Jesse James Last rebel of the Civil War

T. J. Stiles

Book - 2002

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BIOGRAPHY/James, Jesse
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Subjects
Published
New York : A.A. Knopf 2002.
Language
English
Main Author
T. J. Stiles (-)
Physical Description
510 p., [8] p. of plates : ill, maps
Bibliography
Includes bibliographical references and index.
ISBN
9780375705588
9780375405839
  • List of Illustrations
  • List of Maps
  • Prologue
  • Part 1. Zion: 1842-1860
  • Chapter 1. The Preacher
  • Chapter 2. The Widow
  • Chapter 3. The Slaves
  • Part 2. Fire: 1861-1865
  • Chapter 4. Rebels
  • Chapter 5. Neighbors
  • Chapter 6. Terror
  • Chapter 7. Horror
  • Chapter 8. Exile
  • Part 3. Defiance: 1865-1876
  • Chapter 9. A Year of Bitterness
  • Chapter 10. The Guerrillas Return
  • Chapter 11. The Death of Captain Sheets
  • Chapter 12. The Chivalry of Crime
  • Chapter 13. Invisible Empires
  • Chapter 14. Allies and Enemies
  • Chapter 15. The Persistence of Civil War
  • Chapter 16. Ambition
  • Chapter 17. Anabasis
  • Part 4. Fate: 1876-1882
  • Chapter 18. Resurrection
  • Chapter 19. Assassins
  • Chapter 20. Apotheosis
  • Acknowledgments
  • Abbreviations Used in the Notes
  • Notes
  • Bibliography
  • Index
Review by Choice Review

As much as any state, Missouri was divided by the Civil War and Reconstruction. In a lively narrative, Stiles interprets the life and career of Jesse James in the context of those divisions. Drawn into the conflict as a teenager, James embraced the Confederacy and became one of the murderous bushwhackers who terrorized the state. When the war ended, he refused to accept defeat and, according to the author, became a true believer whose postwar crimes were largely motivated by a desire to continue the struggle against Union victory and all that it stood for. Stiles states that in many ways, Jesse James was the forerunner of the modern terrorist. While an interesting theory, perhaps a more apt comparison would be to the Black Panthers. Like many of them, James used the ideological conflicts of his era and a sympathetic media to abet and disguise what was in reality a violent criminal enterprise. When the political passions of the time cooled, James was exposed and recognized as the criminal he was. This is an interesting reevaluation of an icon of US outlawry. ^BSumming Up: Recommended. For all levels. D. Butts Gordon College (GA)

Copyright American Library Association, used with permission.
Review by Booklist Review

Gr. 6-8. Stiles recounts the details of the life and lore surrounding this notorious outlaw. The son of a slave-holding Baptist minister who died when Jesse was 3, James grew up on the frontier of western Missouri steeped in Southern culture. At 16, he joined the Confederates as a bushwhacker and became an experienced killer, riding with some of the same individuals who later became part of his gang. His career as a bank and train robber spanned some 16 years until his death in 1882 at the hands of one of his own men. Stiles never tries to glorify his subject or engage in postmortem psychoanalysis. He does suggest that James' war experiences embittered him and that some of his victims may have been selected to settle old grudges. Still, the presentation is detached; readers will come away with a chronology of events but very little understanding of James' personality. Several period photos and a bibliography will assist report writers; the treatment of the Civil War from the Southern point of view will make for interesting discussions, too. ~--Kay Weisman

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

In a lucid reexamination of one of the nation's most notorious outlaws, independent historian Stiles argues that Jesse James (1847-1882), like his fellow "bushwhackers," had a political agenda and that this made him more terrorist than bandit, and more significant than we credit. "He was," Stiles says, "a political partisan [wh0] eagerly offered himself up as a polarizing symbol of the Confederate project for postwar Missouri." By the age of 16, James was engaged in guerilla warfare against Union forces; when the war was over he remained a staunch and outspoken ex-Confederate. His letters to friend and newspaper editor John Newman Edwards, in which he described himself as "the target of unjustified, vindictive persecution," and exonerative articles published about him after the war, show that James used and was used by the newspapers to further Missouri's opposition to Reconstruction. White-supremacist bushwhackers targeted Unionists as well as institutions that benefited the Union. Political posturing aside, though, James and his ilk used the booty to line their own pockets and if James mirrored the bigger picture of a society that pushed him into a life of crime, he also embraced that life without remorse. That said, Stiles's painstaking research has produced a compelling book that recreates, sometimes graphically, the ruthlessness that prevailed in Missouri, where neighbor fought neighbor and nobody was safe. He also offers a critical understanding of how deep-seated hatred breeds self-righteous fanatics, who can justify violence against anyone deemed an enemy. 16 pages of illus. and six maps. Agent, Jill Grinberg. (Sept. 22) Forecast: Placing James in the context of the Civil War and its aftermath should substantially increase the audience for this. A six-city author tour and the powerful photo of a young James on the cover will also add sales. (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Cold-blooded killer? Missouri Robin Hood? Romantic Western outlaw? Jesse James has been portrayed as all these things, yet many of these portrayals are either too simplistic or too one-sided. The last scholarly biography of James (William A. Settle's Jesse James Was His Name) came out over 30 years ago. Much has been published since then in terms of documentation, and Settle perhaps concentrated more on distinguishing between the legend and the man than popular historian Stiles does in this new biography. Stiles has focused here on the outlaw in the context of his times, in particular the political era. James was very much a political man, a frequent writer of letters to newspapers, and a diehard Confederate in a state more bitterly divided over the war than perhaps any other. Stiles suggests, interestingly, that James was not simply an outlaw but a sort of terrorist, both during and after the Civil War. The ferocity and cruelty of war and politics in Civil War Missouri are captured vividly, as is their effect on the development of the young James, who was only 16 when he joined the Confederate guerrillas. Well written, amply illustrated, and supported by chapter notes, this title is recommended for both public and academic libraries. Charles Cowling, SUNY at Brockport Lib. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by School Library Journal Review

Gr 6-12-A gripping portrait of one of the most notorious and vicious criminals in U.S. history. At 18, James was to most a feared and hated outlaw, but to others he was a folk hero in the image of Robin Hood. Along with his brother Frank and other renegade soldiers, he formed the ``James Gang,'' which sought to avenge the lost cause of the Confederacy. This man has fascinated readers for a century, and Stiles brings him to life with his poignant style and use of vivid period photographs. While his tone is highly sympathetic to James and the cruel and iniquitous treatment he received at the hands of Union soldiers, he in no way romanticizes or justifies the killer's actions. The legend lives on in this readable biography.- Julie Halverstadt, Douglas Public Library District, Castle Rock, CO (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Horn Book Review

Gang leader and bank and train robber, Jesse James successfully eluded capture for decades. His participation in guerilla activities during and after the Civil War and his involvement in the border disputes between Kansas and Missouri provide colorful background history for the discussion of one of the most violent outlaws in United States history. Archival photographs portray the key figures in James's life. Bib., ind. (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

In this excellent biography of the famed bandit, journalist/historian Stiles reveals his subject as less a Robin Hood than an Osama bin Laden for his time. The son of a luckless itinerant preacher who died broke in the gold fields of California, James (1847-82) came of age among hardscrabble Missourians who shared "a willingness to resort to violence . . . to resolve private disputes or keep public order." When the border war flared up between slaveholders and pro-Union sympathizers along the Missouri River, James became a murderous member of one of the small guerrilla cells "that fought without central direction or official Confederate sanction" and were not shy about killing their supposed secessionist allies when it suited them, to say nothing of dismembering enemy corpses for pleasure. Though liberal in his range of targets, he was not apolitical, and long after war's end, he took pains to terrorize Unionists and other enemies of the Confederacy; Stiles suggests that he even chose to stage his fateful raid on the First National Bank of Northfield, Minnesota, because the abolitionist hero Adelbert Ames owned a controlling interest in it. James had a powerful ally and publicist in newspaper editor John Newman, an unapologetic champion of the Lost Cause who glamorized him as a friend and protector of the common man in the face of greedy carpetbaggers. On the contrary, Stiles insists, Jesse James was a terrorist. The author matches a real flair for the biographer's art with an appreciation for the historical complexities of the time, especially for the ironies of the post-Reconstruction era, when much of the nation repudiated the radical goals of abolitionism, "sandpapered away by the economic depression and Democratic intransigence," and white supremacy was restored, making the world safe for the likes of Jesse James and his carefully constructed myth. A thoroughly impressive, eminently readable work of revisionist history.

Copyright (c) Kirkus Reviews, used with permission.

Part One Zion 1842-1860 Walk about Zion, and go round about her; tell the towers thereof. Mark ye well her bulwarks, consider her palaces, that ye may tell it to the generation following. -Psalms 48:12-13 Chapter One - The Preacher In the blind man's memory, the river ran west. It was in the spring of 1846 when young Francis Parkman had first looked on the Missouri, and he had seen clearly that its wide and silty waters flowed east to the Mississippi. But when he closed his faltering eyes in a clinic on Staten Island in 1847 and began to dictate the story of his adventure of the previous year, he had already begun to think like the great historian he would soon become. As he scanned in his mind the lines of passengers and clots of wagons and piles of goods crowding the St. Louis levee, as he recalled the sound of steamboat paddles slapping and churning against the Missouri's current, he could see the life of the nation pulsing westward up the river like blood cells pouring through an artery. In the most important sense, the river ran west.1 Parkman did not record how he arrived in St. Louis from his home in Boston, but he undoubtedly spent most of his trip on the water. It was virtually his only choice. Most roads amounted to little more than muddy ravines-in Missouri, it was said that roads were worn , not made-and the first, pioneering railways had yet to cover much territory. So, whenever possible, Americans set out in schooners and square-rigged ships, paddlewheel steamboats, or mule-drawn canal barges. He might have taken a ship to New Orleans, then a riverboat north; or he could have sailed up the Hudson, been towed down the Erie Canal, then shipped through the Great Lakes before crossing to descend the Mississippi, or taking another canal to reach the mighty Ohio.2 North and south, east and west, these flowing highways met at the metropolis of St. Louis. One of Parkman's contemporaries, a farm woman named Elizabeth Carter, wrote that merchants swarmed in and out of the place "like bees." The water off the city's tightly packed levee presented a breathtaking spectacle, as dozens of teetering, wedding-cake paddlewheelers pressed in to find a landing. "The steamboats were strung up and down the river for miles as close as they could stand," she wrote to her family in Kentucky.3 Some fifty of those vessels regularly plied the Missouri River, hauling passengers and goods between St. Louis and the state's inner river towns. But the twenty-two-year-old Parkman's imagination was captured by the immense throng of settlers and traders bound for Oregon, California, and Santa Fe. "The hotels were crowded," he wrote, "and the gunsmiths and saddlers were kept constantly at work in providing arms and equipments for the different parties of travellers."4 On April 28, 1846, Parkman left St. Louis on a Missouri steamer named the Radnor . "The boat was loaded until the water broke alternately over the guards," he recalled. "Her upper-deck was covered with large wagons of a peculiar form, for the Santa Fe trade, and her hold was crammed with goods for the same destination. There were also equipments and provisions of a party of Oregon emigrants, a band of mules and horses, piles of saddles and harness." For the next week, the heavily laden steamboat chugged up the winding river, forcing its way against the swift current. The Missouri ran high in the spring, making the pilot's job simpler-but not simple. The channel constantly shifted back and forth across the soft-soiled floodplain; sandbars swelled into islands and then dissolved; snags of drifting dead trees came and went, threatening to spear the hull of a poorly guided boat. Everything rested on the pilot's knowledge and skill. He had to learn and relearn the river, read the water for shoals and snags, know how to time a burst of steam to carry the boat through a shallow chute. It was a dangerous career. Between boiler explosions and the river's own obstacles, an average of three boats each year sank to the Missouri's muddy bottom, often taking dozens of lives at a time. The pilot, Mark Twain later wrote, ruled over his vessel "in glory," trumping even the captain in pay and authority.5 During that week, the Radnor existed as a floating town, piled high and trailing a cloud of smoke. The average boat was a sidewheeler, some 165 feet long and 28 feet wide-though they often reached 250 feet with a 40-foot beam-and some could hold as many as 400 passengers. "In her cabin were Santa Fe traders, gamblers, speculators, and adventurers of various descriptions," Parkman observed, "and her steerage was crowded with Oregon emigrants, 'mountain men,' negroes, and a party of Kanzas Indians, who had been on a visit to St. Louis." Also on board, unmentioned by the young Bostonian, would have been country lawyers, frontier merchants, and farmers returning home, along with dozens of women, children, and teenagers. "The young people seemed to enjoy themselves very well," Elizabeth Carter noted on a similar trip, "with music and dancing every night."6 "In five or six days we began to see signs of the great western movement that was then taking place," Parkman recalled. Tents and wagons began to appear on the bank as the boat drew near Independence. When the Radnor steamed in to the landing, he gaped at the wild diversity of the scene: dozens of Mexicans, "gazing stupidly out from beneath their broad hats"; clusters of Native Americans, gathered silently around campfires; a few long-haired, buckskin-clad French hunters, fresh from the mountains; and crowds of Anglo-Saxon pioneers.7 There was probably no other place in the country like Missouri's western border. The aptly named town of Westport served as the access point between the settled states and the Great Plains, the Rocky Mountains, and the Pacific coast. Traders came and went, spending the Spanish silver coins they acquired in Santa Fe; Native Americans of countless nations and cultures visited and passed through; and settlers departed by the thousands in their ox-drawn wagons. The first large group of emigrants had departed for Oregon just three years before, starting a steady flow to that distant territory; and now the Mormons were gathering for a long trek west that would end at Great Salt Lake, deep in Mexican territory. Westport's shops were filled with the sounds of English, Spanish, French, along with the occasional German and various Indian languages. And yet, as wild as the region might have seemed to the eye, it was hardly a raw, untamed frontier. A full decade before Parkman's arrival, one writer thought that many of the towns "would lead the visitor to believe, were he governed by appearances, that he was in the heart of the best settlements of one of the older states." A few years afterward, another visitor made a telling observation: Missouri's western border, he wrote, "is fenced up all on one side with old and well improved farms as far east as we could see, while on the right . . . it is open, wild prairie."8 Hard against this boundary-next to the vast plains that President Andrew Jackson had set aside as the "permanent Indian frontier"-sat this long-settled, thriving community, bustling with commerce. Hemp and tobacco fields abounded; river towns rang with noise from carriage workshops, tobacco stemmeries, and leaf-prizing houses, as well as ropewalks, where hemp's rough fibers were turned into twine. Both farmers and merchants prospered by selling supplies to the migrants marching by. Passing wagon trains kept cobblers, saddle makers, and blacksmiths busy; they also provided a major market for locally raised food and livestock. In May 1848, for example, outfitter Edward M. Samuel in the town of Liberty announced that he needed at least two thousand pounds of bacon to keep up with demand.9 When Parkman looked over these Missourians, he found them "yellow-visaged," with "lank angular proportions, enveloped in brown homespun, evidently cut and adjusted by the hands of a domestic female tailor." Though his description seems at odds with this general picture of prosperity, it was nonetheless accurate. Almost everything had a handmade look out here, on the far end of the bending limb of the Missouri River. "From all I have seen," Elizabeth Carter wrote from Clay County, "I would judge that the people are very plain." Even residents whose homes dated back to the early 1820s sometimes lived in log cabins, though well-improved ones; many used walnut or butternut oil to die their homespun clothes a distinctive brown, earning these people the nickname "butternuts."10 Butternuts could be found all across Missouri, Illinois, Indiana, and Ohio, where they had moved from the upper South-especially from Kentucky, the great fountain of settlers that flooded the Ohio and Mississippi valleys in the early nineteenth century. They went by other nicknames as well, such as crackers, hoosiers, pukes, and rednecks-terms that originated in Ulster, Scotland, and northern England, where this long movement of peoples began a century earlier. Even the wealthiest among them-those who could afford fine wool and cotton clothes, rather than walnut-stained homespun-shared common cultural traits: a willingness to resort to violence, for example, to resolve private disputes or keep public order.11 Parkman continued on into the vast expanse of the Great Plains, where he joined a wandering Oglala band of the Lakota people; but when he turned in his saddle to glance over his shoulder, settled Missouri itself looked like an alien land to his Harvard-bred, Bostonian eyes. How different it must have seemed to another passenger who stepped off a steamboat that spring; to him, Missouri's western reaches would have been little less than Zion. This man had also spent a slow week in early 1846 on a paddlewheeler from St. Louis, as it churned toward the setting sun. If he had been aboard the Radnor, Parkman would have noticed him: he was a commanding figure, a tall man with a long, thin face, his hair parted on one side and combed across to leave his high forehead bare. Perhaps he carried a Bible when he appeared in the dining room for his meals; though his name was Robert Sallee James, this twenty-eight-year-old was better known to his Baptist neighbors as brother or Preacher James.12 He probably disembarked at Liberty landing, in Clay County, across the river from Independence. There he would have hired a horse or a wagon for the long ride home along those rutted tracks that Missourians called roads, across a landscape that resembled a rug pushed into a corner: rumpled, wrinkled, rippled with ravines and dusted with timber. His route would have carried him through the town of Liberty, the prosperous but modest county seat, and a dozen miles farther into the northern reaches of Clay. There he would have ridden over a low rise and caught sight of a humble three-room house with a narrow porch stretching across its single story, perched with a barn and a few outbuildings above a deep streambed. It was home.13 James had clearly given careful thought to the timing of the extended trip he had just completed. The month of January, though the deepest trough of winter, overflowed with labor for the typical Missouri farmer, but eight to twelve weeks into the year the demands temporarily lightened. The river, too, would finally be free of ice, as the first paddlewheelers puffed into the landings along Clay County's long waterfront. After selling his annual harvest of hemp, he would have had several weeks free before new seed had to go into the ground. So church member Jane W. Gill expressed little surprise when she noted in a letter that "Preacher James" had departed in late March to visit his native Kentucky.14 But there was something odd about that journey. He apparently went alone, leaving behind his wife of five years, Zerelda Cole James, and their two-year-old son. Robert looked uncertain and uneasy when he left, a condition that his neighbors kept in mind as they welcomed him home. "Preacher James," Gill wrote on June 15, 1846, "was here with his wife a few days after his return, and seems better contented to live in Mo."15 Better contented . These modest words suggest a disquiet not quite dispelled. But the cause of his discontent is unclear. By any measure, he had already come far from his humble beginnings. Born on July 7, 1818, he became an orphan at the age of nine and went to live with his sister Mary Mimms (eighteen years old and already married). In 1838, he enrolled at Georgetown College, Kentucky, a rare distinction at a time when primary education was haphazard, secondary education rare, and illiteracy all too common. There he met Zerelda E. Cole, a strikingly tall girl who attended a Roman Catholic school in town. And she was indeed a girl . Born on January 29, 1825, she was only sixteen when she engaged to marry the devout college student.16 Zerelda, too, was a native of Kentucky, and she, too, had lost a parent at an early age. Her father had died when she was just two, and she was left by her mother with her grandfather, Robert Cole. After he died, her mother married Robert Thomason-reportedly ignoring Zerelda's disapproval-and moved to distant Clay County, Missouri. Once again, the girl found herself packed off to live with relatives, this time with her uncle James M. Lindsay in Scott County, Kentucky. Though a Protestant, she entered the Catholic school in Georgetown, the community where she met her future husband. On December 20, 1841, they said their vows at Lindsay's home. The wedding of such a young girl was not an ordinary event in antebellum Kentucky: Lindsay had to give county officials his written permission for the minor to marry. Once Robert James received his diploma, in the spring of 1842, the pair packed their things and traveled to Clay County, where they moved in with Zerelda's mother and Thomason. The child bride soon showed signs of pregnancy. Nine days before her eighteenth birthday, on January 10, 1843, she delivered a boy. They named him Alexander Franklin James, or Frank, for short.17 All in all, Robert James found himself in a seemingly blissful domestic setting, with a young, attractive wife and a newborn son. But he was a restless, driven man. In short order, he found a forum for his ambition at the New Hope Baptist Church. Founded in 1828, it was a humble affair: a log structure twenty feet square, with a haphazard stone chimney that opened into a gaping fireplace. Even in this cramped space, worshippers had plenty of room during Sunday meetings. Their recently departed preacher had driven away most members with heated doctrinal disputes over communion. When James first arrived, a mere fifteen people gathered for services.18 In that dim, gritty church, James discovered his own inner light; and in him, the tiny church found its salvation, in both the spiritual and the worldly sense. Baptist congregations ordained their own preachers from among their membership; nothing more was required than a mutual agreement that a man had received a divine calling to speak the word of God. And the pious, charismatic, well-educated young fellow from Kentucky inspired immediate consensus among these "very plain" people. One neighbor recalled how he had attended the ordination service as a boy. From the Hardcover edition. Excerpted from Jesse James: Last Rebel of the Civil War by T. J. Stiles All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.