The known world

Review by Booklist Review

Henry Townsend, born a slave, is purchased and freed by his father, yet he remains attached to his former owner, even taking lessons in slave owning when he eventually buys his own slaves. Townsend is part of a small enclave of free blacks who own slaves, thus offering another angle on the complexities of slavery and social relations in a Virginia town just before the Civil War. His widow, Caldonia, grief-stricken and more conflicted about slavery than Henry was, fails to maintain the social order. Also caught in the miasma of slavery is Sheriff John Skiffington, an honorable man who, when presented with a slave as a marriage gift, spends the remainder of his marriage, along with his wife, dithering about how to deal with the girl and ends up treating her like a daughter. These are only a few of the deftly portrayed characters in this elegantly written novel that explores the interweaving of sex, race, and class. Jones moves back and forth in time, making the reader omniscient, knowing what will eventually befall the characters despite their best and worst efforts, their aspirations and their moral failings. This is a profoundly beautiful and insightful look at American slavery and human nature. VanessaBush.

From Booklist, Copyright (c) American Library Association. Used with permission.

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Review by Publisher's Weekly Review

In a crabbed, powerful follow-up to his National Book Award-nominated short story collection (Lost in the City), Jones explores an oft-neglected chapter of American history, the world of blacks who owned blacks in the antebellum South. His fictional examination of this unusual phenomenon starts with the dying 31-year-old Henry Townsend, a former slave-now master of 33 slaves of his own and more than 50 acres of land in Manchester County, Va.-worried about the fate of his holdings upon his early death. As a slave in his youth, Henry makes himself indispensable to his master, William Robbins. Even after Henry's parents purchase the family's freedom, Henry retains his allegiance to Robbins, who patronizes him when he sets up shop as a shoemaker and helps him buy his first slaves and his plantation. Jones's thorough knowledge of the legal and social intricacies of slaveholding allows him to paint a complex, often startling picture of life in the region. His richest characterizations-of Robbins and Henry-are particularly revealing. Though he is a cruel master to his slaves, Robbins is desperately in love with a black woman and feels as much fondness for Henry as for his own children; Henry, meanwhile, reads Milton, but beats his slaves as readily as Robbins does. Henry's wife, Caldonia, is not as disciplined as her husband, and when he dies, his worst fears are realized: the plantation falls into chaos. Jones's prose can be rather static and his phrasings ponderous, but his narrative achieves crushing momentum through sheer accumulation of detail, unusual historical insight and generous character writing. Agent, Eric Simonoff. (Sept.) Forecast: This is a new tack for Jones, whose collection Lost in the City was set in Washington, D.C., in the 1960s and '70s. Amistad is sending the novel off with a bang-a 10-city author tour, a 20-city national radio campaign-and it should attract considerable review attention. (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved

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Review by Library Journal Review

This ambitious first novel by National Book Award nominee Jones (Lost in the City: Stories) looks at slavery from an unusual angle. Henry Townsend is a former slave who was purchased and freed by his own father. Through hard work, he has acquired 50 acres of farmland in Virginia. Given the slave-based agricultural economy, Townsend believes that the logical (and legal) way to work the land is with slaves, and, eventually, he owns more than 30. Although he is less brutal than his neighbors, most of his slaves dream of escaping north. When they try, Townsend must pay the white patrollers to return them or be seen as irresponsible. But as rumors of bloody slave rebellions spread through the South, unscrupulous bounty hunters begin to round up free blacks, Native Americans, and white orphans along with the escapees. By focusing on an African American slaveholder, Jones forcefully demonstrates how institutionalized slavery jeopardized all levels of civilized society so that no one was really free. A fascinating look at a painful theme, this book is an ideal choice for book clubs. Highly recommended. [Previewed in Prepub Alert, LJ 5/15/03.]-Edward B. St. John, Loyola Law Sch. Lib., Los Angeles (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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Review by Kirkus Book Review

Slave-owning by free blacks in antebellum America is the astonishingly rich subject of this impressively researched, challenging novel debut by Faulkner Award-winning Jones (stories: Lost in the City, 1992). Set mostly in the period 1830-50, many nested and interrelated stories revolve around the death of black Virginia farmer and slaveholder Henry Townsend, himself a former slave who had purchased his own freedom, as was--and did--his father Augustus, a gifted woodcarver. Jones's flexible narrative moves from the travail of Augustus and his wife Mildred through Henry's conflicted life as both servant and master, to survey as well the lives of Armstrong slaves, from their early years on to many decades after Henry's passing. The first hundred pages are daunting, as the reader struggles to sort out initially quickly glimpsed characters and absorb Jones's handling of historical background information (which virtually never feels obtrusive or oppressive, thanks to his eloquent prose and palpable high seriousness). The story steadily gathers overpowering momentum, as we learn more about such vibrant figures as Henry's introspective spouse Caldonia, his wily overseer Moses, the long-suffering mutilated slave Elias and his crippled wife Celeste, the brutal "patrollers" charged with hunting down runaways (one of whom, duplicitous Harvey Travis, is a villain for the ages), and county sheriff John Skiffington, a decent man who nevertheless cannot shrug off "responsibilities" with which his culture has provisioned, and burdened, him. The particulars and consequences of the "right" of humans to own other humans are dramatized with unprecedented ingenuity and intensity, in a harrowing tale that scarcely ever raises its voice--even during a prolonged climax when two searches produce bitter results and presage the vanishing of a "known world" unable to isolate itself from the shaping power of time and change. This will mean a great deal to a great many people. It should be a major prize contender, and it won't be forgotten. Copyright ©Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

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The Known World Chapter One Liaison. The Warmth of Family. Stormy Weather. The evening his master died he worked again well after he ended the day for the other adults, his own wife among them, and sent them back with hunger and tiredness to their cabins. The young ones, his son among them, had been sent out of the fields an hour or so before the adults, to prepare the late supper and, if there was time enough, to play in the few minutes of sun that were left. When he, Moses, finally freed himself of the ancient and brittle harness that connected him to the oldest mule his master owned, all that was left of the sun was a five-inch-long memory of red orange laid out in still waves across the horizon between two mountains on the left and one on the right. He had been in the fields for all of fourteen hours. He paused before leaving the fields as the evening quiet wrapped itself about him. The mule quivered, wanting home and rest. Moses closed his eyes and bent down and took a pinch of the soil and ate it with no more thought than if it were a spot of cornbread. He worked the dirt around in his mouth and swallowed, leaning his head back and opening his eyes in time to see the strip of sun fade to dark blue and then to nothing. He was the only man in the realm, slave or free, who ate dirt, but while the bondage women, particularly the pregnant ones, ate it for some incomprehensible need, for that something that ash cakes and apples and fatback did not give their bodies, he ate it not only to discover the strengths and weaknesses of the field, but because the eating of it tied him to the only thing in his small world that meant almost as much as his own life. This was July, and July dirt tasted even more like sweetened metal than the dirt of June or May. Something in the growing crops unleashed a metallic life that only began to dissipate in mid-August, and by harvest time that life would be gone altogether, replaced by a sour moldiness he associated with the coming of fall and winter, the end of a relationship he had begun with the first taste of dirt back in March, before the first hard spring rain. Now, with the sun gone and no moon and the darkness having taken a nice hold of him, he walked to the end of the row, holding the mule by the tail. In the clearing he dropped the tail and moved around the mule toward the barn. The mule followed him, and after he had prepared the animal for the night and came out, Moses smelled the coming of rain. He breathed deeply, feeling it surge through him. Believing he was alone, he smiled. He knelt down to be closer to the earth and breathed deeply some more. Finally, when the effect began to dwindle, he stood and turned away, for the third time that week, from the path that led to the narrow lane of the quarters with its people and his own cabin, his woman and his boy. His wife knew enough now not to wait for him to come and eat with them. On a night with the moon he could see some of the smoke rising from the world that was the lane--home and food and rest and what passed in many cabins for the life of family. He turned his head slightly to the right and made out what he thought was the sound of playing children, but when he turned his head back, he could hear far more clearly the last bird of the day as it evening-chirped in the small forest far off to the left. He went straight ahead, to the farthest edge of the cornfields to a patch of woods that had yielded nothing of value since the day his master bought it from a white man who had gone broke and returned to Ireland. "I did well over there," that man lied to his people back in Ireland, his dying wife standing hunched over beside him, "but I longed for all of you and for the wealth of my homeland." The patch of woods of no more than three acres did yield some soft, blue grass that no animal would touch and many trees that no one could identify. Just before Moses stepped into the woods, the rain began, and as he walked on the rain became heavier. Well into the forest the rain came in torrents through the trees and the mighty summer leaves and after a bit Moses stopped and held out his hands and collected water that he washed over his face. Then he undressed down to his nakedness and lay down. To keep the rain out of his nose, he rolled up his shirt and placed it under his head so that it tilted just enough for the rain to flow down about his face. When he was an old man and rheumatism chained up his body, he would look back and blame the chains on evenings such as these, and on nights when he lost himself completely and fell asleep and didn't come to until morning, covered with dew. The ground was almost soaked. The leaves seemed to soften the hard rain as it fell and it hit his body and face with no more power than the gentle tapping of fingers. He opened his mouth; it was rare for him and the rain to meet up like this. His eyes had remained open, and after taking in all that he could without turning his head, he took up his thing and did it. When he was done, after a few strokes, he closed his eyes, turned on his side and dozed. After a half hour or so the rain stopped abruptly . . . The Known World . Copyright © by Edward P. Jones. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold. Excerpted from The Known World by Edward P. Jones All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

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