Review by Publisher's Weekly Review
A Japanese girl in a rust-colored kimono tours a temple garden and counts its fixtures one to 10, accompanied by newcomer Mannis's haiku poetry. The book's elegantly spare design fits its Zen-influenced theme: a watercolor on the left, framed in a white border, faces a haiku on the right. The girl reaches for a drifting maple leaf in the first spread ("One leaf rides the wind./ Quick as I am, it's quicker!/ Just beyond my grasp") and Hartung (Dear Juno) places her squarely at the garden's entrance. As she admires bonsai ("a miniature forest"), views a pagoda (with its "five roofs [that] stretch to heaven") and drinks tea in a teahouse, the artist fills in details that trace her pathway before the girl lies down beside a lotus-covered pond: "What do flowers dream?/ Adrift on eight pond pillows,/ pink-cheeked blossoms rest." Notes in smaller type below offer more information (lotus blossoms "represent purity and mirror the soul's ability to reach beyond muddy waters to the sunlight of a better existence"). Little birds and a saucy cat accompany the girl through gently tinted, sweetly stylized paintings. The last spread shows the entire garden, revealing the girl's progression through it. Mannis's haiku act as both a guide to some of the elements of traditional Japanese culture and a useful introduction to the haiku form. Hartung's watercolors combine areas of finer draftsmanship with simple washes; in the artist's hands, the landscape becomes a series of meditative images. Ages 4-8. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved
(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review
PreS-Gr 2-This counting book, which follows a Japanese girl as she explores a traditional garden, offers an introduction to haiku and aspects of Japanese culture. The child finds one leaf, two carved dogs flanking the entrance to a temple, three pots of bonsai trees, four startled birds, five tiers on the roof on a pagoda, six sandals outside the teahouse, seven sweet cakes, eight lotus blossoms, nine koi fish, and ten stone lanterns. A double-page panoramic view of the garden at the end allows readers to find and count the objects again. Three lines of haiku are used for each number. Accompanying each poem is a brief paragraph explaining, for example, why a pagoda has five roofs or describing an aspect of the tea ceremony. The book as a whole is elegantly and respectfully presented and the counting aspect is especially well crafted, capturing the meandering focus of a small child. Mannis's simple verses are complemented by Hartung's pleasing and evocative pen-and-ink and watercolor art.-Marilyn Taniguchi, Beverly Hills Public Library, CA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Horn Book Review
A crisply designed, elegantly illustrated counting book introduces elements in a formal Japanese garden. Each straightforward haiku, one per double-page spread, is accompanied by a brief note that elaborates on such topics as bonsai, pagodas, and the tea ceremony. A final spread shows the entire garden, with each of the objects easy to find and count. From HORN BOOK Spring 2003, (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
In her picture book debut, Mannis uses the underlying structure of a little girl in a Japanese garden as the theme for a lyrical counting book with arresting illustrations by Hartung (One Dark Night, 2001, etc.). The author uses haiku as her format to count elements of the garden: one leaf, two carved temple dogs, three bonsai trees, and so on, up to ten lanterns lighting the way into the garden at twilight. The final double-page spread shows all the previously counted items integrated into the idyllic garden, with the little girl catching the leaf that eluded her grasp on the first page. The thoughtful design includes a full-page illustration on the left-hand pages, the appropriate numeral and the haiku in large type on the right-hand pages, and a related textual note in smaller type at the bottom of the page. This format imparts additional information about Japanese gardens and culture without intruding on the effectiveness of the haiku. Hartung's delicate illustrations with varying perspectives effectively complement the haiku and add touches of visual humor throughout. Just as each element of a Japanese garden contributes to a calming, satisfying whole, the elements of this work-poetry, subtly integrated additional text, illustration, design, and even the endpapers-all meld together into a lovely whole that both entertains as successful poetry and educates as an introduction to several aspects of ancient Japanese culture. Teachers in elementary school classrooms will find this volume useful when studying Japan or the haiku format. (author's note) (Picture book/poetry. 4-10)
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