Review by Booklist Review
If Kellerman faltered slightly in her last Peter Decker/Rina Lazarus thriller, The Forgotten [BKL Jl 01], she more than makes up for it in this one, even though the calm, inquisitive Rina is mostly absent from the action. Responding to his half-brother Jonathan's plea for help in solving the murder of Jonathan's brother-in-law and the disappearance of his niece, LAPD detective Drecker finds himself in the middle of a cultural disconnect: on one side is the New York Orthodox Jewish community where the victims' family lives; on the other is Manhattan mobster and porn photographer Chris Donatti, whom Decker once put behind bars, then freed. Decker knows Donatti may hold the key to the crime, but he also knows the vengeful young man isn't going to give it up easily. The amoral Chris steals the show here; a great foil for the righteous Decker, he's viscous yet vulnerable, calculating, vengeful, and selfish, but with a skewed code of ethics that makes him pitiable, almost sympathetic. There's some steamy sex, and Kellerman ratchets up the action as Decker and Donatti alternately try to outsmart one another and punch each other out. High-voltage stuff about family ties and righting old wrongs. --Stephanie Zvirin
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
Raw. Brutal. Ugly. And, of course, riveting. L.A. homicide detective Peter Decker, an orthodox Jew, answers a call for help from his half-brother, Jonathan, in this 14th tale (after 2001's The Forgotten) from bestseller Kellerman. Ephraim Lieber, Jonathan's brother-in-law, has been found murdered in a seedy Manhattan hotel. Ephraim's 15-year-old niece, Shaynda, who was supposed to be with him, is missing. Reluctantly, Peter agrees to fly to New York to assess the situation, advise the family and perhaps consult with the police investigating the crime. Wife Rina and daughter Hannah accompany him to make the trip something of a vacation as well. The bare questions of the case are difficult and delicate enough (had Ephraim, a recovering drug addict, backslid? was his relationship with Shaynda abusive? what part did other family relationships play?). Peter is quickly caught up in a desperate attempt to find and save the girl while battling an intransigent family, unfamiliar territory and reckless killers. Worse, his best ally in this impossible situation is Chris Donatti, first encountered in Justice (1995), a psychotic, mob-connected killer and maker of pornographic films. Whether Kellerman is depicting the ultra-Orthodox Jewish community or a pornographer's studio, she is utterly convincing. Amid the wreckage of lives taken or thrown away, Kellerman's heroes find glimmers of hope and enough moral ambiguity to make even her most evil villain look less than totally black. (One-day laydown July 30) Forecast: A five-city author tour, TV advertising in L.A. and New York, national print advertising and more should propel this title into bestseller territory. (c) Copyright PWxyz, LLC. All rights reserved
(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review
Rina Lazarus and LAPD lieutenant Peter Decker are back, and have they got a problem: the brother-in-law of Decker's half-brother, Rabbi Jonathan Levin, has been found dead in a real dump of a hotel, and the man's young niece is missing. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
If their immediate family isn't igniting heartburn in LAPD's Peter Decker and his Orthodox Jewish wife, Rina Lazarus, their extended family is. But that's normal for a series that thrives on emotional acidity (The Forgotten, 2001, etc.). A frantic phone call from Peter's half-brother, Rabbi Jonathan Levine, in upstate New York kick-starts their 16th case. Rabbi Levine's brother-in-law, Ephraim, has been found murdered in a shabby New York City hotel, and his 16-year-old niece has vanished. Can Peter come to Quinton and help the stricken family? Peter's reluctant. He knows how enthusiastic the local cops will be about offers of help from a visiting policeman. And he knows that Quinton is home to a "black hat" community of super-religious Chasids whose view of any other kind of Jew is dim indeed. But of course he goes, taking Rina with him, only to arrive inexplicably persona non grata. "Why are you here?" demands the mother of the missing girl. In the days that follow, that becomes an increasingly difficult question to answer, as Peter's unpopularity is underscored by people taking potshots at him. Inevitably, he begins to wonder: Was Ephraim up to something reprehensible? Do the black hats hide dark secrets? Despite threats from enemies, pleas from Rina, and warnings from his own better judgment, Peter elects to stay the course, acknowledging ruefully that he has "this pathological need for closure." Humdrum prose, bravura storytelling: vintage Kellerman.
Copyright (c) Kirkus Reviews, used with permission.
