The tale of Despereaux Being the story of a mouse, a princess, some soup, and a spool of thread

Kate DiCamillo

Book - 2003

The adventures of Desperaux Tilling, a small mouse of unusual talents, the princess that he loves, the servant girl who longs to be a princess, and a devious rat determined to bring them all to ruin.

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Subjects
Published
Cambridge, MA : Candlewick Press 2003.
Language
English
Main Author
Kate DiCamillo (-)
Other Authors
Timothy B. Ering (illustrator)
Edition
1st ed
Physical Description
272 p. : ill
ISBN
9780763680893
9780763617226
Contents unavailable.
Review by Booklist Review

Gr. 3-6. Forgiveness, light, love, and soup. These essential ingredients combine into a tale that is as soul stirring as it is delicious. Despereaux, a tiny mouse with huge ears, is the bane of his family's existence. He has fallen in love with the young princess who lives in the castle where he resides and, having read of knights and their ladies, vows to honor her. But his unmouselike behavior gets him banished to the dungeon, where a swarm of rats kill whoever falls into their clutches. Another story strand revolves around Miggery, traded into service by her father, who got a tablecloth in return. Mig's desire to be a princess, a rat's yen for soup (a food banished from the kingdom after a rat fell in a bowl and killed the queen), and Despereaux's quest to save his princess after she is kidnapped climax in a classic fairy tale, rich and satisfying. Part of the charm comes from DiCamillo's deceptively simple style and short chapters in which the author addresses the reader: Do you think rats do not have hearts? Wrong. All living things have a heart. And as with the best stories, there are important messages tucked in here and there, so subtly that children who are carried away by the words won't realize they have been uplifted until much later. Ering's soft pencil illustrations reflect the story's charm. --Ilene Cooper Copyright 2003 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

The author of Because of Winn-Dixie and The Tiger Rising here shifts gears, demonstrating her versatility while once again proving her genius for mining the universal themes of childhood. Her third novel calls to mind Henry Fielding's Tom Jones; DiCamillo's omniscient narrator assumes a similarly irreverent yet compassionate tone and also addresses readers directly. Despereaux, the diminutive mouse hero ("The last mouse born to his parents and the only one of his litter to be born alive"), cares not a whit for such mundane matters as scurrying or nibbling, and disappoints his family at every turn. When his sister tries to teach him to devour a book, for example ("This glue, here, is tasty, and the paper edges are crunchy and yummy, like so"), Despereaux discovers instead "a delicious and wonderful phrase: Once upon a time"-a discovery that will change his life. The author introduces all of the elements of the subtitle, masterfully linking them without overlap. A key factor unmentioned in the subtitle is a villainous rat, Chiaroscuro (dwelling in the darkness of the Princess's dungeon, but drawn to the light). Ering (The Story of Frog Belly Rat Bone) brings an understated drama to the black-and-white illustrations that punctuate each chapter. His artwork conveys a respect for the characters even as they emit the wry humor of the narrator's voice. The teller of the tale roots for the hero and thus aligns himself with the audience: "Reader, you must know that an interesting fate (sometimes involving rats, sometimes not) awaits almost everyone, mouse or man, who does not conform." In addition to these life lessons, the narrator also savors a pointer or two about language (after the use of the word "perfidy," the narrator asks, "Reader, do you know what `perfidy' means? I have a feeling you do, based on the little scene that has just unfolded here. But you should look up the word in your dictionary, just to be sure"). Reader, I will let you imagine, for now, how these witticisms of our omniscient narrator come into play; but I must tell you, you are in for a treat. Ages 7-12. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review

Gr 3 Up-In this delightful novel, a tiny mouse risks all to save the princess he loves from the clutches of a devious rat and a slow-witted serving girl. With memorable characters, brief chapters, and inventive plot twists, this fast-paced romp is perfect for reading alone or sharing aloud. Winner of the 2004 Newbery Medal. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Horn Book Review

(Intermediate) Despereaux Tilling is not like the other mice in the castle. He's smaller than average, with larger than average ears. He'd rather read books than eat them. And he's in love with a human being--Princess Pea. Because he dares to consort with humans, the Mouse Council votes to send him to the dungeon. Book the First ends with Despereaux befriending a jailer who resides there. Books two and three introduce Roscuro, a rat with a vendetta against Princess Pea, and Miggery Sow, a young castle servant who longs to become a princess. Despereaux disappears from the story for too long during this lengthy middle section, but all the characters unite in the final book when Roscuro and Miggery kidnap Princess Pea at knifepoint and Despereaux, armed with a needle and a spool of thread, makes a daring rescue. Framing the book with the conventions of a Victorian novel (""Reader, do you believe thatthere is such a thing as happily ever after?""), DiCamillo tells an engaging tale. The novel also makes good use of metaphor, with the major characters evoked in images of light and illumination; Ering's black-and-white illustrations also emphasize the interplay of light and shadow. The metaphor becomes heavy-handed only in the author's brief, self-serving coda. Many readers will be enchanted by this story of mice and princesses, brave deeds, hearts ""shaded with dark and dappled with light,"" and forgiveness. (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. All rights reserved.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

Dear reader, light your lamp and listen to the tale of Despereaux, the last mouse born of Antoinette. Born with his eyes open and ears much too large, Despereaux seems destined for early death. A true Renaissance mouse, he can hear honey, read words, and appreciate fine music. But he cannot conform to the strictures of the mouse world. Rodents and humans don't mix, yet he falls in love with the Princess Pea, earning the wrath of all the mice in the castle. The melodramatic voice of the narrator glides through DiCamillo's entirely pleasing tale, at times addressing the reader directly, at others, moving the reader back and forward in time. Never does she abandon the reader in the dungeon with Despereaux, the dark-hearted rats, or the guard and fellow inmate, Gregory. And so unwinds a tale with twists and turns, full of forbidden soup and ladles, rats lusting for mouse blood, a servant who wishes to be a princess, a knight in shining--or, at least, furry--armor, and all the ingredients of an old-fashioned drama. (Fiction. 7-12) Copyright ©Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

CHAPTER ONE: THE LAST ONE This story begins within the walls of a castle, with the birth of a mouse. A small mouse. The last mouse born to his parents and the only one of his litter to be born alive. "Where are my babies?" said the exhausted mother when the ordeal was through. "Show to me my babies." The father mouse held the one small mouse up high. "There is only this one," he said. "The others are dead." "Mon Dieu, just the one mouse baby?" "Just the one. Will you name him?" "All of that work for nothing," said the mother. She sighed. "It is so sad. It is such the disappointment." She was a French mouse who had arrived at the castle long ago in the luggage of a visiting French diplomat. "Disappointment" was one of her favorite words. She used it often. "Will you name him?" repeated the father. "Will I name him? Will I name him? Of course, I will name him, but he will only die like the others. Oh, so sad. Oh, such the tragedy." The mouse mother held a handkerchief to her nose and then waved it in front of her face. She sniffed. "I will name him. Yes. I will name this mouse Despereaux, for all the sadness, for the many despairs in this place. Now, where is my mirror?" Her husband handed her a small shard of mirror. The mouse mother, whose name was Antoinette, looked at her reflection and gasped aloud. "Toulèse," she said to one of her sons, "get for me my makeup bag. My eyes are a fright." While Antoinette touched up her eye makeup, the mouse father put Despereaux down on a bed made of blanket scraps. The April sun, weak but determined, shone through a castle window and from there squeezed itself through a small hole in the wall and placed one golden finger on the little mouse. The other, older mice children gathered around to stare at Despereaux. "His ears are too big," said his sister Merlot. "Those are the biggest ears I've ever seen." "Look," said a brother named Furlough, "his eyes are open. Pa, his eyes are open. They shouldn't be open." It is true. Despereaux's eyes should not have been open. But they were. He was staring at the sun reflecting off his mother's mirror. The light was shining onto the ceiling in an oval of brilliance, and he was smiling up at the sight. "There's something wrong with him," said the father. "Leave him alone." Despereaux's brothers and sisters stepped back, away from the new mouse. "This is the last," proclaimed Antoinette from her bed. "I will have no more mice babies. They are such the disappointment. They are hard on my beauty. They ruin, for me, my looks. This is the last one. No more." "The last one," said the father. "And he'll be dead soon. He can't live. Not with his eyes open like that." But, reader, he did live. This is his story. ______ THE TALE OF DESPEREAUX by Kate DiCamillo, illustrated by Timothy Basil Ering. Text copyright (c) 2006 by Kate DiCamillo. Published by Candlewick Press, Inc., Cambridge, MA. Excerpted from The Tale of Despereaux: Being the Story of a Mouse, a Princess, Some Soup and a Spool of Thread by Kate DiCamillo All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.