
  • Textured Wall or Ceiling
  • Subtle Color Difference
  • Colored Alcove
  • Lipstick
  • Chapter 19. View and Nonview
  • Light but Not View
  • One-Way View
  • Art-Glass Focus
  • Small Panes
  • Part 3. Order
  • Chapter 20. Pattern and Geometry
  • Simple Pattern Overlay
  • Grilles and Lattices
  • Geometric Feature
  • Pattern Feature
  • Chapter 21. Alignments
  • Perfect Symmetry
  • Partial Symmetry
  • Asymmetry
  • View along a Main Axis
  • If in Doubt, Line It Up
  • Half a Bubble Off
  • Chapter 22. Rhythm
  • The March
  • The Triad
  • The Waltz
  • Rhythmic Refrain
  • Chapter 23. Theme and Variations
  • Signature Form
  • Signature Pattern
  • Repeated Material
  • Repeated Relationship
  • Repeated Color
  • Chapter 24. Composition
  • Balance
  • Window Composition
  • 3-D Composition
  • 4-D Composition
  • Surface Composition
  • Interruption of Order
  • Chapter 25. Expressed Structure
  • Exposed Joists and Rafters
  • Exposed Beams
  • Columns Define Spaces
  • Brackets
  • Artful Structure
  • Chapter 26. Point of Focus
  • Focal Wall Surface
  • Room Focus
  • Focus at the End of an Axis
  • Something Place
  • Attention Grabber
  • Chapter 27. Organizing Strategy
  • Simple Square or Rectangle
  • Long Thin House
  • Circulation Spine
  • Around a Courtyard
  • Assemblage of Structures
  • Afterword
  • Architects and Designers
  • Index
Review by Publisher's Weekly Review

Acclaimed architect Susanka, who spawned a virtual cottage industry of home books favoring quality over quantity (The Not So Big House; Not So Big Solutions for Your Home; etc.), now turns her eye to 30 key design principles that produce a home. Seeking to capture the "elusive quality of home," Susanka uses beautiful photographs and helpful floor plans to discuss how "the interrelationships between spaces, walls and ceilings, and windows... shape our experience." It isn't the external architecture that matters, she says, but the interior. All homes provide shelter and footage; the goal is to enhance the quality of living. To do that, Susanka employs important tricks of her trade, explaining the rationale behind everything from window positioning and reflective ceilings to achieving symmetry, keeping in mind the overarching themes of space, light and order. Blessedly free of complex jargon, the book stresses that size doesn't matter, but construction does. Susanka's philosophy is simple: good architectural design is as important as good nutrition, and a savvy understanding of your surroundings lets you craft a better place to live. To illustrate her points, the author cites 28 of the best-designed homes in the U.S., from a tiny California cottage to a lavish Minnesota manse and a remodeled Kansas City abode. Susanka's generosity with tips (e.g., a bold use of color can add depth and solidity; aligning a doorway with a window directly across brightens the area) will be a boon to readers, who will wind up getting an architectural education in the process. 60 b&w line drawings. (Mar.) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved