Review by Booklist Review
Gr. 5^-8. Shy and clumsy and facing an arranged marriage with a dull prince, Princess Emeralda hides out in the nearby swamp or escapes to the chambers of her aunt Grassina, who is a witch. One day she meets a talking frog, and, of course, the frog claims to be a prince. Eventually the frog persuades Emeralda to give him a kiss, but, in a twist on the familiar, Emeralda becomes a frog herself. The two frogs spend much of the rest of the novel trying to escape from predators in order to reach the castle. Eventually, with the help of her aunt, Emeralda breaks the curse, and she and Prince Eadric, who turns out to be not particularly handsome, regain their human forms. As it happens, the ending in this fairy-tale^-twisting first novel is rather like a Shakespearean comedy, with lots of disguises revealed. Unlike some takeoffs that revolve around one joke, this manages to be entertaining throughout, helped along by Emeralda's amusing first-person narration and the many witty lines. Todd Morning
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
This debut novel follows the adventures of 14-year-old Princess Emeralda and the talking frog she meets one day in a swamp. The frog begs her to give him a kiss so that he will turn back into Prince Eadric, his identity before an evil witch turned him into an amphibian. When the young royal obliges, she, too, is transformed into a frog, and the two leap off in search of the spell-casting witch to ask her to reverse her handiwork. Describing the duo's futile quest in laborious detail, the author pads her tale with some curiously drab characters, including another witch (who hopes to use Emeralda and Eadric in a spell she's concocting) and a bat and snake who reside in her cottage. The tale occasionally offers peppy dialogue and some comical scenes-particularly as the newly transformed Emeralda adjusts to catching flies with her tongue ("My eye-tongue coordination wasn't very good," she admits). Unfortunately, the plot doesn't make much of the magical elements (for example, the characters' encounters with a dragon and a nymph seem inconsequential), resulting in a disappointingly flat fantasy. Ages 8-14. (Nov.) (c) Copyright PWxyz, LLC. All rights reserved
(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review
Gr 4-6-In E.D. Baker's twist on the classic fairy tale (Bloomsbury, 2002), Princess Emeralda has quite an adventure when she kisses a prince-turned-frog and everything goes terribly awry. The book follows her exciting quest, along with the frog prince Eadric, to transform themselves back into their human selves. The text itself is weak, with poor story logic, many fruitless tangents, and excessive detail. However, the dialogue between the perky princess, her valiant but foolish prince, and some of the other odd characters they encounter is often genuinely funny. Narrator Katherine Kellgren produces a variety of voices that are well tailored to the characters and their personalities. This romantic comedy and non-violent adventure would appeal to youngsters fond of twisted fairy tales, but some of the jokes and sophisticated vocabulary will be beyond the intended audience.-Jenna Innes, Edmonton Public Library, Alberta, Canada (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
Taking a princess's-eye view, Baker reworks the traditional story into high-spirited romantic comedy. Desperate for any alternative to a forced marriage, Princess Emma nerves herself to kiss a talking frog--and turns into one herself. As curses can only be removed by the witch who casts them, Emma and glib new acquaintance Prince Eadric of Upper Montevista set out to hunt her up. Fraught with dangers and punctuated with droll interludes as Emma struggles to get the hang of her new limbs and tongue, this shared quest is, naturally, just the ticket for cementing a close relationship. Boastful, libidinous, tender of ego, reckless, and unable to look beyond the next meal, Eadric is less archetypal hero than typical specimen of inept male, but he does have a good heart, and by the time the two achieve human form again, Emma will have no other--for a friend, that is: marriage will have to wait until she finishes a course in witchcraft. Like Donna Jo Napoli's Prince of the Pond (1992), this gives the well-known folktale a decidedly less than "Grimm" cast, and fans of Gail Carson Levine's "Princess Tales" should leap for it. (Fiction. 11-13)
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