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José Saramago

Book - 1999

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FICTION/Saramago, Jose
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Subjects
Published
New York : Harcourt, Inc c1999.
Language
English
unknown
Main Author
José Saramago (-)
Other Authors
Margaret Jull Costa (-)
Edition
1st U.S. ed
Physical Description
238 p. ; 22 cm
ISBN
9780151004218
Contents unavailable.
Review by Booklist Review

The recent Portuguese winner of the Nobel Prize for literature is known for his cerebral but perfectly enticing novels that are often more about ideas than events. His latest is no exception, a riveting, Kafkaesque journey into one man's obsession amid the arid, repetitive, and cumbersome bureaucratic environment in which he works. Senhor Joseis employed in the Central Registry in what we assume to be the Portuguese capital, Lisbon. This office keeps the vital records of all the country's citizens, including registrations of birth, marriage, and death. Senhor Jose, by an odd set of circumstances, lives in a room attached to the registry and accessed by an old key. One day he comes upon an incomplete record of a woman and is caught up in the idea that she deserves to be known. Surreptitiously, for he could lose his job, Senhor Jose searches the archives available to him and then takes to the streets to track the woman down. This haunting, strangely moving novel is uplifting despite the tragic nature of the woman's life; Saramago's true theme here is how compassion ultimately rules human behavior. --Brad Hooper

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

The deceptive simplicity of Nobel Prize-winner Saramago's prose, and the ironic comments that he intersperses within this story of an obsessional quest, initially have a disarming effect; one expects that this low-key exploration of a quiet man's eccentric descent into a metaphysical labyrinth will be an extremely intelligent but unexciting read. Unexciting: wrong. Within the first few pages, Saramago establishes a tension that sings on the page, rises, produces stunning revelations and culminates when the final paragraph twists expectations once again. The title refers to the miles of archival records among which the protagonist toils at the Registry of Births, Marriages and Deaths in an unnamed small country whose inhabitants still live by ancient rules of hierarchical social classes. The registry is quixotically disorganized so that the files of those most recently deceased are buried under miles of paper at the furthest remove of the massive building. After more than two decades at the job, 50-year-old Senhor Jos is still a mere clerk in the bureau. A penurious, reclusive, lonely bachelor, Senhor Jos has only one secret passion: he collects clippings about famous people and surreptitiously copies their birth certificates, purloining them from the registry at night and returning them stealthily. Purely by accident, the index card of a 36-year-old woman unknown to him becomes entangled in the clippings he steals. Suddenly, he is stricken by a need to learn about this woman's life. Consumed by passion, this heretofore model of punctilious behavior commits a series of dangerous and unprofessional acts. He forges official papers, breaks into a building, removes records from institutions and continues to enter the registry after darkDall punishable offenses. To carry out his mission, he is forced to become practical, clever and brave. But the more risks he takes, the more astonishing events occur, chief among them that the remote, authoritarian Registrar takes a personal interest in his lowly employee. Meanwhile, Senhor Jos himself discovers shocking facts about the woman he seeks. Saramago relates these events in finely honed prose pervaded with irony, but also playful, mocking and witty. Alternately farcical, macabre, surreal and tragic, this mesmerizing narrative depicts the loneliness of individual lives and the universal need for human connection even as it illuminates the fine line between the living and the dead. First serial to Grand Street, the Reading Room and Doubletake; QPB and Reader's Subscription Club selection; author tour. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Senhor Jose is a low-level clerk in the Portuguese Civil Registry of births, deaths, and marriages, where it is next to impossible for him to squeeze out of that rigid hierarchy even one miserable half-hour off work. A middle-aged bachelor with no interest in anything beyond the dates and facts that are his daily fare, he is especially fascinated by the vital statistics of celebrities. One day he becomes particularly preoccupied by the birth certificate of an anonymous young woman who he learns is a mathematics teacher. As he becomes more and more obsessed with her, his resolve to learn all that he can about her leads to tragedy. The loneliness of people's lives, the effects of chance and sudden flashes of recognition, and the discovery of tentative love are all skillfully woven together in this imaginative parable of the living and the dying. Saramago, the 1988 Nobel literary laureate, has here written a tantalizing anatomy of an obsession. [Previewed in Prepub Alert, LJ 6/1/00.]DJack Shreve, Allegany Coll. of Maryland, Cumberland (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

The resonant themes of identity and autonomy are examined with keen precision and rich humor in the Portuguese Nobel laureate’s most recent (1997) fiction, a novel that compares very interestingly with Saramago’s fascinating The History of the Siege of Lisbon (1997). The unprepossessing Senhor José, a middle-aged bachelor, works as a clerk in a nameless large city’s Central Registry (of Births, Marriages, and Deaths)—an Orwellian maze whose largest section is eternally extended backward, to accommodate the records of the ever-increasing ranks of the deceased. Senhor José lives in a small house literally connected to the Registry’s main building, and meekly devotes himself to his occupation—while also surreptitiously working on his private collection, which documents the lives of miscellaneous celebrities. Allegory rears its head (as it so often does in this writer’s books) when a chance fascination with an unknown woman whose card he discovers sends him on an odyssey of discovery: a journey that lures the timid civil servant dangerously far out of his shell, involves him in forgery, burglary, and other misdeeds, while simultaneously risking his health (if not his life), and courts the displeasure of the all-knowing, omnipotent Registrar—who, in the dazzling finale, will determine Senhor José’s fate. Saramago tells his (surprisingly dramatic) story in a style featuring his characteristic run-on sentences and pages-long paragraphs, frequently interpolating authorial commentary that positively glitters with summary concision and compassionate irony. And Senhor José is unforgettably characterized as both a Thurber-like milquetoast and a moral and intellectual hero who pits himself against the tide of regimentation and anonymity that steadily engulfs him. Indeed, when he enters the labyrinthine “archive of the dead,” he earns the implicit comparisons to Theseus confronting the Minotaur, or Aeneas in the Underworld. Mischievous, saturnine, and commandingly eloquent fiction. Quality Paperback Book Club selection; author tour

Copyright (c) Kirkus Reviews, used with permission.