Stranger things happen

Kelly Link

Book - 2001

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FICTION/Link, Kelly
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Subjects
Published
Brooklyn, NY : Small Beer Press c2001.
Language
English
Main Author
Kelly Link (-)
Edition
1st ed
Item Description
"A Jelly Ink book"--T.p. verso.
Physical Description
266 p. ; 22 cm
ISBN
9781931520003
  • Carnation, lily, lily, rose
  • Water off a black dog's back
  • The specialist's hat
  • Flying lessons
  • Travels with the snow queen
  • Vanishing act
  • Survivor's ball, or, The Donner Party
  • Shoe and marriage
  • Most of my friends are two-thirds water
  • Louise's ghost
  • The girl detective.
Review by Booklist Review

Link offers strange and tantalizing stories--contemporary fiction with a fairy-tale ambience--that explore the relationship between loss and death and the many ways we try to cope with both. She boldly weaves myth and fairy tale into contemporary life, drawing inspiration from the myth of Orpheus and Eurydice, from the fairy tale of Cinderella, from the writings of C. S. Lewis, and from the true story of the Donner party's descent into cannibalism. Meet Humphrey, one of Zeus' many illegitimate sons, and June, his girlfriend, who decides to travel to Hades to bring Humphrey back. Learn the rules of being dead, and find out what really happened between Kay and the Snow Queen. Ask yourself what would have happened to the prince if he had never found the girl whose foot fit the glass slipper. Link uses the nonsensical to illuminate truth, blurring the distinctions between the mundane and the fantastic to tease out the underlying meanings of modern life. Bonnie Johnston

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

The 11 fantasies in this first collection from rising star Link are so quirky and exuberantly imagined that one is easily distracted from their surprisingly serious underpinnings of private pain and emotional estrangement. In "Water Off a Black Dog's Back," a na?ve young man who has never known personal loss finds that the only way he can curry favor with his lover's physically afflicted family is to suffer a bizarre amputation. The protagonist in "Travels with the Snow Queen" reconsiders her fairy-tale romance when she deconstructs the clich?s of traditional fairy tales and realizes that their heroines inevitably sacrifice and suffer much more than their heroes do. Link favors impersonal and potentially off-putting postmodern narrative approaches, but draws readers to the emotional core of her stories through vulnerable but brave characters who cope gamely with all the strangeness the world can throw their way. In the book's most effective tale, "Vanishing Act," a young girl's efforts to magically reunite herself with her distant family by withdrawing from the world around her poignantly calls attention to the spiritual vacancies and absence of affection in the family she stays with. "The Specialist's Hat" features twin sisters whose morbid obsessions seems due as much to their father's parental neglect as their mother's death. Although a few of the selections seem little more than awkward freshman exercises in the absurd, the best shed a warm, weird light on their worlds, illuminating fresh perspectives and fantastic possibilities. (July) FYI: "The Specialist's Hat" won a World Fantasy Award in 1999. (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review

Eleven stories showcase a dexterous use of language and a startling, if frequently elusive, imagination as ghosts, aliens, and the living dead invade the most mundane aspects of everyday life. Newcomer Link references fairy tales, mythology, and bits of our common contemporary cultural experience, not to offer commentary but to take off on her own original riffs. So in "Shoe and Marriage" we meet a dictator's widow, unavoidably reminiscent of Imelda Marcos, living in a museum that displays the shoes she took from her husband's murder victims. The story, which also describes a bizarre beauty pageant, plays verbally with shoe metaphors from Cinderella's slippers to Dorothy's ruby reds, but what touches you is not the author's verbal acrobatics but the widow's deep sense of sorrow and horror. Like many of the pieces here, "Shoe and Marriage" joins disparate parts that don't always fit together, but linear connections are not the aim. When she depends too much on pure cleverness, Link ends up sounding derivative and brittle. "Survivor's Ball, or The Donner Party," in which two travelers come to an inn where a creepy if lavish shindig is in full swing, reminds you too insistently of Poe. "Flying Lessons," about a girl's love for a boy whose desire to fly ends tragically (hint, hint), and "Travels With the Snow Queen," in which the fairy tale is revamped to read cute, come across as writing-school literary. But at her best, Link produces oddly moving imagery. In "Louise's Ghost," two friends named Louise have overlapping affairs. The shared name at first seems like another joke, but the tale gradually digs deep into the emotionally charged waters of loss and redemption. Stylistic pyrotechnics light up a bizarre but emotionally truthful landscape. Link's a writer to watch.

Copyright (c) Kirkus Reviews, used with permission.

An excerpt from "The Specialist's Hat" "When you're Dead," Samantha says, "you don't have to brush your teeth." "When you're Dead," Claire says, "you live in a box, and it's always dark, but you're not ever afraid." Claire and Samantha are identical twins. Their combined age is twenty years, four months, and six days. Claire is better at being Dead than Samantha. The babysitter yawns, covering up her mouth with a long white hand. "I said to brush your teeth and that it's time for bed, " she says. She sits cross-legged on the flowered bedspread between them. She has been teaching them a card game called Pounce, which involves three decks of cards, one for each of them. Samantha's deck is missing the Jack of Spades and the Two of Hearts, and Claire keeps on cheating. The babysitter wins anyway. There are still flecks of dried shaving cream and toilet paper on her arms. It is hard to tell how old she is -- at first they thought she must be a grownup, but now she hardly looks older than them. Samantha has forgotten the babysitter's name. Claire's face is stubborn. "When you're Dead," she says, "you stay up all night long." "When you're dead," the babysitter snaps, "it's always very cold and damp, and you have to be very, very quiet or else the Specialist will get you." "This house is haunted," Claire says. "I know it is," the babysitter says. "I used to live here." Something is creeping up the stairs, Something is standing outside the door, Something is sobbing, sobbing in the dark; Something is sighing across the floor. Claire and Samantha are spending the summer with their father, in the house called Eight Chimneys. Their mother is dead. She has been dead for exactly 282 days. Their father is writing a history of Eight Chimneys, and of the poet, Charles Cheatham Rash, who lived here at the turn of the century, and who ran away to sea when he was thirteen, and returned when he was thirty-eight. He married, fathered a child, wrote three volumes of bad, obscure poetry, and an even worse and more obscure novel, The One Who Is Watching Me Through the Window, before disappearing again in 1907, this time for good. Samantha and Claire's father says that some of the poetry is actually quite readable, and at least the novel isn't very long. When Samantha asked him why he was writing about Rash, he replied that no one else had, and why didn't she and Samantha go play outside. When she pointed out that she was Samantha, he just scowled and said how could he be expected to tell them apart when they both wore blue jeans and flannel shirts, and why couldn't one of them dress all in green and the other pink? Claire and Samantha prefer to play inside. Eight Chimneys is as big as a castle, but dustier and darker than Samantha imagines a castle would be. The house is open to the public, and during the day people -- families -- driving along the Blue Ridge Parkway will stop to tour the grounds and the first story; the third story belongs to Claire and Samantha. Sometimes they play explorers, and sometimes they follow the caretaker as he gives tours to visitors. After a few weeks, they have memorized his lecture, and they mouth it along with him. They help him sell postcards and copies of Rash's poetry to the tourist families who come into the little gift shop. When the mothers smile at them, and say how sweet they are, they stare back and don't say anything at all. The dim light in the house makes the mothers look pale and flickery and tired. They leave Eight Chimneys, mothers and families, looking not quite as real as they did before they paid their admissions, and of course Claire and Samantha will never see them again, so maybe they aren't real. Better to stay inside the house, they want to tell the families, and if you must leave, then go straight to your cars. The caretaker says the woods aren't safe. Their father stays in the library on the second story all morning, typing, and in the afternoon he takes long walks. He takes his pocket recorder along with him, and a hip flask of Old Kentucky, but not Samantha and Claire. The caretaker of Eight Chimneys is Mr. Coeslak. His left leg is noticeably shorter than his right. Short black hairs grow out of his ears and his nostrils, and there is no hair at all on top of his head, but he's given Samantha and Claire permission to explore the whole of the house. It was Mr. Coeslak who told them that there are copperheads in the woods, and that the house is haunted. He says they are all, ghosts and snakes, a pretty bad-tempered lot, and Samantha and Claire should stick to the marked trails, and stay out of the attic. Mr. Coeslak can tell the twins apart, even if their father can't; Claire's eyes are grey, like a cat's fur, he says, but Samantha's are gray, like the ocean when it has been raining. Samantha and Claire went walking in the woods on the second day that they were at Eight Chimneys. They saw something. Samantha thought it was a woman, but Claire said it was a snake. The staircase that goes up to the attic has been locked. They peeked through the keyhole, but it was too dark to see anything. Excerpted from Stranger Things Happen: Stories by Kelly Link All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.